Benedictions

Spiritual Awakening: Spirituality and the Awakening Self: A Quantum Physics Guide to Spiritual Growth and Sexual Energy Healing , Hörbuch, Digital, ungekürzt, 128min

Down with the masks. Let the ancient and new myths dissolve. Let the ghosts of our minds vanish. Let all the gods of every epoch evaporate. We do not need paranormal powers, activations, benedictions, or illuminations. We already have, and already are, all that we need (for free). This is the New Era.Having said all this, allow me to share some views and relevant questions. Although I am not interested in providing answers or “finding” solutions, I shall perpetually continue my quest and search, with the only conviction that when you assume or decide that you “found” the absolute truth, you’ve also established the limits of your own reality and free will.It is perfectly fine to have the freedom to define the boundaries of one’s own reality; however, that should not spill over in attempting to define the boundaries of the reality of others. ungekürzt. Language: English. Narrator: Adam Mutsaers. Audio sample: https://samples.audible.de/bk/acx0/127761/bk_acx0_127761_sample.mp3. Digital audiobook in aax.

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A World of Blessing

A World of Blessing ab 41.99 € als Taschenbuch: Benedictions from Every Continetn and Many Cultures. Aus dem Bereich: Bücher, English, International, Englische Taschenbücher,

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A Lifetime of Blessing

A Lifetime of Blessing ab 33.49 € als Taschenbuch: Benedictions for All the Days of Your Life. Aus dem Bereich: Bücher, Taschenbücher, Geist & Wissen,

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Quantum Physics: Including: Spiritual Awakening, Spirituality and the Awakening Self , Hörbuch, Digital, ungekürzt, 290min

This incredible spirituality resource is an independent masterpiece by a little known yet amazing independent author.You shall appreciate this bundle even more if you have a difficult to be satisfied palate for spiritual books.This bundle includes: BOOK 1 - Spiritual Awakening: Spirituality and the Awakening Self - a Quantum Physics Guide to Spiritual Growth and Sexual Energy Healing (Esoteric teachings Book 1) BOOK 2 - Spirituality and the Awakening Self: A Metaphysics Guide to Spiritual Disciplines – Your Ultimate Guide to Truly Awakening Your Mind, Body and Soul Gaining Consciousness (Spiritual Growth Book 2)Down with the masks: let the ancient and new myths dissolve, let the ghosts of our minds vanish, let all the gods of every epoch evaporate. We do not need paranormal powers, activations, benedictions or illuminations: we already have and already are all that we need (for free).This is the new Era.Having said all this, allow me to share some views and relevant questions. Although I am not interested in providing answers or “finding” solutions, I shall perpetually continue my quest and search, with the only conviction that when you assume or decide that you “found” the absolute truth, you’ve also established the limits of your own reality and Free Will.It is perfectly fine to have the freedom to define the boundaries of one’s own reality; however that should not spill over in attempting to define the boundaries of the reality of others. ungekürzt. Language: English. Narrator: Adam K Mutsaers. Audio sample: https://samples.audible.de/bk/acx0/132306/bk_acx0_132306_sample.mp3. Digital audiobook in aax.

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Spirituality and the Awakening Self: A Metaphysics Guide to Spiritual Disciplines: Your Ultimate Guide to Truly Awakening Your Mind, Body and Soul Gaining Inner Peace and Higher Consciousnes , Hörbuch, Digital, ungekürzt, 171min

Magic doesn’t really exist and neither do its deities. Angles or demons, messiahs or masters, techniques or miracles, magic formulas or rituals: None of it is real in absolute terms. There are neither guides nor saviours on Earth or elsewhere; no churches, no secret brotherhoods or cosmic Vaticans ready to save or enslave us (or both). We have never required them. We no longer need them. There isn’t a “beyond” nor a land of the living; no astral planes or anything that isn’t the concoction and fruit of our minds, our hopes, and our fears. There is nothing to be saved from. There are neither creditors nor judges.The question is within us, and the answer is not “out there”. We are not only the mystery. We are both the lock and the key. Hermeticism? Meditation? Alchemy? Initiation? Just symbols. Perhaps useful expedients but not for much longer. They are extracted from the conscious awareness behind which we usually hide as we chase chimeras and generate monsters. The means and the end are confused.Of course, you may have heard me speak (and will continue to do so) about each and every one of these topics and much more. Well, it doesn’t matter as they are all literally fairy tales! They are only useful as illustrations to us, the little children of consciousness. However, in a different way than traditional children tales, they are not meant to put us to sleep (that, we have been doing for far too long and not in a good way) but to shake us, perhaps to amaze us, and, ultimately, to awaken us. Down with the masks. Let the ancient and new myths dissolve; let the ghosts of our minds vanish; let all the gods of every epoch evaporate. We do not need paranormal powers, activations, benedictions, or illuminations. We already have and already are all that we need (for free). This is the new era.Having said all this, allow me to share some views and relevant questions. Although I am not interested in providing answers or “finding” solutions, ungekürzt. Language: English. Narrator: Adam Mutsaers. Audio sample: https://samples.audible.de/bk/acx0/129311/bk_acx0_129311_sample.mp3. Digital audiobook in aax.

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Les Benedictions de la Grace de Dieu

Les Benedictions de la Grace de Dieu: ab 8.49 €

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Benedictions - 26 Reflections: ab 14.99 €

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In the Land of the Willing

In the Land of the Willing - Litanies Prayers Poems and Benedictions: ab 21.99 €

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Forever Sunset

FOREVER SUNSET - JADCD 1116 An anthology of works by Australian composers in a wide range of styles and musical groupings ranging from mandolin & strings, tenor recorder & piano, voice with flute & piano, through mandolin ensemble, solo piano works and works for brass ensemble and duos for trumpet & piano. ROBERT ALLWORTH (b.1943) Track 1. FOREVER SUNSET (2004) for Mandolin-Violin-Viola and 'Cello FOREVER SUNSET takes ideas from the poem of the Lotus Eaters by Lord Alfred Tennyson. The music is full of colouristic effects and is an evocative portrayal of a Sunset. IAN SHANAHAN (b.1962) Track 2 HARMONIA (in PP) (2001) for Tenor Recorder and Piano harmonia [Greek] = 'a fitting together' = compositio[nis] [Latin] = 'a musical composition' (i.e. a harmonious, well-structured assemblage of sounds/silences), and - of course - 'harmony' = a homophony = chorale, recitative, ..., pp [Italian abbreviation for 'very quiet'] = Peter Platt = the Perfect Professor. To 'Prof ... a Persistence of (Pneuma [Greek]) = 'wind' and 'spirit': "Funereal yet serene - a dignified mourning" (of surprising starkness and textural simplicity), for one who Plucks Psalteries in Pleromatic Paradise... Lest We Forget. Harmonia (in PP), written in memory of Professor Peter Platt, employs none of my typically abstract, complex paracompositional schemata: rather, I approached this concise piece much more humbly - in a way that I imagine 'Prof himself might have quietly begun to sketch out one of his own modest works. BETTY BEATH (b.1942) Tracks 3 and 4 MEETING IN THE ROAD and THE SHE WOLF Meeting in the Road and The She-wolf are the 3rd and 4th songs from the cycle for voice, flute and piano titled POINTS IN A JOURNEY. This cycle of five songs was commissioned by North Adams State College, Massachusetts. The First Performance took place during the period of my residency at the College on the 7th October, 1987. Meeting in the Road, the setting of a text by an anonymous Chinese poet of the 1st Century BC touches on a universal theme...the brief meeting which somehow touches us in a way we shall always recall. In writing from a distance of 2,000 years he describes the place where he lived as 'easy enough to find, easy to find and difficult to forget'. In a narrow road where there was not room to pass My carriage met the carriage of a young man. And while his axle was touching my axle in the narrow road, I asked him where he lived. The place where I live is easy enough to find, Easy to find and difficult to forget. The gates of my house are built of yellow gold, The hall of my house is paved with wihte jade, On the hall table flagons of wine are set, I have summoned to serve me dancers from Han-tan. In the midst of the courtyard grows a cassia tree, And candles on it's branches flaring away in the night. The She-wolf, with words by the Queensland poet, Jena Woodhouse, describes her passionate relationship with her mother. My mother gave me tempest strife and storm, Flickerings of wisdom lit from within by fires of ancient lore And left the imprint of her Celtic soul A sense of something dangerous and passionate It was she who snarled defiance at the poverty that menaced her And hurled her gypsy curses in the teeth of bitter need, And held her head still higher before strangers And damned the world for misery and greed, It was she who took in homeless dogs to feed and care for, And sad old men who drank too much and died And she who'd weep her grief at each bereavement, The nightmare visions crowding in her eyes, And chide her children for their trespasses, And toil until she dropped to give them bread, And then in feral rage devour them, And bundle them to bed with growls and muttered benedictions, And watch them grow with pride That flashed like lightning in her tawny gaze, And give them heart to sing And pit their strength against the storm. ERIC GROSS (b.1926) Tracks 5 and 6 KLAVIERSTÜCK 1V op.225 (1998) and PLAYFUL SALLY op.300 (2006) "KLAVIERSTÜCK IV", one of a series of five Klavierstücke, is subtitled "quasi un' improvvisazione" and is meant to convey, within a formal structure, liberal amounts of contrasting tempi, dynamics, phrasing and moods, such as would be found in an improvisation. It is also intended to give the performer the opportunity to contribute creatively to the realization of the music in a free and unrestricted manner. After the opening statements, which alternate emphatic and cantabile phrases, a gentle section gives way to semiquaver phrases which increase in volume and speed and lead to several climaxes. These semiquaver phrases appear in various inversions and guises, eventually leading back into a gentler melodic section, previously heard soon after the beginning. A cadenza builds up to a strong climax after which the work is brought to it's close with a succession of pianistic statements.'Klavierstück IV' was originally written for Katarina Kroslakova as a gesture of thanks for participating in an earlier recording of a composition of mine for mandolin and piano. "PLAYFUL SALLY" is dedicated to it's performer Sally Mays because of her strong and generous support of Australian composers. This composition is a lighthearted tribute to her outstanding musicianship and technical excellence. After commencing mischievously in the style of a two-part invention, the piece playfully employs cross-rhythms and unexpected harmonic aberrations to mislead performers and listeners alike. EG. ANN CARR-BOYD (b.1938) Track 7 FOXTROT (1993) FOXTROT was commissioned by Adrian Hooper, Director of the Sydney Mandolins, to be performed by his ensemble. The music is another dance form piece and is meant as a companion piece to Fandango, one of Ann Carr-Boyd's most popular compositions, which was also written for the Sydney Mandolins. ERIC GROSS Track 8 HABAÑERA-SERENADE op.31/4 (1960-2007) This composition, originally for Violin and Piano, was written as a study in an 'Habañera' style of composition and has also been transcribed for Piano alone. This version for Soprano Saxophone and Piano was arranged in 2007 especially for the two performers on this recording, Berndt Klinke (Soprano Saxophone) and Idil Ugur ( Piano) for a performance in Germany. The music relies on it's obvious melodic appeal based on it's ternary form and it's minor-to-major key- transformation. EG. DEREK STRAHAN (b.1935) Track 9 SEISMIC MURMURS for Solo Piano (1992) - Derek Strahan - piano This is the closing section from Pt. 1 of Atlantis Variations for Solo Piano, one of several works written to develop material for inclusion in a proposed cycle of 4 operas suggested by Plato's account of the rise and fall of Atlantis. A 3-note whole tone figure heard as a bass rumble at the outset and continuing, represents the trident of the Greek sea god Poseidon, by which he controlled the movement of wind and tides. The motif for Poseidon is immediately heard over it followed by a more elegiac theme for his consort as ruler of Atlantis, the native woman Cleito. A monumental theme for their son Atlas follows. Atlantis and the Atlantic Ocean are named after him. The responsibility of rule over his expanding empire is figuratively implied in the image of Atlas bearing the world on his shoulders. These and other motifs form the basis for passages signifying the seismic instability of the area in the Atlantic known as Dolphin's Ridge where Atlantis is placed by some writers. Heraldic fanfares depicting the Golden Age of Atlantis conclude this section. D.W.S. Recording, New Music Theatre, 8/7/2002. The complete work "Atlantis Variations" can be heard on the Revolve CD of that title RDS009. DANIEL WILLIAMS (b.1935) Tracks 10 and 11 DEO GRATIAS (2007) and FANFARE FOR HORROCKS (2007) Fanfare for Horrocks and Deo Gratias were written in 2007 by trumpeter and composer, Daniel Williams. Williams took on the position of Head of Bands at the The King's School in 2006, and it was there these compositions emerged. Deo Gratias was commissi

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