42 Results for : ascap

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    Hermeneutics
    Hermeneutics is Jon Green and Jesse Peterson. Track 7 written by Jesse Peterson (Industrial Road Music, ASCAP). Tracks 1,6, 8 written by Jesse Peterson/Jon Green (Industrial Road Music, ASCAP / Miss Copty Music, ASCAP). All other tracks written by Jon Green (Miss Copty Music, ASCAP). Recorded and Produced by Hermeneutics at Centerville Church, Beverly MA, November 2007 - May 2009. Mixed by Jesse Peterson in NYC. Mastered by Alan Douches at West West Side Music. Thanks to our Beverly friends, Pilgrim Hall, and our families.
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    Left Fist Evolution
    Bianca Mikahn "Left Fist Evolution" 1. Circus 2. Frizzle featuring Jeanette "SistaSoul" Smith 3. I Make Love 4. Tongue & Cheek 5. Left Fist Evolution 6. Get Open with Stero Lion & MC Big House 7. Homemade Superstitions 8. Radio featuring Juanean Young, Mahd Nis & Cam Shaw 9. Woo Woo Me Me 10. Peace Pipe featuring Gyp Da Hip, Paas, & Cam Shaw 11. Get It, Got It, Good featuring Yvette Marshall 12. Geology 13. DA1 14. Rollin' featuring Marie Medina 15. Backfire Combat 16. You Don't Know with Stero Lion & MC Big House Executive Producer: Mercury Sauce, Inc. All tracks Produced by Nathan Reid except Track 1, Produced by Garey Kennebrew All tracks Engineered & Mixed by Jason Carncross & Nathan Reid except Track 1, Mixed by Garey Kennebrew & Jason Carncross Lyrics: Bianca Mikahn Features: Cam Shaw, Mahd Nis, Paas, Garey Kennebrew, Acezi Music: Acezi, Gyp DaHip, Garey Kennebrew, Justin Kephart, Nathan Reid Vocals: Bianca Mikahn, Jeannette "SistahSoul" Smith, Juanean Young, Amanda Hawkins, Stero Lion, MC Big House, Yvette Marshall, Devan Blake Jones, Acezi, Gyp DaHip, Marie Medina Bass: Casey Sidwell, Bijoux Barbosa Drums, Percussion and Drum Programming: Acezi, Nathan Reid Guitars: Imkong Yaden, Justin Kephart, Nathan Reid Keyboards and Keys Programming: Acezi, Nathan Reid Sax: Larry Folz Strings: Jonathan Howard Artwork by Lewis Brown & Jason Carncross Copyright 2010 Mercury Sauce, Inc. (ASCAP) Warning! Unauthorized duplication, public performance, and broadcasting of the music on this CD is a violation of applicable laws.
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    Waiting for the Sound
    Dirié's music is known for it's expressive, engaging and balanced combination of sonic explorations, enigmatic imaginary stories, and awe inspiring detail and virtuosity. Deep emotive connections run through the musicians who shape these performances, as if holding a precious thread of unspoken or fictitious traditions. Born in Córdoba, Argentina, Gerardo Dirié studied at the Universidad Nacional de Córdoba. Among his teachers were Argentinean maverick modernists César Franchisena and Oscar Bazán, as well as the distinguished music educator Atilio Argüello. After several years of performing rock, early music, conducting chamber music, and teaching in Argentina, Dirié continued studies in the US, earning Master and Doctorate degrees from the Indiana University School of Music, where he studied with Eugene O'Brien and microtonal opera composer and MacArthur fellow John Eaton. As an expert on Latin American Music, during the 1990s he served as assistant director for the Indiana University Latin American Music Center, promoted the repertoire and the composers of the Latin America providing consultation for projects with the American Composers Orchestra, the Houston Symphony Orchestra, the National Geographic, and the TV hit Law & Order, among incalculable number of institutions and musicians around the world. During his residency in Indiana, he wrote music for many stage productions at the Indiana Repertory Theatre, establishing himself as an associate artist of this prime theatre company. He has designed music for directors Libby Apel, Janet Allen, and David Hochoi among others, and created tailored stage music for actors such as Mira Furlan (known to fans through Babylon 5 and Lost) and Tim Green's monumental Almost a Holy Picture (he is widely known for his roles in Clear and Present Danger, and The Insider). Before moving to Australia, he developed several multi arts works/events in collaboration with Academy nominee singer Moira Smiley, violist Stacia Spencer, and choreographer Emily Stuart-Bogart. Dirié's music has been distinguished with awards from Fulbright, ASCAP, the International Tribune of Composers, the National Tribune of Electroacoustic Composers of Argentina, the National Fund for the Arts, and the Encounters of Contemporary Music Foundation. His music has been performed at Town Hall and Carnegie Hall in New York, the Colón Theatre in Buenos Aires, the National Theatre in Taiwan, at the Istanbul International Music Festival, and numerous other concert stages throughout Europe, India, Malaysia, and all the Americas. His music appears on recordings from Aguavá, LAMC, Crystal Records, Melos, DoubleMoon, and his own label Retamas. When time permits, Gerardo loves to play choros on the cavaquinho with his students in Brisbane, and explore musical traditions through his directing the world music ensemble at the Queensland Conservatorium.
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    Fire Dance
    Sarah DeSilva - lead and b/r vocals, guitar Narly G/ aka: Gregg Gruwell - synths, drums, bass, slide guitar, keys Matt Carter - keyboards, guitars, bass Adamrush Chapman - lead and b/r vocals, rap, guitar, keys Jonny 'Blues' Andrews (Jon Gruwell) - lead & slide guitar Steve Diaz - wah wah & surf guitar Blakely aka: Blake McGrath - lead/rhythm guitar, vocals, rap, keys, bass Produced, recorded & mixed by Narly G Pre-Mastering - James Hart Recorded at Earthgrotto Studios, Hawaii Mastering - DJ Pratt Album Art/Design - Holland Morris Teaky Man Art - Bobby Chuck Copyright 2010 Freaky Teaky & Earthgotto Records All songs ASCAP/Grotto Groves For More Info go to: myspace.com/freakyteakyband or Earthgrotto.com.
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    Passion
    C. Kenneth Lee Substitute Faculty of The CalArts Pre-College Voice Program B.F.A. California Institute of the Arts c.breakaway2@gmail.com C. Kenneth Lee has been hailed by The Hong Kong Economic Journal as 'a young musical prodigy...he frequently visits the elderly home and entertains them with music and warmth...must thank him for giving them music therapy and hope.' Lee is a 2008 ASCAP Morton Gould Composer Award Finalist, recipient of The 2005 California Institute of Music's 'Creative Student Leadership Award', an honorable mention recipient from 2006 Save Me a Spot in College Visual & Performing Arts Scholarship Contest and a 2009 Cal Arts Capitol Records / EMI Jazz CD project Contest Nominated Asian Classical-Crossover/Film Composer. He is a pianist, actor, and 2007 Torrey Pines Idol Contest Finalist classically trained singer. Lee is currently a substitute faculty of California Institute of the Arts Pre-College Voice Program. Lee has taught kindergarten at The TPHS Kindergarten from 2005-2006 (certified by The San Dieguito High School Union District), started a music therapy class for the TPHS Special Ed. Department (2005-2007) with school pathologist at The Torrey Pines High School in San Diego and was accepted for an internship in Hong Kong at F.O.C.U.S(a well-known non-profit Organization to help children with A.D.H.D, Dyslexia and other learning disabilities). Lee was a nominated candidate for the 2010 election for senator of Walt Disney's CalArts Herb Alpert School of Music that ended in a TIE. Lee has been sponsored to have his own solo concerts in USA such as Beverly Hills Aqua Lounge, Genghis Cohen.etc, Australia such as St. John the Baptist Anglican Church, Hong Kong such as GRAND HYATT HOTEL, MIRA HOTEL, ROYAL GARDEN HOTEL, Skylark Lounge, Backstage Live .etc),and PRINCESS CRUISES. Apart from collaborating with many bands and choirs, and having released 4 solo CDs of his original compositions on iTUNES, AMAZON, NAPSTER, RHAPSODY, and other mp3 venders, Lee has landed on acting and singing roles including being a member of The Original US West Coast Opera Cast of Iannis Xenakis's only Opera, (2010) ORESTEIA, and a singer/actor of The Los Angeles Original Musical Cast with MEREDITH MONK in (2008)SONGS OF ASCENSION at redcat in The Walt Disney Concert Hall. Lee has worked musically with musicians like LOS ANGELES CHAMBER ORCHESTRA, David Rosenboom, Carlsbad Music Festival, California EAR Unit and other groups and artists in the U.S and in Hong Kong. Lee has studied piano with an alumni from The Julliard School, an alumni from The Eastman School of Music, and faculties at CalArts. Lee studied music composition at Northwestern University's National High School Music Institute, The Walnut Hill School, and received his Bachelors degree in music composition at California Institute of the Arts. Lee has studied composition/worked with Augusta Read Thomas, Morton Subotnick, William Powell (Julliard School Alumni '70), David Rosenboom, Wolfgang Von Schweinitz, Matt McBane, Michael Pisaro, Barry Schrader, Rob Wannamaker etc, and studied voice with Angela Gooch, Alla Markovich, Jimmy Chan. Etc. Lee and his music has also been featured in several newspapers (Hong Kong Economic journal, East West Magazine, Del Mar Village Voice. Etc) and on radio broadcasts from the USA (ex: UCLA radio), United Kingdom (ex: Tempo FM 107.4, and Australia (ex: 2 CR Radio Network). Lee was nominated and almost recorded for Capitol Records/EMI (NOTES FROM THE COMPOSER/ARTIST) As vice-president (2006-2007) of a Best Buddies Chapter (a charity for the mentally disabled), a volunteer music therapy assistant for the mentally disabled), & nephew of a cancer victim/my aunt, Leticia Cheung, a portion of the sales from 'Metamorphosis', 'Breakaway', 'Classical' went to 'Best Buddies International', 'American Cancer Society' and 'UNICEF.' In the case of this 4th album, it is my wish to continue with the spirit of giving by donating a portion of 'Passion' sales to support SAVE THE CHILDREN's 'Children's Emergency Fund' to help children affected by both the 2010 earthquakes in HAITI and CHILE. (MANY THANKS TO:) MY MOTHER AND FATHER FOR THEIR LOVE AND SUPPORT FOR ME AND MY MUSIC. THERE ARE MANY PEOPLE THAT I WOULD LIKE TO THANK ESPECIALLY TO ALL OF MY FRIENDS AND FANS FROM AROUND THE WORLD FOR STAYING AROUND AND SHOWING YOUR SUPPORT. (CD INFORMATION) Tracks 1,8,9,10,11,13,14 recorded at CKL Studio in Hong Kong. Track 2 recorded at The Cal Arts Dizzy Gillespie Studio. Track 16 recorded at THE HONG KONG GRAND HYATT HOTEL BALLROOM. Track 18 recorded at The Tahitian Princess Cruise's Cabaret Lounge. Tracks 5,17 recorded live at The Cal Arts Roy O' Disney Hall. All mixing, mastering, vocals, background vocals and synthesized instruments performed on songs by C. Kenneth Lee. ALL MUSIC AND LYRICS COMPOSED AND ARRANGED BY C. KENNETH LEE. ?REVIEWS '...I think his music is pretty, cool and catchy...' - Colin Bates (one of the original BILLY ELLIOT actors on The London Broadway Musical ) 'It's a pleasure to hear his great music...' -Jeff Marder (associate conductor of The Los Angeles Broadway Musical 'WICKED') "...his music has great diversity of styles from classical to experimental..." -Matt McBane (composer, conductor and founding director of The Carlsbad Music Festival)
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    Westland
    John Daversa: trumpet & flugelhorn Todd Millstein: guitar Damon Zick: tenor saxophone & bass clarinet 1. My New One (Todd Millstein) 3:40 2. Junk Wagon (John Daversa) 5:21 3. Hector, Desmond, and Titus (Damon Zick) 5:39 4. Pop. Ha. (Damon Zick) 5:46 5. Camels (John Daversa) 4:12 6. Dunsmuir (Todd Millstein) 3:21 7. Oma (John Daversa) 5:35 8. Rhythm Changers (John Daversa) 1:03 9. Feel Good About It (Damon Zick) 2:09 10. West Land (Todd Millstein) 3:25 11. Gates of Eden (Bob Dylan) 5:54 John Daversa's compositions: Daversafications Publications (ASCAP) Todd Millstein's compositions: Dunsmuir Music (ASCAP) Damon Zick's compositions: BMI Bob Dylan's composition: Special Rider Music (SESAC) Recorded & Edited by Scott Fraser at Architecture September 2009 Mixed and Mastered by Nate Wood at Kerseboom studios Band Photos by T.J. Tesh Other Photos by Damon Zick Jazz Collective Records JCR-135-10.
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    And So Here
    Bill's voice has been described as "unblemished and full of wide-eyed awe and innocence." His songs have been described as "quiet grooves, haunted musings, and joyous, danceable pop, wrapped in orchestral arrangements." New wave, electronica, and folk influences filter through his songs creating a sharp yet dreamy indie-pop sound. Bill studied music at the Performing Arts High School and the University of the Arts in Philadelphia. He released his critically acclaimed solo debut And So Here... in 2003. He's currently recording songs for his next release Architect. He is a founding member of Cold Son. They released their debut Crumble and Fall in 2001 and are currently working on their sophomore album Frost, slated for a Fall 2007 release. Bill is also a founding member of The Booklets and has just started working on their debut release. He is a member of ASCAP and OUTMUSIC and has tracks featured on various compilation CD's including Marry Me (produced by Figjam entertainment) and Bear Tracks 2 (produced by Woobie Bear Music). He has performed extensively throughout the Northeastern US including off-Broadway. When Bill isn't touring or recording he's directing or designing sound for live theatre.
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    Serenade
    Igor Plitsyn, electric violin, synthesizer Sound and Design: Igor Plitsyn Publisher: Plitsyn Music (ASCAP) Plitsyn's notes for the CD: In early 2010, I recorded a series of improvisations while exploring my Yamaha electric violin in combination with some newly acquired sound devices. The improvisations were driven by an idea of focusing on one key per session (each key corresponding to one of the five strings of the violin) and loosely using the harmonic structure of blues as a framework without intentionally adhering to any specific style. Later, while editing the recordings, I added synth pads and decided to release the music as an EP.
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    First Move
    On his ASCAP award-winning, debut recording, 'First Move,' composer/bassist/producer Larry Steen is joined by jazz luminaries Ernie Watts, Dave Weckl, Bill Cunliffe, Jeff Beal and Otmaro Ruiz, among others, in the creation of a rich milieu of 'world-jazz' textured with authentic West African, Brazilian, Caribbean and funk/R&B rhythms and the sophisticated harmonic sensibility of jazz and classical music. Jimmy Haslip (of the Yellowjackets) is the executive producer of the CD.
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    Timeless
    Kate Prestia-Schaub is a Southern California flutist and a Powell performing artist. She received her master's degree from the University of Southern California, and her bachelor's degree from Indiana University Jacobs School of Music. She is the first place winner of many prestigious competitions, most notably the National Flute Association Piccolo Artist Competition. Kate has concertized throughout the United States, Japan, Germany, Austria, and the Czech Republic. Her primary teachers have been Jim Walker, Tom Robertello, Kate Lukas, and Maralyn Prestia. Kate is fortunate to collaborate with some of the finest professional musicians in Southern California, performing solo and chamber music in a variety of ensembles. The flute/piano duo, Ekatra, and the West Coast Wind Quintet have both won critical acclaim. Kate is a regular soloist in several elite chamber music series, and is principal flute in the Inland Valley Symphony. Passionate about expanding the piccolo repertoire, Kate has worked with numerous world-renowned composers, including Frederick Lesemann, Daniel Dorff, and Martin Kennedy, whose works are featured on this album. Composer and pianist Martin Kennedy received his doctorate in composition from The Juilliard School and his undergraduate and master's degrees from Indiana University. He has received numerous awards including the BMI Student Composer Award, the ASCAP Foundation Rudolf Nissim Prize, and five ASCAP Morton Gould Young Composer Awards. His compositions have been featured by the Royal Philharmonic Orchestra, the American Composers Orchestra, the Baton Rouge Symphony, and the South Dakota Symphony, among many others. Kennedy is currently Assistant Professor of composition and theory at Central Washington University, and his music is published through Theodore Presser Company. Program Notes The following program notes have been provided by each of the composers. Air - Barry McKimm Piccolo Concerto was composed in 1983 for Frederick Shade, principal piccolo with the Melbourne Symphony Orchestra. At this time the available repertoire for piccolo as a solo instrument was very limited, and comprised mainly of transcriptions. To compose a major work for piccolo was a great challenge. In truth, I did not know what to do with such a wildly exciting orchestral instrument. The piccolo has such a potent role within the orchestra, but it is also a limited role. Like most people, I was not aware of the low register, with it's intimate beauty. It was after hearing Tim Whelan playing the Irish penny-whistle that I realized what I might do. Tim Whelan was a great artist and virtuoso. It was his playing that really set this piece in motion. The idea of a Celtic concerto dawned on me. It awakened, in my mind, tunes, images and distant associations. The orchestration is in line with traditional Irish bands, piccolo, harp, strings, percussion. The oboe and cor-anglais remind me of the pipes. The horns are not part of the traditional ensemble, but do serve in bringing the listener into the realm of the early classical symphony orchestra. The Piccolo Concerto was recorded by the Australian Broadcasting Corporation for radio broadcast in 1983, with the Melbourne Symphony conducted by Richard Divall. The first performance, in the presence of eighteen thousand people, was in February 1991, at the Sidney Myer Music Bowl in Melbourne, with the Melbourne Symphony conducted by Vladimir Verbitzsky. The soloists were Frederick Shade on piccolo and Huw Jones on harp. In August 1991 Vladimir Verbitzsky performed the Piccolo Concerto with his orchestra in Voronez and in Moscow. The piano version was prepared and published by the composer in 1998. The second movement, the "Air" is a simple melodic idea that continues along without a break, developing it's own structure as it goes. I like to think this is a tune where ones thoughts and feelings fly westward, perhaps to a new world beyond the horizon. There seems to have always been a need for populations to travel westward, not only across the seas and oceans, but across the American continent as well. A romantic notion, for those countless folk in the search of some sort of freedom. This is the movement that Kate Prestia-Schaub has chosen to play. Kate tells me she loves this music. I wish her well and thank her for her dedication. ~ Barry McKimm Flash! - Daniel Dorff In 2002 I had the pleasure of hearing Kate Prestia-Schaub perform my Sonatine de Giverny in a recital that earned her 1st prize in the National Flute Association's Piccolo Competition. By 2008, Giverny was being performed so frequently that I decided to write another piccolo piece as soon as an opportunity arose. In September, Kate told me about the International Piccolo Symposium's composer competition, proposing that if I write her a piccolo/piano piece, she would submit applications to perform it at the 2009 IPS symposium and NFA convention. What perfect timing! I set out to compose a flashy showpiece with a jazzy snap, lots of idiomatic scales and arpeggios, and a scary middle section, and by mid-October FLASH! Was complete. (I didn't know till later that Kate had been nicknamed 'Flash' following an incident with a car engine!) All 3 wishes came true, and more - FLASH! Won first prize in the IPS composer competition, Kate's performance there has been viewed online thousands of times, she wowed a room full of hundreds of piccoloists at the New York City NFA convention the following year, and now it is available on this CD. ~ Daniel Dorff Slow Music for Piccolo Alone - Frederick Lesemann Kate (Prestia-Schaub) was in one of my classes at the USC Thornton School of Music in Spring Semester 2002. At one point I asked her to demonstrate both the flute and piccolo for the other members of the class. I was very impressed by her playing but stunned by the wonderful, dark sound she got from her piccolo. It did not at all fit the stereo-type of the instrument as bird-like and flighty. I guess the idea of writing a piccolo piece for her started to grow at that time. As it happened in Fall 2002 I was struggling with starting a work for solo flute and chamber ensemble. It occurred to me that doing a sketch of a solo piccolo piece for Kate might help me get started. Of course the piccolo piece soon took on a life of it's own. I worked on it from mid-September to mid-November 2002. She gave it's first performance at the Arnold Schoenberg Institute on the USC campus April 18, 2003. ~ Frederick Lesemann The High and The Mighty - Michael Daugherty The High and the Mighty for piccolo and piano was written for a special concert celebrating the life and career of John Krell, an extraordinary solo piccoloist and member of the Philadelphia Orchestra flute section from 1952 until his retirement in 1981. My composition is inspired by the years after World War II in America (1945-1961), when air travel was considered luxurious and glamorous. Passengers dressed in their finest clothes and eagerly boarded spacious airplanes, which transported the entire family to exotic locations halfway across the world. Before the days of overbooking and hijackings, departing passengers checked in their baggage without long lines, security checks and x-ray machines. Also during this time, going to the local airport was a national pastime. On weekends families visited security-free airports to shop, dine, relax, and watch airplanes land and takeoff from observation decks overlooking the runway. The High and the Mighty is in two movements. The first features a soaring, lyrical tune flutter-tongued by the piccoloist, the second begins with an angular piccolo cadenza, which is followed by a robust high-altitude bossa nova. ~ Michael Daugherty Passage - Daniel Kelley Passage was written in 1992 for the composer's sister, Joyce Kelley, who was completing a degree in Flute performance at UCLA with Sheridan Stokes. She asked for a piece that was brief, engaging, and fun. Over the following t
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