33 Results for : qanun

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    Erscheinungsdatum: 01.01.2018, Medium: Taschenbuch, Einband: Kartoniert / Broschiert, Titel: XXI ¿sr üçün 21 d¿rs, Autor: Yuval Noah Harari, Verlag: Qanun, Sprache: Aserbaidschanisch, Rubrik: Naturwissenschaften // Technik allg., Seiten: 360, Informationen: Paperback, Gewicht: 481 gr, Verkäufer: averdo
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    • Price: 16.90 EUR excl. shipping
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    Erscheinungsdatum: 24.01.2018, Medium: Taschenbuch, Einband: Kartoniert / Broschiert, Titel: Mill¿tl¿r niy¿ t¿n¿zzül edir, Autor: Daron Acemoglu v¿ Ceyms A. Robinson, Verlag: Qanun, Sprache: Aserbaidschanisch, Rubrik: Politikwissenschaft, Seiten: 576, Informationen: Paperback, Gewicht: 738 gr, Verkäufer: averdo
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    • Price: 19.90 EUR excl. shipping
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    Erscheinungsdatum: 24.01.2018, Medium: Taschenbuch, Einband: Kartoniert / Broschiert, Titel: Mill¿tl¿r niy¿ t¿n¿zzül edir, Autor: Daron Acemoglu v¿ Ceyms A. Robinson, Verlag: Qanun, Sprache: Aserbaidschanisch, Rubrik: Politikwissenschaft, Seiten: 576, Informationen: Paperback, Gewicht: 738 gr, Verkäufer: averdo
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    • Price: 19.90 EUR excl. shipping
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    Critical Study of Qanun-E-Shahadat Order 1984 ab 58.99 € als Taschenbuch: Law of Evidence. Aus dem Bereich: Bücher, Wissenschaft, Jura,
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    • Price: 58.99 EUR excl. shipping
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    Was singen und spielen die orientalischen Kinder in ihrer alten und ihrer neuen Heimat?Die CD vereint eine Auswahl von lebendigen Kinderliedern und Tänzen aus dem Orient. Es sind Lieder aus dem arabischen Raum, der Türkei bis hin zum Iran. Es sind Spiellieder, Tanzlieder, die allesamt in den Originalsprachen und deutschen Ubertragungen gesungen werden. Die orientalischen Melodien sind so bearbeitet, daß die hier lebenden Kinder ohne Probleme in der Lage sind, die Lieder aufzunehmen und selbst zu singen. Die Instrumentierung vermittelt den Reichtum orientalischer Klänge und Instrumente. Die Laute Du, aus der sich unsere Gitarren entwickelten, spielt eine tragende Rolle. Ebenso sind Qanun, Balama, Ney, Surna, Davul, Darbouka und viele andere orientalische Instrumente zu hören. Gitarre und Bass, als musikalische Mittler zwischen den Welten, ermöglichen eine harmonische Orientierung und die Chance, auch für in der orientalischen Musik Ungeübte, die Lieder selbst nachzuspielen und zu singen. Moderationen und kleine Geschichten zwischen den Musiken helfen dabei, tief in die Welt des Orient einzutauchen.Mit dem Wort Orient verbinden wir die Geschichten aus 1001 Nacht, Fliegend Teppiche, sagenhafte Städte mit goldenen Kuppeln, geheimnisvolle Menschen in farbigen Kleidern, unendliche Wüsten, schaukelnde Kamele, den Ruf des Muezzin vom Minarett. Doch der Orient beginnt für uns oftmals direkt nebenan, bei der arabischen Familie im Nachbarhaus, im türkischen Laden um die Ecke.Was singen und spielen die orientalischen Kinder in ihrer alten und ihrer neuen Heimat? Laufzeit: 54:22
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    • Price: 13.99 EUR excl. shipping
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    Ibn Sina (Avicenna) was born in 980 in Buhara, and died in 1037 in Hamadan, Persia (now Iran). He is a physician, physicist, writer, philosopher and scientist. He was known in the West as the founder of modern science in the medieval ages, the leader of physicians and dubbed as the "Doctors' Doctor". His fame rests on his book, Al-Qanun fi al-¿ibb (The Canon of Medicine) which was regarded as the principal medical work in the field of medicine for seven centuries and this book remained as a reference source for medical studies in the universities of Europe until the end of seventeenth century. If now we examine his work "The Canon of Medicine", we find that he has an extensive explanation of anatomy and in his work in which he gives a clear definition of some organs which can be visualised with today's some special imaging devices, today, there are still many unresolved and unstudied methods. Ibn Sina's curative recipes were used in the European medicine for many centuries even after his death. The famous astronomer Copernicus, also a nephrologist, has healed using the recipes of Ibn Sina who has lived before his birth over 500 year ago. When i had first read the second volume of Ibn Sina's study, "The Canon of Medicine", telling about which plant is recuperative and the applications of these plants internally and externally, i came up with the idea of bringing this study down to a simpler level of understanding that everybody can comprehend, rather than letting it be understood just by the specialists. But I could bring this out after 1 year of work. Staying faithful to the context of the book, submitting this book on behalf of the community was my biggest wish. In order to bring simplicity, I worked meticulously to compile an index of plant names together with their latinized forms which are sorted in alphabetical order and also an alphabetical index of diseases. I got opinion and also support from doctors and experts in Phytotherapists. I left the explanations as they are since i didn't want to make any extra additions to the book. If a detailed survey of the plants is carried out, there is more detailed information in the literature about how they should be used. We can already see that the modern medicine finds out solutions to many diseases but nevertheless, there are still dozens of diseases which can not be healed. For instance, in this work, Ibn Sina explains the reason of why he has named a plant as "Swallow-wort" as follows: Sometimes the newborn nestlings of a swallow suffer from blindness. It was observed that the mother squeezes the extract of this plant onto their babies'eyelids and then their eyes were healed. All the same, if this kind of plants are examined throughly, it is quite possible to observe the same effect on humans as well. In this case, i call upon the expert scientist, to carry out these researches. At the end of this book, i added also some basic methods of practical home care medicine which are used in traditional medicine. I believe that these will be found useful and practical. I hope that this will be useful for humanity... Caner OZOGUL (Herbalist)
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    • Price: 5.74 EUR excl. shipping
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    Little Qanun of Ibn Sina - Little Model of the Great Qanun: ab 52.49 €
    • Shop: ebook.de
    • Price: 52.49 EUR excl. shipping
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    Palace Troubadour, Debu's acclaimed fifth offering, is a musical feast straight from the Royal Court! This 15-song album reflects Debu's versatility and international appeal, featuring songs in English, Spanish, Italian, Turkish, Arabic, Indonesian and Chinese. "DEBU's sound is a heady mix of Middle Eastern strings, thumping drums, flutes, violins, a harp and other Indonesian instruments picked up during the band's travels through this vast archipelago." (AP Jakarta) DEBU PROFILE AND HISTORY DEBU fuses East and West, traditional and contemporary, acoustic and electric. This award-winning world music ensemble is known for playing anything from funk fusion to classical Turkish, then blending these various styles and rhythms to create something new and exciting. DEBU's percussion section consists of Indian, Peruvian, Persian, Arabic, Turkish and Western drums. Add violins, Turkish baglama, oud, Iranian santur, Middle Eastern qanun, acoustic guitar, keyboard and a 6-string bass, and the result is a mini world music orchestra. It is only fitting that this diverse and talented group also sings in nine different languages. DEBU's inspirational multilingual lyrics, written by Shaykh Fattaah, convey the message inherent in the shaykh's Sufi poetry of universal love of the one True Love. Most of DEBU's music is composed by Mustafa Daood, who is also their lead vocalist and arranger. Currently residing in Jakarta, DEBU has topped the charts in Indonesia since the band formed in 2000. DEBU's first album Mabuk Cinta (Drunk with Love), released in 2003, achieved instant success with it's hit single "Cinta Saja," played on MTV Asia daily. The next year, DEBU captured the attention of MTV Asia and worldwide Link TV with "Mazhab Cinta," from their second album Makin Mabuk (Even More Drunk). DEBU soon learned the ropes in the recording studio and decided to build their own studio in Jakarta, where they have produced, mixed and mastered their next five albums. These include three Indonesian albums - Nyawa dan Cinta (The Soul and Love), Gubahan Pecinta (A Travel Guide) and Dianggap Gila (Mad?), a Turkish album entitled Hep Beraber (Let's Say It Together), and their Persian album Soorinaas (A Celebration). Countless performances in a variety of settings, from intimate gatherings to corporate galas, and many television appearances (including several award-winning series featuring DEBU's poetry and music, relief benefits and daily Ramadan specials) have made DEBU famous throughout Indonesia. DEBU's music has attracted global attention - live, through album and digital distribution, and on the internet. DEBU has toured Indonesia, Malaysia (including participation in the renown Rainforest World Music Festival in Borneo), Turkey, Singapore, Iran and Canada. They continue to be invited to events worldwide and are currently working on new releases in English, Spanish, Arabic and Indonesian. 'They have as much fun as Natasha Atlas. They're as suave as Cheb Mami. They're as fresh-faced and sincere as any of the Sami Yusufs and Dawud Wharnsby Alis of the modern Islamic music scene, and they're about to take the Muslim West by storm, a dust storm, in fact. 'DEBU' - which means 'dust' in Malay and Indonesian - has already gone gold in the Archipelago.' Isla Rosser-Owen, Emel Magazine 'The songs DEBU sings - in Indonesian, Turkish, English and Arabic - are mostly about love and peace, and the band members exude goodwill and equanimity. They clearly revel in the opportunity to reach more and more people through their music.' David Kennedy, Jakarta Post 'DEBU's popularity rose quite a few degrees higher at the Rainforest World Music Festival this year, and although many in the audience knew them as stars already, they easily won a large new following.' Randy Raine-Reusch, Artistic Director, Rainforest World Music Festival Music from the heart, to the heart! BAND MEMBERS AND THEIR INSTRUMENTS Kumayl Mustafa Daood Born: July 9, 1981 Place of Birth: Oregon, USA Position: Composer, Arranger, Lead Vocalist, Oud, Glama and Harmonium Mustafa is the musical director and arranger of all of DEBU's music. As he is proficient on many different instruments, it is not uncommon for Mustafa to single-handedly create a demo song in the studio using most of DEBU's pieces. During a live performance, however, he generally plays up to three instruments: Oud: Also known as the lute, this round-bodied instrument is the guitar of the Middle East. It is said to be the grandfather of the guitar. Mustafa uses a Turkish oud, an Egyptian oud and an electric oud that he had custom-made in Indonesia. Glama: This Turkish long-necked lute, also known by some as the saz, is commonly used in central Asia, the Near East and the eastern Mediterranean. Harmonium: Also known as peti or baja, the harmonium is a European instrument that was introduced into India in the 19th century. It is a small organ that has bellows and is pumped by hand through free reeds to produce sound. A lever at the base of the harmonium can adjust it's scale. The keys and their intervals are the same as that of a piano. Muhammad Saleem Born: December 15, 1986 Place of Birth: Oregon, USA Position: Wind Instruments, Vocalist Although Saleem's main role in DEBU is playing wind instruments, he occasionally plays percussive instruments like the Arabian tambourine (riq). Saleem does not limit himself to one specific wind instrument. He has a large collection from around the world. Some of his favorites include: Turkish Ney: This reed flute is one of the most commonly used instruments in Turkish classical music. It has six holes on the top and one on the back, which is covered by the thumb. Sound is produced by blowing on the rim of the ney. Sundanese Flute: This bamboo flute is used in traditional Sundanese music from Indonesia. It's scale is not Western, but rather a traditional Sundanese scale. It has 6 holes and is blown from the top. Fife: Originally found in medieval Europe, this high-pitched flute is held at the side and blown from the top. Like many flutes it uses a standard 6-hole system. Though generally played in a 2-octave range, it can be played up to 3 octaves. Daood Abdullah Born: September 28, 1988 Place of Birth: Texas, USA Position: Drummer and Percussionist Daood mainly plays the darbuka, drumset and cajon. He is, however, proficient on many other percussion instruments like the Persian daf and tombak. Daood is known for his unique playing style. He takes techniques used on various instruments, such as the flutter of the flamenco guitarist, and incorporates them into his playing. The combination of playing the drum set and the handheld darbuka at the same time is another one of his distinctive talents. He has studied music and played percussion with great musicians from around the world like Gilang Ramadan, Tanmoy Bose, Dwiki Darmawan, Sadao Wantanab, Bilen Isiktas, Onur Nar, Yuyun George and Kousik Dutta. Darbuka: Known by many names (such as the dumbek, goblet drum and chalice drum), the darbuka is played in many Middle Eastern countries. It has a thin head that can be made of skin, plastic or even fiberglass. The middle of the head is hit with the hand to produce a low "DUM" sound and the rim is hit for the higher "TEK" sound. Daood uses an Egyptian darbuka, although he favors the Turkish style of playing. Cajon: This Afro-Peruvian percussion instrument is a wooden box with a hole cut out of the back. The player sits on the box and hits the face of it, usually made of plywood, with his hands. Drum Set: This western instrument is a combination of drums and percussive instruments collected and set up around the drummer. It is played using drumsticks and foot pedals. Daood personally prefers to have double foot pedals on his kick drum and he never performs without using his Mapex snare. Ali Al-Mujahid Abdullah Born: November 10, 1978 Place of Birth: Michigan, USA Position: Bass, Sound Technician Mujahid oversees all set up and technica
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    • Price: 15.92 EUR excl. shipping
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    The particularity of this album is that it is one of a very few in North-America that presents traditional Middle-Eastern style with new arrangements while the original composition is preserved. Three traditional tracks were chosen carefully and re-arranged to form a new musical style made of traditional instruments accompanied by bass, drums, Saxophone, Flute and other instruments that make you dance while sitting and listening to magical melodies. Each original piece composed by Nizar Tabcharani possesses a considerable music background that introduces exciting new and original style with special arrangements for the Lute (Oud), Kanoun (Qanun), Riq, Darbouka and other oriental percussions, drums, bass, saxophone, flute and guitar. The main instruments of this album are the traditional ones that still unknown, within the most faithful framework to their historical portrait. Indeed, the challenge to take up is to prove the versatility of these instruments and the possibility of playing several styles of which, Jazz, world, acoustic and the traditional one in addition to the Eastern traditional music. The latter is becoming increasingly popular throughout the world (sometimes amalgamated with other styles and contemporary music). but the characteristics of 'BackStrings' is based on the fact that it is one of the very rare bands in North America which plays this traditional Middle-Eastern style and bringing a new modern style and sound.
    • Shop: odax
    • Price: 35.05 EUR excl. shipping
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    Ramzy Hossam & Maged Serour
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    • Price: 10.05 EUR excl. shipping


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