25 Results for : vacuous

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    The church is in the desert today! The arid conditions existing in the church leave the people parched, thirsty, and longing for refreshing. Many church leaders do not know how to get the spiritual water for themselves and therefore they cannot lead God’s people into the Promised Land of true fellowship and discipleship. This sad state of the church causes many church buildings to stand empty because people are tired of church leaders committing gross indecencies and leading people astray with messages that “tickle their ears” or boring them to tears with sermons that contain no life-changing truths.In this audiobook, Dr. Meyer van Rensburg addresses the issue by pointing out many of the mistakes that have been made (from spraying people with Doom insecticide in Africa to church leaders refusing to be criticized because they see themselves as “little gods”, as well as the vacuous Sunday services that leave people in the same state that they came to church instead of inspiring them and changing their lives). The church is dying of thirst in the desert, and the condition can only be treated by discovering the living water to quench that thirst. Too many church leaders do not know how to hear the voice of God and therefore cannot lead people to the living water.By following the listing of the well in the Bible, from Genesis to Revelation, this audiobook demonstrates that the church needs the living water the Wellspring of Life provides. Each mention of the well is dealt with separately to show the significance of what is revealed there, to prove how these Scriptures were specifically put in this order to provide a systematic study of the importance of the well to the church and to point out the mistakes people in the church make. For instance, with Hagar, the fact that the well existed in the desert is first explored and then the fact that it had to be revealed for her to see it. ungekürzt. Language: English. Narrator: Ronald Hucks. Audio sample: https://samples.audible.de/bk/acx0/210927/bk_acx0_210927_sample.mp3. Digital audiobook in aax.
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    What happens when too rich and too thin becomes too deadly? Voluptuous P.I. Savannah Reid is about to find out as she delves into the disappearance of a celebrity hanger - on that soon leads to something more sinister. As Halloween draws near, Savannah will have to learn a killer's deadly 'tricks' before someone else is 'treated' to murder.... Halloween in Southern California just doesn't have the frosty bite Savannah's used to, although her latest job promises chills aplenty. The Skeleton Key Three, a celebutante clique so named by the media because of their super-skinny figures and fat trust funds, are in the spotlight again - but this time, it's for something more than partying. It seems the one member of the Three who was neither wealthy nor particularly svelte hasn't been heard from in days. The missing girl's name is Daisy O'Neil, and by all accounts, she had little in common with her so-called friends Tiffy, Kiki, and Bunny. Chubby, smart, and less-than-privileged, Daisy's role in the Three seems to have been primarily to be the victim of their vicious jibes and pranks. When Savannah learns that Tiffy's acting aspirations were threatened by Daisy's genuine talent, the poor little rich girl begins to look big-time guilty. But just when Savannah thinks she has it all figured out - except where the body is stashed - the vibe surrounding the Skeleton Key Three changes from vacuous and suspicious to downright murderous. As preparations are being made for a monster Halloween party, to be held on the Dante compound, the patriarch himself is spotted dressed as Dracula, laid out in his coffin, complete with a real stake through his no-longer-beating heart. Now, with the party seriously pooped and the tabloids on a tear, Savannah will have to put her Halloween candy on the shelf until she's deserving of a reward. And that means finding a killer - fast - before more Hollywood money becomes buried treasure.... ungekürzt. Language: English. Narrator: Dina Pearlman. Audio sample: https://samples.audible.de/bk/adbl/005382/bk_adbl_005382_sample.mp3. Digital audiobook in aax.
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    BABA "The end goal of education is character. The end goal of knowledge is unconditional love. The end goal of wisdom is freedom. The end goal of culture is perfection." - Bhagwan Sri Satya Sai Baba Few have influenced the spirit of modern India as Bhagwan Sri Satya Sai Baba. Baba's thoughts, words, sentiments and actions permeate the lives of human beings everywhere regardless of origin or faith. Baba's vision of a better world is exemplified in the exceptional schools, universities, hospitals, housing and drinking-water supply projects built by his charities to serve and enhance societies in hundreds of countries. A life of truth, righteousness, peace, love and non-violence is a life dedicated to Baba. THE MUSIC BHAKTI : DEVOTION celebrates the eternal spirit of Baba through music. The inimitable sisters Kalaimamanigal Radha & Jayalakshmi join some of the most eminent musicians of India to sing twelve songs espousing Baba's values composed and conducted by Pt. Vijay Raghav Rao. Through the past seven decades, legendary flautist, innovative composer, pioneering choreographer and erudite musicologist Pt. Vijay Raghav Rao has shaped and indelibly influenced the essential form and derivatives of culture known to the world as classically Indian. Pt. Vijay Raghav Rao's is a rare brilliance on the cultural firmament in India and abroad. Marked by characteristic excellence, his work has always carried an exuberance of spirit. In BHAKTI : DEVOTION Panditji leads a stellar cast of renowned singers and musicians to celebrate the aesthetic joy inherent in spirituality. ART & SPIRITUALITY In the interview below, Pt. Vijay Raghav Rao elaborates on the confluence of art and spirituality. Question: What is spirituality? Answer: It is perhaps an inwardly soulful vivacity, well defined as an immaterial, eternal, pure state of mind devoid of all physical tensions, illusions, or wants. It is what makes the mortal an immortal. Q: Are you spiritual? A: Just to say 'yes, i am' is sheer hypocrisy. All achievements, attainments or professional skills of a human being - I think - are ultimately aimed at making him/her a ' spiritual' person: a true human being guided by a spirit that can conquer his / her self. That spirit embodies my ideals. As I seek it through my thoughts, it transforms my actions. In the serene, unconscious manner of a prayer with tangible consequences, my spirituality allows me successively increasing amounts of self-fulfillment. Complete self-fulfillment is a state of true independence. Liberation is another moniker for that state of being. As we seek what we know is an infinite expanse of ideals, we regulate our processes accordingly, and eventually liberate ourselves. I think liberation is the process of fully coming to terms with oneself, free from non-idealistic bondage. Every human is endowed with a fund of divinity, the complete potential of our ideals. Artistes seek it as a matter of skill, those less prone to expression seek it through prayer. When we strive to realize that innermost being and it's consequent divinity, we seek to be spiritual. 'Spirituality' is a process of such realization. If I am engaged in this process, I am spiritual. I wish to be spiritual in every action of mine and earnestly attempt to seek it's blessings. Q: How does your spirituality influence your expressions? A: My spirituality guides me when I create. It offers me inspiration. It makes me humble. It provides me with an anchor. It puts my muse in perspective. It is the essence of any innovation I attempt. When my creations rise above what is mundane and appear to be genuine, everlasting, they implicitly suggest a lingering, pervasive aesthetic. That aesthetic is significantly intertwined with my spirituality. Because what I seek through my spirituality is intrinsically unique to my being, my aesthetic is original too. Technically perfect pieces of art begin to enlighten beyond their compass if they were founded on the basis of spirituality. Entertaining is no longer an audience driven exercise - with spirituality, the performer begins to express a soul. Q: Can there be such an entity as a non-spiritual artiste? A: The world is populated with human beings of all kinds. Simple expression sometimes becomes high art. Much vacuous expression is passed off as art. Intentions drive human beings to the extremes of their potential: evil masquerades under guises of acceptable expression. There is much tacit approval of non-art, rooted as it is in a confusion of metaphor or medium. A lot of this comes from non-spiritual expressionists. They exist, and they practice, and they foist their mindsets on unsuspecting audiences. They are a necessary barometer of free societies: for every action, the unavoidable reaction. Yet, in my opinion, true art has always had it's roots in introspection. Art is a journey from the realms of the self to the non-self. The moment one undertakes the responsibility of making that trip, he / she invariably operates in the realm of spirituality. To be an artiste, therefore, is to be spiritual. Art is the language of the spirit. A non-spiritual artiste, thus, is a rare species. Q: Is the artist's nature the same as his spirit? A: Through constant 'sadhana', by virtue of an innate discipline in consequent expression, an artiste could attain a level of maturity that allows him / her to realize all his / her visions and his / her dreams, consistently, at the level of complete perfection. In that stratosphere, over time's passage, he /she could conceivably express his / her imagination through the process of conquering self-defining traits, so that his / her spirit is allowed free reign. What he / she expresses then is the spirit in it's full glory. Shorn of what is fleeting, devoid of the artiste, completely representing his / her art. The spirit is the art, then, the spirit is the artiste. There is a resplendent symmetry in the artiste's nature, his / her medium, and what it carries outward. Perhaps this is utopian, maybe it is an ideal as unattainable as the spirit itself. Perhaps that state of being is what characterizes saints who practice artforms - Thyagaraja is a case in point. In such states of consciousness physical existence is not a desire. Art outlives the artiste. Q: Is God an artiste? A: Can you ever believe that nature - our nature, beautiful, colorful, multivariate - , throbbing with a multitude of energies, seething with a billion forms extending well into the reaches of time and space, that this nature could ever be the work of a non-artiste? I believe God is the net essence of all knowledge, truth, energy and purity. He / She is omniscient, omnipotent, omnipresent. That essence is achieved through several lifetimes of inculcating and honing of an ephemeral spirituality. The quest of a typical human lifetime is to harness it's skills, knowledge, capacity and deeds to move toward a sense of godliness. In that framework, we human beings are all engaged in the process of making art. An art that meshes with the grand order of natural process - the ultimate work of art. In that order worlds exist in majestic splendor to sustain life, and just as majestically self-destruct, so that newer worlds of fresher truths take their natural place. If that is not art, what is. If that is not the artiste's dream, what is. Q: What has been the role of God in your art? A: To me God represents exquisite energy: immaterial, immortal, eternal energy. As I create, I seek recourse to that perennial energy. I can seek to perfect my expressions that way. Work becomes a form of worship. I am able to sustain my spirits for interminable lengths of time. My creations take on a completeness of meaning. I seek symmetries with pieces of nature. Can my interpretation of a Raga induce it's natural mood in the ears and minds of my connoisseurs? I work within a divine frame of reference. I develop an aesthetic which is uniquely mine. I am more mature as an artiste because I
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