47 Results for : sankey
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The Railway Viaduct , Hörbuch, Digital, ungekürzt, 480min
The Railway Detective faces his most dangerous adversary yet. It is 1852, and Inspector Robert Colbeck and his assistant Sergeant Victor Leeming are faced with their most complex and difficult case to date. As a train speeds over the Sankey Viaduct, a man is hurled from a carriage and plummets into the canal below. It later transpires that he has been stabbed to death. With no papers by which to identify the man, the detectives' investigation is hampered from the start. Suspecting that the victim may have come from continental Europe, Colbeck and Leeming take the case to France where a new railway is being built by a British contractor. But in a new country the detectives face new problems. Anti-British feeling is rife and Colbeck and Leeming must put their own lives in danger to pick up the murderer's trail.... ungekürzt. Language: English. Narrator: Sam Dastor. Audio sample: https://samples.audible.de/bk/bbcw/007183/bk_bbcw_007183_sample.mp3. Digital audiobook in aax.- Shop: Audible
- Price: 9.95 EUR excl. shipping
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The Christian's Life In Heaven And On Earth
The Christian's Life In Heaven And On Earth ab 21.99 € als Taschenbuch: A Selection From The Sermons Of Richard Sankey (1864). Aus dem Bereich: Bücher, Taschenbücher, Romane & Erzählungen,- Shop: hugendubel
- Price: 21.99 EUR excl. shipping
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Canals in Lancashire
Canals in Lancashire ab 14.99 € als Taschenbuch: Canals in Blackburn Canals in Burnley Lancaster Canal Lancaster Lancashire Leeds and Liverpool Canal Ribble Link Sankey Canal Lancaster Canal Tramroad Glasson Dock Lune Aqueduct Lancaster Canal Trust. Aus dem Bereich: Bücher, Taschenbücher, Ratgeber,- Shop: hugendubel
- Price: 14.99 EUR excl. shipping
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Messrs. Moody and Sankey Defended or A Vindication of the Doctrine of Justification by Faith
Messrs. Moody and Sankey Defended or A Vindication of the Doctrine of Justification by Faith: ab 1.95 €- Shop: ebook.de
- Price: 1.95 EUR excl. shipping
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He's the One
Nine year old 'Christian Blevins' This Album is about Praising and Thanking GOD. It includes everything from old spiraturals to songs with a jazzy gospel feel. But what ever the song, it is all about Praising the LORD. I have been singing since the age of four. I am known around town for singing at churches and fund raisers. My parents, sister, grandparents, other relatives, and friends have been very supportative of me and I want to say 'Thank You'. This is done through my song 'How Can I Thank You'. But most of all tell everyone that 'He's The One' not me but The Lord. Then I sing about 'How Can I Make It', show ing you the way, and then I let you know that GOD is 'All I Want'. I love singing for the LORD. Rev. Al Lewis made my dream come true by writing music for me. Since I started singing I have wanted my own song. I have been working with Rev. Al for a year and I have been blessed by his experience and love for music. I have also been well received by Mrs. Pashion Lewis, and Ms. Sherry Warren who are both background singers on several of my songs. I have had several music teachers starting with Ms. Ruth Randal, Pastor William Sankey and my current teacher is Mr. Joe Jenkins. I have been blessed by all that have shared there expertise and knowledge with me. Special thanks to Ron Marshall for giving me a chance by playing my song on the radio. Mr. Marshall heard me sing at my church and have been encouraging me along the way. I would like to thank everyone for their support of me and my family during the recording of this CD. I praise GOD for each of you. Much Love 'Master C Singing'- Shop: odax
- Price: 23.81 EUR excl. shipping
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Trilaterus
The Music: Tango Sonata (2004-5): Imagine, if you will, a violin and piano duo in the smoke filled lounge of a luxury hotel in Buenos Aires. They start off their evening playing a romantic tango for the lovers dancing in the room. Then, surprisingly, the violinist and pianist take a break from their jobs and, dance a sexy tango with each other. Finally, to show everyone how it is really done, the violin and piano dance with violinist and pianist, or vice versa. In any case, they all dance a tour-de-force before collapsing with exhaustion at the end. Ghaleb and the Donkey (2004): is a short, sprightly, and enjoyable piece radiates nothing but happiness from beginning to end. It was commissioned by the Kayali Family, and tells the true story of Ghaleb, who, as a child dancer on stage in the Ballet, "Union Jack," at the New York City Ballet, had his foot stepped on by a live donkey. Ron witnessed this event from his seat in the orchestra pit and immediately got the idea to set it to music. The piece was choreographed for two boys by Michelle Mola. Ghaleb premiered the role of himself, and Craig Wasserman played the Donkey. It was performed at a New York City Ballet company party. The names of the very short movements are as follows: 1. Ghaleb Dances Happily. 2. The Donkey Enters. 3. The Donkey Gets Excited. 4. In His Excitement the Donkey Steps On Ghaleb's Foot. 5. Ghaleb Nurses His Wounds But Recovers Quickly. 6. Ghaleb Tames The Donkey And They Happily Dance Together. Enjoy!! Sonata for Double Bass and Piano (2003): is dedicated to Frank Proto, one of the deans of bass playing composers. Several years ago, Frank asked Ron to write a short piece for an album of music to be presented to their teacher, the eminent David Walter, on the occasion of his 90th birthday. Ron obediently fashioned a short work for solo double bass, and hasn't stopped writing since, hence the dedication, in deep gratitude for that small act of motivation which proved to be a life-changing event. The Sonata, probably the only work on this recording that can not readily be danced to, (and only because of it's unusual instrumentation) is one of the most ambitious solo works ever written for the bass, and borrows much from it's multi-functions as a jazz, pop, and classical instrument. There is no instrument with greater versatility. The piece makes use of a wide array of styles ranging from the classical Sonata-Allegro form, to impressionism, to more modern styles such as minimalism and those of the postmodern populists and crossover artists who utilize rock, and even bluegrass influences. Using various out of the ordinary techniques such as 5/4 time, double stops, portamenti, melodies in the extreme high tessitura, and an overall feeling of improvisation, it should prove to be an enduring work for the advanced soloist at the college to professional level. Trilaterus (2006): refers to three movements by three players, and has, as it's raison d'être, the bringing together of the three solo instruments on this recording. It's three movements are of such vastly different characters they could almost be considered different pieces. The first movement's title is a very simple numerical puzzle relating to the numbers of beats and measures in the piece, multiplied by the number of eighth notes in a beat. The second movement shows reverence to the old torch songs of Tin Pan Alley, and how they have been interpreted by jazz musicians over the years. The third movement is somewhat schizophrenic, successfully switching back and forth between a neo-baroque dance, and a postmodern, downtown, improvised, art-music mood. But once again, most of these pieces are eminently danceable, or at least subconsciously emulate dance music, which is something that Ron Wasserman, try as he might, simply can't escape from. His many years in the ballet orchestra pit seem to have permanently tattooed his musical sensibilities. Trilaterus is warmly and affectionately dedicated to Maria Asteriadou and Kurt Nikkanen in gratitude to the wonderful artistry they contributed to this recording and the creation of the piece. The Artists: Ron Wasserman, Composer Since his first recording was produced in 2004, Ron has had several interesting opportunities come his way. In July 2005, he received his first orchestral commission from the New York City Ballet to compose a short introductory fanfare celebrating the 40 year residency of the Ballet at the Saratoga Performing Arts Center that summer. In January 2005, Ron arranged several Astor Piazzolla Tangos to accompany the new production of Peter Martins' reworked ballet, "Todo Buenos Aires." He also wrote pieces for violin and piano to accompany various New York City Ballet educational programs, one of which involved Christopher Wheeldon extemporaneously choreographing short dances for children called onstage from the audience. His orchestral work, "Lament and Restoration," a 9/11 memorial concerto for violinist, strings, and harpsichord was recorded in 2004 by the micro-label Red Bandanna Records, along with his "Suite of Historical Dances." "Lament and Restoration" was previously performed in Sant' Oreste, Italy, and Nyack, New York. In May of 2005, "Lament and Restoration" was made into a ballet entitled, "Red Bandanna," choreographed by Margo Sappington for a performance by Valentina Kozlova and her Dance Conservatory Performance Project at Symphony Space in New York City. He has also composed several highly regarded arrangements of traditional spirituals, jazz numbers and rags for the Westchester Philharmonic and the New York City Ballet Orchestra. As a veteran of the classical music business, Ron has long been concerned with the financial health of the American symphony orchestra, and has dedicated himself to several imaginative fundraising efforts. He is extremely happy that at almost half of the proceeds from his first recording have gone to support the non-profit classical performing arts industry. In recent months of this writing he has finished part one of "Unrealized Dreams?" a song cycle for baritone and piano, with excerpts from recent presidential inaugural addresses as it's text, and several of what will ultimately be twenty-four preludes and fugues for piano in all keys somewhat in the style of Bach. Most ambitiously, he is working on a full-length children's ballet for orchestra to his own libretto. Ron always welcomes comments on his music and he can be contacted at ronwass@yahoo.com. Ron Wasserman, Bassist Since 1988 Ron has held the position of principal bass for the New York City Ballet Orchestra. He has also served or substituted as principal bass of many other orchestras including the Long Island Philharmonic, The Brooklyn Philharmonic, The American Composer's Orchestra, The Westchester Philharmonic, and the Bard Festival Orchestra. For the past several years he has substituted from time to time with the New York Philharmonic. In 2000 he appeared onstage at the New York City Ballet as a soloist in the Diamond Project ballet, "Appalachia Waltz," becoming one of the very few bassists to recreate the music of Edgar Meyer. He has also performed onstage in the above mentioned "Todo Buenos Aires." Before his orchestra career became full time, Ron played for many years as a jazz, pop, and commercial musician in countless of New York's sundry recording studios, Broadway theaters, concert halls, and clubs. In his earlier, more jazz oriented days he had the great pleasure of appearing with Dizzy Gillespie, Lionel Hampton, Don Elliott and others. Ron attended Indiana University, studying bass with Stuart Sankey, and jazz performance with David Baker. He studied with the late, great David Walter at both the Manhattan School of Music and the Juilliard School, where he received the Master of Music degree in 1985. Maria Asteriadou, Pianist Maria Asteriadou, a native of Greece, has established herself as a well known piano soloist and chamber musician in the United St- Shop: odax
- Price: 20.41 EUR excl. shipping
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Welcome To Condale
Nach Single, EP und einigen Online-Tracks veröffentlicht das Londoner Duo Summer Camp, bestehend aus Jeremy Warmsley & Elizabeth Sankey, sein Debutalbum auf dem Moshi Moshi-Ableger Apricot. Auf "Welcome To Condale" liefern Summer Camp perfekten Dreampop in bester britischer Indie-Tradition mit wundervollen Melodien zwischen Sehnsucht, Melancholie und Schönheit.- Shop: odax
- Price: 26.53 EUR excl. shipping
