172 Results for : fermo
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Guide alla Disciplina
Quindi, questo libro è indirizzato, in parte, a quell'aspetto vitale dell'educazione di bambini sani, responsabili e rispettosi. Gli argomenti sono stati compilati per fornire materiale illustrativo in un libro pratico e facile da usare per insegnanti, genitori, studenti, lavoratori, consulenti, predicatori, psicologi, ecc. In questi giorni, il piacere sembra essere attivamente promosso come l'oggetto principale della vita. La gente considera il massimo bene come il piacere. La disciplina è scoraggiata. Ma qualunque cosa dica la società, non c'è dubbio su ciò di cui la società ha bisogno, la disciplina deve essere perseguita. La persona che ama l'eccitazione tende a gettare via l'autodisciplina. La società ha bisogno di persone autodisciplinate. Solo chi ha il comando di se stesso può comandare gli altri. L'obiettivo della maggior parte dei genitori e degli insegnanti è quello di far sì che i bambini agiscano e si comportino in modi socialmente accettabili e appropriati. Poiché questo obiettivo non è mai veramente raggiunto, dovremmo considerare la disciplina come un processo di apprendimento attraverso la pratica. Un bambino non può imparare a disciplinarsi se gli si dice di stare fermo e avere. Proprio come nessuno impara ad andare in bicicletta leggendo un libro sull'argomento, i bambini non imparano a disciplinarsi se gli viene detto.- Shop: buecher
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Cities and towns in the Marche
Cities and towns in the Marche ab 23.49 € als Taschenbuch: Ancona Cagli San Severino Marche Macerata Urbino Ascoli Piceno Fano Porto Sant'Elpidio San Benedetto del Tronto Camerino Pesaro Fermo Matelica Moresco Civitanova Marche Senigallia Falconara Marittima Jesi Offida. Aus dem Bereich: Bücher, Reise, Reiseführer, Europa,- Shop: hugendubel
- Price: 23.49 EUR excl. shipping
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Valutazione dell'equilibrio dinamico e delle capacità di salto da fermo in soggetti di 14-19 anni (Parte 2) [Evaluation of the Dynamic Equilibrium and the Ability to Stand Still in Subjects Aged 14-19 (Part 2)] , Hörbuch, Digital, ungekürzt, 189min
Sei alla ricerca di nuova strategia di Marketing che abbia come scopo la fidelizzazione dei clienti? Sei a conoscenza dei vantaggi economici legati al Welfare aziendale?In questo libro viene proposto un questionario campione da proporre ai clienti al fine di poter raccogliere il maggior numero di dati utili per incrementare il vostro buisness.Please note: This audiobook is in Italian. ungekürzt. Language: English. Narrator: Tommaso Pietra. Audio sample: https://samples.audible.de/bk/acx0/170423/bk_acx0_170423_sample.mp3. Digital audiobook in aax.- Shop: Audible
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Marken Reiseführer Michael Müller Verlag
Anders reisen und dabei das Besondere entdeckenMit den aktuellen Tipps aus den Michael-Müller-Reiseführern gestalten Sie Ihre Reise individuell, nachhaltig und sicher.Atemberaubende Tropfsteinhöhlen, geschichtsträchtige Renaissancestädte, imposante Gebirgskulisse und traumhafte Badebuchten - schon im Reisefieber? Entdecken und erleben Sie gemeinsam mit Sabine Becht die Marken (ital.: Marche) im nördlichen Osten Italiens. Auf 272 Seiten mit 143 Farbfotos finden Sie in unserem Reiseführer »Marken« in der sechsten Auflage alles, was Sie für eine einmalige und individuelle Italienreise brauchen.26 Karten und Pläne sorgen für optimale Orientierung. Praktisches Extra: eine herausnehmbare Faltkarte im Maßstab 1:300.000. Ökologisch, regional und nachhaltig wirtschaftende Betriebe sind kenntlich gemacht. Sabine Becht hat alles für Sie vor Ort recherchiert und ausprobiert. Zahlreiche eingestreute Kurz-Essays und Anekdoten vermitteln interessante Hintergrundinformationen und machen Ihnen Land und Leute leichter zugänglich.Die Geheimtipps von Sabine Becht erschließen Ihnen neben allen touristischen Highlights auch die versteckten Perlen der Region abseits ausgetretener Pfade. Erprobte Tipps und nützliche reisepraktische Ratschläge runden unseren Marken-Reiseführer ab.Vamos Eltern-Kind-Reisen hält unseren Marken-Reiseführer für »Sehr empfehlenswert.« »Handlich und hilfreich« schreibt Geo Saison. Buchprofile/medienprofile findet: »Als ein in jeder Hinsicht aktueller Führer durch Marken () sehr zu empfehlen.«Die Marken - ein Italienisches ParadiesFür Feinschmecker und Weinliebhaber ist die Marken ein Paradies. 15 DOC- und fünf DOCG-Anbaugebiete gibt es hier. Selbstverständlich finden Sie alles Wissenswerte zu den edlen Tropfen der Region in unserem Marken-Reiseführer.Mehr als 300 Museen und Pinakotheken, etwa 200 romanische Kirchen, mehr als 70 historische Theater und mehr als 30 archäologische Stätten:Geschichts- und Kulturinteressierte kommen in der Marken voll auf Ihre Kosten. Familien mit Kindern genießen die einmaligen Strände. 15 Küstenorte der Marken erhalten seit Jahren das Blaue Band für gute Wasserqualität. Mit unserem Reiseführer »Marken« finden Sie die schönsten Strände spielend leicht.Die Marken in der ÜbersichtLos geht die Entdeckungstour in die Marken ganz im Norden. Ein kleiner Stopover in San Marino begeistert angesichts der historischen Gemäuer und der bewegten Geschichte des Zwergstaats. 2001 wurde das 1700-jährige Bestehen gefeiert! Damit gehört er zu den ältesten Republiken.Die Provinz Pesaro und Urbino im Norden der Region lockt mit mehreren äußerst sehenswerten Reisezielen. In Urbino begeistert der geschichtsträchtige und prächtige Palazzo Ducale. Im dünn besiedelten Montefeltro mit seinen endlosen Hügelketten und schroffen Felsformationen kommen Naturfreunde und Individualisten auf Ihre Kosten. Sehenswert ist die Festung Gradara sowie der Monte San Bartolo am Meer.Ancona ist die Hauptstadt der Marken, sowie bekannter und wichtiger Hafenort. Gleich daneben finden Badefreunde ihr Glück: die Riviera del Conero ist einer der schönsten Küstenabschnitte der Adria. In den weiten Hügeln der Marken verzaubern liebliche Kleinstädte. Abenteuerlich: die berühmten Höhlen Grotte di Frasassi.Weiter südlich wird die Küste weniger spektakulär. Hier liegen die Schätze im Hinterland. Macerata und die imposante Bergwelt der Parco Nazionale dei Monti Sibillini mit bis zu 2.500 Meter hohen Gipfeln versprechen eindrucksvolle Ansichten. Sehenswert die hübschen kleinen Dörfer der Gegend.Im Süden der Marken befinden sich die Provinzen Fermo und Ascoli Piceno. Wer endlose Sandstrände und schön- Shop: buecher
- Price: 18.40 EUR excl. shipping
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Fermo e Lucia
Fermo e Lucia - Prima versione originale dei Promessi Sposi: ab 2.99 €- Shop: ebook.de
- Price: 2.99 EUR excl. shipping
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L'orologio del diavolo è fermo
L'orologio del diavolo è fermo: ab 5.99 €- Shop: ebook.de
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Vergleich der beiden Einführungen in Manzonis Werk Fermo e Lucia von 1823
Vergleich der beiden Einführungen in Manzonis Werk Fermo e Lucia von 1823: ab 12.99 €- Shop: ebook.de
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Il Vulcano-Cantatas For Soprano
Behind all great students is a great teacher. This is true of Haydn, Scarlatti and Pergolesi, who, among others, were all taught by the celebrated Nicola Porpora. As a professor of singing and composition, Porpora gave lessons in his native Italy and across Europe. A distinguished composer in his own right, his extensive knowledge of vocal technique allowed him to compose cantatas as well as a host of operas, all of which were considered masterpieces in their own day.Most of Porpora's cantatas -- veritable masterclasses of vocal composition -- are found in the 1735 collection, published in London and dedicated to Frederic, Prince of Wales. This disc, however, also presents three of an unknown date, while Venticel che tra la frondi and Il Vulcano can be traced back to Porpora's time in Venice (the former in particular contains similarities to his Venetian sacred music), Il Ritiro is likely to be the most modern, carefully reconstructed from a collation of various possible manuscripts. At any rate, these cantatas are a testimony to the composer's reputation as one of the most important and influential musicians of the 18th century.Coloratura soprano Maria Laura Martorana has received many awards over the years, including the prestigious 'Singer of the Year' prize at the 1996 Festival of Martina in Italy. She has participated in the recording of numerous operas, and sang the role of Cleonilla in the 2008 recording of Vivaldi's Ottone in Villa (BC 94105) for Brilliant Classics. Joining Martorana on this disc is the internationally renowned ensemble, I Virtuosi Italiani.Other information:- Recorded in April 2012, Villa San Fermo, Lonigo, Vicenza, Italy.- The Italian elite band "I Virtuosi Italiani" play original instruments.- Maria Laura Martorana possesses all the qualities required for an effective performance of this music: effortless and brilliant vocal technique, capable of the most daunting vocal acrobatics, and a passionate and dramatic temper, conveying the strong emotions expressed in these Baroque Cantatas. Includes booklet notes on each of the pieces and a biography of the composer.- Contains comprehensive booklet notes.- Shop: odax
- Price: 12.39 EUR excl. shipping
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Music for Solo Cello
Cassado: Suite for solo cello I. Preludio - Fantasia II. Sardana (Danza) III. Intermezzo e danza finale Ysaye: Sonate Op. 28 for solo cello I. Lento e sempre sostenuto II. Poco allegretto e grazioso III. Adagio IV. Allegro Tempo fermo Ligeti: Sonate for solo cello I Dialogo II Capriccio Kodaly: Suite Op. 8 for solo cello I. Allegro maestoso ma appassionato II. Adagio III. Allegro molto vivace ---------------- When Johann Sebastian Bach composed his six cello suites around the year 1720, they were labeled "6 Suites a Violoncello Solo senza Basso." This curious title can be explained by the fact that it was a novelty at the time to write for cello alone, an example that would not be followed any time soon: not counting the various solo cello studies, capriccios, and other pieces composed by cellists for educational purposes, one needs to wait nearly two centuries before finding important repertoire in the medium. The famous Catalan cellist Pau Casals (1876-1973) was partially responsible for the rebirth of the solo cello repertoire: his "discovery" of Bach's cello suites at the beginning of his career and his subsequent efforts to propagate them helped convince the younger generation of composers to write for solo cello. The four works presented on this CD illustrate the rise of the modern solo cello repertoire. Common characteristics of this collection include a powerful rhetorical discourse, a rhapsodic character, and a complete technical mastery in writing for the instrument. That the four composers represented here had an excellent knowledge of the cello came from their own practical experience: Zoltán Kodály and György Ligeti had studied cello before becoming composers, the famous Belgian violinist Eugène Ysaÿe was competent enough to play the cello part in private chamber music evenings, and Gaspar Cassadó, Casals's student, was a celebrated cello virtuoso. Kodály's Sonata for Solo Cello, Op. 8 (1915) and Cassadó's Suite for Cello Solo (1925) are colored with regional flavor. As early as 1905, Zoltán Kodály (1882-1967) had traveled with Bartók to record the peasant and popular music of Central Europe. Reminiscences of these ethnomusicological travels are present in Kodály's sonata, not only in the imitation of traditional instruments (violin, percussion, cimbalom, etc.) and their modes of playing, but also in the poetic description of the landscapes in which the music was born. Perhaps in a more folkloric way but still with much panache and poetry, Gaspar Cassadó (1897-1966), in his Suite for Solo Cello, imitates flamenco singing and guitar playing. He also quotes the Catalan sardana dance with it's introduction for flabiol (Catalan piccolo recorder), it's grotesque cobla (traditional Catalan ensemble), and indispensable nostalgic solos played by the tible (Catalan shawm). Like Fritz Kreisler, Cassadó was accused of musicological crimes: he attributed some of his own compositions to famous composers of the past such as Frescobaldi, Couperin, Boccherini, and Schubert, calling them "transcriptions." A good example of Cassadó's skill in pastiche can be found in the second movement, Sardana, at the expression marking burlesco: here he literally forces the cellist to imitate the approximate intonation of a traditional village ensemble by writing a series of unisons in such wide fingering spans that no cellist can play them in tune. We should not forget to mention that the first theme of Cassadó's suite is an embellishment of the opening of Kodály's sonata, a nod to the older Hungarian composer. György Ligeti (1923-2006) wrote the two movements of his Sonata for Solo Cello at a five-year interval. The first part, composed in 1948 for a young cellist with whom he was secretly in love, consists of a musical dialogue between a woman and a man. The composer's gift was not reciprocated, however, and the work was left unperformed until Ligeti added a second movement in 1953 in response to a famous female cellist (with whom he was not in love, as the composer tells us), who commissioned a full sonata from him. During the communist period, the Hungarian Composer's Union refused to allow the work to be published or performed on the grounds that the second movement was too modern. This might amuse us today, because the work - composed under the influence of Kodály and Bartók - is much more traditional than Ligeti's later compositions. Like Cassadó and Casals, the violinist Eugène Ysaÿe (1858-1931) was a great admirer of Bach's solo works and among the first to include them on his concert programs. Ysaÿe shows his devotion to Bach in his Violin Sonata No. 2 "Obsession," where he quotes the opening of the Partita for Solo Violin in E-major. Although there are no direct quotations from Bach's solo violin works in Ysaÿe's Sonata for Solo Cello, Op. 28 (1923), we sense nevertheless that the famous violinist was more familiar with Bach's writing for solo violin than solo cello. This can be heard in the many chords and detailed contrapuntal writing, in Bach's solo cello works, chords are less frequent and the polyphonic lines are distributed in a more arpeggiated fashion. Ysaÿe's cello sonata, not as well-known as his six sonatas for violin but sharing many of the same difficulties, includes the composer's own fingerings. The work was dedicated to the Belgian cellist Maurice Dambois, with whom - along with pianist Yves Nat - Ysaÿe had formed a trio. While Pau Casals played a crucial role in the development of the solo cello repertoire at the beginning of the twentieth century, cellists such as Siegfried Palm and Mstislav Rostropovich inspired the following generations of composers. One needs only to reflect on composers such as Dallapiccola, Zimmermann, Henze, Scelsi, Britten, Sessions, Penderecki, Xenakis, Dutilleux, Ginastera, and Berio to understand the richness and diversity of the modern solo cello repertoire, which we hope to present to you in future recordings. NICOLAS DELETAILLE - TRANSLATION THOMAS SVATOS Nicolas Deletaille After having received his musical education in Belgium and in the USA, Nicolas Deletaille has begun his professional life as a concert performer. In the same time, he has recorded the Bach six Cello Suites, the Beethoven five Cello Sonatas, major works from the solo repertoire (Kodály, Cassadó, Ysaÿe, Ligeti) as well as chamber music CDs (Schubert, Dvorák, Franck, Tchaikovsky,...) Nicolas Deletaille has also earned distinction as an arpeggione player by recording the Schubert arpeggione sonata in the rare original arpeggione version with the vienese maestro Paul Badura-Skoda on an original 1820 pianoforte. Nicolas Deletaille has collaborated extensively with composers of our time. He has given approximately 50 world premiere creations, most of which were pieces written for him by composers from Belgium, France, Taiwan, USA, Italy, England, Switzerland, Korea, Norway and Canada. Nicolas Deletaille is currently a faculty member of the Eastern Mediterranean University, TRNC. Français Quand Johann Sebastian Bach composa ses six suites pour violoncelle vers 1720, elles furent baptisées « 6 Suites a Violoncello Solo senza Basso ». Ce titre curieusement redondant s'explique par l'originalité d'écrire à cette époque pour violoncelle seul. Cet exemple ne sera d'ailleurs pas suivi de longtemps : mis à part d'innombrables études, caprices et autres exercices de virtuosité, écrits par les violoncellistes eux-mêmes dans un but purement pédagogique, il faudra attendre que le célèbre violoncelliste catalan Pau Casals se fasse l'ambassadeur des Suites de Bach lors de ses tournées de concerts à l'aube du XXe siècle pour que des compositeurs se montrent peu à peu enclins à écrire des œuvres importantes pour violoncelle seul. Les quatre œuvres reprises sur ce CD, composées au cours de la première moitié du XXe siècle, s'inscrivent dans la cadre de ce développement du répertoire pour violoncelle seul. Elles ont en commun un discours rhétorique puissant, un c- Shop: odax
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