43 Results for : lamda

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    Exclusively from Audible In this satirical faux autobiography, Moll Flanders, abandoned at birth, sets her rebellious heart on a life of independence in late 17th-century England. A strong-willed woman, she is determined to make a better life for herself, no matter what it takes: thievery, prostitution, seductions, marriages, or illicit liaisons. Born to a convicted felon in Newgate prison Moll learns to live off her wits, refusing to be a helpless victim and defying most traditional depictions of women of the era. Though first published in 1722, Moll's account of her endurance and survival still strongly resonates with today's audience just as much as it did to its original readers. Moll Flanders was one of the first social novels to be published in English and draws heavily on Defoe's experience of the social conditions that were prevalent in the London of the late 17th century. Defoe was no stranger to misfortune as in one form or another, it pursued him continually. He wrote of himself: 'No man has tasted differing fortunes more. And 13 times I have been rich and poor.' It wasn't until the age of 59 that Defoe began to write the first of his novels and other fictional writings that resulted in him being called the father of the English novel. His works are still loved today due to his remarkable insight into human nature. Narrator Biography Janet Suzman has received The Evening Standard Award for both Masha in Three Sisters, and Hester in Hello And Goodbye, as well as Academy Award and Golden Globe Nominations for her Czarina in Nicholas And Alexandra. Her Hedda Gabler was chosen as the BBC's 50th Anniversary Classic Drama Repeat. With such awards and nominations it is hardly surprising that she has a huge classical repertoire and background and brings unique authority to a read. Her experience includes LAMDA and frequent periods with the RSC. More recentl ungekürzt. Language: English. Narrator: Janet Suzman. Audio sample: https://samples.audible.de/bk/bbcw/001693/bk_bbcw_001693_sample.mp3. Digital audiobook in aax.
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    Exclusively from Audible 'An old woman came into the restaurant to dine. She was fat, shapeless, ugly, and grotesque. She had a ridiculous voice, and ridiculous gestures. It was easy to see that she lived alone, and that in the long lapse of years she had developed the kind of peculiarity which induces guffaws among the thoughtless. I reflected, concerning the grotesque diner: "This woman was once young, slim, perhaps beautiful; certainly free from these ridiculous mannerisms. Very probably she is unconscious of her singularities. Her case is a tragedy. One ought to be able to make a heartrending novel out of the history of a woman such as she."' So said Arnold Bennett when explaining what inspired the creation of The Old Wives' Tale. Broken up into four parts, the lives of two sisters are laid bare; one timid and unassuming, the other romantic and adventurous. From working as children in their family's drapery shop to their later years, Constance and Sophia's journey through life could not be more different. While one travels the world and defies male expectations, the other becomes a dutiful wife and mother. Despite this, Bennett's skilful and witty narrative ultimately leads our protagonists in the same direction, making The Old Wives' Tale an intriguing interpretation of the circle of life and, unsurprisingly, his most popular work. Arnold Bennett wrote over 20 novels and 10 plays, including Anna of the Five Towns, Clayhanger, These Twain, Hilda Lessways and Buried Alive. In June 2017, to mark the 150th anniversary of his birth, the Potteries Museum and Art Gallery commissioned a bronze statue of the author. He was elegantly immortalised sitting in a chair and holding an open book in his left hand. Narrator Biography David Haig is a classically trained actor, writer and LAMDA graduate. His film appearances include Two Weeks' Notice, ungekürzt. Language: English. Narrator: David Haig. Audio sample: https://samples.audible.de/bk/bbcw/003128/bk_bbcw_003128_sample.mp3. Digital audiobook in aax.
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    The award-winning and critically acclaimed Wireless Theatre Company strives to keep radio theater alive and well. From the hilarious to the terrifying, this diverse collection features 10 Wireless Theatre productions in a single volume: We Are the BBC by Susan Casanove, directed by Jack Bowman Rob Sterling Davies is on the crest of a wave - a celebrated scriptwriter, actor, television personality, the new doyen of Just a Minute, and apparently, Stephen Fry's new best friend. But all isn't quite as it seems, and when Stephen discovers that Rob's BAFTA-winning script was stolen, he undertakes to expose Rob for the fraud he is. We Are the BBC is the follow-up to the hugely popular 2011 hit We Are Not the BBC, and features Nicholas Parsons and Stephen Fry as themselves. We Are Not the BBC by Susan Casanove, directed by Jack Bowman A light-hearted look at the radio drama production process, as seen by the members of an amateur dramatics society in a sleepy suburb of Swansea. It can't be difficult to make your own play for radio, can't it? And with a LAMDA-trained professional actor at the helm, surely nothing could go wrong? After their attempt at Mike Leigh - inspired improvisation doesn't exactly produce satisfactory results, things start to look up when a visiting celebrity agrees to step in and play the lead role. No Cause for Alarm by Gareth Rubin No Cause for Alarm is a silly play. It has no comment to make about the human condition, love in the 21st century, or the Iraq war. Stage Fright by Lynn Howes, directed by Emma Taylor A savagely funny satire on celebrity and theater that garnered five-star reviews at its world premiere, Stage Fright charts the struggle for supremacy between three actors appearing in a play together: old friends Peter and Charles, and Geraldine, the young and vulnerable actress t Language: English. Narrator: full cast. Audio sample: https://samples.audible.de/bk/blak/009013/bk_blak_009013_sample.mp3. Digital audiobook in aax.
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