48 Results for : pieterszoon

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    Eine Reise durch das Siebzehnte Jahrundert mit sieben Haltestellen: Johann Sebastian Bach, Dieterich Buxtehude, Johann Pachelbel, Jan Pieterszoon Sweelinck, Johann Gottfried Walther, Gottfried August Homilius und Jo.
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    sweelinck jan pieterszoon psaumes et chorals f. eichelberger, orgue guillaume-lesselier ensemble vocal sagittarius, dir. m. laplenie
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    Hanseatische Hochtzeitsmotetten aus dem 17. J.h. : Eccard, Pieterszoon, Raphun, Schop, Schultz, Steffens, Stobaeus, Sweelinck, Vierdanck
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    Harry van der Kamp (Dir) // In the summer of 2009 Harry van der Kamp and his Gesualdo Consort Amsterdam finished, with the recording of the Cantiones Sacrae, their epic journey through the complete vocal oeuvre of Jan Pieterszoon Sweelinck. All in all, a total of 17 CDs of music had been recorded. On the occasion of the 400th anniversary of Sweelinck's death, Glossa presents his complete vocal works in a box set for the first time.
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    Eminent Italian early music keyboardist Manuel Tomadin adds to a splendid discography on Brilliant Classics with his eighth release for the label. Commemorating the centenary of the apparition of Mary at Fátima, Portugal (1917), Tomadin performs settings for organ of the well-known Marian hymn Magnificat by four composers from the Hanseatic north of Germany, all talented students of Dutch organist-composer Jan Pieterszoon Sweelinck, father of the north German organ tradition. And what more fitting organ could be selected for this tribute than the fine Dell'Orto & Lanzini instrument, modelled on 17th-century organs of the Hanseatic school, housed in a Piedmontese parish church dedicated to Our Lady of Fatima? This organ reflects the rich tonal resources that would have been at the skilled fingertips of Scheidemann, Schildt, Weckmann and Strungk, who were active in the 17th century around the Hanseatic area on such organs as those at St Catherine's and St James's, Hamburg, the Marktkirche, Hannover, and Braunschweig's St Martini church. Manuel Tomadin is joined in these Magnificat performances by award winning tenor and early music ensemble director Giuseppe Maletto. The Magnificat, the hymn to the Virgin Mary, is one of the most ancient and sacred liturgical texts, and has been set to music numerous times by composers between the 16th and 18th century. This new recording presents Magnificat settings by Scheidemann, Schildt, Weckmann and Strungk, all active in Northern Germany and all pupils of the great Sweelinck, master of Baroque counterpoint. This recording was made on the occasion of the centenary of the apparition of Mary of Fatima, and played on the beautiful Dell'Orto & Lanzini organ of the Parish of Pinerolo, an instrument inspired by the 17th century Hanseatic school. The booklet offers extensive liner notes in English and Italian, and the full specifications and photos of the organ.
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    Piotr Slopecki - one of the most interesting Polish pianists, accustomed us to his outstanding interpretations of Bach's music (The Goldberg Variations or the cycle Die Kunst der Fuge). The present album is a kind of phonographic opening of this versatile artist - pianist, organist, composer and arranger, who is familiar with jazz - to other worlds of the music he practices. This is a very discrete opening, as the album dedicated to three outstanding composers who seem to only slightly differ from the atmosphere of Bach's works. The amazing Partita in E minor BWV 830 - the first Bach composition published during the composer's lifetime - is accompanied by the Fantasia No. 3 by Jan Pieterszoon Sweelinck, whose compositional technique was one of the inspirations for the works of the Master of the Fugue. Ludwig van Beethoven returns to the counterpoint technique in the Sonata No. 29 in B-flat major, Op. 106, which allows for discovery of this absolutely innovative work in the mainstream of music directly referring to the output of the Cantor of Leipzig.
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