119 Results for : algeri

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    Salieri: Tarare-Ouvertüre - Mozart: Figaro-Ouvertüre, Symphonie KV 318, Entführung aus dem Serail-Ouvertüre - Beethoven: Egmont-Ouvertüre op. 84 - Rossini: L'Italiana in Algeri-Ouvertüre, Semiramide-Ouvertüre - Brahms: Akademische Festouvertüre op. 80
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    Dolukhanova, Abramov, Nikitin, Zakharov, Tikhonov, Sakharova, Matyushina, SO Radio Moscow, Samuel Samosud (Dir)
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    «He has much of taste and the true meaning of music. » Irène Brisson (Infopéra, déc.2009) «Within a few seconds of the Rossiniane getting of the ground, it became abundantly clear that whoever chose the term energic wasn't kidding... no doubt that we're in presence of a guitarist who can send out lot of notes within an impressively narrow timescale...» Paul Fowles (Classical Guitar Magazine, April 2010) «...sometimes equaling the energy of a rock band - move aside Hetfield! ...Desrosby has exceed my expectations and confirmed that Canada has a new level of upcoming high quality artists.» B.Werner (Classical Guitar Canada, august 2010) «...such a high artistic level, with so much purity in interpretation and such an ability to captivate his audience.» R.Servin-Medrano (Dir. International Guitar Festival of Ixtlahuaca, Mexico) «Trought a technique completly mastered, and a sense of musicality full of a surprising depth, he interprets the Totems with intelligence and great virtuosity.» P.Sasseville-Quoquochi (Composer) «This CD is superb. It makes it possible to appreciate the blazing and all in nuance playing of the artist in a judicious choice of classical and contemporary works » Raphaël Hovington (Hebdos Québecor, july 2009) ----------------------------------------------------------------------------------------------------------------------------------------------------------------- Jean-François Desrosby is a Canadian guitarist who is known for his colourful and energetic style, and his exceptional musicality. His career as a soloist, chamber musician, and teacher, traced the path to perform in Europe, Mexico, the United States, and Canada. As a young artist, he won numerous prizes and scholarships. Graduating with high distinction from the Conservatoire de musique de Montréal, he had the chance to work with great musicians, such as Rémi Boucher, Manuel Barrueco, Pavl Steidl, David Russell, and Aniello Desiderio. The Rossiniana no.1 op.119 by Mauro Giuliani (1781-1829) is a fantasia, which is inspired by operatic themes of Rossini. For example, it contains themes from the operas l'Italiana in Algeri, Otello and Armida. Furthermore, it combines Rossini's melodic lines to Giuliani's instrumental virtuosity. Spanish composer Federico Moreno Torroba's (1891-1982) wrote Sonatina for the legendary Segovia. It recalls both the elegance and beauty of the Alhambra gardens and the Spanish festive spirit. Totems I and II, Pascal Sasseville-Quoquochi (1972) For American Indians, totems represent a way to get in touch with life. They symbolize the belief that the characteristics of a whole are found in all elements of living entities, whether animal, vegetable or mineral. This concept is found in the Totems, where each musical piece represents a specific totem. For example, the piece Mikisiw (Eagle) was inspired by the physical appearance of the animals, their strengths, their sanctity, and the spiritual symbol that is represented in the Atikamekw culture. These compositions give the opportunity to the listener to travel through different landscapes, shaping his mind.
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    Hailed by the Los Angeles Times as 'radiant', American Mezzo Diana Tash has made her mark in the Mezzo repertoire. Making her Los Angeles debut recital at Zipper concert Hall in April 2006 with pianist Armen Guzelimian, and at Los Angeles Opera as Mercedes in Carmen under the baton of Placido Domingo in 2004. Ms. Tash performed with San Diego Opera in the Magic Flute in May 2006 and in the 2008 Magic Flute production with Opera Pacific. Ms Tash will make her Weill Recital hall debut in October 2008 with Armen Guzelimian, again, as pianist and will perform with Opera Pacific in 2009 in Salome. Other past notable performances have been with Long Beach Opera singing the role of Ariadne in L'Abandon d'Ariadne in Seven Small Operas as well as the role of Mastrilla in La Perichole. Ms. Tash covered the mezzo role in John Adam's El Niño for the Los Angeles Philharmonic in 2005. She performed at Los Angeles Opera as a resident artist and was seen in numerous productions including Elektra, Der Rosenkavalier, Le Nozze di Figaro, Un Ballo in Maschera, Die Entfürung aus dem serial, L'Italiana in Algeri and Cosí fan Tutte. At the Alderburgh Festival in England, Ms. Tash was featured in Elegy for Young Lovers and Rape of Lucretia. A Popular oratorio singer, featured performances of Ms Tash include the Los Angeles Jewish Symphony in Lukas Foss' Song of Songs, At the Aspen Music Festival with Mo. Lawrence Foster in Mozart's Idomeneo and Coronation Mass with Mo. Joel Revzen. More recenntly, in 2007 with the Santa Barbara Chorale Society in 2007 performing the Bach Magnificat and will be performing with them again singing the Mezzo part in the Mozart Requiem in 2008. A native of Los Angeles, Diana is a graduate of USC's Flora L. Thornton School of Music and holds a Masters Degree from the Manhattan School of Music . She was a winner at the Metropolitan Opera's Western Regional Auditions, in addition to receiving numerous other awards.
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    Italiana in Algeri, L'
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