34 Results for : mantilla

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    Retes Mantilla:La competitividad del se
    Erscheinungsdatum: 19.12.2015, Medium: Taschenbuch, Einband: Kartoniert / Broschiert, Titel: La competitividad del sector tortillero en el Estado de México, Titelzusatz: Estudio de caso en un municipio de la región, Autor: Retes Mantilla, Rogel Fernando // Garrido R. , Samuel // Chávez H. , Noé, Verlag: EAE, Sprache: Spanisch, Rubrik: Betriebswirtschaft, Seiten: 124, Informationen: Paperback, Gewicht: 201 gr, Verkäufer: averdo
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    • Price: 28.39 EUR excl. shipping
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    Esparza Mantilla:Fijación de CO2 en la
    Erscheinungsdatum: 17.10.2012, Medium: Taschenbuch, Einband: Kartoniert / Broschiert, Titel: Fijación de CO2 en la bacteria biolixiviante A. ferrooxidans, Titelzusatz: Función del regulador transcripción CbbR durante la Fijación de CO2 en la bacteria biolixiviante A. ferrooxidans, Autor: Esparza Mantilla, Mario // Holmes, David // Jedlicki, Eugenia, Verlag: EAE, Sprache: Spanisch, Rubrik: Biologie // Allgemeines, Lexika, Seiten: 116, Informationen: Paperback, Gewicht: 191 gr, Verkäufer: averdo
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    Herzstück Musizieren
    Erscheinungsdatum: 01.06.2016, Einband: Kartoniert, Titelzusatz: Instrumentaler Gruppenunterricht zwischen Planung und Wagnis, Texte zur instrumentalpädagigik, üben & musizieren, Herausgeber: Peter Röbke/Bianka Wüstehube/Natalia Ardila-Mantilla u a, Verlag: Schott Musik International GmbH & Co. KG, Sprache: Deutsch, Schlagworte: Instrumentalunterricht // Lernfeld // Musizieren, Produktform: Kartoniert, Umfang: 144 S., Seiten: 144, Format: 1 x 21 x 15.1 cm, Gewicht: 289 gr, Verkäufer: averdo
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    • Price: 16.95 EUR excl. shipping
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    »Seguidilla und Mantilla«
    »Seguidilla und Mantilla« ab 49.8 € als Taschenbuch: Das Spanienbild im Libretto von opéra-comique' und opéra-bouffe'. Untersuchungen an Hand von ausgewählten Librettotexten des 19. Jahrhunderts.. Aus dem Bereich: Musik, Noten & Musiktheorie,
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    • Price: 49.80 EUR excl. shipping
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    Carmen
    Diese Prachtausgabe enthält nicht nur Mérimées Novelle mit den großformatigen Bildern von Benjamin Lacombe, sondern auch einen fünfzehn Jahre früher erschienenen sehr ausführlichen Brief des Autors, in dem er sich zum ersten Mal mit dem Carmen-Stoff befasst, sowie einen ausführlichen Anhang mit Erläuterungen, biografischen und bibliografischen Angaben. "Im Laufe der Zeit ist Carmen, diese Gestalt der Spätromantik, zum Mythos geworden, zu einer Ikone der Popkultur ...Carmen auf Bizets Oper zu reduzieren wäre jedoch falsch. Prosper Mérimées Heldin ist so stark, dass sie zum Archetyp der Femme fatale wurde. Jeden Mann nimmt sie gefangen, spinnt um ihn herum ein Spinnennetz und wickelt ihn, nachdem sie ihn gänzlich wehrlos gemacht hat, in ihre Mantilla ... " Benjamin Lacombe
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    • Price: 41.10 EUR excl. shipping
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    Musette 3 - 110 success
    L'ACCORDEON ESPIEGLE|Adios Sevilla|A LA DERIVE|AMERICANO|AMERTUME|AS DE COPAS|AU COEUR DE LA VALSE|AU PETIT BAL DE NOGENT|BALAJO|BALLADE A NOGENT|BERCEUSE TENDRE|BIGUINE ANANAS|Bois de Boulogne|BRAZIL ACCORDEON|BRISE SABLAISE|CARAVANE RABOUINE|CASTAGNETTES ET SEGUEDILLES|LA CHAINE|LA CHANSON DU VELO|CHISPAZO|COEUR VAGABOND|DANCING RETRO|LE DENICHEUR|LES DOIGTS VELOURS|DON JESUS|Donne moi un ti bo|DOUCE JOIE|LA DOULOUREUSE|DU JOUR AU LENDEMAIN|EL BLOTTO|EL GODILLO|EN AMATEUR|ETOILE D'AUVERGNE|FANTAISIE SAMBA|FERIA SEVILLANA|Frenesie musette|LA FRIVOLE|GRACIEUZETTE|GRAND FRISE|Hold up yu musette|IMPASSE DES VERTUS|IMPRESSIONS NOCTURNES|INDIFFERENCE|ISULA DI SOGNU (ILE DE REVE)|JAVACCORDEON|JAVA JAVA|JAVA 43|JAVETTE|JAZZ WALTZ|JEANNETTE|JE VOUS SALUE BIEN|JOLI PERROQUET|JOYEUX VAGABOND|LUNERO|LA MALNOUE|MA NOUCHE|MANTILLA BLANCA|MARCHE DE LIEVIN|MARCHE DES ROUTIERS|MARCHE DES SAPEURS POMPIERS|MEPRISE|MINEUR POLKA|MITZI|MOUSTACHE|MUJER DE SEVILLA|Musette en Goguette|NANY|9 RUE DE LAPPE|NINETTE JAVA|NOVEMBRE|ON DANSE A LA VILLETTE|ORLY|PAPA VIENT D'EPOUSER LA BONNE|PAPILLONS NOIRS|PARA SIEMPRE|PARTIR|PEPEE|PERLES DE CRISTAL|Petit delit|LES PIGEONS DE PARIS|POUSSIN BLEU|Promenade Musette|QUAI DE LA JATTE|15 AVENUE|RABOUINE|RETOUR AUX CHAMPS|REVE BOHEMIEN|REVEIL MUSETTE|ROSA DE VALENCIA|RHTHME D'ASIE|SENTIMENTALE|SI JE GAGNE AU LOTO|SOIR DE PARIS|Solo|SOUVENIR DU BALAJO|LE TEMPS EST LOIN|Les temps finis|TIVOLI BAR|TON SOURIRE|LE TREICHEUR|TU M'AS MENTI|VANCANCES MADRILENES|LA VALSE A MOMO|LA VALSE DES NIGLOS|VALSE VILLAGEOISE|VIENS PRES DE MOI|VOLUBILIS|WEEK END AU BALAJO|ZIG ZAG|LA ZONE
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    • Price: 31.95 EUR excl. shipping
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    »Seguidilla und Mantilla«
    »Seguidilla und Mantilla« - Das Spanienbild im Libretto von opéra-comique' und opéra-bouffe'. Untersuchungen an Hand von ausgewählten Librettotexten des 19. Jahrhunderts.: ab 49.8 €
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    • Price: 49.80 EUR excl. shipping
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    Cedar Walton pres. Piero Odorici
    Wenn Cedar Walton spricht, dann hört ihm die Jazz-Welt zu. Und wenn Cedar zu Joe Fields von Savant Records kommt und ihm vorschlägt ein Platte mit jungen Saxophonisten aus dem italienischen Bologna zu machen, dann weiß Joe, dass es sich hierbei um ein großes Talent handeln muss. Piero Odorici hat sich bereits in Italien einen Namen erspielt und ist nicht nur für Cedar Walton, sondern u.a. auch für George Cables, Curtis Fuller, Jimmy Cobb, Ray Mantilla die erste Wahl, wenn sie auf Tour sind. F
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    • Price: 19.21 EUR excl. shipping
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    Rebirth
    Ray Mantilla was one of the true conga giants during the 1950s, 60s and 70s recording hundreds of album sessions and pioneering the use of unique combinations of latin percussion instruments. Among his most famous collaborations were with Charles Mingus, Herbie Mann and Max Roach. In 1977, Mantilla was selected by the great jazz ambassador Dizzy Gillespie to accompany him to Cuba as the first US band to visit the island since the travel embargo of 1962. Their joint concerts with Cuba's indigeno
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    • Price: 15.58 EUR excl. shipping
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    Clarinete Solo. Mexico Vol. 1
    SOLO CLARINET Mexico Vol. 1 Javier Vinasco Fifty years of music for solo clarinet. Mexico (1957-2007) Composers born in the 20th century To record a CD for solo clarinet with pieces by Mexican composers has been an arduous, difficult, and at the same time rewarding undertaking. On this journey we have investigated a variety of routes and paths that composers had taken and have come to recognize that there is an ample compendium of creators dedicated to writing for the clarinet. These composers have explored languages that range from the acknowledgment of tradition to less conventional experimentations, demonstrating both significant evolution and compositional maturity. Our efforts have resulted in an anthology that shows a glimpse of the variety, quality, and expressivity of the ample spectrum of compositions that, in this case, were selected with an inquisitive spirit from archives, catalogs and private collections. At the same time, this CD presents two new compositions written especially for this project by Alejandro Colavita and Fernando Cataño. Mario Lavista (1943- ) wrote Madrigal (1985), in collaboration with the clarinetist Luis Humberto Ramos, to whom the piece was dedicated. It is a work articulated in two contrasting sections: the first calls to mind the medieval form of the madrigal with the use of a single pedal and two voices, one superior and the other inferior, thus creating an illusion of polyphony within the instrument's monophonic possibilities. The second section, on the other hand, makes use of non-conventional fingerings to achieve different colours of the same note as well as to produce two or more sounds simultaneously. Lavista then re-elaborates this resource, for the piece's conclusion, in an organum, and so, achieves coherence and unity. Elegía (1962) by composer, Manuel de Elías (1939- ), is a piece in a single movement of lyrical nature in which there is a perceived motor impulse from beginning to end. In Imago (1977), the composer liberates the metric and delves deep into the use of technology external to the instrument, in this case the echo chamber, affecting the clarinet's sound. This device provokes in the listener an alternate perception of sounds from the direct source with other moments in which one can detect their reflection. Divertimento (1985) by composer, Gabriela Ortiz (1964- ) and dedicated to Luis Humberto Ramos, is a piece written in a single movement that retains a rhythmic preeminence and that has it's roots in popular music. Although this is one of her earliest compositions, it is possible to recognize -by the construction of phrases and her ample dynamic palette- an efficient combination of technique and intuition. The náhuatl legend of the 'five suns' is the background for the piece titled Macuiltonatiuh (2007), by the composer, Alejandro Colavita (1973- ). This composition was worked closely with the clarinetist, Javier Vinasco, to whom it was dedicated. Macuiltonatiuh is comprised of five continuous movements in a contemporary language that makes use of the extensive gamut of expressive resources in today's clarinet technique. It is possible to discern a search for timbres which, in turn, determine each movement's structure, as well as the overall form of the piece. It is a pursuit that initiates in the depths of the lowest register of the clarinet (shalomuo register) and slides, in continuous ascent, to the instrument's highest limits. Clamoreo (1991) for clarinet and magnetic tape, by the composer Víctor Rasgado (1959- ) is a fragment from his opera Anacleto Morones. Here, the composer carries out a timbrical exploration by combining an acoustic instrument with electronic sounds. It is written in a single movement in which the clarinet presents two motives that persist throughout the entire piece, thus reacting to the changes generated by the tape. Tres Epigramas (1999), for their part, are movements elaborated as independent and self-contained units in which one can appreciate the influences of serialism. The first and third were dedicated to Guido Arbonelli while the second was dedicated to José Luis Nieto Bustamante. Fernando Cataño (1928- ) wrote Llanuras and Ternura in 1957 and 2006, respectively. Both pieces are composed in a single movement in which the inspiration originates from a mystical search undertaken by the composer. Through contemplation, Cataño explores themes related to Mexico's religious syncretism. In these searches, the composer exalts mestizo spirituality within a nationalist frame, and so, demonstrates congruency throughout his pieces with the use of common elements present from his earliest compositions. Up to this point, Llanuras had remained unedited, while Ternura was composed especially for this project. In this recording both pieces make their first public appearance. Cuatro estudios (1975) by composer Jorge Córdoba (1953- ) have a didactic purpose insofar as they develop the musician's technical abilities while exploring different musical elements in each one of them. In the first, articulation works in function of the phrasing, in the second, rhythm is explore by combining measures in simple and compound time, the third fosters perfection of the legato technique, while the fourth contrasts with the previous one, by emphasizing the use of staccato notes. Javier Vinasco is currently one of the most distinguished clarinet players in Latin America. He devotes a significant amount of his work to the interpretation and diffusion of his continent's music, as can be appreciated in his recordings with Música de Cámara Latinoamericana and Cero Records. His warmth and depth of sound, his pure technique and his refined musicality have led diverse composers - among them, Diego Vega, Jesús Lara, Nathan Bounviri and Alejandro Colavita- to write pieces specifically for him. His presentations -including chamber concerts, soloist appearances with orchestral accompaniment, master classes and courses- have been received enthusiastically by critics and public alike in Colombia, Mexico, Argentina, Venezuela, Panama, Italy, the United States, Canada and Japan. Javier holds a Bachelor's degree from Colombia's Universidad del Valle, perfectionism of clarinet studies from the Conservatorio Otorino Respighi in Italy, and his Master's from the UNAM in Mexico City. Throughout his musical career, Javier has studied with Emilio Montoya, Francesco Belli, Roberto Mantilla, and Luis Humberto Ramos.
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    • Price: 26.45 EUR excl. shipping

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