17 Results for : archetypical

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    The Anam Glyphs , Hörbuch, Digital, ungekürzt, 289min
    Beautimus Potamus - A talking hippo on the mythical planet, Rendaz - is a university professor at Dr. Pimbly’s School of Goodly Educated Adults, a writer, and a maker of oracles.From Rendazian and Earthian archetypical symbols, Beautmus developed her own divination tool, The Anam Glyphs. And, with the assistance of her “Hu Man” co-author on Earth, Peggy A. Wheeler, she has created a book about her oracle.Part fantastical fiction and part “how to,” The Anam Glyphs is a guide to creating and interpreting universal divination stones so that seekers may better define their life’s path, discover answers to pressing questions, and catch a glimpse of their destiny.There are 32 glyphs, each with its own distinct symbol. Beautimus and Peggy provide instruction on how to create the stones, cast them, read them, and interpret their meanings. Woven throughout the guide are oft-time humorous anecdotes from Beautimus’ life on Rendaz, and brief commentary from Peggy A. Wheeler.Written as the companion to The Splendid and Extraordinary Life of Beautimus Potamus, The Anam Glyphs can also be used as a standalone piece for those interested in fun oracles and unusual divination tools. ungekürzt. Language: English. Narrator: Kelley Hazen. Audio sample: https://samples.audible.de/bk/acx0/147017/bk_acx0_147017_sample.mp3. Digital audiobook in aax.
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    Doctors at War: Life and Death in a Field Hospital: The Culture and Politics of Health Care Work , Hörbuch, Digital, ungekürzt, 285min
    Doctors at War is a candid account of a trauma surgical team based, for a tour of duty, at a field hospital in Helmand, Afghanistan. Mark de Rond tells of the highs and lows of surgical life in hard-hitting detail, bringing to life a morally ambiguous world in which good people face impossible choices and in which routines designed to normalize experience have the unintended effect of highlighting war’s absurdity. With stories that are at once comical and tragic, de Rond captures the surreal experience of being a doctor at war. He lifts the cover on a world rarely ever seen, let alone written about, and provides a poignant counterpoint to the archetypical, adrenaline-packed, macho tale of what it is like to go to war.Here the crude and visceral coexist with the tender and affectionate. The author tells of well-meaning soldiers at hospital reception, there to deliver a pair of legs in the belief that these can be reattached to their comrade, now in mid-surgery; of midsummer Christmas parties and pancake breakfasts and late-night sauna sessions; of interpersonal rivalries and banter; of caring too little or too much; of tenderness and compassion fatigue; of hell and redemption; of heroism and of playing God. While many good firsthand accounts of war by frontline soldiers exist, this is one of the first books ever to bring to life the experience of the surgical teams tasked with mending what war destroys.The book is published by Cornell University Press. The audiobook is published by University Press Audiobooks. ungekürzt. Language: English. Narrator: Alan Roy. Audio sample: https://samples.audible.de/bk/acx0/217910/bk_acx0_217910_sample.mp3. Digital audiobook in aax.
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    The Splendid and Extraordinary Life of Beautimus Potamus plus the Anam Glyphs: Bonus Edition , Hörbuch, Digital, ungekürzt, 1056min
    This Duology contains both the novel The Splendid and Extraordinary Life of Beautimus Potamus and the companion divination tool: The Anam Glyphs.The mystical green planet of Rendaz is home to devout goddess worshiper and university professor, middle-aged Beautimus Potamus - who also happens to be a hippo plagued by hot flashes and poor self-esteem. Beautimus forms an alliance with Samuel S. Goodwings, a younger womanizing, atheist praying mantis. When these two are together, life morphs from the mundane into the fantastic. Our unlikely duo solve mysteries, bring a murderer to justice, and even help end a war, while experiencing their own trials, triumphs, and tragedies. Often with humor, their situations and adventures parody Earth culture.During their exploits, the two interact with a host of characters, including a pair of New Age flamingos, an A.D.H.D. afflicted trout, an orangutan detective, and a 310-year-old blue crane High Priestess. All of these creatures are more “human” in surprising ways than the citizens of the blue planet, Earth, we discover was once a Rendazian Colony.Beautimus Potamus’ tongue-in-cheek story is a magical fable-stew made with the ingredients of satire, drama, social commentary, and comedy, with jests, puns and wordplay sprinkled throughout. For good measure, a generous pinch of romantic flavoring is thrown into the pot.Beautimus Potamus - a talking hippo on the mythical planet, Rendaz - is a university professor at Dr. Pimbly’s School of Goodly Educated Adults, a writer, and a maker of oracles. From Rendazian and Earthian archetypical symbols, Beautmus developed her own divination tool, The Anam Glyphs. And, with the assistance of her “Hu Man” co-author on Earth, Peggy A. Wheeler, she has written a book about her oracle. Part fantastical fiction and part “how to”, The Anam Glyphs is a guide to creating and interpreting universal divination stones so that seekers may better define thei ungekürzt. Language: English. Narrator: Kelley Hazen. Audio sample: https://samples.audible.de/bk/acx0/152735/bk_acx0_152735_sample.mp3. Digital audiobook in aax.
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    Simon Magus: The Life of the Samaritan Who Converted to Christianity and Confronted Peter the Apostle in the 1st Century , Hörbuch, Digital, ungekürzt, 92min
    “Simon, the Samaritan magician, was the first minister of the demon's evil practices who arose. Who having rushed to the height of sorcery, at first persuaded many, by the wonder-working he wrought, to attend his school, and call him some divine Power.” (Theodoretus, Hæreticarum Fabularum Compendium) He appears once in the New Testament, mentioned only in passing in the Acts of the Apostles; only a few verses in the canon, but for the primitive Church, there is a whole corpus about Simon Magus, its most formidable antagonist, an enemy of such colossal proportions that he deserved to be called "the father of all heresies." His only mention in the Bible occurs at the beginning of the second volume of Luke the Evangelist where he had a minor confrontation with Saint Peter which nonetheless had a happy ending. Simon recants and asks Peter to pray for him. Nothing else about the miracle maker of Samaria who called himself “A Great Power” could penetrate the authorized scriptures. But unlike many other characters who, once the canon was closed, vanished forever, never to be mentioned again by the ancient sources - Pilate being the archetypical example, Simon Magus survived in the treatises against heresies and popular legend to become the greatest apostate of all times, evil personified, a sorcerer responsible for the greatest corruption in the Church, a kind of demon with powers so spectacular that, according to the apocryphal Passion of Saint Peter and Saint Paul, the joint prayer of the two pillars of Christianity was required in order to defeat him because Simon was surrounded by demons. It was without a doubt the most spectacular exorcism of all time. This was not, however, the end of Simon Magus. After the first three to four centuries of Christianity, when many theologians of antiquity devoted pages to disapprove and refute his doctrines - which they often do not even mention, his figure and legend continued to grow. In the Middle Ages, s ungekürzt. Language: English. Narrator: Colin Fluxman. Audio sample: https://samples.audible.de/bk/acx0/162315/bk_acx0_162315_sample.mp3. Digital audiobook in aax.
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    Phantasmal Spaces
    Phantasmal Spaces - Archetypical Venues in Computer Games: ab 33.49 €
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    Phantasmal Spaces
    Phantasmal Spaces - Archetypical Venues in Computer Games: ab 32.49 €
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    Music of Russian Composers
    Piano Synergy Duo. Husband-and-wife team Ruslan Sviridov and Irina Khovanskaya created the Piano Synergy Duo in 1996. Using their unique musical potential, the duo designs concert programs in which they perform together as well as individually. The results have been a constantly heavy demand and continuing success. For the past 14 years, the duo has toured extensively throughout Russia, Europe, and the Unites States. Now, for the first time, listeners have an opportunity to hear them on a CD. Irina Khovanskaya was born to a musician's family in Russia's Moscow Region in 1972. She began piano lessons at age 4 and gave her first recital about two years later in Kiev. Ten years of formal musical training followed at the Moscow Central Special Music College, during which time she also concertized extensively as a recitalist and with orchestras. Several of these events took place at the Moscow Conservatory's Small Hall, but she also played as far afield as the Russian Space Center (Moscow Region) and on USSR TV. Receiving a Bachelor's Degree in 1990, Khovanskaya's studies and performing career continued as she entered the Moscow State Tchaikovsky Conservatory, where her teacher was Victor Merzhanov. Now her performances become international. Besides appearances with the Moscow Symphony Orchestra and in many Russian cities, she performed in Zurich, Munich, Brussels, and Warsaw. Contests in Russia, Germany, and Belgium were capped by Khovanskaya's winning First Prize in the Texas Steinway Society Piano Competition in Dallas, Texas in 1999. With her Conservatory Diploma (1996) and post-graduate work behind her, Dr. Khovanskaya now resides in San Antonio, Texas. In addition to performance engagements, she teaches piano at the University of the Incarnate Word and adjudicates in piano competitions. Ruslan Sviridov was born in 1973 in Tambov, Russia. He began to study music at age 7 and gave his first public performance at the age of 8. His years of study at the Tambov Music School and later at the Rachmaninov Music College in Tambov were marked by many competition triumphs and literally hundreds of concerts and recitals throughout Russia's Central Region. First prizes came from the Tchaikovsky Regional Piano Contest (1989), the Bartok Regional Contest (1989), and the Kabalevsky Regional Competition for Young Pianists (1990), to name only a few. Sviridov went on to enter the Moscow State Conservatory, studying with Victor Merzhanov. Concerts and competitions continued, now at a higher level. He played with symphony orchestras in several Russian cities, including Moscow, Ulyanovsk, and Tambov, and at the Glinka Music Festival in Smolensk. During 1994-96, he took Grand Prize or First Prize (or both) or a Special Jury Prize at competitions in Italy at Tortona, Alassio, San Bartolomeo al Mare, and Caltanissetta, Sicily. His first U.S. triumph was a Special Jury Prize in Kingsville, Texas (1995). In addition to an international list of recitals, Sviridov's career is distinguished by a substantial body of television tapes and live appearances, starting in Russia and extending through Italy, Switzerland, Portugal, and the United States (NBC). During his studies in Moscow, culminating in a Doctoral Degree (1998), he taught piano and music theory. Leaving Russia in 1998, Dr. Sviridov again picked up his teaching activity in San Antonio, Texas, also his base for concertizing and contest adjudication. ______________________________________________________________________________________________ Tchaikovsky, The Nutcracker Suite As charming and entertaining as The Nutcracker ballet turned out, one would hardly imagine that Peter I. Tchaikovsky (1840-1893) did not care much for the score himself. The composer had been a little reluctant to compose this music on a subject that was prescribed for him and for which the choreographer had given him an over-detailed scenario. He completed the score in 1891, and some months before the premiere of the full ballet the following year he extracted a concert suite. The scenario of The Nutcracker ballet was taken from a story by E.T.A. Hoffmann as adapted by Alexander Dumas, Sr. It has to do with Clara, a young girl who receives a grotesque looking nutcracker for Christmas, only to have it magically transformed into a prince who carries her off on fantastic adventures. The movements of the Suite do not follow the progress of the story exactly, but are ordered to form a good musical sequence. The "March" has a toy quality, reminding us that the only military operations that Clara witnesses are imaginary ones between mice and gingerbread soldiers. The "Dance of the Sugar- Plum Fairy " was composed originally for the celesta, a bell-like keyboard instrument that personifies this character perfectly. This was the first time a composer had written for the instrument. In the second act of The Nutcracker, Clara and her Nutcracker are treated to an international divertissement of dances at the court of the Sugar-Plum Fairy. One part of this is the "Trepak," a wild Russian dance and one of the nationalistic elements in the ballet. More exotic is the Chinese "Dance of the Reed Flutes," originally featuring shrill flutes and piccolos and mumbling bassoons. When we think of waltzes, we usually think of Johann Strauss. But Tchaikovsky was also one of the great waltz composers of his century. Waltzes from Eugene Onegin and the Serenade for Strings bear witness. The "Waltz of the Flowers" is the finale to The Nutcracker Suite and one of the most graceful movements ever penned by Tchaikovsky. Stravinsky, Five Easy Pieces for Piano Duet The years of World War I (1914-1918) were years of small pieces for Igor Stravinsky (1882-1971). Self-sequestered in Switzerland for most of the duration, the composer found few opportunities for performances or publication. Stravinsky occupied himself chiefly with small- scale stage works, songs, and short instrumental pieces. At that time, his oldest children, Theodore and Mika, had become good enough pianists for him to write music for each of them to play with their father. So originated the series of Five Easy Pieces for piano duet. The child's part was usually a melody played in octaves, while the father's part filled out the texture and contained any complicated passage work. Stravinsky later orchestrated four of the duets to produce his Suite No. 1 for small orchestra. Stravinsky's musical sense of humor is, of course, famous. In these miniature character pieces, we can hear the same wry satire that charms us in much of his other music from this period. The Five Easy Pieces touch on various "national" musical characteristics. Following a relatively serious "Andante" comes an "Española" composed after a trip to Spain in 1916. The "Balalaika" celebrates the Russian folk instrument. "Napolitana" was another travel souvenir, this time to Naples in 1917. The concluding "Galop" is a spoof on the archetypical endings of French ballets of the 19th century. It's high spirits and satirical jabs sum up the flavor of the Five Easy Pieces. Rachmaninov, Six Pieces for Piano Duet, Op. 11 Like his mentor Tchaikovsky, Sergei Rachmaninov (1873-1943) did not enjoy teaching. He did so only when he needed money. Rachmaninov found himself in that financial position in 1893, the year Tchaikovsky died. Taking on more private lessons, he also taught music theory at a girls' academy. Rachmaninov's publisher, knowing his need and also knowing the market for his piano music, convinced him to write something for piano four-hands. The result was the Six Pieces for Piano Duet published in 1894, which turned out to be the longest work Rachmaninov ever created for piano duet. The movements are "character" pieces in the best romantic salon tradition, and they contrast with one another effectively. The opening "Barcarolle" floats along on the undulating lilt of a gondola song, yet Rachmaninov infuses it with his own characteristic melancholy. Cas
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