27 Results for : atmospherics
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Impact of Store Atmospherics on Impulse Buying Behavior Regarding Shopping Goods in Pakistan
Impact of Store Atmospherics on Impulse Buying Behavior Regarding Shopping Goods in Pakistan - 1. Auflage: ab 29.99 €- Shop: ebook.de
- Price: 29.99 EUR excl. shipping
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Atmospherics of the City
Atmospherics of the City: ab 33.99 €- Shop: ebook.de
- Price: 33.99 EUR excl. shipping
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Weyes Blood: Front Row Seat To Earth
Natalie Mering verzückt mit ihren 60ies-Folk-angehauchten Melodien, klirrenden Gitarren, Orgeln und rasselnden Trommeln. Emotional, herzzerreißend, sirenenhaft... Ein sehr stringenter Entwurf, der den Westcoast-Sound der 70ies durch eine wirklich individuelle Künstlerin direkt in die Gegenwart bringt und dennoch die Patina des Originals trägt. Das Songwriting ist komplex, aber dennoch nicht sperrig, sondern zugänglich. Ein schönes und surreales Video: https://player.vimeo.com/video/178103466 Natalie Mering, the being behind Weyes Blood, embeds her sublime song in a harmonic gauze of arpeggiated piano, acoustic guitar, druggy horns, &, outer space electronics. Propulsive, spare drums carry us across the album's course. There is a faded California beauty to Front Row. A gentle honesty that recalls the finest folk music made on the West Coast of the '70s. The hue hangs in the sweet-spooky harmonies, the pulsing sway of the vibrato &, the ecstatic chord resolves. But this beauty is scratched with shadow, with dark foreboding, alienation, &, acceptance of change. Love &, loss balance together in suspended alchemy, as the earthiness of the singer-songwriter tradition wears digital sounds like feathers in its hair. Mering, together with co-producer Chris Cohen contrasts live band intimacy with the post-modern electric sheen of A.M. radio atmospherics. The experimental flourishes sparkle amid the succinct, thoughtful arrangements. The closeness of this record - how personal, alone, &, frank it feels - conceals its aspirations to the outside, to the "Earth" of its title. Weyes Blood harbors devastating weight while also universalizing the strange ways of identity &, relationships. These are not typical love songs or protest songs -- they are painful, poignant riddles that celebrate the ambiguity of love &, affirm the conflict of harmonious life within a disharmonic world.- Shop: odax
- Price: 15.02 EUR excl. shipping
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Dust
Ten short stories with a long past, the songs of DUST explore dark corners of American legend-keelboat toughs to sideshow freaks. Lucas's acoustic guitar is the pulse throughout while his B3 and Telecaster create atmospherics-no jangle but lots of groove for organic arrangements that swell and fade. Bleu Mortensen, of Lyle Lovett fame, plays the soulful pedal steel of the Orbison-esque 'Gold' and also the singing dobro of 'Last Things,' the album's heartbreaker. He and Lucas are joined by fiddle virtuoso Jenée Fleenor, whose brilliant bow is front and center on a rip-roaring 'Lost John.'- Shop: odax
- Price: 18.86 EUR excl. shipping
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Are You in Kid?
Hifi Mojo's "Are You In, Kid?" is the creation of veteran Portland drummer and singer Marty Henninger. Started as a project to show his kids a person can make and sell their own music, his music takes a semi-autobiographical view of his experiences in the last decade. By turns serious and humorous, he delved into blues, rhythm and blues, jazz and gospel to write a collection of songs that described life in middle America in the first decade of the 21st century. From the anger in "Smoke and Mirrors" and "Two Paychecks from the Street", the humor in "Lost your Place" or the poignancy of "Hunker Down "or "Last Time I Saw Phil", Hifi Mojo mixes the rich soil of American music to reflect on a middle class slowly being destroyed by greed and stupidity. As Marty said, "This is about peoples' lives in America now. We're in a poker game playing against a house full of wealth and power, but who deals from a stacked deck. We're playing for our way of life." The stakes couldn't be higher. Are you in, kid? The Songs: Smoke and Mirrors: An update of a field holler about the problems, Acapella vocals replete with symphony of shovels, hammers and crowbars. I like tools. Recorded and mixed by Shins engineer Sean Flora Refuge in the Blues: A broken relationship to the soundtrack of old scratchy Chess sides. Lead guitar solos by the fiery and indominatable Jim Mesi. Walkin' into Wheeler: Love and happiness to a jumpin' New Orleans 2-beat parade shuffle. Portland-born slide guitarist Gaddis Cavenah shows his quality! Hunker Down: A moody rumination on the 2004 presidential election, but whose words also echo the desolation after hurricane Katrina one year later. The rain never stops. More atmospherics by Sean Flora. Great slide work by guitarist Gaddis Cavenah. Barcode: Second-line funk and horns propel a bouncy little tune about the 'mark of the beast.' The legendary Fats Domino's tenor saxophone player Reggie Houston turns in a couple of gutsy solos. Wind Turns Blue: A bluesy ballad with piano by engineer Ron Rogers sounding like Floyd Cramer strained through a Professor Longhair blender. Ron's next door neighbor Claes Amroth plays harp. The theme is tried and true blues. Sometimes a guy can't do nothin' right. Lost Your Place: A steamy Slim Harpo-like swamper about love lost and found again. Sometimes living in a small town has it's advantages. More funky harp by Claes (pronounced Klaus) Nowhere to Go: A late night jazz-tinged blues about those years when everything seems to go wrong. In this case, 2001 sucked. Ditto 2002. Smoky, Hammond B-3 arrangement by Ben Partain. Reggie Houston lights it up again on tenor. Two Paychecks From the Street: A heartfelt minor blues about the slow collapse of the American Dream as told by the people who lived it, while I was doing a crappy little collections job for a mega-bank. Gaddis on slide and Ben Partain on B-3 burn it to the ground. Last Time I Saw Phil: A gospel-flavored farewell to a much-loved bassist, friend and fellow traveler, Phil Haxton. I wrote this the night before his memorial service. Recorded live in Gaddis' basement, the first song Hifi Mojo ever recorded. Ben plays the B-3 and kicks bass, while Gaddis plays some sweet slide. Smokin': A big, wide, uptown shuffle about...well, adult themes. Horns by Peter Moss and Steve Cameron.- Shop: odax
- Price: 22.09 EUR excl. shipping
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Front Row Seat To Earth (lp)
(LP) Natalie Mering verzückt mit ihren 60ies-Folk-angehauchten Melodien, klirrenden Gitarren, Orgeln und rasselnden Trommeln. Emotional, herzzerreißend, sirenenhaft...Natalie Mering verzückt mit ihren 60ies-Folk-angehauchten Melodien, klirrenden Gitarren, Orgeln und rasselnden Trommeln. Emotional, herzzerreißend, sirenenhaft... Ein sehr stringenter Entwurf, der den Westcoast-Sound der 70ies durch eine wirklich individuelle Künstlerin direkt in die Gegenwart bringt und dennoch die Patina des Originals trägt. Das Songwriting ist komplex, aber dennoch nicht sperrig, sondern zugänglich. Ein schönes und surreales Video: player.vimeo.com/video/178103466 Natalie Mering, the being behind Weyes Blood, embeds her sublime song in a harmonic gauze of arpeggiated piano, acoustic guitar, druggy horns, & outer space electronics. Propulsive, spare drums carry us across the album s course. There is a faded California beauty to Front Row. A gentle honesty that recalls the finest folk music made on the West Coast of the 70s. The hue hangs in the sweet-spooky harmonies, the pulsing sway of the vibrato & the ecstatic chord resolves. But this beauty is scratched with shadow, with dark foreboding, alienation, & acceptance of change. Love & loss balance together in suspended alchemy, as the earthiness of the singer-songwriter tradition wears digital sounds like feathers in its hair. Mering, together with co-producer Chris Cohen contrasts live band intimacy with the post-modern electric sheen of A.M. radio atmospherics. The experimental flourishes sparkle amid the succinct, thoughtful arrangements. The closeness of this record - how personal, alone, & frank it feels - conceals its aspirations to the outside, to the Earth of its title. Weyes Blood harbors devastating weight while also universalizing the strange ways of identity & relationships. These are not typical love songs or protest songs -- they are painful, poignant riddles that celebrate the ambiguity of love & affirm the conflict of harmonious life within a disharmonic world. TRACKS: 1. Diary 2. Used to Be 3. Be Free 4. Do You Need My Love 5. Generation Why 6. Can't Go Home 7. Seven Words 8. Away Above 9. Front Row Seat (+ Bonus track 'Three Tears' on download)- Shop: odax
- Price: 24.80 EUR excl. shipping
