24 Results for : releasable

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    Hellermann Tyton REZ300 Kabelbinder Releasable cable tie Polyamid Rot 100 Stück(e) (115-00043)
    Durch sein einmaliges Kopfdesign ist der REZ Kabelbinder mit nur zwei Fingern zu Öffnen. Durch Drücken der Flügel lässt sich das Kabelband ganz einfach wieder lösen. Der REZ Kabelbinder ist ein praktischer Helfer für ganz verschiedene Anwendungsmöglichkeiten. Selbst als praktischer Beutelverschluss kommt der REZ schon zum Einsatz. Verpackungen, zum Beispiel im Service- oder Cateringbereich, können nach dem Öffnen ganz einfach mithilfe des REZ Kabelbinders wieder verschlossen werden. REZ-Serie ist lösbar und kann wieder verwendet werden Einmaliges Kopfdesign für eine einfache und schnelle Anwendung Flügelverschluss zum Öffnen mit nur einer Hand Kann selbst unter Spannung geöffnet werden Auch mit Handschuhen schnell und einfach zu verarbeiten Hauptmerkmale Funktionen Typ Releasable cable tie Material Polyamid Erkennungsmarke Nein Produktfarbe Rot Maximaler Bündelungsdurchmesser 8 cm Zugfestigkeit 135 N UL94-Entflammbarkeitsstandard V2 Temperaturbereich in Betrieb 40 - 85 °C RoHS-Kompatibel
    • Shop: JACOB Computer
    • Price: 57.81 EUR excl. shipping
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    Hellermann Tyton REL180 Kabelbinder Releasable cable tie Polyamid Schwarz 100 Stück(e) (115-00027)
    Die REL-Serie ist ideal geeignet wenn Kabel oder Leitungen in Etappen zusammengeführt werden müssen und häufiges Lösen oder Schließen der Kabelbinder bei einzelnen Fertigungsstationen erforderlich ist. Der Hebelverschluss des REL Kabelbinders ermöglicht das einfache und schnelle Lösen mit nur einer Hand. UV witterungsstabile Kabelbinder aus PA66W sind besonders für Außenanwendungen geeignet. Lösbarer und wiederverwendbarer Kabelbinder Durch den Hebelverschluss sehr einfach zu lösen Kann mit nur einer Hand geöffnet werden Die REL Kabelbinder sind innenverzahnt Für Außenanwendungen Hauptmerkmale Funktionen Typ Releasable cable tie Material Polyamid Erkennungsmarke Nein Produktfarbe Schwarz Maximaler Bündelungsdurchmesser 4,6 cm Zugfestigkeit 150 N UL94-Entflammbarkeitsstandard V2 Temperaturbereich in Betrieb 40 - 85 °C RoHS-Kompatibel Ja Zertifizierung ANSI/UL 1565, ANSI/UL 62275, ANSI/UL 746B, CAN/CSA-C22.2 no. 18.5, CAN/CSA-C22.2 no. 62275 Gewicht & Abmessungen Länge 18 cm Tiefe 203 mm
    • Shop: JACOB Computer
    • Price: 35.81 EUR excl. shipping
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    Scrum: The First Agile Methodology for Managing Product Development Step-by-Step , Hörbuch, Digital, ungekürzt, 90min
    Scrum is a framework for developing and sustaining complex products. It is a framework within which people can address complex adaptive problems, while productively and creatively delivering products of the highest possible value. Scrum is lightweight, simple to understand, and not difficult to master. Scrum is not a process or a technique for building products; rather, it is a framework within which you can employ various processes and techniques. Scrums makes clear the relative efficacy of your product management and development practices so that you can improve. The Scrum framework consists of Scrum teams and their associated roles, events, artifacts, and rules. Each component within the framework serves a specific purpose and is essential to Scrum's success and usage. The rules of Scrum bind together the events, roles, and artifacts, governing the relationships and interaction between them. The heart of Scrum is a Sprint, a time-box of one month or less during which "done", useable, and potentially releasable product is created. Sprints best have consistent duration throughout a development effort. A new Sprint starts immediately after the conclusion of the previous Sprint. Sprints contain and consist of the Sprint planning, daily Scrums, work development, the Sprint review, and Sprint retrospective. The rules of Scrum are described throughout the body of this book with the specific tactics for using the Scrum framework: What is Scrum? Scrum as a software development methodology Scrum Master Transitioning to Scrum How to implement Scrum Scrum user stories ungekürzt. Language: English. Narrator: Bridger Conklin. Audio sample: https://samples.audible.de/bk/acx0/098537/bk_acx0_098537_sample.mp3. Digital audiobook in aax.
    • Shop: Audible
    • Price: 9.95 EUR excl. shipping
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    Millions
    The Weapons Factory stems from the brainchild of Nick Welch, and the result of a year of intense work creating a solid bed of Electro Ambient D+B mixes as a 15 year old Computer Game and DJ mix fanatic. The mixes were created as one of Nick's bedroom studio hobbies, with the intent to produce just a limited edition for friends and to sell to a few local boutiques and specialised gift stores to cover costs. An opportunity to move to California near silicon valley and the world of computer game development put a hold on any further energies being directed to the music projects., so the CD's and mixes ended up among his Dad's CD archives. Some years later, his father, a musician and producer, revisited the old mixes, and enthused by the sounds and possibilities, brought them to IMMG's studio to explore development and re-mastering. Experimental melodic layers were added, and so began a years work of additional vocals and instrumentation. As the layers and contributing artists grew, so did the excitement around the results. By the time the fourth track was finished, it was obvious that something exciting and releasable was in creation. By the end of the year, the debut 'Weapons Factory' album 'Millions' was complete, and a further selection of tracks laid down for the follow up of WF2. REVIEW: Artist: The Weapons Factory Album: Millions Review by Matthew Forss The electronic wizardry of ambient drum 'n' bass composer and DJ fanatic, Nick Welch, is refreshingly hip and cool with all the fixings for a delicious dance session. The music is largely composed of jazzy, ambient-centered tracks with some dub, trance, and new age elements, too. Nick is joined by sax player, arranger, and vocalist Robin Welch, along with producer, guitarist, and songwriter John Perkins. The performance repertoire is diverse with many musical layers of sound that reach far into the outer reaches of space and time. "Love Don't Live Here" begins with a light percussive sound of drum set swooshes, synth washes, and a single exhaling human voice before the music moves into a scattered break-beat pattern with the addition of a few sax notes. The beat speeds up as a female voice sings a few melismatic vocals, as another voice provides spoken word accompaniment. The break-beat, drum 'n' bass sound is definitely indicative of the music from other groups, including Lamb, Maxinquaye, or Massive Attack. The fast beat sound cuts in and out with room for the spoken word accompaniment, intermittent sax, and vocal melisma. The cascading sounds of the bass-like melody, dub sounds, synth washes, and selected vocals provide a good listening experience with room to dance, daydream, or drift away to a far-off land. "Forsaken" is a song with a gritty opening of equally-measured sounds that slowly speed up into a dance-laden concoction of mixed, male scat vocals. The song takes on an Eastern flair with a bit of bluesy/Western guitar work that would be a perfect addition to HBO's True Blood soundtrack. The haunting vocals are reminiscent of a monastic choir at times, with the guitar work bordering on anything by Chris Isaak, and the dance beats of any trance group. Despite the multi-faceted depiction, the music seems to work together without reverting to anything melancholic. "Desert Dolphins" opens with a few electronic sounds, light percussive swooshes, and a sax intro before the dub 'n' bass leads the song into various directions of electronic blurbs, watery gurgles, and ambient soundscapes. The melodies merge into a heavy, dance track with electronic blurbs, sax accompaniment, and ambient washes. Though, the sax seems to be a pervasive theme throughout the song, and album, it may not be particularly necessary for a majority of the songs. This is mostly due to the electronic, ambient, dance track structure that does not necessarily need sax accompaniment. However, the sax does provide a dub 'n' bass, drum 'n' bass, and jazzy-trance ambiance that smoothes or cools the fiery dance tracks. "New Age Suite" opens with singing birds, water sounds, and synth washes, before a break-beat rhythm dives right into a heavy, dance medley with occasional ambient washes. The sax appears throughout, as muffled and staticky voices break-up the instrumental continuity. Different and clearer scat vocals are repeated a bit near the middle of the song. The electronic blurbs, ambient washes, dance beat, haunting, but indeterminate voices, and the jazzy elements seems to be something that would emanate from a 'New Age' suite. "Millions" begins with an earthy, ambient intro, light sax solo, and a frenzied break-beat rhythm. The slower, jazz elements and fast break-beat rhythm are complete opposites, but work well due to their instrumental polarization. The sax and ambient washes break-up the fast pace, though the rhythm slows half-way through the song, as a mix of radio or television interference and electronic voices take over. Nick Welch is a talented and diverse musician with a clear vision for his music. The incorporation of jazzy elements and electronic music seemed to be divergent, though the musical relationships to jazz and dance music are closer than other forms of music. Millions is an album with danceable tracks and some of the lighter, ambient fare. The scat vocals and mostly unintelligible vocals added a level of mystery to the music. At times, the sax did not seem to be a necessary addition to the songs, but it was not used too pervasively to warrant any major qualms. All in all, the album featured seven songs running around forty-five minutes. The musical arsenal of The Weapons Factory is an exciting contribution to the world of break-beat, trance, dub 'n' bass, and drum 'n' bass. Review by Matthew Forss Rating: 4 stars (out of 5)
    • Shop: odax
    • Price: 17.79 EUR excl. shipping

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