111 Results for : tatyana

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    KLAVIERKONZERTE
    Pavel Egorov (Pno), Capella Orchester der Staatlichen Akademie St Petersburg, Cesare Croci (Dir) / Tatyana Zagorovskaya (Pno), SO St Petersburg, Alexander Kantorov (Dir)
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    KLAVIERSONATEN.30/+
    Igor Lebedev (Pno) , Tatyana Zagorovskaya (Pno)
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    Opera Highlights Vol. II
    Neun der bekanntesten Sängerinnen und Sänger unserer Zeit erzählen mit ihrem ganz persönlichen Charme über Rollen, die sie berühmt machten. Opera Highlights ist beides: Einladung zum tieferen Stöbern für all diejenigen, die zum ersten Mal die Welt der Oper für sich entdecken und für alle anderen ein Wiedersehen mit „ihren“ Stars der Oper – zum Anfassen nah.Beinhaltet:ANN MURRAY‘If you worship the man who has spurned you’ from Handel’s Xerxes(from Nicholas Hytner’s English National Opera production, conducted by CHARLES MACKERRAS) ‘Take your pleasure’ from Handel’s Ariodante(from David Alden’s English National Opera production, conducted by IVOR BOLTON)PHILIP LANGRIDGEThe ‘sea wall’ aria from Britten’s Peter Grimes(from Tim Albery’s English National Opera production, conducted by DAVID ATHERTON)GALINA GORCHAKOVA‘Renata’s Confession’ from Prokofiev’s Fiery Angel(from David Freeman’s Kirov Opera production, conducted by VALERY GERGIEV)THOMAS ALLEN‘They’ll lash me in a hammock’ from Britten’s Billy Budd(from Tim Albery’s English National Opera production, conducted by DAVID ATHERTON)‘Great Hymn to the Wonder of Nature’ from Janáček’s Cunning little Vixen(from Nicolas Hytner’s production for the Théâtre du Châtelet, conducted by CHARLES MACKERRAS)EVA JENIS and HANNA MINUTILLO‘Love duet’ 2nd Act, from Janáček’s Cunning little Vixen(from Nicolas Hytner’s production for the Théâtre du Châtelet, conducted by CHARLES MACKERRAS)YVONNE KENNY‘Piangero la sorte mia’ from Handel’s Giulio Cesare (from Francisco Negrin’s production for Opera Australia, conducted by RICHARD HICKOX)‘O weep for me’ from Purcell’s The Fairy Queen(from David Pountney’s English National Opera production, conducted by NICHOLAS KOK)MICHAEL KÖNIG‘Oh golden days of my youth, where have you gone?’ and ‘Enemies, enemies’ (Duet with VLADIMIR GLUSHCHAK) from Tchaikovsky’s Eugene Onegin(from Nikolaus Lehnhoff’s European Union Opera staging at the Festspielhaus Baden-Baden, conducted by GENNADI ROZHDESTVENSKY)ORLA BOYLAN‘No, there could never be another’ from Tchaikovsky’s Eugene Onegin(from Nikolaus Lehnhoff’s European Union Opera staging at the Festspielhaus Baden-Baden, conducted by GENNADI ROZHDESTVENSKY)VLADIMIR GLUSHCHAK‘You wrote to me’ and ‘Can this be the same Tatyana?’ from Tchaikovsky’s Eugene Onegin(from Nikolaus Lehnhoff’s European Union Opera staging at the Festspielhaus Baden-Baden, conducted by GENNADI ROZHDESTVENSKY)ANNA NETREBKO‘Aria of Lyudmila’ from the 4th Act from Glinka’s Ruslan and Lyudmila(from Lotfi Mansouri’s production for the Kirov Opera, conducted by VALERY GERGIEV)KONSTANTIN PLUZHNIKOV‘Finns Ballad’ from the 2nd Act from Glinka’s Ruslan and Lyudmila(from Lotfi Mansouri’s production for the Kirov Opera, conducted by VALERY GERGIEV)VLADIMIR OGNOVENKOas RUSLAN in the 2nd Act from Glinka’s Ruslan and Lyudmila(from Lotfi Mansouri’s production for the Kirov Opera, conducted by VALERY GERGIEV)LARISSA DIADKOVAas RATMIR in the 2nd Act from Glinka’s Ruslan and Lyudmila(from Lotfi Mansouri’s production for the Kirov Opera, conducted by VALERY GERGIEV)
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    Great Arias – Kuda, Kuda - Russian Arias and Scenes
    Die Sammlung der Famous Arias and Scenes, eine Auswahl der berühmtesten und brillantesten Arien verschiedener Opern, wird Liebhaber genauso verzaubern wie Opern-„Neulinge“. Die großen Stars der Opernbühne wie Joan Sutherland, Kiri Te Kanawa, Eva Marton, Marilyn Horne, Angela Gheorghiu, Anna Netrebko, Christine Schäfer, Anne Sofie von Otter, Natalie Dessay, Roberto Alagna, Bryn Terfel, René Kollo, Philip Langridge, Yuri Marusin, Thomas Hampson und José van Dam präsentieren in einer kurzen Einführung die Arien, die sie berühmt gemacht haben und interpretieren sie mit ihrem ganz persönlichen Charme. Die Schlüsselwerke des Opernrepertoires stammen aus gefeierten Produktionen aus den berühmtesten Opernhäusern der Welt. Famous Arias and Scenes ist beides: Eine Einladung zum tieferen Stöbern für all diejenigen, die zum ersten Mal die Welt der Oper für sich entdecken und für alle anderen ein Wiedersehen mit „ihren“ Stars der Oper – zum Anfassen nah.„Kuda, kuda...“ widmet sich den russischen Arien von Glinka, Prokofiev und Tchaikovsky, interpretiert von Vladimir Glushchak, Galina Gorchakova, Michael König, Anna Netrebko und anderen.Galina Gorchakova“Renata’s Confession” aus Prokofiev’s Fiery Angel“Such Sweet Alluring Voices” und “Ratmir, my Beloved” aus Glinka’s Ruslan and LyudmilaAnna Netrebko“Oh my sorry fate” aus Glinka’s Ruslan and LyudmilaVladimir Ognovenko“Perhaps one day” aus Glinka’s Ruslan and LyudmilaLarissa Diadkova“No, no I cannot sleep” aus Glinka’s Ruslan and LyudmilaKonstantin Pluzhnikov“Finn’s Ballad” aus Glinka’s Ruslan and LyudmilaYuri Marusin“Tell me Herman” und “What is our life” aus Tchaikovsky’s Queen of SpadesOrla BoylanAuszug aus “Letter Scene” aus Tchaikovsky’s Eugene OneginVladimir Glushchak“You wrote to me” und “Can this be the same Tatyana?” aus Tchaikovsky’s Eugene OneginMichael König“Kuda, kuda” - “Oh golden days of my youth, where have you gone?” und “Vragi, vragi” - “Enemies, enemies” aus Tchaikovsky’s Eugene OneginAlexander Gergalov“It’s stretching higher and further” aus Prokofiev’s War and PeaceNikolai Okhotnikov“When will this calamity end?” aus Prokofiev’s War and Peace
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    Great Arias – Kuda, Kuda - Russian Arias and Scenes
    Die Sammlung der Famous Arias and Scenes, eine Auswahl der berühmtesten und brillantesten Arien verschiedener Opern, wird Liebhaber genauso verzaubern wie Opern-„Neulinge“. Die großen Stars der Opernbühne wie Joan Sutherland, Kiri Te Kanawa, Eva Marton, Marilyn Horne, Angela Gheorghiu, Anna Netrebko, Christine Schäfer, Anne Sofie von Otter, Natalie Dessay, Roberto Alagna, Bryn Terfel, René Kollo, Philip Langridge, Yuri Marusin, Thomas Hampson und José van Dam präsentieren in einer kurzen Einführung die Arien, die sie berühmt gemacht haben und interpretieren sie mit ihrem ganz persönlichen Charme. Die Schlüsselwerke des Opernrepertoires stammen aus gefeierten Produktionen aus den berühmtesten Opernhäusern der Welt. Famous Arias and Scenes ist beides: Eine Einladung zum tieferen Stöbern für all diejenigen, die zum ersten Mal die Welt der Oper für sich entdecken und für alle anderen ein Wiedersehen mit „ihren“ Stars der Oper – zum Anfassen nah.„Kuda, kuda...“ widmet sich den russischen Arien von Glinka, Prokofiev und Tchaikovsky, interpretiert von Vladimir Glushchak, Galina Gorchakova, Michael König, Anna Netrebko und anderen.Galina Gorchakova“Renata’s Confession” aus Prokofiev’s Fiery Angel“Such Sweet Alluring Voices” und “Ratmir, my Beloved” aus Glinka’s Ruslan and LyudmilaAnna Netrebko“Oh my sorry fate” aus Glinka’s Ruslan and LyudmilaVladimir Ognovenko“Perhaps one day” aus Glinka’s Ruslan and LyudmilaLarissa Diadkova“No, no I cannot sleep” aus Glinka’s Ruslan and LyudmilaKonstantin Pluzhnikov“Finn’s Ballad” aus Glinka’s Ruslan and LyudmilaYuri Marusin“Tell me Herman” und “What is our life” aus Tchaikovsky’s Queen of SpadesOrla BoylanAuszug aus “Letter Scene” aus Tchaikovsky’s Eugene OneginVladimir Glushchak“You wrote to me” und “Can this be the same Tatyana?” aus Tchaikovsky’s Eugene OneginMichael König“Kuda, kuda” - “Oh golden days of my youth, where have you gone?” und “Vragi, vragi” - “Enemies, enemies” aus Tchaikovsky’s Eugene OneginAlexander Gergalov“It’s stretching higher and further” aus Prokofiev’s War and PeaceNikolai Okhotnikov“When will this calamity end?” aus Prokofiev’s War and Peace
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    The Tchaikovsky Cycle - Complete Symphonies
    Diese in der Alten Oper Frankfurt aufgenommene außergewöhnliche Konzertreihe, die einst von der Presse als beste Videoproduktion der Musik Tschaikowskys gelobt wurde, präsentiert nicht nur die sinfonischen Meisterwerke sondern auch Auszüge aus bekannten Opern, Klavierwerken und Musik für Streicher. Das Moskauer Rundfunk-Sinfonieorchester und die internationalen Gastsolisten - der brasilianische Cellist und Gewinner des Internationalen Tschaikowsky-Wettbewerbs Antonio Meneses, der brillante russische Violinist Viktor Tretyakov, der anerkannte russische Pianist Mikhail Pletnev und die ausgezeichnete Sopranistin Lydia Shernikh sowie der Bariton Alexander Nenadovsky - stehen unter der Leitung des russischen Dirigenten Vladimir Fedoseyev. Seine sensible und feinfühlige Interpretation der Werke seines Landmannes und die spieltechnische Perfektion des Orchesters und der Gastsolisten verbindet sich zu einer Einheit, die ihresgleichen suchen dürfte. Auf diese Weise interpretiert eben nur ein Orchester, das mit Tschaikowskys Musik aufgewachsen ist, für das das Œuvre dieses Komponisten zum täglichen A und O gehört. DVD 1 1. Sinfonie in g-Moll op. 13 "Winterträume"Francesca da Rimini op. 32 Variationen über ein Rokoko-Thema für Violoncello und Orchester op. 33Antonio Meneses, CelloDVD 22. Sinfonie in c-Moll op. 17 "Kleinrussische"Auszüge aus der Oper "Eugen Onegin"Lydia Shernikh (Tatyana), Alexander Nenadovsky (Onegin)DVD 33. Sinfonie in D-Dur op. 29 „Polnische“Auszüge aus "Schwanensee", Konzertfantasie für Klavier und Orchester in G-Dur op. 56Mikhail Pletnev, KlavierDVD 44. Sinfonie in f-Moll op. 36 "Fatum"Ouvertüre "1812" in Es-Dur op. 49Violinkonzert D-Dur op. 35Viktor Tretyakov, ViolineDVD 55. Sinfonie in e-Moll op. 64 Ouvertüre in F-DurKlavierkonzert Nr. 2 in G-Dur op. 44Mikhail Pletnev, KlavierDVD 66. Sinfonie in h-Moll op. 74 "Pathétique"Serenade für Streichorchester in C-Dur op. 48Klavierkonzert Nr. 1 in b-Moll op. 23Mikhail Pletnev, Klavier
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    The Fresh Prince of Bel-Air: The Complete Series
    Between music and movie stardom, Will Smith appeared in this 1990-1996 NBC sitcom as a West Philadelphia teen sent to California to live with his upscale relatives. Smith found his laid-back style at constant comedic odds with his strait-laced uncle Phil (James Avery) and preppy cousin Carlton (Alfonso Ribeiro). With Karyn Parsons, Tatyana Ali, and Jeffrey A. Townes (aka DJ Jazzy Jeff).148 episodes on 22 discs. 57 hrs. Standard, Soundtrack: English Dolby Digital stereo, Subtitles: English (SDH), French.
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    Volatus-Music for Advanced Ballet
    Volatus offers teachers 30 selections of great classical music for the most advanced levels of study. Each track includes a 4 count introduction and long, non repetitive bands. Inspiring accompaniment helps teachers challenge students technically and artistically guiding them to their highest level of achievement. Whitefeather Productions Whitefeather Productions believes that there is a demand for ballet class music designed specifically for the needs of beginning, intermediate, advanced and pre-professional levels of training, and that each level of training requires a different musical emphasis. Founders Margarita White, Tatyana Featherman and Melinda Pendleton also feel that the process of early ballet training should include music of artistic merit, and as students progress onto more advanced levels of training their musical accompaniment should aid that process by growing with them. This high standard is the philosophy that underlies each Whitefeather product. Tatyana Featherman - Pianist Tatyana Featherman was born in the former Soviet Union, where she received her elementary music education in the Ukrainian city of Lvov. Upon completing her education in Odessa, Tatyana was engaged as an accompanist with Vodnic, a prestigious rhythmic gymnastic school. In 1982, Tatyana immigrated to the United States where she began working as an accompanist for Margarita and John White, directors of the Pennsylvania Academy of Ballet. During the ensuing years, Tatyana recorded three albums for ballet classes - 'Spirit of Movement,' 'Harmony in Motion' and 'Fire Within.' While studying ballet at the academy, she attended John White's teacher's seminar, and began teaching ballet in addition to her work as accompanist. Margarita White Margarita White, born Margarita de Saá in Havana, Cuba, studied ballet with Fernando and Alicia Alonso. Margarita joined the newly formed Ballet Nacional de Cuba rising through the ranks from corps de ballet to principal dancer. In addition to her dancing responsibilities, she learned the Vaganova teaching method from Soviet ballet masters, and taught in the new state school, Cubanacan. Margarita left Cuba with her husband, John White. In 1969, they were invited to join the Pennsylvania Ballet company where they remained until 1974, when they founded their own school, the Pennsylvania Academy of Ballet in Narberth, Pennsylvania. Margarita is considered an authority in the world of ballet. The Academy trains over 300 students each year, and many graduates are dancing professionally in companies around the world. Melinda Pendleton Melinda Pendleton began her ballet training at the age of 8, at the Pennsylvania Academy of Ballet. In 1984, she won the highest award in The Carey Rose Winski Memorial ballet competition. Two years later she competed at the international competition in Jackson, Mississippi. Melinda went on to perform in France with the Ballet du Nancy, and then returned to the United States to perform with Dance South, in Charleston, South Carolina. In 1991, after spending a year in Atami, Japan, performing with Minnie Madden Productions, she began her teaching career at the Pennsylvania Academy of Ballet under the direction of her parents Margarita and John White. Melinda has since joined her parents as co-director of the Academy.
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    First Steps-Beginner Ballet Music for the First Years
    First Steps CD is music designed for the beginning years of ballet instruction. It incorporates slow and steady tempos that are necessary for the introduction and execution of new steps without sacrificing the artistic quality of music. The CD is a compilation of classical pieces using their original compositions with very little improvisation. Each of the selections include a four count introduction. Each track suggests an exercise only as a guideline. Whitefeather Productions Whitefeather Productions believes that there is a demand for ballet class music designed specifically for the needs of beginning, intermediate, advanced and pre-professional levels of training, and that each level of training requires a different musical emphasis. Founders Margarita White, Tatyana Featherman and Melinda Pendleton also feel that the process of early ballet training should include music of artistic merit, and as students progress onto more advanced levels of training their musical accompaniment should aid that process by growing with them. This high standard is the philosophy that underlies each Whitefeather product. Tatyana Featherman - Pianist Tatyana Featherman was born in the former Soviet Union, where she received her elementary music education in the Ukrainian city of Lvov. Upon completing her education in Odessa, Tatyana was engaged as an accompanist with Vodnic, a prestigious rhythmic gymnastic school. In 1982, Tatyana immigrated to the United States where she began working as an accompanist for Margarita and John White, directors of the Pennsylvania Academy of Ballet. During the ensuing years, Tatyana recorded three albums for ballet classes - 'Spirit of Movement,' 'Harmony in Motion' and 'Fire Within.' While studying ballet at the academy, she attended John White's teacher's seminar, and began teaching ballet in addition to her work as accompanist. Margarita White Margarita White, born Margarita de Saá in Havana, Cuba, studied ballet with Fernando and Alicia Alonso. Margarita joined the newly formed Ballet Nacional de Cuba rising through the ranks from corps de ballet to principal dancer. In addition to her dancing responsibilities, she learned the Vaganova teaching method from Soviet ballet masters, and taught in the new state school, Cubanacan. Margarita left Cuba with her husband, John White. In 1969, they were invited to join the Pennsylvania Ballet company where they remained until 1974, when they founded their own school, the Pennsylvania Academy of Ballet in Narberth, Pennsylvania. Margarita is considered an authority in the world of ballet. The Academy trains over 300 students each year, and many graduates are dancing professionally in companies around the world. Melinda Pendleton Melinda Pendleton began her ballet training at the age of 8, at the Pennsylvania Academy of Ballet. In 1984, she won the highest award in The Carey Rose Winski Memorial ballet competition. Two years later she competed at the international competition in Jackson, Mississippi. Melinda went on to perform in France with the Ballet du Nancy, and then returned to the United States to perform with Dance South, in Charleston, South Carolina. In 1991, after spending a year in Atami, Japan, performing with Minnie Madden Productions, she began her teaching career at the Pennsylvania Academy of Ballet under the direction of her parents Margarita and John White. Melinda has since joined her parents as co-director of the Academy.
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    Russian Songs
    Tatiana Kalmykova - singer, composer, researcher of ancient Russian music. Born in 1976 in Moscow. Took part in a number of expeditions exploring Russian singing traditions in Smolensk, Bryansk, Belgorod and Vologda regions, Khakassia and Tuva. Tatyana Kalmykova is a student of the well known master and teacher of folklore, the founder and the head of ensemble of folk music Dmitry Pokrovsky. 'Studying tradition, I took part in numerous expeditions to various regions of Russia where met and adopted knowledge at their carriers - grandmothers, 'babushkas', old residents of these districts. In my projects I combine tradition, authentic singing and improvisation, - says the artist. In 2001 - festival Ustuu-Hure in Chadan (Tuva) devoted to restoration of an ancient Buddhist monastery. In Kyzyl during conversation with shaman Mongushem Kenin-Lopsanom, the founder of shamanistic centre 'Dungur', he has discovered my healing abilities and I was directed to work at the 'Tos-Deer' shamanistic centre («Nine heavens»). Projects: 1997 - «Mother SV?» project together with Elena Yakimova, also Dmitry Pokrovsky's student. We played some concerts in Moscow and left to travel. In Prague, «Mater SV?» took part in festivals, but a month later Elena has returned to Moscow, and I stayed in Czech for 2 years, taking part in 'Hookah-jazz' project with jazz musicians and also acted with solo project, taking a pseudonym «TANYA SVAHA». 1998 - I met «Ole Lukkoye» group in Brno and took part in 'Solips' ('Solar eclipse') festival in Hungary. In autumn of 1998 I returned to Russia to continue working with "Ole Lukkoe" group in Saint-Petersburg, making studio recordings and performing till 2003. With "Ole Lukkoe" we participated in many international festivals. 1999 - multimedia project «2012». Participating in festivals «Forces of light» (1999) in Finland, 'SKIF-4' (2000). 2003 - project with Alex Levin ("Vershki and Koreshki"), concerts in Holland. 2003 - project SWA, album «U-La-Ga-Do-U-La-Ga-Do». 2004 - projects with Sergey Sokolov (bass, double bass, electronics, composition). First performance: Peter and Paul Fortress festival. Then: festivals 'SKIF-2004', 'Sayansk Ring', festival of female vocalists in Moscow. 2004 - «Space Of Joy » tour to Finland, Germany, international Tance festival in Morocco «New year-2005». 2005 - new album with Serhey Sokolov "SWA Vesak", new album 'Manuscript'. Festivals: "Sisto Palkino", "Sayansk ring", 'Day out of time » (Space Of Joy community). Working in studio with Sergey Sokolov "SeVeRa". 2006 - festival «Day out of time». 2007 - Moscow, project with Sergey Starostin. 2008 - concerts with vocalist Maya Archipenko and solo performances, studio work. Festivals: «Sisto Palkino»: SWA and DJs, "Khan Altay" festival in Siberia, I-Petri Mountain festival in Ukraine.' 1. Maria. A young widow walks by the riverside weeping, her father-in-law consoles her - you'll see Lado (Love) in your life but I will never see my son. 2. I'll Sow My Sorrow. My sorrow will blossom with scarlet flowers, they are brighter than other flowers and my darling is nicer then other fellows. 3. Sadko (Bylina). Sadko sets off to the sea with his brave men loading his 30 ships with gold and jewels. 4. Oh My Sisters. Let's pick flowers, make garlands, throw them in the Danube river - yours will float and mine will sink, your sweethearts have returned from the war and mine haven't. 5. Ivan's Brothers. Set off, brothers, to four directions, get me four presents - a tooth-comb, a scarlet flower, a white shawl and a golden ring. 6. By the Sea. A young drake choose a duck from the flock and the other ducks start quacking. Young Vasya takes Pasha by her hand and other girls start crying. 7. River. Our river runs fast in it's high banks, our sweet Annushka sits grieving. 8. Man'ka. Man'ka spent all day running round the field, messing with bulls and climbing fur-trees. 9. A Duck Was Swimming. A drake met a duck with her wings drooped, said - flap you wings and let's fly over the sea. Maryushka sat weeping with her hair undone, Vanushka said: do your hair and let's go to another town. 10. Snowing. A young wife overhears her father-in-law scolding her husband for not whipping her and her husband saying that she's so sweet he can't do it. 11. Ivanushka (Lullaby). A girl is rocking her little brother to sleep teasing him with stories about their adult life. 12. War. Alyonushka wakes her brothers, she wants them to stop the war that is at their door and they assure her that they are armed and ready to protect her. 13. Hey, Lelim. The Holiday is coming, all the girls are so pretty. 14. Tatars (Lullaby). Tatars divide their prisoners and a mother-in-law becomes a slave of her son- in-law. She sings a lullaby to his baby: «You are a Tatar by your father and you are my grandson by your mother». 15. Ilya Muromets and a Hawker (Bylina). A story of the legendary hero meeting his son. 16. Buka /Bogeyman/. Hey, bogeyman, go to the hayloft, give horses some hay, don't look at our little Kolya, he will grow up and become a fisherman. 17. Puss (Lullaby). A puss found a sash in the forest, a pussy took it away and gave it to our Manechka. Don't curr, pussy, Manechka's getting asleep.
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