54 Results for : multizone

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    BAUKNECHT vollintegrierbarer Geschirrspüler, OBIC ECOSTAR 5320, 14 Maßgedecke
    Der OBIC ECOSTAR 5320 von BAUKNECHT ist ein vollintegrierbarer Geschirrspüler mit den Maßen 59,8 x 82-90 x 55,5 cm (BxHxT). Haushalte ab vier Personen profitieren von der Ladekapazität des OBIC ECOSTAR 5320. 14 Maßgedecke bieten definitiv genug Platz. Der OBIC ECOSTAR 5320 arbeitet durch das Automatikprogramm sehr sparsam. Der Verschmutzungsgrad wird über Sensoren analysiert und der Spülvorgang an die jeweiligen Voraussetzungen angepasst. Ob leicht zerkratzbare Wein- und Sektgläser oder stark verschmutzte Pfannen: Mit dem MultiZone-Programm des OBIC ECOSTAR 5320 wird jedes Behältnis glänzend sauber schon beim ersten Spülvorgang. Das Schonprogramm stellt den Härtegrad des Wassers speziell auf die Pflege der Gläser ein. Perfekter Glanz durch hervorragend abgestimmte Pflege. Hygienisch einwandfrei, natürlich auch bei starkem oder eingetrocknetem Schmutz – das Intensivprogramm reinigt zuverlässig und schonend: Ob Glas, Teller, Pfanne oder Kochtopf. Die Eco-Technologie des OBIC ECOSTAR 5320 ermöglicht eine energieeffiziente und umweltschonende Reinigung. Beim Kurzprogramm wird der Wasserdruck erhöht, wodurch sich der Spülvorgang deutlich verkürzt. Das spart nicht nur Energiekosten, sondern schützt auch die Umwelt. Dank des Wasserschutzsystems wird im Notfall die Wasserzufuhr gestoppt. Um ein Spülprogramm zu einem bestimmten Zeitpunkt zu starten, verfügt der OBIC ECOSTAR 5320 über eine praktische Startzeitvorwahl. Der OBIC ECOSTAR 5320 ist eine absolut verlässliche Hilfe Tag für Tag. Diejenigen, die einen performanten und ausdauernden Geschirrspüler suchen, liegen hier absolut richtig.
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    • Price: 469.00 EUR excl. shipping
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    SIEMENS Side-by-Side iQ500 KA93IVIFP, 178,7 cm hoch, 90,8 cm breit
    Der freistehende Side-by-Side Kühlschrank »KA93IVIFP« von Siemens ist ein sparsames Modell. Die Abmessungen des Side-by-Side Kühlschranks liegen bei 90,8 x 178,7 x 70,7 cm (B/H/T). Die Bildung von Eiskristallen wird im Gefrierfach durch die No Frost-Funktion verhindert – so muss das Gerät nie wieder abgetaut werden. Das Gerät ist zusätzlich mit einem Eiswürfelbereiter ausgestattet. Es sind zwei Gefrierschubladen und zwei Gemüseschubladen zum Verstauen des Einkaufs integriert. Die Temperatur im Gerät wird auf dem Display angezeigt, das außen installiert ist. Die fünf Ablageflächen aus Sicherheitsglas, darunter vier höhenverstellbar, bieten viel Platz für Lebensmittel. Die fünf Türablagen ermöglichen eine übersichtliche Lagerung. Die Nahrungsmittel können im Side-by-Side Kühlschrank beliebig platziert werden, denn das MultiAirflow-System sorgt dafür, dass die Temperatur im Modell konstant bleibt. Besonders schnell kühlen und einfrieren lassen sich Nahrungsmittel durch die Supergefrier-Funktion. Eine flexible Einstellung der Temperatur, perfekt abgestimmt auf den jeweiligen Inhalt, ist in der Multizone durch flexibles Vergrößern des Gefrierraums möglich. Bei offen stehender Tür meldet dies der Side-by-Side Kühlschrank mit einem akustischen Warnsignal. Den Überblick behält man außerdem durch die LED-Innenbeleuchtung. Ausgestattet ist der Side-by-Side Kühlschrank »KA93IVIFP« darüber hinaus mit höhenverstellbaren Füßen. Wer auf der Suche ist nach einem Gerät, das genug Raum für Lebensmittel bietet, der trifft mit dem »KA93IVIFP« von Siemens eine gute Wahl.
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    • Price: 1299.00 EUR excl. shipping
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    Sonsbeek 1971/1986
    Expanding its mapping of landmark exhibitions and curatorial history from the 1960s to today, the "Archives" series dedicates its fifth DVD to Sonsbeek, an art manifestation held in 1971 and 1986 in and around Arnhem (Netherlands). Mainly showcasing large installations and sculptures in natural surroundings, these two events are crucial to the history of outdoor exhibitions, shifting the boundaries of traditional sculpture. Held six years before the first Sculpture Projects Münster (1977), "Sonsbeek 1971," curated by Wim Beeren, questioned the traditional concept of sculpture and exhibition, introducing film and video, and environmental art—notably through the now canonical examples of Robert Smithson, Panamarenko, and Claes Oldenburg. Fifteen years later, "Sonsbeek 1986," curated by Saskia Bos, proposed another rethinking of the exhibition by offering the visitor a "scaterred experience." The artworks were exhibited in specially designed glass pavilions throughout Sonsbeek park. Presenting the actuality of "new sculpture," the show brought together works by Katharina Fritsch, Michael Asher, Luciano Fabro, Ettore Spalletti, Thomas Schütte, Jan Vercruysse, Reinhard Mucha, Mario Merz, Hidetoshi, and James Casebere.Filmed by Jef Cornelis with his habitually acute sense of dramaturgy and his provocative mise-en-scène of theoterical conflicts, "Sonsbeek Buiten de Perken" (1971) and "Spaziergaenger mit Hund–Sonsbeek" (1986) constitute a unique moving image documentation of those pioneering art events that renewed the exhibition format. Jef Cornelis mainly worked for VRT, the Flemish Belgian national television. He realized more than 200 films, especially on architecture, literature, and the arts. Yves Aupetitallot is an art historian, curator, and art critic, and director of Le Magasin–Centre National d’Art Contemporain, Grenoble. His illustrated essay in the booklet offers essential reference points that elucidate the context and debates of these pivotal outdoor exhibitions.Published with Argos–Center for Art and Media, Brussels. DVD Multizone, PAL/SECAM, 76 minutes. English/German/Dutch, English subtitles.
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    • Price: 39.09 EUR excl. shipping
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    Jef Cornelis. Summer of 1966
    “Summer of 1966: 33a Biennale di Venezia & 2e Salon des galeries-pilotes de Lausanne” by Jef Cornelis is the third title in the “Archives” collection dedicated to landmark exhibitions and curatorial practices, providing sources and moving images to a growing field of research—that of curatorial studies and exhibition history. The first two DVDs constitute a unique yet subjective testimony on the famous documenta 4 (1968) and documenta 5 (1972). * * The 1966 Venice Biennale was one of the first exhibitions that Cornelis filmed. It was in this film that he laid the foundations of his methodology: to depict the exhibition as the closed space of a community preoccupied with the issues and conflicts that concerned its members, rather than to make films about art itself. He filmed some of the major players of the time, whether they belonged to the American or the European scene, within which French artists and critics manifested a powerful presence. On his way back to Belgium, Cornelis stopped at the second "Salon international des galeries-pilotes" (Lausanne), an experimental manifestation that influenced the Basel Art Fair, which was created in 1970. To fully illustrate what was at stake in the 1966 Venice Biennale, the DVD also includes a short film by François Morellet about the Groupe de Recherche d’Art Visuel (GRAV), whose member Julio Le Parc won the Golden Lion that year, raising the questions about collective and singular authorship. * * Jef Cornelis mainly worked for VRT, the Flemish Belgian national television. He realized more than 200 films, especially on architecture, literature, and the arts. * * Yves Aupetitallot is an art historian, curator ,and art critic, director of Le Magasin–Centre National d’Art Contemporain, Grenoble. * * Published with Le Magasin, Centre National d'Art Contemporain, Grenoble, and Argos – Center for Art and Media, Brussels. * * DVD Multizone, PAL/SECAM, 48 minutes.
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    • Price: 42.89 EUR excl. shipping
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    Jef Cornelis: Curating in the 1980s
    Castello di Rivoli and Skulptur Projekte Münster: Curating in the 1980sThe sixth volume of the “Archives” series, which is dedicated to landmark exhibitions and curatorial practices, brings together two films by Belgian filmmaker Jef Cornelis on the opening of the Castello di Rivoli in 1985, whose inaugural exhibition was conceived by curator Rudi Fuchs, and the 1987 edition of Skulptur Projekte Münster, organized by Kasper König and Klaus Bussmann. Both reflect on the curatorial approaches of the 1980s and constitute a unique documentation of the artistic debates of the time while focusing, on the one hand, on the development of contemporary Italian art and, on the other hand, on how the 1987 Munster event put the ideas of 1960s Conceptualism into reality, To many it was a milestone event, marking the coming-of-age of a certain generation of German artists, as well as finally indicating the proper place of conceptual art: outside the museum. Overall, the Munster project carries out the Futurist tenet that "the museum is the graveyard of art" and the need to move out of the stasis of the museum context into real public space.Filmed by Jef Cornelis with his habitually acute sense of dramaturgy and his provocative mise-en-scène of theoretical conflicts, they constitute a unique moving image documentation of those pioneering art events that renewed the exhibition format in the 1980s. The films show works by Gerhard Richter, Joseph Beuys, Sol Lewitt, Bruce Nauman, Giuseppe Penone, Luciano Fabro, Carl André, Keith Haring, Jenny Holzer, Jeff Koons, Giovanni Anselmo, Luciano Fabro, and Mario Merz, among others. They include interviews with and contributions by Chris Dercon, Kasper Konig, Klaus Bussman, Rudi Fuchs, Christian-Philipp Muller, and dancer Brygida Ochaim.Jef Cornelis (*1941) has mainly worked for VRT, the Flemish Belgian national television. He has realized more than 200 films, in particular on architecture, literature, and the arts. An essay by the art historian Yves Aupetitallot offers essential reference points that elucidate the context and controversies of these pivotal manifestations, and examines Cornelis’ acute sense of dramaturgy, and his mise-en-scene of the theoretical conflicts.Published with Argos–Centre for Art and Media, Brussels. DVD Multizone, PAL/SECAM, 70 minutes. English/German/Dutch, English subtitles.
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    • Price: 48.89 EUR excl. shipping
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    Jef Cornelis: 13th Biennale de Paris 1985
    “13th Biennale de Paris 1985” by Jef Cornelis is the fourth title in the “Archives” series, which is dedicated to landmark exhibitions and curatorial practices, and provides sources and moving images to the growing field of research of curatorial studies and exhibition history. Held at the Grande Halle de la Villette, the Biennale de Paris of 1985—the 13th edition since its creation in 1959—is among the most important exhibitions of the 1980s. Organized by an international team of curators and art critics including Georges Boudaille and Gérald Gassiot-Talabot (French), Kasper König (German), Alanna Heiss (American), and Achille Bonito Oliva (Italian), the Biennale was a platform for both established and up-and-coming artists active in the mid-1980s. Those featured here include Georg Baselitz, Daniel Buren, Richard Deacon, Keith Haring, David Hockney, Anish Kapoor, Anselm Kiefer, Bertrand Lavier, and Lawrence Weiner—most of them filmed installing their work. Mainly realized during the mounting of the exhibition and its opening, the film documents the conversations held during the preparatory phases of the event about the revival of figurative art, the role of museums and television, the individual nature of artistic experience, and reveals the stakes and debates involved in this artistic community. This inextricable combination of contextual strategies and an in-progress history of art make this DVD an invaluable document about the art world in the 1980s.Jef Cornelis mainly worked for the VRT, the Belgian national television in Flemish. He realized more than 200 films, especially on architecture, literature, and the arts. Yves Aupetitallot is an art historian, curator, and art critic, and director of Le Magasin–Centre National d’Art Contemporain, Grenoble. His illustrated essay in the booklet offers essential reference points that elucidate the context and debates of this pivotal exhibition.Published with Le Magasin, Centre National d'Art Contemporain, Grenoble, and Argos – Center for Art and Media, Brussels.DVD Multizone, PAL/SECAM, 67 minutes.
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    • Price: 32.53 EUR excl. shipping
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    Divina Lluz
    Multiregion DVD playable in all computers with DVD drive & of course in multizone DVD players. Length: 1 hour 33 minutes. Director: Ramón Lluis Bande. Contents: 9 musical films based on 9 songs from Divina Lluz (the CD) by Mus + documentary about the recording of Adios the last song of Divina Lluz (the CD) + Al Debalu video clip + a short film with music by Nacho Vegas. The musical films can be watched separately as beautiful & intriguing video-clips but actually blend together lik.
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    • Price: 12.73 EUR excl. shipping
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    Ericka Beckman - Super-8 Trilogy
    Between 1978 and 1981, Ericka Beckman created a landmark suite of experimental films. Known as “The Super-8 Trilogy,” these films are among the most iconic and original works of the “Pictures Generation.” * * Featuring herself, and a cast of artist-friends (including James Welling, Matt Mullican, and Mike Kelley), her work is informed by Swiss psychologist Jean Piaget's theories on the cognitive development of children, the culture of televised sports, as well as the heyday of Metro-Goldwyn-Mayer's musicals. * * The films: “We Imitate, We Break Up” (1978), “The Broken Rule” (1979), and “Out of Hand” (1981) are not based on dialogues or a classical narrative structure, but on dream-like choreographed movements, songs, keyed-up colors, and special effects. As the artist states: “Film is creating a reality through the makeshift. My films move backward, using narrative structures as does the mind of anyone trying to grasp the meaning of images in their memory.” * * Accompanying the DVD (Multizone, PAL/SECAM, 83 minutes) is a booklet containing an introduction by New York’s Metropolitan Museum of Art curator Douglas Eklund—who organized “The Pictures Generation. 1974–1984” exhibition in 2009—as well as a conversation between the artist, Lionel Bovier, and Fabrice Stroun, curator of her retrospective at Kunsthalle Bern (2013). * * Born in Hampstead, NY, in 1951, Ericka Beckman lives and works in New York. She is a filmmaker, photographer, installation artist, and writer. * * Published with Kunsthalle Bern.
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    • Price: 77.90 EUR excl. shipping
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    Gilbert & George - The Secret Files of Gilbert & George
    For the last 40 years Gilbert & George have spanned the international art scene with as much insolence as elegance. Real living sculptures, they have developed a repetitive language around recurrent figures and themes: shit, piss, blood tears, nakedness, sperm, alcohol, sweat. Theirs is an oeuvre that has radically overturned conventions and thinking of the period, and which refers literally to sexuality, exclusion, and social and religious violence. This interview, filmed in 2000 by the curator Hans Ulrich Obrist for an exhibition at the Musée d’Art moderne de la Ville de Paris, concentrates on the hysteria of the archive and the collection. Through this document, which does not fit into any distinct category (documentary, oeuvre, fiction) we discover the couple’s intimate life, the interior of their London house, a veritable museum of obsessions. Beyond good and bad, appearances and things (negatives, books, press cuttings … ), we finally penetrate the material and method of these artists, their particular manner of thinking and categorizing which is itself a philosophy on art and life.DVD Multizone, PAL, 35 minutes.
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    • Price: 59.90 EUR excl. shipping
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    Gianfranco Baruchello: Verifica Incerta - 1964-1965
    The history of the fertile but ambiguous relationship between visual arts and cinema during the 20th century is punctuated by a number of landmarks: "Verifica Incerta" released in 1964 by Italian artists Gianfranco Baruchello and Alberto Griffi is one such, even if it has been overlooked for several decades. Inspired by Marcel Duchamp and supported by John Cage—the film was premiered in Paris at La Cinémathèque française and in New York at The Museum of Modern Art—"Verifica Incerta" is the perfect offspring from the encounter between Cinecittà and avant-garde expression, it is also one of the very first examples of a film using found footage. An assemblage of extracts taken from 450,000 feet of footage from the 1950s purchased by the artists before their destruction, it is a schizophrenic yet ironic kaleidoscope about mass cinema and B-movies. Without any script or plot, it is an encyclopedia of leftovers, a deconstructed attempt to rediscover Hollywood, a linguistic experiment in film and montage. As art and cinema critic Carla Subrizi writes: "'Verifica Incerta' questions time and movement through images, creating a system that it is not internal to the single shots but rather external: it is the process of selecting, editing, discarding, recomposing that creates a new conception of time. Rhythm, duration, stopping and starting, distance: the images are used as ready-mades and placed in a different order through montage, they abandon their original meaning and gain a different and uncanny one." * * The DVD comprises the 35-minute-long film "Verifica Incerta" and a recent filmed interview with Gianfranco Baruchello. It is accompanied by a booklet that contains texts by Gianfranco Baruchello and Carla Subrizi, as well as numerous documents (photographs, archive, press clippings) about the film, its production, context, and reception in and since 1964. * * Born in 1924, Gianfranco Baruchello lives and works in Rome, where he created the Agricola Cornelia in 1973. His practice as an artist, poet, and experimental filmmaker is now being rediscovered thanks to a series of exhibitions, and participation in Biennials and group exhibitions, as well as publications. * * Published in collaboration with MDC – Massimo De Carlo, Milan/London. * * DVD Multizone, PAL/SECAM, 67 minutes.
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    • Price: 31.47 EUR excl. shipping

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