65 Results for : daws

  • Thumbnail
    Through It All I've Always Laughed: Memoirs of Count Arthur Strong , Hörbuch, Digital, ungekürzt, 292min
    Count Arthur Strong reads the story of his extraordinary journey from his humble early years as the only son of a contortionist in wartime Doncaster to the dizzy heights and excesses of fame as one of the shining lights of popular entertainment. Count Arthur Strong is a show business legend, after-dinner speaker and a leading authority on Ancient Egypt, having been stationed there during his nation service. He has countless friends in the showbiz world. People like Barry Cryer, the white haired one with glasses off I'm Sorry I Haven't Got A Clue and Jokers Wild. This is his first volume, of what he believes may be a six volume collection, of his memoirs. He has a few select dates still available for anything (except window cleaning) and is represented, (if you can call it that) by Richard Daws at Komedia Entertainment. (Or if you want to go directly through me and pay cash, I can do that as well.) (In fact I prefer that.) Thank you. ungekürzt. Language: English. Narrator: Count Arthur Strong. Audio sample: https://samples.audible.de/bk/fabe/000001/bk_fabe_000001_sample.mp3. Digital audiobook in aax.
    • Shop: Audible
    • Price: 9.95 EUR excl. shipping
  • Thumbnail
    Technology for Unleashing Creativity (eBook, PDF)
    Traditional music education centered around the ensemble classroom has often privileged reading music and instrumental technique over creative skills such as composition, improvisation, and learning by ear. As the technological landscape of students' everyday lives rapidly shifts, what schools teach rarely aligns with students' more creative day-to-day lives outside of the classroom. While administrators and state education standards often encourage incorporating creative technologies into the music curriculum, many music teachers lack the training to successfully utilize these tools and platforms. In Technology for Unleashing Creativity, author Steve Giddings provides a practical and easily accessible resource for in-service and pre-service K-12 teachers looking to make better use of technology in their teaching and help heighten students' creativity. One of few authors to tackle both issues simultaneously, Giddings offers a guide for inspiring creativity in students through tools like YouTube learning, notation technology, DAWs, electronic instruments, online pedagogical platforms, and more. A technology-driven approach to music education has never been timelier. COVID-19 has significantly disrupted the business-as-usual of educational institutions, and music educators especially have adapted to teaching remotely. Via practical tips, visual diagrams, and lesson plan ideas, Technology for Unleashing Creativity walks music teachers through the core aspects of using technology in their classrooms--in-person and remote--offering a definitive guide to creativity and technology in K-12 music education.
    • Shop: buecher
    • Price: 10.95 EUR excl. shipping
  • Thumbnail
    Technology for Unleashing Creativity (eBook, ePUB)
    Traditional music education centered around the ensemble classroom has often privileged reading music and instrumental technique over creative skills such as composition, improvisation, and learning by ear. As the technological landscape of students' everyday lives rapidly shifts, what schools teach rarely aligns with students' more creative day-to-day lives outside of the classroom. While administrators and state education standards often encourage incorporating creative technologies into the music curriculum, many music teachers lack the training to successfully utilize these tools and platforms. In Technology for Unleashing Creativity, author Steve Giddings provides a practical and easily accessible resource for in-service and pre-service K-12 teachers looking to make better use of technology in their teaching and help heighten students' creativity. One of few authors to tackle both issues simultaneously, Giddings offers a guide for inspiring creativity in students through tools like YouTube learning, notation technology, DAWs, electronic instruments, online pedagogical platforms, and more. A technology-driven approach to music education has never been timelier. COVID-19 has significantly disrupted the business-as-usual of educational institutions, and music educators especially have adapted to teaching remotely. Via practical tips, visual diagrams, and lesson plan ideas, Technology for Unleashing Creativity walks music teachers through the core aspects of using technology in their classrooms--in-person and remote--offering a definitive guide to creativity and technology in K-12 music education.
    • Shop: buecher
    • Price: 10.95 EUR excl. shipping
  • Thumbnail
    Joe Bev the Musical: A Joe Bev Cartoon, Volume 11, Hörbuch, Digital, 60min
    In the variety hour, Joe Bevilacqua performs his own jazz compositions, accompanied by Paul Salomone on piano, Edward Fuqua on bass, Leif Eric on guitar, and Jim Mason on drums. In addition, Joe Bev performs Daws Butler's "Magic Drums" with Joe Gatto on drums, and sings Cab Calloway and Irving Mills' "Minnie the Moocher" as his Camp Waterlogg character Sgt. Lefty and the Chipmunks, featuring Julian Baker on trombone and keyboard. The selections are gleaned from Bevilacqua's hundreds of hours of audio work that spans more than 40 years, including "The Withering of Willoughby and the Professor", "Uncle Dunkle and Donnie", and "Camp Waterlogg", including: "Do I Dare Believe", "I'm Big, You're Small", "You Can't Tell Me What to Do" (instrumental), "You Can't Tell Me What to Do" (vocal), "Make the Earth Say Beans", "What You See, You Must Believe", "The Magic Drums", "Living in a Witchway" (rehearsal), "Living in a Witchway (vocal)", "Living in a Witchway" (instrumental), "Minnie the Moocher," "Mosquito Mother", "Dances-with-Sven", "Which Way is it that a Witchway Goes" (instrumental), "Which Way is it that a Witchway Goes" (vocal), and "Ring-Around-the-Rosey Blues". Language: English. Narrator: Lorie Kellogg. Audio sample: https://samples.audible.de/bk/blak/009372/bk_blak_009372_sample.mp3. Digital audiobook in aax.
    • Shop: Audible
    • Price: 9.95 EUR excl. shipping
  • Thumbnail
    The 2nd New & Old Time Radio Collection, Hörbuch, Digital, 901min
    A tribute to the golden age of radio from veteran producer Joe Bevilacqua and comic strip artist Donnie Pitchford, The 2nd New & Old Time Radio Collection is a series of new stories and parodies featuring beloved radio characters and shows. A Joe Bev AudioTheater Sampler, Volume 1 This half-hour anthology represents more than 40 years of storytelling by Joe Bevilacqua, a.k.a Joe Bev, the award-winning actor, writer, producer, and director. Each half-hour is beautifully produced with original acast of professional actors, sound effects, and music. Volume one includes numerous audio plays by Joe Bevilacqua, J. C. Del La Torre, Ralph Tyler, William Melillo, Alan Reed, Victor Gates, and many more! A Joe Bev Audio Theater Sampler, Volume 2 Another beautifully produced anthology by award-winning actor, writer, producer, and director Joe Bevilacqua. Volume 2 includes numerous audio plays by Joe Bevilacqua, Daws Butler, Mitchell Pearson, Bob Martin, Pedro Pablo Sacristán, Alan Reed, and many more! The All New "Lum &Abner" Comic Strips Lum & Abner, the classic American network radio comedy show, was created by Chester Lauck and Norris Goff and aired from 1931 to 1954. Now, for the first time since 1954, veteran radio theater producer Joe Bevilacqua and comic strip artist Donnie Pitchford bring you 100 new "Lum & Abner" audio comic strips! Language: English. Narrator: Donnie Pitchford. Audio sample: https://samples.audible.de/bk/blak/006422/bk_blak_006422_sample.mp3. Digital audiobook in aax.
    • Shop: Audible
    • Price: 9.95 EUR excl. shipping
  • Thumbnail
    Mischen wie die Profis
    Das Mischen von Musik ist eine Kunstform, die Über den Erfolg oder Misserfolg eines Songs entscheiden kann. In diesem Buch lernen Sie von Top-Profis, wie man Aufnahmen zu einer harmonischen Einheit und einem angenehmen Härerlebnis aufbereitet, das Interesse des Zuhärers weckt und seine Aufmerksamkeit fesselt. "Mischen wie die Profis" ist in drei Sektionen unterteilt. In Teil 1 geht es um die Basics des Abmischens. Hier lernen Sie, wie man einen Amateur-Mix erkennt, die sechs Elemente eines großartigen Mix, wie man eine Mischung aufbaut, wie man optimale Arrangements erstellt, den Einsatz von Effekten, das Mischen im Computer, die Grundlagen des Mastering u.v.m. Teil 2 enthält Interviews mit 24 der angesehensten Mixing-Engineers, wie George Massenburg, Ken Scott, Bruce Swedien und Robert Orton. Dabei wurde darauf geachtet, Repräsentanten jedes modernen Musik-Genres einzubeziehen, wie Rock, Punk, R&B, Rap, Dance, Country, Jazz, Klassik, Film und Fernsehen. Diese komplett Überarbeitete 2. Auflage beschäftigt sich noch gezielter mit dem grundlegenden Wandel in der Musik-Produktion hin zum Mischen im Rechner. Neue Kapitel erläutern die Vorbereitungen für das Mischen und beschreiben fortgeschrittene Mix-Techniken. In den aktualisierten Interviews geben die Top-Mixer Einblicke in ihre Arbeit mit DAWs. "Mischen wie die Profis" wurde für Toningenieure und interessierte Musiker konzipiert. Einsteigern bietet es eine systematische Einführung in die Kunst des Mischens. Fortgeschrittene und Profis finden hier wertvolle Anleitungen, detaillierte Einblicke sowie zahlreiche Tipps und Tricks, die die Weiterentwicklung ihres handwerklichen Könnens wesentlich fördern.Fachzeitschrift und hat sich als Autor Praxis orientierter Fachbücher einen Namen gemacht.
    • Shop: buecher
    • Price: 37.50 EUR excl. shipping
  • Thumbnail
    Seven Letters of Love: A Joe Bev Radio Drama, Hörbuch, Digital, 22min
    A woman receives seven letters from a former boyfriend, each one revealing highly diverse aspects of his personality. This unique radio drama was written by William Melillo and produced and directed by Joe Bevilacqua. Joe Bevilacqua, also known as Joe Bev, is primarily known as a radio theater dramatist. However, his career has taken him into every aspect of show business, including stage, film, and television as a producer, director, writer, actor, and even cartoonist. Joe has produced many of his mentor Daws Butler's comedic and dramatic scripts. Since 1980, Bevilacqua has produced many award-winning radio programs for National Public Radio, Sirius XM Radio and others. In 2012, Bevilacqua signed an exclusive distribution deal with Blackstone Audio for his more than 40 years of audio work. He is releasing hundreds of hours of audio documentaries, comedies, dramas, autobiographies and more. Not content to hide behind his microphone, Bevilacqua will be seen acting in the upcoming feature films The Green Blade Rises, directed by A.J. Edwards; The Fly Room, directed by Alexis Gambis; Cold in July, directed by Jim Mickle; and Hits, directed by David Cross. Bevilacqua is the 2013 recipient of the Kean University Distinguished Alumni Award. His documentary Lady Bird Johnson: Legacy of a First Lady won the 2001 New York Festivals Award. He won a 2007 New York Festivals Awards for his "Tribute to Joe Barbera" which aired on NPR's All Things Considered. And his NPR Weekend Edition story "A Guy Named Joe Bevilacqua" won the 2004 National Federation of Community Broadcasters Award. Language: English. Narrator: Joe Bevilacqua. Audio sample: https://samples.audible.de/bk/blak/009367/bk_blak_009367_sample.mp3. Digital audiobook in aax.
    • Shop: Audible
    • Price: 9.95 EUR excl. shipping
  • Thumbnail
    The Ology of Isms: A Nigerian Twist on The Emperor's New Clothes, Hörbuch, Digital, 20min
    The Ology of Isms is a Nigerian twist on Hans Christian Anderson's classic fairy tale "The Emperor's New Clothes", written by Nigerian playwright Emmanuel Adeleye. This radio theater production is produced by Joe Bevilacqua and features sound effects, music, and a full cast. Emmanuel Adeleye was born in Nigeria in 1961. After graduating high school, he worked with the Nigerian Television Authority and with the Federation Radio Corporation of Nigeria as a playwright, actor, and artist. He then came to the United States, where he studied theater at Kean College (now Kean University) in Union, New Jersey. In 1981 Adeleye teamed with Joe Bevilacqua to create The Ology of Isms, his first radio play ever presented in the United States. It first aired on WKNJ Radio and later on Sirius-XM Satellite Radio. Joe Bevilacqua, also known as Joe Bev, is primarily known as a radio theater dramatist. However, his career has taken him into every aspect of show business, including stage, film, and television as a producer, director, writer, actor, and even cartoonist. In 1971 Bevilacqua's father bought him a cassette recorder on which he created his first audio story, Willoughby and the Professor. He acted all the voices himself at the age of 12. In 1975 Daws Butler, the voice of Yogi Bear and many Hanna-Barbera and Jay Ward cartoon characters, dubbed himself Joe Bev's personal mentor after hearing a 120-minute cassette of Bev's Willoughby improvisations. Since 1980 Bevilacqua has produced many award-winning radio programs for National Public Radio, Sirius-XM Satellite Radio, and others. Language: English. Narrator: Peter Cummings. Audio sample: https://samples.audible.de/bk/blak/007696/bk_blak_007696_sample.mp3. Digital audiobook in aax.
    • Shop: Audible
    • Price: 9.95 EUR excl. shipping
  • Thumbnail
    Push (eBook, PDF)
    Push: Software Design and the Cultural Politics of Music Production shows how changes in the design of music software in the first decades of the twenty-first century shaped the production techniques and performance practices of artists working across media, from hip-hop and electronic dance music to video games and mobile apps. Emerging alongside developments in digital music distribution such as peer-to-peer file sharing and the MP3 format, digital audio workstations like FL Studio and Ableton Live introduced design affordances that encouraged rapid music creation workflows through flashy, "user-friendly" interfaces. Meanwhile, software such as Avid's Pro Tools attempted to protect its status as the "industry standard," "professional" DAW of choice by incorporating design elements from pre-digital music technologies. Other software, like Cycling 74's Max, asserted its alterity to "commercial" DAWs by presenting users with nothing but a blank screen. These are more than just aesthetic design choices. Push examines the social, cultural, and political values designed into music software, and how those values become embodied by musical communities through production and performance. It reveals ties between the maximalist design of FL Studio, skeuomorphic design in Pro Tools, and gender inequity in the music products industry. It connects the computational thinking required by Max, as well as iZotope's innovations in artificial intelligence, with the cultural politics of Silicon Valley's "design thinking." Finally, it thinks through what happens when software becomes hardware, and users externalize their screens through the use of MIDI controllers, mobile media, and video game controllers. Amidst the perpetual upgrade culture of music technology, Push provides a model for understanding software as a microcosm for the increasing convergence of globalization, neoliberal capitalism, and techno-utopianism that has come to define our digital lives.
    • Shop: buecher
    • Price: 18.95 EUR excl. shipping
  • Thumbnail
    Michael & Louise: A Joe Bev Radio Drama, Hörbuch, Digital, 32min
    It's Ladies Night at J. August's when past lovers meet, setting off a series of flashbacks that reveal loves found and loves lost. This "30-Something" style radio drama was written by William Melillo and was recorded live at J. August's in New Brunswick, New Jersey. It was produced and directed by Joe Bevilacqua. "Joe Bev" is primarily known as a radio theater dramatist. However, his career has taken him into every aspect of show business, including stage, film, and television, as a producer, director, writer, actor, and even cartoonist. Joe has produced many of his mentor Daws Butler's comedic and dramatic scripts. Since 1980, Bevilacqua has produced many award-winning radio programs for National Public Radio, Sirius XM Radio and others. In 2012, Bevilacqua signed an exclusive distribution deal with Blackstone Audio for his more than 40 years of audio work. He is releasing hundreds of hours of audio documentaries, comedies, dramas, autobiographies and more. Not content to hide behind his microphone, Bevilacqua will be seen acting in the upcoming feature films The Green Blade Rises, directed by A.J. Edwards; The Fly Room, directed by Alexis Gambis; Cold in July, directed by Jim Mickle; and Hits, directed by David Cross. Bevilacqua is the 2013 recipient of the Kean University Distinguished Alumni Award. His documentary Lady Bird Johnson: Legacy of a First Lady won the 2001 New York Festivals Award. He won a 2007 New York Festivals Awards for his "Tribute to Joe Barbera" which aired on NPR's All Things Considered. And his NPR Weekend Edition story "A Guy Named Joe Bevilacqua" won the 2004 National Federation of Community Broadcasters Award. Language: English. Narrator: Joe Bevilacqua. Audio sample: https://samples.audible.de/bk/blak/009366/bk_blak_009366_sample.mp3. Digital audiobook in aax.
    • Shop: Audible
    • Price: 9.95 EUR excl. shipping

Similar searches: