54 Results for : violist

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    This audiobook describes the lives of persons from three separate cultures persevering during WWI, the Great Depression, and WWII.The central character is Louis, the only son of Lourdes and Joseph. Lourdes is the oldest daughter of an opulent Mexican landowner during the Mexican Revolution. Her family flees to the border town of Paso del Notre. Lourdes’ father dies suddenly. The family is saved from ruin because Lourdes smuggled 50 gold coins hidden under her skirt.Lourdes falls in love with Joseph, a Tigua Indian who previously served in the Army during WWI. Joseph’s sister, Flor, is married to the governor of the Tigua Indian Community and they have a daughter, Rosalia, who is very close to Joseph.Rosalia abandons the Tigua community. Louis’ family survives the depression years and he finishes college. Louis meets a friend, Manfred, who introduces him to his father, a physician. Manfred teaches Louis mnemonics as a memory tool.Louis is accepted to medical school. In medical school during WWII, Louis befriends Izzy Schefter who introduces him to his family. Izzy’s father, Arthur, is a Jewish forensic pathologist who emigrated from Germany after being imprisoned in Russia during WWI. His wife, Madeline, is a doctoral student and their daughter, Anne, is a violist who is a senior in high school. She is infatuated with Louis but the feeling is not reciprocated. Both struggle with a fragile liaison stifled by too many cultural and philosophical differences and they decide to go their separate ways. ungekürzt. Language: English. Narrator: e-AudioProductions.com, Jim Cooper, Daniella Agitelli, Layla Rhodes. Audio sample: https://samples.audible.de/bk/acx0/232742/bk_acx0_232742_sample.mp3. Digital audiobook in aax.
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    Shostakovich the film composer also takes a bow, in the form of The Gadfly, with its famous 'Romance' beloved of violinists everywhere. That this works just as compellingly on the viola is triumphantly displayed in the arrangement made by Vadim Borisovsky (founding violist of the Beethoven Quartet), one of the Five Pieces he recast from Shostakovich's original.
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    With this 2002 recording originally issued on the Swiss Pan Classics label, violinist Isabelle Faust and violist Thomas Riebl acquaint us with a composer of great distinction, Alessandro Rolla, who would have been otherwise completely forgotten if for some time he hadn't been regarded (incorrectly as it turns out) as the teacher of Nicolò Paganini. The confusion which ensued is enabling us now to encounter some excellent pieces of chamber music by a composer who was the music director at La Scala during the first three decades of the nineteenth century.
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    BBC National Orchestra of Wales - Martyn Brabbins (Dir) // Lawrence Power has established himself as the most sought-after violist of his generation and his sumptuous tone and persuasive interpretations have lead to many comparisons with the pioneering British violist Lionel Tertis. Indeed, the three works on this disc were written for Tertis, who did so much to broaden the instrument's musical repertoire and raise its status to an accepted solo instrument.
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    After a successful rehearsal of his piano quartet in 1879, Parry declared that he was 'wild with delight'. He could have been no less enthusiastic on hearing this dynamic account from the Leonore Piano Trio with violist Rachel Roberts.
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    The String Quartets, op.76 are among the most renowned of Joseph Haydn's sets of quartets, and carry the stamp of their maker: No other set of eighteenth-century string quartets is so diverse, or so unconcerned with the norms of the time. Formed in 2005, the Chiaroscuro Quartet consists of the violinists Alina Ibragimova (Russia) and Pablo Hernán Benedí (Spain), the Swedish violist Emilie Hörnlund and cellist Claire Thirion from France.
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    Songs of Solitude was conceived by the violist Hiyoli Togawa at a time when a virus was forcing people across the world into isolation and she herself needed to find a new rhythm of life as concert after concert was being cancelled.
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    • Price: 15.40 EUR excl. shipping
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    "It is a charming collection, beautifully played, this is precisely the repertoire in which the Nash excels ... The opening cantilena of the Oboe Sonata is positively rapturous ... just as the mysterious fugal introduction to the finale of the early Piano Quintet [is] fabulously played by cellist Paul Watkins and violist Lawrence Power" (The Guardian)
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    The Lendvai Trio are Dutch violinist Nadia Wijzenbeek, Swedish violist Ylvali Zilliacus and British cellist Marie Macleod. Since their Wigmore Hall debut in 2006, the Lendvai String Trio has had a busy schedule of concerts at major venues throughout Europe, including several re-invitations to Wigmore Hall, recitals at King's Place, the Barbican and Purcell Room in London, the Concertgebouw in Amsterdam and Musikaliska in Stockholm.
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    This recording is dedicated to the Judaeo-Christian legacy of European musical expression and the struggle for life and freedom in the twentieth-century. Petr Eben (1929-2007) was born in Bohemia to a Jewish father in a family that adopted the Catholic faith. His was a life of determination, overcoming suffering, and of great humanity. He was at Buchenwald during the Second World War and after the war refused to join the Communist party, while openly practicing his faith. A true master and hero of twentieth-century art, Eben's talent was recognised already in his early childhood. He was renowned for his mastery of organ improvisation. Windows was composed in 1976. It was inspired by Mark Chagall's twelve stained glass windows at the Abbell Synagogue at the Hadassah University Medical Center in Jerusalem. Each window describes a son of Jacob, depicts his character, includes a biblical reference, and details the geographical area where each tribe resided in the land of the Hebrews. Chagall wrote the following dedication: 'This is my modest gift to the Jewish people who have always dreamt of biblical love, friendship and of peace among all peoples. This is my gift to that people which lived here thousands of years ago among the other Semitic people.' Marc Chagall, 6 February 1962 Eben selected four of Chagall's windows, thereby giving the work a four-movement structure. Each movement portrays the character and literal message presented in the window. George Enescu (1881-1955), like Eben, was a child prodigy. He was sent to Paris from Romania at an early age and became a violinist, pianist, conductor and composer. Enescu's stature remains high in Romania today, where he is revered as one of the great cultural figures of the twentieth - century. Composed in 1906, Legend is a short masterpiece for trumpet dedicated to Professor Merri Franquin at the Paris Conservatoire. I chose Legend for this recording as it presents a milestone in the trumpet repertoire. It's dreamy qualities also set it apart from the generally stern and deeply emotional repertoire elsewhere on this album. While utilizing the techniques perfected by the late nineteenth-century cornet masters Jean-Baptiste Arban, Jules Levy and many others, Legend places the trumpet in a context of 'serious' and programmatic music with sounds reminiscent of Massenet and Wagner. The Sonata for Trumpet and Organ opus 200 (1962) is made of three semi-improvised chants. Alan Hovahness (1911-2000) the American composer of Armenian and Scottish descent, brings out the style and deep emotion of slow-moving Armenian chant, played over tone clusters in the organ part. Following his popular trumpet and organ composition Prayer for St Gregory, Hovahness takes the listener further down the path of ambient soundscape filled with expression and lament. Like Windows and the Hindemith sonata, the duality and contrast between the keyboard and the trumpet create tremendous emotional power. The influence of German composer Paul Hindemith (1895-1963) on twentieth- century music is vast. An originator of a tonal system in his own compositions, conductor, violist and a committed pedagogue, Hindemith saw himself as a bearer of German musical tradition. He brought his art and knowledge to as diverse places as Turkey in the 1930's, and America in the 1940's and 50's. The Sonata for Trumpet and Piano (1939) is one of the most influencial compositions in the twentieth-century trumpet repertoire. It is part of a body of work, spread over decades, in which Hindemith wrote music for almost all orchestral solo instruments. In 1938 Hindemith left Germany for Switzerland. It was there, in 1939, a year before his move to the United States and while watching the disturbing political developments in his home land, that he composed the Sonata for Trumpet and Piano. The musical language and structure of the composition are intense and unsettling, from the first note, to the last decaying B-flat of the final treatment of J S Bach's chorale Alle Menchen müssen Sterben (All people must die).
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