68 Results for : work's

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    Loving What Is: Four Questions That Can Change Your Life , Hörbuch, Digital, ungekürzt, 547min
    Out of nowhere, like a breeze in a marketplace crowded with advice, comes Byron Katie and "The Work". In the midst of a normal life, Katie became increasingly depressed and, over a 10-year period, sank further into rage, despair, and thoughts of suicide. Then, one morning, she woke up in a state of absolute joy, filled with the realization of how her own suffering had ended. The freedom of that realization has never left her, and now, in Loving What Is, you can discover the same freedom through The Work. The Work is simply four questions that, when applied to a specific problem, enable you to see what is troubling you in an entirely different light. As Katie says, "It's not the problem that causes our suffering; it's our thinking about the problem." Contrary to popular belief, trying to let go of a painful thought never works; instead, once we have done The Work, the thought lets go of us. At that point we can truly love what is, just as it is. Loving What Is will show you step by step, through clear and vivid examples, exactly how to use this revolutionary process for yourself. You'll see people do The Work with Katie on a broad range of human problems, from a wife ready to leave her husband because he wants more sex to a Manhattan worker paralyzed by fear of terrorism to a woman suffering over a death in her family. Many people have discovered The Work's power to solve problems; in addition, they say that through The Work they experience a sense of lasting peace and find the clarity and energy to act, even in situations that had previously seemed impossible. If you continue to do The Work, you may discover, as many people have, that the questioning flows into every aspect of your life, effortlessly undoing the stressful thoughts that keep you from experiencing peace. Loving What Is offers everything you need to learn and live this remarkable process and to find happiness as what Katie calls "a lover of reality ungekürzt. Language: English. Narrator: Byron Katie, Stephen Mitchell, MacLeod Andrews, Rebecca Lowman. Audio sample: https://samples.audible.de/bk/rand/004413/bk_rand_004413_sample.mp3. Digital audiobook in aax.
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    Books of 1, 2, 3, and 4 Maccabees, The Septuagint Version , Hörbuch, Digital, ungekürzt, 393min
    The Septuagint version of the Maccabees in English. 1 Maccabees: Although the book presents the Jewish leaders Judas, Jonathan, and Simon as devout people and has little sympathy for people who favor Hellenization, it must be noted that he nowhere mentions divine intervention. The author must have been a cultivated Jew living in Judah, and can be dated to c.100 B.C.E. 2 Maccabees is not as well-written and has a less polished form. The pagans are defined as "blasphemous and barbarous nations" in 10.4, but there are also severe censures of apostate Jews, of whom there must therefore have been considerable numbers. We find theological features in 2 Maccabees such as the resurrection of the body in 7.11; 14.46. This stands in stark contrast first to Wisdom and Philo, both of which teach the immortality of the soul. In 7.28, there appears for the first time in Hebrew thought that the doctrine, which will later be called creatio ex nihilo, which is the belief that creation, and thus all things created, was brought about out of nothing.  3 Maccabees: The title of 3 Maccabees is a misnomer because the book has nothing to do with the Maccabees, who are never mentioned in it. The book is a story about a situation in which the Jewish people, this time in Egypt, were in danger of being annihilated by a Hellenistic monarch, who was attempting to top their religious convictions and practices. The book was composed in Greek and relates a story set in the time of Ptolemy IV Philopater (221-203 B.C.E). 4 Maccabees belongs to the Maccabees series only because it deals with the beginning of the persecution of Jews by Antiochus IV Epiphanes. It possibly was written during the reign of the emperor Caligula (C.E. 37.) The work's main religious theme is that the martyr's sufferings expunged the sins of the entire Jewish people through a type of propitiation. The Maccabees books were preserved only by the Christian church. ungekürzt. Language: English. Narrator: Mel Jackson. Audio sample: https://samples.audible.de/bk/acx0/193952/bk_acx0_193952_sample.mp3. Digital audiobook in aax.
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    Scale: The Universal Laws of Growth, Innovation, Sustainability, and the Pace of Life, in Organisms, Cities, Economies, and Companies , Hörbuch, Digital, ungekürzt, 1153min
    From one of the most influential scientists of our time, a dazzling exploration of the hidden laws that govern the life cycle of everything from plants and animals to the cities we live in. Visionary physicist Geoffrey West is a pioneer in the field of complexity science, the science of emergent systems and networks. The term complexity can be misleading, however, because what makes West's discoveries so beautiful is that he has found an underlying simplicity that unites the seemingly complex and diverse phenomena of living systems, including our bodies, our cities, and our businesses. Fascinated by aging and mortality, West applied the rigor of a physicist to the biological question of why we live as long as we do and no longer. The result was astonishing and changed science: West found that despite the riotous diversity in mammals, they are all, to a large degree, scaled versions of each other. If you know the size of a mammal, you can use scaling laws to learn everything, including how much food it eats per day, what its heart rate is, how long it will take to mature, its life span, and so on. Furthermore, the efficiency of the mammal's circulatory systems scales up precisely based on weight: If you compare a mouse, a human, and an elephant on a logarithmic graph, you find with every doubling of average weight, a species gets 25 percent more efficient - and lives 2 percent longer. Fundamentally, he has proven, the issue has to do with the fractal geometry of the networks that supply energy and remove waste from the organism's body. West's work has been game changing for biologists, but then he made the even bolder move of exploring his work's applicability. Cities, too, are constellations of networks, and laws of scalability relate with eerie precision to them. Recently West has applied his revolutionary work to the business world. This investigation has led to powerful insights into why some companies thrive while others ungekürzt. Language: English. Narrator: Bruce Mann. Audio sample: https://samples.audible.de/bk/peng/003136/bk_peng_003136_sample.mp3. Digital audiobook in aax.
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    Literature's Elsewheres: On the Necessity of Radical Literary Practices
    An examination of a series of diverse, radical, and experimental international works from the 1950s to the present. What is a literary work? In Literature's Elsewheres, Annette Gilbert tackles this question by deploying an extended concept of literature, examining a series of diverse, radical, experimental works from the 1950s to the present that occupy the liminal zone between art and literature. These works-by American Artist, Allison Parrish, Natalie Czech, Stephanie Syjuco, Fiona Banner, Elfriede Jelinek, Dan Graham, Robert Barry, George Brecht, and others-represent a pluralized literary practice that imagines a different literature emerging from its elsewheres. Investigating a work's coming into being-its transition from "text" to "work" as a social object and pragmatic category of literary communication-Gilbert probes the assumptions and foundations that underpin literature, including the ideologies and power structures that prop it up. She offers a snapshot from a period of recent literary and art history when such central concepts as originality and authorship were questioned and experimental literary practices ranged from concrete poetry and Oulipo to conceptual writing and appropriation literature. She examines works that are dematerialized, site-specific, unique copies of other works, and institutional critiques. Considering the inequalities, exclusions, and privileges inscribed in literature, she documents the power of experimental literature to attack these norms and challenges the field's canonical geographic boundaries by examining artists with roots in North and South America, East Asia, and Western and Eastern Europe. The cross-pollination of literary and art criticism enriches both fields. With Literature's Elsewheres, Gilbert explores what art can't see about the literary and what literature has overlooked in the arts.
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    Literature's Elsewheres (eBook, ePUB)
    An examination of a series of diverse, radical, and experimental international works from the 1950s to the present. What is a literary work? In Literature's Elsewheres, Annette Gilbert tackles this question by deploying an extended concept of literature, examining a series of diverse, radical, experimental works from the 1950s to the present that occupy the liminal zone between art and literature. These works-by American Artist, Allison Parrish, Natalie Czech, Stephanie Syjuco, Fiona Banner, Elfriede Jelinek, Dan Graham, Robert Barry, George Brecht, and others-represent a pluralized literary practice that imagines a different literature emerging from its elsewheres. Investigating a work's coming into being-its transition from "text" to "work" as a social object and pragmatic category of literary communication-Gilbert probes the assumptions and foundations that underpin literature, including the ideologies and power structures that prop it up. She offers a snapshot from a period of recent literary and art history when such central concepts as originality and authorship were questioned and experimental literary practices ranged from concrete poetry and Oulipo to conceptual writing and appropriation literature. She examines works that are dematerialized, site-specific, unique copies of other works, and institutional critiques. Considering the inequalities, exclusions, and privileges inscribed in literature, she documents the power of experimental literature to attack these norms and challenges the field's canonical geographic boundaries by examining artists with roots in North and South America, East Asia, and Western and Eastern Europe. The cross-pollination of literary and art criticism enriches both fields. With Literature's Elsewheres, Gilbert explores what art can't see about the literary and what literature has overlooked in the arts.
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    • Price: 20.95 EUR excl. shipping
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    Delta of Venus
    As influential and revelatory in its day as Fifty Shades of Grey is now, Anaïs Nin's Delta of Venus is a groundbreaking anthology of erotic short stories, published in Penguin Modern Classics In Delta of Venus Anaïs Nin conjures up a glittering cascade of sexual encounters. Creating her own 'language of the senses', she explores an area that was previously the domain of male writers and brings to it her own unique perceptions. Her vibrant and impassioned prose evokes the essence of female sexuality in a world where only love has meaning. This edition includes a preface adapted from Anaïs Nin's diary that establishes a context for the work's gestation, and a postscript to her diary entries in which she explains her desire to use 'women's language, seeing sexual experience from a woman's point of view'. Anaïs Nin (1903-1977), born in Paris, was the daughter of a Franco-Danish singer and a Cuban pianist. Her first book - a defence of D. H. Lawrence - was published in the 1930s. Her prose poem, House of Incest (1936) was followed by the collection of three novellas, collected as Winter of Artifice (1939). In the 1940s she began to write erotica for an anonymous client, and these pieces are collected in Delta of Venus and Little Birds (both published posthumously). During her later years Anaïs Nin lectured frequently at universities throughout the USA, in 1974 and was elected to the United States National Institute of Arts and Letters. If you enjoyed Delta of Venus, you might like Stephen Vizinczey's In Praise of Older Women, also available in Penguin Modern Classics. 'Anaïs Nin excites male readers and incites female readers ... and she comes against life with a vital artistry and boldness' The New York Times Book Review
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    • Price: 9.99 EUR excl. shipping
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    What the Ermine Saw (eBook, ePUB)
    The remarkable true story behind one of history's most enigmatic portraits-"a glorious picaresque of unbridled passions and unmitigated scoundrels, a glorious romp through the great palaces and palazzos of Europe" (Amanda Foreman, New York Times best-selling author of Georgiana, Duchess of Devonshire) Five hundred and thirty years ago, a young woman sat before a Grecian-nosed artist known as Leonardo da Vinci. Her name was Cecilia Gallerani, and she was the young mistress of Ludovico Sforza, duke of Milan. Sforza was a brutal and clever man who was mindful that Leonardo's genius would not only capture Cecilia's beguiling beauty but also reflect the grandeur of his title. But when the portrait was finished, Leonardo's brush strokes had conveyed something deeper by revealing the essence of Cecilia's soul. Even today, The Woman with an Ermine manages to astonish. Despite the work's importance in its own time, no records of it have been found for the two hundred and fifty years that followed Gallerani's death. Readers of The Hare with the Amber Eyes will marvel at Eden Collinsworth's dexterous story of illuminates the eventual history of this unique masterpiece, as it journeyed from one owner to the next-from the portrait's next recorded owner, a Polish noblewoman, who counted Benjamin Franklin as an admirer, to its exile in Paris during the Polish Soviet War, to its return to WWII-era Poland where-in advance of Germany's invasion-it remained hidden behind a bricked-up wall by a housekeeper who defied Hitler's edict that it be confiscated as one of the Reich's treasures. Fans of Anne-Marie O'Connor's The Lady in Gold will treasure the story of this criss-crossing journey and the enigmatic woman at its heart. What the Ermine Saw is a fact-based story that cheats fiction and a reminder that genius, power, and beauty always have a price.
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    • Price: 11.95 EUR excl. shipping
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    Al-Kashi's Miftah al-Hisab, Volume III: Algebra
    Jamshid al-Kashi's Miftah al-Hisab (Key to Arithmetic) was largely unknown to researchers until the mid-20th century, and has not been translated to English until now. This is the third and final book in a multi-volume set that finally brings al-Kashi's groundbreaking textbook to English audiences in its entirety. As soon as it was studied by modern researchers, Miftah changed some false assumptions about the history of certain topics in mathematics. Written as a textbook for students of mathematics, astronomy, accounting, engineering, and architecture, Miftah covers a wide range of topics in arithmetic, geometry, and algebra. By sharing al-Kashi's most comprehensive work with a wider audience, this book will help establish a more complete history of mathematics, and extend al-Kashi's influence into the 21st century and beyond.The book opens by briefly recounting al-Kashi's biography, so as to situate readers in the work's rich historical context. His impressive status in the kingdom of Ulugh Beg is detailed, as well as his contributions to both mathematics and astronomy. As a master calculator and astronomer, al-Kashi's calculations of 2pi and sin(1 ) were by far the most accurate for almost two centuries. His law of cosines is still studied in schools today. This translation contributes to the understanding and appreciation of al-Kashi's esteemed place in the scientific world. A side-by-side presentation of the source manuscript-one of the oldest known copies-and the English translation is provided on each page. Detailed footnotes are also provided throughout, which will offer readers an even deeper look at the text's mathematical and historical basis.Researchers and students of the history of mathematics will find this volume indispensable in filling in a frequently overlooked time period and region. This volume will also provide anybody interested in the history of Islamic culture with an insightful look at one of the mathematical world's most neglected figures.
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    • Price: 131.99 EUR excl. shipping
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    How to See a Work of Art in Total Darkness
    Going beyond the "blackness" of black art to examine the integrative and interdisciplinary practices of Kara Walker, Fred Wilson, Isaac Julien, Glenn Ligon, and William Pope.L--five contemporary black artists in whose work race plays anything but a defining role.Going beyond the 'blackness' of black art to examine the integrative and interdisciplinary practices of Kara Walker, Fred Wilson, Isaac Julien, Glenn Ligon, and William Pope.L five contemporary black artists in whose work race plays anything but a defining role.Work by black artists today is almost uniformly understood in terms of its "blackness," with audiences often expecting or requiring it to "represent" the race. In How to See a Work of Art in Total Darkness, Darby English shows how severely such expectations limit the scope of our knowledge about this work and how different it looks when approached on its own terms. Refusing to grant racial blackness his metaphorical "total darkness" primacy over his subjects' other concerns and contexts, he brings to light problems and possibilities that arise when questions of artistic priority and freedom come into contact, or even conflict, with those of cultural obligation. English examines the integrative and interdisciplinary strategies of five contemporary artists Kara Walker, Fred Wilson, Isaac Julien, Glenn Ligon, and William Pope.L stressing the ways in which this work at once reflects and alters our view of its informing context: the advent of postmodernity in late twentieth-century American art and culture.The necessity for "black art" comes both from antiblack racism and resistances to it, from both segregation and efforts to imagine an autonomous domain of black culture. Yet to judge by the work of many contemporary practitioners, English writes, black art is increasingly less able and black artists less willing to maintain its standing as a realm apart. Through close examinations of Walker's controversial silhouettes' insubordinate reply to pictorial tradition, Wilson's and Julien's distinct approaches to institutional critique, Ligon's text paintings' struggle with modernisms, and Pope.L's vexing performance interventions, English grounds his contention that to understand this work is to displace race from its central location in our interpretation and to grant right of way to the work's historical, cultural, and aesthetic specificity.
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    • Price: 29.99 EUR excl. shipping
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    The Shadow Drawing: How Science Taught Leonardo How to Paint
    "[The Shadow Drawing] reorients our perspective, distills a life and brings it into focus-the very work of revision and refining that its subject loved best." -Parul Sehgal, The New York Times (Editors' Choice) An entirely new account of Leonardo the artist and Leonardo the scientist, and why they were one and the same man. Leonardo da Vinci has long been celebrated as the epitome of genius. He was the masterful painter who gave us the Mona Lisa and the Last Supper, and the visionary inventor who anticipated airplanes, hot-air balloons, and other technological marvels. But what was the connection between Leonardo the painter and Leonardo the scientist? And what can a mysterious, long-lost book teach us about how Leonardo truly conceived his art? Shortly after Leonardo's death, his peers and rivals created the myth of the two Leonardos: there was Leonardo the artist and then, later in life, Leonardo the scientist. In this pathbreaking biographical interpretation, the art historian Francesca Fiorani tells a very different and much more interesting story. Taking a fresh look at Leonardo's celebrated but challenging notebooks as well as other, often obscure sources, Fiorani shows that Leonardo became fluent in science when he was still a young man. As an apprentice in a Florence studio, he was especially interested in the science of optics, which tells us how we see what we see. For the rest of his life he remained, according to a close observer, obsessed with optics, believing that his art would grow only as his knowledge of light and shadow deepened. Given Leonardo's scientific bent, one might think this meant that he wanted to turn himself into a human camera. In fact, he aspired to use science to capture-as no artist before him had ever done-the interior lives of his subjects, to paint the human soul in its smallest, tenderest motions and vicissitudes. And then he hoped to take one further step: to gather his scientific knowledge together in a book that would be even more important than his paintings. His Treatise on Painting would be disfigured, ignored, and lost in subsequent centuries; now, Fiorani traces this singular work's byzantine path through history and reconstructs the wisdom Leonardo hoped it would impart. Ranging from the teeming streets of Florence to the most delicate brushstrokes on the surface of the Mona Lisa, The Shadow Drawing vividly reconstructs Leonardo's life while teaching us to look anew at his greatest paintings. The result is both a stirring biography and a bold reconsideration of how the Renaissance understood science and art-and of what was lost when the two were sundered.
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