47 Results for : morris's

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    In this hour, is there some design intention behind the apparently random choices made by the evolutionary process? That's the intriguing question explored this hour. Steve Paulson visits with renowned British paleontologist Simon Conway Morris in his office at Cambridge University in England to talk about Morris's radical idea that humans, or something like them, were the inevitable outcome of the appearance of life on earth. Next, historian and philosopher of science Robert Richards tells Steve Paulson that Charles Darwin himself believed evolution marches inevitably toward greater complexity. Then, Ruth Padel is an acclaimed British poet and a direct descendent of Charles Darwin. She's now written Darwin: A Life in Poems, having grown up hearing stories about her famous ancestor. She talks about it with Jim Fleming, and reads some of her poems. After that, John Haught is a Roman Catholic theologian at Georgetown University, and the author of God After Darwin and God and the New Atheism. Haught talks with Steve Paulson about his theology of evolution. And finally, paleo-anthropologist John Hawks shows Anne Strainchamps around his lab at the University o Wisconsin and they talk about how human beings have evolved since their cave man days, and how the process is continuing. [Broadcast Date: December 1, 2010] Language: English. Audio sample: https://samples.audible.de/rt/tbon/101201/rt_tbon_101201_sample.mp3. Digital audiobook in aax.
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    One Last Chance to Save Happily Ever After! Can a group of heroes, including Goldenhair, Red Riding Hood, and Rapunzel, help General Snow White and her dwarven resistance fighters defeat the tyrannical Queen Cinderella? And will they succeed before a war with Wonderland destroys everything? Their only hope to stop Cinderella's quest for power lies with a young girl named Patience Muffet. She carries the fabled shards of Cinderella's glass slippers, as well as the dark secret of who murdered the last of the fairy godmothers. Roy A. Mauritsen's fantasy adventure fairy tale epic begins with Shards of the Glass Slipper: Queen Cinder. Narrated by Christopher Crosby Morris. This enhanced audiobook features music and sound effects for a more immersive listener experience. About the Narrator: Christopher Crosby Morris is a singer, musician, songwriter, novelist, and narrator born in New York City in 1946. In July of 1977 Chris's debut album, Christopher Morris Band, was released on MCA Records. The album was hailed by Ken Tucker of Rolling Stone as something new in pop music - fusion - a blend of roots, rock and jazz forms. Christopher Crosby Morris's passion is voice in all its aspects, but especially as it manifests in storytelling, both in prose and verse, literature and song. ungekürzt. Language: English. Narrator: Christopher Crosby Morris. Audio sample: https://samples.audible.de/bk/acx0/032307/bk_acx0_032307_sample.mp3. Digital audiobook in aax.
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    Tricia Miles must swim against the tide to catch a killer when Haven't Got A Clue's assistant manager is accused of murder in the latest entry to Lorna Barrett's New York Times bestselling Booktown series. Haven't Got A Clue bookshop owner Tricia Miles's relationship is on the rocks. After a not-so-fun vacation with her on-again-off-again lover, Marshall Cambridge, Tricia's hoping for smooth sailing back in Stoneham. Unfortunately Booktown greets her not with blue skies but with another body. When Tricia's assistant manager, Pixie, finds homeless vet Susan Morris's body behind Haven't Got A Clue, Pixie's checkered past makes her the prime suspect. Tricia sets out to clear Pixie's name armed with only an anchor insignia earring found at the scene of the crime. As Tricia digs deeper she discovers Susan was involved in a scandal right before retiring from the Navy-but since nobody in the village knows Susan, even Tricia's one lead is in danger of drying up. With family drama brewing in the background and all of Stoneham convinced her manager is a murderer, Tricia knows she has to get to the bottom of the case soon before Pixie's life is sunk.
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    Sometimes you can't change - and sometimes you just don't want to. Discover Ben's side of the story in this fourth novel by the beloved, top-selling indie author of Ten Tiny Breaths, One Tiny Lie and Four Seconds to Lose. Purple-haired, sharp-tongued Reese MacKay knows all about making the wrong choice; she's made plenty of them in her 20-odd-years. So when her impulsive, short-lived marriage ends in heartbreak, she decides it's time for a change. She moves to Miami with the intention of hitting reset on her irresponsible life, and she does quite well…aside from an epically humiliating one-night stand in Cancun with a hot blond bouncer named Ben. Thank God she can get on a plane and leave that mistake behind her. Football scholarship and frat parties with hot chicks? Part of charmer Ben Morris's plan. Blown knee that kills any hope of a professional football career? So not part of the plan. Luckily Ben has brains to go with his knockout looks and magnetism. After three long years of balancing law school with his job as a bouncer at Penny's Palace, he's ready to lead a more mature life - until his first day of work, when he finds himself in the office of that crazy, hot chick he met in Cancun. The one he hasn't stopped thinking about. If Ben truly were a smart guy, he'd stay clear of Reese. She's the boss's stepdaughter and it's been made very clear that office romances are grounds for dismissal. Plus, rumor has it she's trouble. The only problem is: He likes trouble, especially when it's so good-looking… ungekürzt. Language: English. Narrator: Elizabeth Louise, Deacon Lee. Audio sample: https://samples.audible.de/bk/sans/006760/bk_sans_006760_sample.mp3. Digital audiobook in aax.
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    A beautiful companion set to the award-winning and internationally beloved phenomena, The Lost Words and The Lost Spells, adults and children alike will love receiving, sending and displaying The Wild Cards'Breathtaking and magical. Jackie Morris has created something that you could spend all day looking at' New Statesman'Robert Macfarlane and Jackie Morris have made a thing of astonishing beauty' ObserverDiscover and share the wonders of the wild world as seen in The Lost Words and The Lost Spells...This collection of 100 postcards features artwork and words from two beloved modern classics, in which Jackie Morris and Robert Macfarlane celebrate the creatures, trees and plants of nearby nature, from Acorn to Wren, by way of Curlew and Kingfisher, Silver Birch and Snow Hare, Goldfinch and Gorse.The front of each card bears one of Morris's Greenaway Medal-winning paintings; on the reverse, you will find an accompanying quotation from one of the spell-poems in the Lost books, as well as an identification of the species shown on the card. The remaining space is left blank for you to fill in these wild cards with pen, pencil or paint - and then send them out into the world to make and renew connections.
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    Often hailed as one of the best travel books ever written, Venice is neither a guide nor a history book, but a beautifully written immersion in Venetian life and character, set against the background of the city's past. Analysing the particular temperament of Venetians, as well as its waterways, its architecture, its bridges, its tourists, its curiosities, its smells, sounds, lights and colours, there is scarcely a corner of Venice that Jan Morris has not investigated and brought vividly to life.Jan Morris first visited the city of Venice as young James Morris, during World War II. As she writes in the introduction, 'it is Venice seen through a particular pair of eyes at a particular moment - young eyes at that, responsive above all to the stimuli of youth.' Venice is an impassioned work on this magnificent but often maddening city. Jan Morris's collection of travel writing and reportage spans over five decades and includes such titles as Sydney, Coronation Everest, Hong Kong, Spain and Manhattan '45. Since its first publication, Venice has appeared in many editions, won the W.H. Heinemann award and become an international bestseller.'The best book about Venice ever written' Sunday Times'No sensible visitor should visit the place without it . . . Venice stands alone as the essential introduction, and as a work of literature in its own right.' Observer
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    The second book in Stephen King's Bill Hodges trilogy (Mr. Mercedes, Finders Keepers, End of Watch), an AT&T Audience Original Series, now in its second season!"Stephen King's superb new stay-up-all-night thriller is a sly tale of literary obsession that recalls the themes of his classic 1987 novel Misery" (The Washington Post)-the #1 New York Times bestseller about the power of storytelling, starring the same trio of unlikely and winning heroes Stephen King introduced in Mr. Mercedes."Wake up, genius." So announces deranged fan Morris Bellamy to iconic author John Rothstein, who once created the famous character Jimmy Gold and hasn't released anything since. Morris is livid, not just because his favorite writer has stopped publishing, but because Jimmy Gold ended up as a sellout. Morris kills his idol and empties his safe of cash, but the real haul is a collection of notebooks containing John Rothstein's unpublished work...including at least one more Jimmy Gold novel. Morris hides everything away-the money and the manuscripts no one but Gold ever saw-before being locked up for another horrific crime. But upon Morris's release thirty-five years later, he's about to discover that teenager Pete Saubers has already found the stolen treasure-and no one but former police detective Bill Hodges, along with his trusted associates Holly Gibney and Jerome Robinson, stands in the way of his vengeance...Not since Misery has Stephen King played with the notion of a reader and murderous obsession, filled with "nail biting suspense that's the hallmark of [his] best work" (Publishers Weekly).
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    The second book in Stephen King's Bill Hodges trilogy (Mr. Mercedes, Finders Keepers, End of Watch)—now an AT&T Audience Original Series! "Stephen King's superb stay-up-all-night thriller is a sly tale of literary obsession that recalls the themes of his classic 1987 novel Misery" (The Washington Post)—the #1 New York Times bestseller about the power of storytelling, starring the same trio of unlikely and winning heroes Stephen King introduced in Mr. Mercedes. "Wake up, genius." So announces deranged fan Morris Bellamy to iconic author John Rothstein, who once created the famous character Jimmy Gold and hasn't released anything since. Morris is livid, not just because his favorite writer has stopped publishing, but because Jimmy Gold ended up as a sellout. Morris kills his idol and empties his safe of cash, but the real haul is a collection of notebooks containing John Rothstein's unpublished work...including at least one more Jimmy Gold novel. Morris hides everything away—the money and the manuscripts no one but Gold ever saw—before being locked up for another horrific crime. But upon Morris's release thirty-five years later, he's about to discover that teenager Pete Saubers has already found the stolen treasure—and no one but former police detective Bill Hodges, along with his trusted associates Holly Gibney and Jerome Robinson, stands in the way of his vengeance... Not since Misery has Stephen King played with the notion of a reader and murderous obsession, filled with "nail biting suspense that's the hallmark of [his] best work" (Publishers Weekly).
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    A PopSugar Best Book of the Year!Readers of Heather Morris's The Tattooist of Auschwitz and watchers of The Queen's Gambit won't want to miss this amazing debut set during World War II. A young Polish resistance worker, imprisoned in Auschwitz as a political prisoner, plays chess in exchange for her life, and in doing so fights to bring the man who destroyed her family to justice.Maria Florkowska is many things: daughter, avid chess player, and, as a member of the Polish underground resistance in Nazi-occupied Warsaw, a young woman brave beyond her years. Captured by the Gestapo, she is imprisoned in Auschwitz, but while her family is sent to their deaths, she is spared. Realizing her ability to play chess, the sadistic camp deputy, Karl Fritzsch, decides to use her as a chess opponent to entertain the camp guards. However, once he tires of exploiting her skills, he has every intention of killing her.Befriended by a Catholic priest, Maria attempts to overcome her grief, vows to avenge the murder of her family, and plays for her life. For four grueling years, her strategy is simple: Live. Fight. Survive. By cleverly provoking Fritzsch's volatile nature in front of his superiors, Maria intends to orchestrate his downfall. Only then will she have a chance to evade the fate awaiting her and see him punished for his wickedness.As she carries out her plan and the war nears its end, she challenges her former nemesis to one final game, certain to end in life or death, in failure or justice. If Maria can bear to face Fritzsch-and her past-one last time.
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    The full and unbridled inside story of the last twenty years of country music through the lens of Maren Morris, Mickey Guyton, and Kacey Musgraves-their peers and inspirations, their paths to stardom, and their battles against a deeply embedded boys' club, as well as their efforts to transform the genre into a more inclusive place for all (and not just white men in trucker hats), as told by award-winning Nashville journalist Marissa R. Moss.It was only two decades ago, but, for the women of country music, 1999 seems like an entirely different universe. With Shania Twain, country's biggest award winner and star, and The Chicks topping every chart, country music was a woman's world: specifically, country radio and Nashville's Music Row.Cut to 2021, when women are only played on country radio 16% of the time, on a good day, and when only men have won Entertainer of the Year at the CMA Awards for a decade. To a world where artists like Kacey Musgraves sell out arenas but barely score a single second of airplay. But also to a world where these women are infinitely bigger live draws than most male counterparts, having massive pop crossover hits like Maren Morris's "The Middle," pushing the industry to confront its deeply embedded racial biases with Mickey Guyton's "Black Like Me," winning heaps of Grammy nominations, banding up in supergroups like The Highwomen and taking complete control of their own careers, on their own terms. When the rules stopped working for the women of country music, they threw them out and made their own: and changed the genre forever, and for better. Her Country is veteran Nashville journalist Marissa R. Moss's story of how in the past two decades, country's women fought back against systems designed to keep them down, armed with their art and never willing to just shut up and sing: how women like Kacey, Mickey, Maren, The Chicks, Miranda Lambert, Rissi Palmer, Brandy Clark, LeAnn Rimes, Brandi Carlile, Margo Price and many more have reinvented the rules to find their place in an industry stacked against them, how they've ruled the century when it comes to artistic output-and about how women can and do belong in the mainstream of country music, even if their voices aren't being heard as loudly.
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