57 Results for : throb
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Heart Throb (Hearts of Metal #7)
Heart Throb (Hearts of Metal #7): ab 3.99 €- Shop: ebook.de
- Price: 3.99 EUR excl. shipping
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Ben Elton Collection
Ben Elton Collection - Gridlock Chart Throb and Blind Faith: ab 6.99 €- Shop: ebook.de
- Price: 6.99 EUR excl. shipping
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The Loud Silence
Der Römer Donato Dozzy (Afterhour-DJ der Panorama Bar, Voices From The Lake) ist inzwischen einer der Superstars in der Nische zwischen Ambient, Dub und Techno.Der Römer ist seit den späten 80ern als DJ aktive seine ersten Maxi-Releases erscheinen erst 2004. In Berlin steigt er zum Afterhour-Resident-DJ in der noch jungen Panorama Bar auf. Drei Jahre bleibt Dozzy in Berlin, verbessert seine Produktionstechniken, vernetzt sich bestens mit den Berghain-Künstlern und kehrt 2007 als in Kennerkreisen gefeierter Techno-DJ nach Italien zurück. Nach Maxi-Releases auf Mental Groove, Curle Recordings und Mule Electronique erschien 2010 mit K sein erstes Album, gefolgt vom Longplayer seines zusammen mit dem Produzenten Neel gestarteten Projekts Voices From The Lake. Bei den Releases von Dozzy klingen trotz aller Abstraktion immer auch seine Psychedelic-Wurzeln, die Vorliebe für The Who, mit an. Seine Tracks lassen sich irgendwo zwischen Ambient, Dub und Techno verorten. Diese Genres bilden die Fixpunkte in den DJ-Sets von Donato Dozzy, die ihre graduellen Veränderungen auszeichnen und die einen ausgeprägt hypnotischen Charakter entfalten. The Loud Silence widmet sich als Konzeptalbum einem Instrument: Der Maultrommel. In April of this year, Donato Dozzy took a set of mouth harps back to his parent's house in the Italian countryside and set about exploring the possibilities of that most basic of instruments. The mouth harp had been calling to Dozzy ever since childhood, when he had discovered the marranzano on a holiday in Sicily with this parents at the tail end of the 1970s. Almost four decades later, Dozzy had begun to see in this peculiar, ancient sound, the roots of the music he'd been making and playing in clubs all these years. It was time to find out how far he could trace it all back. The Loud Silence is the result of those explorations, an accompanied deep-dive into childhood memory, social history and the roots of psychedelia. Recorded indoors and outdoors, half-way up mountains and on the edge of the Mediterranean sea, the record is meditative but also powerful. Dozzy has distilled his ideas into an incredibly intimate sound, one that invites an inverted sort of exploration, pushing you further and further into your own head. Each track maintains an inviolable central pulse, while delicate, fluttering sounds hint at vast spaces that might open up at any minute - they're just waiting for you to connect with them. Field recordings hover below the resonating harps, adding to the mysterious atmosphere. Tracks like 'The Loud Silence' and 'Downhill to the Sea' are wrapped up in simple rhythms, their strict throb drawing you deeper and deeper into the primitive sound. Where so much of today's trance-inducing music is mechanical, born of grids and microchips, The Loud Silence pulses with the presence of the human body. As Dozzy says, The hand gives the tempo, together with the breath. It's all about the mouth, the ears, the hands. The organic physicality of the sound, made in concert with the body itself, generates a primal response in the listener, an undeniably visceral understanding, an empathetic resonance. When you play such an instrument, you'll feel all your bones vibrating to the sound in a sort of chain reaction! says Dozzy. It becomes an emotional and physical clean up. In Italy, one of the ways to call the jew's harp is 'scacciapensieri', which literally means 'It kicks thoughts away'. The sound and its effects also carry with them a sense of history, of community and of social ritual. Trance states, whether shamanic rituals in the Amazon or DJ sets in dark night-clubs, have always relied on a social element, a communal understanding of what is going on, what is expected to happen. The Loud Silence is a personal album that speaks to this communal experience, that wonders implicitly why these ancient ideas of society and community have been so devalued today. In a moment where all individuals seem to act egoistically and not as a tribe, says Dozzy, This music gives me the sense of continuity with the past. Throughout history, states of altered consciousness have been religious, political, poetical or nihilistic, but rarely ever just a means of innocent entertainment. There is something inherently transgressive about removing the shackles of individual will and succumbing to something larger than yourself. Giving up your base desires and ambitions in favour of a sound, to submit yourself to something as simple and fleeting as vibrations in the air, the sound of some metal resonating in another person's mouth, is a way to communicate with the part of you which is in everyone else too. It's a way to reach both in and out at once, to the heart of what it is to be human on this planet. At a time when nations are burning and whole continents are on the edge of breaking apart, recognising the bonds that bring and hold people together, recognising that what we share is what truly defines us, couldn't be more important. The Loud Silence is Dozzy's second solo album, and it sees him return to Further Records, where he released his first solo LP, K, in 2010. On the surface, there might seem to be a world of difference between this record and K, but they share the same sense of dynamic movement within a limited sphere. It's not minimal exactly - it's hard to describe such a rich sound as minimal or reduced in any way - but it is music that gets the most out of a small, well-chosen set of tools. Like on the recent album Sintetizzatrice, a full-length collaboration with singer Anna Caragnano, and a forthcoming Further LP from Aquaplano studio partner Nuel, the ability to make a single element - voice, synthesizer, mouth-harp - the centre of a musical world is enthralling. The Loud Silence is a testament to this eagerness to unearth the historical and social resonances of lone instruments, to see what traditions, what emotions, lie hidden in the most familiar sounds. Anyone who has followed Dozzy's work over the years, whether the celebrated Voices from the Lake collaboration with Neel, the otherworldly mixes he's done for MNML SSGS and electronique.it, or particularly his album of Bee Mask remixes for the Spectrum Spools label, will see that The Loud Silence is a continuation of a life-long fascination with sound and its potential to bring people, times and places together. It's one more stunning chapter in a musical career that has never shirked the task of digging deep into the sounds that move us. This record is the first in a series exploring the depth of one instrument - next up in the series a solo record from Nuel that explores the Ekdahl Polygamist. TRACKS: 1. Personal Rock (5:03) 2. Cross Panorama (4:10) 3. The Loud Silence (4:09) 4. The Net (4:34) 5. For Arnaud (3:58) 6. Downhill to the Sea (6:08) 7. Concert for Sails (3:44) 8. Exit The Acropolis (6:04)- Shop: odax
- Price: 20.53 EUR excl. shipping
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Heart Throb-the Rockin' Sides Of Ric Cartey
ic Carteys großartige Rocker für RCA Victor, NRC und El Rico. Zu den Begleitmusikern zählen Jerry Reed, Ray Stevens und Jack Eubanks. Längst überfälliger Vinyl-Rückblick auf die Karriere von einem der frühesten Rocker aus Atlanta.- Shop: odax
- Price: 28.99 EUR excl. shipping
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Invitation Only
Before Omarion became a young American heart throb, he ran with a local gang. In a desperate act to change his life, and with the help from his older brother IMX member Merques Houston, the teen decided to escape the violence on the streets to pursue a career in the entertaiment industry. Omarion's gift allowed him to be added as the fourth member of the group B2K. The highly successful R&B group quickly topped the music charts. He would then go on to achieve number #1 hit singles including a co- Shop: odax
- Price: 11.69 EUR excl. shipping
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Ay Amor
Ay Amor is a song cycle about passion, duende, dreams, and love. It is a project that follows the musical form of poetic songs as first introduced by Franz Schubert and Robert Schuman. The music of Ay Amor has no particular nationality. It is both universal and Mediterranean in atmosphere. It is poetry imbued with feelings of love and affection. The Spanish language with it's gracious and sweet sounds is one of our most attractive languages for music settings. The poems prioritize intense and surreal images, inspired by passionate feelings. Eros gives birth to desire, excitement, absurdity, joy, conundrums, despair, childhood and finally life itself. The tight frame of Spanish poetry from Lorca to Neruda and the others had the effect of freeing my music. The songs differ but the cycle as a whole possesses homogeneity in it's sounds, themes, and style. These songs found their ideal interpreter in Lina Orfanos. In our collaboration she demonstrated a rare interpretive sensitivity, flawless workmanship, and strict professionalism. Dimitris Maramis, composer Love songs are about expressing emotions. They are about passion, betrayal, lust and rust. When in love we trust, cry, smile, sweat, throb, dare, sin, fragment, and remember. We might feel the joy of Divine Eros or the utter despair of a crushed love. But do we really need more love songs? My answer is "absolutely!" In our vulnerable times, it is important to offer a song cycle of love that reaches emotional depth. I believe that this is what Ay Amor achieves. I feel a deep appreciation for Dimitris Maramis who entrusting me with the premiere of his Ay Amor song cycle. Collaborating with him has been a personal and artistic honor. Few vocalists have an opportunity to interpret Spanish poetry set to such majestic melodies. His influence has been enormous and I hope in my own modest way it has been mutual. Love songs are the language of desire and passion. Love songs cannot be contained. Like love, songs have to be shared. Ay Amor! Lina Orfanos, vocalist.- Shop: odax
- Price: 37.26 EUR excl. shipping
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Appassionata: Beethoven Liszt Chopin Rachmaninoff
The name 'Appassionata' was given to this Sonata by one of Beethoven's publishers, and it is dead on accurate. In her novel 'The Vampire Armand' author Anne Rice has the protagonist of her book describe his reaction to hearing Beethoven's celebrated work. This 'outside the box' description reawakens our senses yet again to Beethoven's masterpiece. I knew the piano Sonata and had loved it in passing and now it's fury paralyzed me. Appassionata. Up and down the notes rang in gorgeous throbbing arpeggios, thundering downward to rumble in a staccato drumming, only to rise and race again. On and on went the sprightly melody, eloquent, celebratory and utterly human, demanding to be felt as well as heard, demanding to be followed in every intricate twist and turn. Appassionata. In the furious torrent of notes, I heard the resounding echo of the wood of the piano, I heard the vibration of it's giant taunt bronze harp. I heard the the sizzling throb of it's multitudinous strings. Oh, yes, on, and on, and on, and on, louder, harder, ever purer and ever perfect, ringing out and wrung back as if a note could be a whip. How can human hands make this enchantment, how can they pound out of these ivory keys this deluge, this thrashing, thundering beauty? Ann Rice The Vampire Armand reprinted by permission. Random House Provincetown was the place where, for many weeks, I prepared the music for this CD. The spectacular natural beauty of this little fishing village at the tip of Cape Cod has been the inpiration for many artists, musicians, painters and authors for countless decades. In the back of my mind I also kept as a guidepost the astonishing concerts by Arthur Rubinstein . I actually heard Rubinstein play the Chopin B-flat minor Scherzo at the Academy of Music in Philadelphia and the experience of such great music making is etched in my brain forever. The great Provincetown author Michael Cunningham won a Pulitzer Prize for his book 'The Hours'. He mentions listening to the music of Phillip Glass as he writes his prose. The Academy Award winning screen version of 'The Hours' has music by Glass. The final track on this CD is one of the works from that score. Paul Bisaccia Provincetown MA Check out excerpts from Paul Bisaccia's PBS television shows on youtube.com Critical acclaim for Bisaccia 'A magical evening which just got better and better... completely passionate in his performance.' The Barrie Examiner Ontario 'Delivered with power, poignancy, authority and aplomb' Worcester Telegram Gazette 'His fabulous encore with plenty of scintillating, puckish fingerwork on the ivories.' The Straits Times, Singapore 'Bisaccia brought the audience to their feet with genuine spontaneous cheers erupting out of sheer joy.' Steinway Society of the Bay Area (CA) 'Bisaccia is a serious artist with a compelling presence at the piano.' Connecticut Life 'For Gershwin interpretations Bisaccia wins hands down.' American Record Guide 'You really must hear him!' Brasilia Super Radio FM Brazil 'Earnest vivacity and sparkling virtuosity... infectious excitement.' Union-News Springfield (MA) 'George Gershwin would have joined the audience in the standing ovation at the conclusion of 'Rhapsody in Blue'. ' The Hartford Courant (CT) 'Prepare to be dazzled!' OnCenter Arts Quarterly, Hilton Head SC 'It just proves that talent always prevails in these times of mediocrity.Consummate musicianship. ' Michael Feinstein.- Shop: odax
- Price: 27.16 EUR excl. shipping
