38 Results for : tritone

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    The most highly acclaimed jazz piano method ever published! Over 300 pages with complete chapters on Intervals and triads, The major modes and II-V-I, 3-note voicings, Sus. and phrygian Chords, Adding notes to 3-note voicings, Tritone substitution, Left-hand voicings, Altering notes in left-hand Stride and Bud Powell voicings, Block chords, Comping ...and much more! Endorsed by Kenny Barron, Down Beat, Jamey Aebersold, etc.
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    Fuge C-Dur / Pachelbel Johann|Präludium Harpeggiato / Fischer Johann Caspar Ferdinand|Hornpipe e-moll / Purcell Henry|Die gutmuetigen Kuckucke / Couperin Francois|Gigue a l'angloise / Telemann Georg Philipp|Präludium F-Dur BWV 927 / Bach Johann Sebastian|Präludium C-Dur BWV 846 / Bach Johann Sebastian|Air B-Dur HWV 471 / Haendel Georg Friedrich|MARSCH D-DUR / Bach Carl Philipp Emanuel|SPINNERLIED / Tuerk Daniel Gottlob|Sonatine C-Dur op 36/1 - Allegro / Clementi Muzio|Sonatine C-Dur op 36/1 - Andante / Clementi Muzio|Sonatine C-Dur op 36/1 - Vivace / Clementi Muzio|Menuett G-Dur KV 1e + 1f / Mozart Wolfgang Amadeus|Menuett F-Dur KV 5 / Mozart Wolfgang Amadeus|Deutscher Tanz Es-Dur WoO 13/9 / Beethoven Ludwig van|Bagatelle a-moll op 119/9 / Beethoven Ludwig van|LUSTIG TRAURIG WOO 54 / Beethoven Ludwig van|Walzer h-moll / Schubert Franz|Ecossaise G-Dur D 145 / Schubert Franz|Ländler B-Dur D 378/4 / Schubert Franz|Polka d-moll / Glinka Michail|Arabesque op 100/2 / Burgmueller Friedrich|Leise Klage op 100/16 / Burgmueller Friedrich|Ballade op 100/15 / Burgmueller Friedrich|Wilder Reiter op 68/8 / Schumann Robert|Erster Verlust op 68/16 / Schumann Robert|MAZURKA F-DUR OP 68/3 / Chopin Frederic|Chromatische Polka op 300/160 / Koehler Louis|DIE NEUE PUPPE OP 39/9 / Tschaikowsky Pjotr Iljitsch|Altfranzösisches Lied op 39/16 / Tschaikowsky Pjotr Iljitsch|Norwegischer Tanz op 47/4 / Grieg Edvard|Der kleine Gernegross / Gretchaninoff Alexander|Ein altes Gedicht / Gretchaninoff Alexander|Gymnopedie 1 / Satie Erik|Studie fuer die linke Hand aus Fuer Kinder 2 / Bartok Bela|KINDERTANZ / Bartok Bela|Braul / Bartok Bela|Klavieruebung 35 / Orff Carl|Kleine Atlantik Rhapsodie / Nevada George|New Orleans blues / Moser Juergen|Tritone Blues / Richards Tim|Modern Waltz / Heumann Hans Guenter|Rock hurricane / Heumann Hans Guenter|Prelude arpeggiated / Heumann Hans Guenter|SALSA / Heumann Hans Guenter|COOL DRINKS / Heumann Hans Guenter|Chopinette 1 - Mazurka / Heumann Hans Guenter|Chopinette 2 - Walzer / Heumann Hans Guenter|HONGROISE / Diabelli Anton|Fröhlicher Landmann op 68/10 / Schumann Robert|IN A FUNNY MOOD / Puetz Eduard|Deutscher Tanz C-Dur / Haydn Joseph
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    ORIENTALISCHER TANZ / Badings Henk|Siciliana / Casella Alfredo|Le petit negre / Debussy Claude|Blues / Emonts Fritz|KLEINER TANGO / Emonts Fritz|LIED / Fortner Wolfgang|L'enfant reveur / Francaix Jean|Andante / Genzmer Harald|EINE SCHRECKLICHE BEGEBENHEIT / Gretchaninoff Alexander|Spaziergang / Gretchaninoff Alexander|Der erloeste Klang / Heller Barbara|Wolkenhimmel / Heller Barbara|WIE IM TRAUM / Heller Barbara|Modern Sonatina / Heumann Hans Guenter|MODERN SUITE / Heumann Hans Guenter|Modern Sarabande / Heumann Hans Guenter|Modern Waltz / Heumann Hans Guenter|Amadeus goes Pop / Heumann Hans Guenter|Regenbogen Fee / Heumann Hans Guenter|Wie eine Feder im Wind / Heumann Hans Guenter|Schmetterlingswalzer / Hiller Wilfried|Wir bauen eine Stadt / Hindemith Paul|WIR BAUEN EINE NEUE STADT / Hindemith Paul|AFRICAN SONG / Ibrahim Abdullah|Simple blue / Kember John|SOFT BLUE / Kember John|Ferienreise / Kretschmer Gunter|Zirkus Clowns / Kretschmer Gunter|Tempo di valzero / Ligeti Gyoergy|ELEGIA / Mohrs Rainer|Tarantella / Mohrs Rainer|Ostinato / Mohrs Rainer|PRAYER FOR PEACE / Mohrs Rainer|Verliebte Katzen / Mohrs Vera|Katerblues / Mohrs Vera|Sad song / Moser Juergen|I hear your heartbeat / Moser Juergen|New Orleans blues / Moser Juergen|The snow is falling / Moser Juergen|Livin' for ice cream / Moser Juergen|KLEINES PRAELUDIUM / Nevada George|KLEINES LIED / Nevada George|Ballade / Nevada George|Kleine Atlantik Rhapsodie / Nevada George|Ninette tanzt Musette / Nevada George|3 STUECKE / Orff Carl|5/4 BOOGIE / Pütz Eduard|MIXOLYDIAN ETUDE / Pütz Eduard|Blue waltz / Puetz Eduard|VALSETTE / Puetz Eduard|SENTIMENTAL LADY / Puetz Eduard|HAMPELMANN / Radermacher Friedrich|IN DER HOEHLE / Regner Hermann|HAPPY BLUES / Richards Tim|Tritone Blues / Richards Tim|Ogive 1 / Satie Erik|Gymnopedie 1 / Satie Erik|Gnossienne 1 / Satie Erik|BIG BAND TUNE / Schoenmehl Mike|DER SPANISCHE GITARRENSPIELER / Schoenmehl Mike|JAZZ WALTZ / Schoenmehl Mike|Blues / Schoenmehl Mike|Melancholic reflections / Schoenmehl Mike|Sound sheets / Schoenmehl Mike|MINNELIED / Schroeder Hermann|Der Elefant / Scott Cyril|DER AFFE / Scott Cyril|JAZZ ETUDIETTE / Seiber Matyas|GIPSY TANGO / Seiber Matyas|Foxtrott / Seiber Matyas|BLUES / Seiber Matyas|CHARLESTON / Seiber Matyas|FUER DIE JUGEND / Tajcevic Marko|LUSTIGE UNTERHALTUNG / Tjeknavorian Loris|ADE / Weiss Harald|Latin blue / Yasinitsky Gregory W|Melodie / Zehm Friedrich
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    Intimate, never-before-published photographs taken just before Kate Moss's rise to fame, in one elegant volumeThis gorgeously produced book features intimate, never-before-published portraits of a young and undiscovered Kate Moss, taken in the early 1990s by her then-boyfriend, Italian photographer Mario Sorrenti. Seen by Calvin Klein, the photographs gave life to the famous Obsession campaign, which launched Moss to international superstardom.Sumptuously reproduced in tritone and presented in a cloth-covered clamshell box, Kate is a stunning photographic portfolio of one of contemporary culture's most iconic figures. It includes tipped-on images on the book and clamshell box's covers, plus an introductory essay by Sorrenti, which puts the work in its uniquely personal context.This book, which celebrates the dawn of two legendary careers, and the start of the highly influential aesthetic of 1990s fashion photography, is a must-have for Kate Moss's fans, for fashion devotees, and for lovers of traditional portraiture and fashion photography.
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    The enormous, photorealistic charcoal drawings by American artist Robert Longo (*1953 in Brooklyn, New York) show the beauty and horror of the present day and age. His large-format works contrast the innocence of sleeping toddlers, the tranquil grandiosity of Earth and the planets, roses in bloom, and Gothic cathedrals with threatening images of atom bomb explosions, fighter pilots, monster waves, sharks, and the muzzles of revolvers. Inexorably and seismographically precise, the winner of the 2005 Goslar Kaiserring and 2010 inductee into the French Order of Arts and Letters records the state of our world. Longo's powerful motifs give form and expression to the feelings of fear and longing felt by people in the twenty-first century, and affect the viewer with the full force of the medium. This large-format, elaborately designed book, printed on natural paper using a tritone process, bound in half cloth and distributed in four different cover designs, has been created in close collaboration with the artist and affords a comprehensive overview of his charcoal drawings from the past decade. Exhibition schedule: Kunsthalle Weishaupt, Ulm, November 28, 2010-September 25, 2011
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    Plyta 1. La Vecchia, Francesco - Feste Romane (Romische Fes Nr. 1 Circenes Nr. 2 Il Giubileo Nr. 3 L'ottobrata Nr. 4 La Befana La Vecchia, Francesco - Fontane Di Roma (Romische Nr. 1 La Fontana Di Valle Giulia All'alba Nr. 2 La Fontana Del Tritone Al Mattino Nr. 3 La Fontana Di Trevi Al Meriggio Nr. 4 La Fontana Di Villa Medici Al Tramonto La Vecchia, Francesco - Pini Di Roma (Pinien Von R Nr. 1 I Pini Di Villa Boghese Nr. 2 Pini Presso Una Catacomba Nr. 3 I Pini Del Giancolo Nr. 4 I Pini Della Via AppiaPlyta 2. La Vecchia, Francesco - Gli Uccelli (Die Vogel) (S 1. Preludio 2. La Colomba 3. La Gallina 4. L'usignuolo 5. Il Cuccu La Vecchia, Francesco - Suite Fuer Streicher 1. Ciaccona 2. Siciliana 3. Giga 4. Sarabanda 5. Burlesca 6. Rigaudon La Vecchia, Francesco - Suite Fuer Streicher Und O 1. Preludio 2. Aria 3. Pastorale 4. CanticoPlyta 3. La Vecchia, Francesco - Impressioni Brsiliane Nr. 1 Notte Tropicale Nr. 2 Butantan Nr. 3 Canzone E Danza La Vecchia, Francesco - Trittico Botticelliano (3 Nr. 1 La Primavera Nr. 2 L'adorazione Dei Magi Nr. 3 La Nascita Di Venere La Vecchia, Francesco - Vetrate De Chiesa (Kirchen Nr. 1 La Fuga Un Egitto Nr. 2 San Michele Arcangelo Nr. 3 Il Mattutino Di Santa Chiara Nr. 4 San Gregorio MagnoPlyta 4. La Vecchia, Francesco - Concerto A Cinque (Fuer Ob 1. Moderato - Allegro - Grave 2. Adagio 3. Allegro Vivo - Allegro Mdoerato - Largo La Vecchia, Francesco - Poema Autunnale (Fuer Viol Calmo - Molto Lento - Largamente - Allegro Moderat Brodski, Vadim - Konzert Fuer Violine Und Orcheste 1. Allegro 2. Adagio Non Troppo 3. VivacePlyta 5. Brodski, Vadim - Concerto Gregoriano (Fuer Violine 1. Andant Tranquillo - Allegro Molto Moderato - Ca 2. Andante Espressivo E Sostenuto 3. Finale (Alleluja): Allegro Energico Bertoglio, Chiara - Toccata (Fuer Klavier Und Orch La Vecchia, Francesco - Adagio Mit Variationen (FuPlyta 6. La Vecchia, Francesco - Sinfonia Drammatica 1. Allegro Energico 2. Andante Sostenuto 3. Allegro Impetuoso La Vecchia, Francesco - Fantasia Slava (Fuer Klavi Andante - Presto - Tempo 1 - Lento - AllegroPlyta 7. La Vecchia, Francesco - Antiche Danze Ed Arie Per 1. Balletto Detto Il Conte Orlando: Allegretto M 2. Gagliarda: Allegreo Moderato - Andantino Mosso 3. Villanella: Andante Cantabile 4. Passo Mezzo E Mascherada: Allegro Vivo - Vivaci La Vecchia, Francesco - Antiche Danze Ed Arie Per 1. Laura Soave: Balletto Con Gagliarda, Saltarello 2. Danza Rustica: Allegretto 3. Campanae Parisienses: Andante Mosso - Aria: Lar 4. Bergamasca: Allegro La Vecchia, Francesco - Antiche Danze Ed Arie Per 1. Italiana: Andantino 2. Arie Di Corte: Andante Cantabile- Allegretto - 3. Siciliana: Andantino 4. Passacaglia: Maestoso - Vivace La Vecchia, Francesco - Rossiniana (Suite Fuer Orc 1. Capri E Taormina: Allegro - Andantino - Allegre 2. Lamento: Andantino Maestoso 3. Intermezzo: Allegretto - Poco Piu Mosso - Tempo 4. Tarantella Puro Sangue: Allegro Vivacissimo -Plyta 8. La Vecchia, Francesco - Concerto In Modo Misolidio 1. Moderato 2. Lento - Andante Con Moto 3. Passacaglia: Allegro Energico La Vecchia, Francesco - Metamorphosen Modi 12 (The Thema: Andante Moderato - Modus 1: Moderato Non Tr
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    Program Notes for FireFlower These piano solos were composed as a personal tonal record, similar to a diary. They were private expressions, like the pages of one's journal, of a greater process of personal healing. Now I present them as a "tone diary" with the hope that they may touch the listener in an intimate way. I. A Mother's Window is a collection of three pieces that have specific connections with each of my three sons. 1. Variations Toward a Theme (1981) was written while pregnant with my second son, Shad Mosher. Of all my pieces, this one sounds closer to early classical styles than the others. Shad, now a Marine Biologist and talented musician, is drawn to the Baroque and early classical era. 2. Silent Distance (1979) was written for my first son, Todd Murchison, when he was five years old. While on a trip with relatives, he got so homesick that his grandmother, Jean, brought him back early. Missing him as well, I was unable to sleep one night and wrote this. Upon return, I played it back for him and we cried together with the memories of that separation. Now a computer engineer and artist, he has talent for depicting his feelings through art and writing. 3. Crying Out (1982) was written while pregnant with my third son, Trannon Mosher. Although the themes came from the initial frustration at having to stop composing, the energy of the piece became a celebratory "breaking through" of that fear, and ultimately, a triumph. Trannon is now an aeronautical engineer and an energetic dancer. This piece reminds me of his style of choreography. II.Halfsight (1986) was inspired by the following e. e. cummings' poem. Because my life resembled the opening lines of this poem, the piece contains only the longings for the wisdom of the remaining lines: all worlds have halfsight, seeing either with life's eye (which is if things seem spirits) or (if spirits in the guise of things appear) death's: any world must always half perceive. Only whose vision can create the whole (being forever born a foolishwise proudhumble citizen of ecstasies more steep than climb can time with all his years) he's free into the beauty of the truth, and strolls the axis of the universe ---love. Each believing world denies, whereas your lover (looking through both life and death) timelessly celebrates the merciful wonder no world deny may or believe III. The Journey (1988) unfolded during a series of meditations. I had written all four before I realized that they were a set representing the four elements of air, earth, water, and fire. 1. Meadow Light came from the image and feeling of light beams through the woods, hovering upon the air over a field of grass and wildflowers. 2. Kiakra Cave represents the mysterious light of kiakra (a bioluminescent fungi sometimes found on damp wood on the forest floor at night) imagined within the complete cave darkness of mother earth. 3. Thru Water represents the ebbing/ flowing, rising/falling of water's continuous healing dance. 4. FireFlower represents the powerful burning and transformative powers of fire, as well as the courage it takes to allow it to do it's work in one's life. Once all that can burn is cleared, that which is left at the very center is one's core ... something of simple beauty, and as open as a flower. IV. Modal Character Sketches (1996-97) is a collection of short pieces based on the seven medieval scale modes, Ionian through Locrian. I was inspired by a conversation with my friend, Julie Harris, as she daydreamed of writing short pieces on each mode. We picked a common focal tone (G), giving us the potential to combine our sets collaboratively into a larger work in the future. Individual characters, from shadows and plants to people and feelings, arose within the modes of these sketches. 1. Fallen Majesty (Ionian) emerged from Hurricane Fran's fallen trees. The initial feeling of loss, once cleared, turned to hearing the voice of the tree spirits. 2. Dorian Dream (Dorian) floated from the wispy/lazy dream that began this project. 3. Gentle Grief (Phrygian) resulted from a phone call with my mother, Rose, after chemotherapy treatment for her cancer. The feeling was one of a gentle grief that falls lightly like a healing rain upon the earth. 4. Come Play (Lydian) skipped and ran with the innocent feeling of playfulness and the invitation to join in the fun. 5. Front Porch Rocker (Mixolydian) became the character of an elder woman with her memories, rocking back and forth. 6. Water Aura (Aeolian) arose from my observation of a watered plant. It's aura expanded, as happens with all life when nourished. 7. March of the Shadows (Locrian) arose from the natural dissonance of this mode that was banned in Baroque times due to it's Tonic/Dominant tritone. These shadows (feelings we try to ignore) are honored for their potential gift-bearing by parading them into the light. V. Sonata in e minor (Toward Connection) (1980) chronicles a journey through pain towards healing. The music was written from the memories of my personal experiences. I wrote the poem below to accompany it's premier in 1986: Toward Connection We yearn toward wholeness but grow into a disconnected world, parent/child earth/people spirit/soul all connection self, nature, humanity suffocating. Can the inner will of youth survive? Soon our world must be felt, we reach out but cannot touch, it pulls against the will to stay sane. We forget our earth we forget each other and ourselves, now the pain of new mistakes upon the old is no longer bearable, we give in to numbness. Out of touch we refuse to look at the nightmare we've created and fear fills the empty spaces each alone in hell! Awake! Our will toward peace toward connection.
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    ABOUT THE ALBUM: CRAZY WORLD showcases some of Sandy's finest material, including songs by Jason Robert Brown, Stephen Schwartz, Maury Yeston, Stephen Sondheim, Amanda McBroom and others. With piano and music direction by longtime collaborator G. Scott Lacy, CRAZY WORLD also features a special appearance by cellist Deborah Yamak on one of the album's stand-out tracks, 'Since You Stayed Here'. Other highlights include 'I Won't Mind', 'Stars And The Moon', 'New Words', 'Ship In A Bottle', and new renditions of standards such as 'Meadowlark', 'Children Of The Wind', 'Why Did I Choose You' and the legendary title track. '...among the very best -- musically lovely and (rarer still) beautifully acted...The album overall is really wonderful, fine choices of songs, all well done.' - Josh Rubins, Composer/Lyricist (BROWNSTONE, ALL THE QUEEN'S MEN) 'Beautiful, sensitive...a wonderful recording.' - Jeff Blumenkrantz, Composer (THE OTHER FRANKLIN) 'Nice choice of songs. Campbell exhibits real talent with the material.' - Max Preeo, Editor, Show Music Magazine 'It only took hearing the first few phrases sung to let me know the songs are in good hands...Sandy's voice is instantly appealing...She has an open and sweet quality, but with intelligent phrasing that keeps her safely far away from over-sentimentality. It's no surprise to learn that she has experience in theater and cabaret. It shows...Campbell and G. Scott Lacy crystallize the emotional potential of rich songs like these. An encore would be very welcome.' - Talkin' Broadway. ABOUT THE ARTIST: Whether in cabaret or in concert, on stage or on disc, Sandy Campbell's warm and emotive soprano voice has become a celebrated favorite of Southern California audiences. Together with longtime musical director/accompanist G. Scott Lacy, she has developed and performed several acclaimed solo cabaret shows including The Stories Go On, an exploration of the story song in musical theatre, and And I'll Be There: Songs of Love and Friendship, which premiered at San Diego's North Coast Repertory Theatre in October 2003. Other cabaret appearances have included Sunday In The Park With Sondheim and Totally Tonys! For Outcast Productions and The Greatest Songs You've Never Heard. In October 2004, Sandy and Scott brought a program of their finest material to Schroeder's Club & Cabaret, San Diego's premiere cabaret venue. In June 2005, she returned to Schroeder's to celebrate the release of her first studio recording, CRAZY WORLD, produced and engineered by Eric Wilcox for TriTone Music Productions and released by Azahara Entertainment. In addition to her cabaret appearances, Sandy appeared as Anne Bronte in the concert version of the Steve Gunderson musical The Brontes, a production of the San Diego Ballet. She can also be heard on the concept recordings of several original works. As a theatre artist, Sandy has performed in a wide range of productions throughout Southern California and has built an impressive list of credits. In Summer 2006 she appeared in La Jolla Playhouse's world premier production of Zhivago, featuring the soaring melodies of The Secret Garden's Lucy Simon and directed by multiple Tony-winner Des McAnuff. Other notable roles include Cinderella in Into the Woods, Maria in West Side Story, Amalia in She Loves Me, Shelby in The Spitfire Grill, Rosa Bud in The Mystery of Edwin Drood, Aldonza in Man of La Mancha, Johanna in Sweeney Todd, Cordelia in William Finn's Falsettos and Abigail Adams in 1776. She has also been seen as Sarah in Guys and Dolls, Marian in The Music Man, Guenevere in Camelot, Anne in A Little Night Music, Hodel in Fiddler on the Roof and in the San Diego premiere of Jason Robert Brown's Songs For A New World. 'Campbell sings with irresistible clarity and power...' - Los Angeles Times 'Outstanding...a striking voice and presence...' - KPBS Radio 'Musical theatre heaven...there are echoes of Judy Collins in Campbell's soprano.' - San Diego Union 'Exceptional...Most remarkable...new levels of beauty and richness while filling her character with great tenderness, intelligence and emotion.' - San Diego Playbill.
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