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  Please Brother! Don't Tell Mom & Dad! We'll Do Anything! (eBook, ePUB)

  Catching my two 18 and 19-year-old sisters in a very compromising situation, I did what any big brother would do: I took plenty of pictures and blackmailed them. With the threat of mom and dad finding out, I “convinced” them to allow me to breed them and knock a baby in their wombs. Watch as I impregnate them on their own beds and show them who’s in charge with mom and dad just in the other room. Excerpt: "Wonder if anyone's home." I said to myself as I shut the door quietly. I turned on the lights and made my way towards the kitchen to grab myself a drink. I was quite energetic and feeling great. I had just won a ton of cash from my friends at poker night and I had over three hundred bucks burning a hole in my pocket. Feeling thirsty, I grabbed a drink from the kitchen. Popping the can, I started to walk towards my room and contemplate how to spend my easy won money. Upon reaching the end of the hall, right before going up the stairs, I saw my 18 and 19-year-old sisters' light on and decided to go take a peek. The door was ajar, so I slid it open a bit more and saw them in their panties. They hadn't noticed I was there, and it looked like they were up to something, so I stayed quiet and just watched to see what they were up to. Tara was easy to spot, she had long red hair and beautiful green eyes, they were bright and full of happiness. Her bosom was quite large too and I soon saw her bra pop off and drop to the floor. She was undressing and was nearly naked, only her panties were left. Her smooth, white skin was nearly entirely covered, and as she leaned down to slip her panties off, I got a nice view of her round thick ass. I moved the door just a bit more, trying not to be seen, but wanting to see who the other person she was with, to my surprise it was my other sister Felicia! She shared a room across from Tara, but she was here for more than a visit as I saw her kiss Tara right on the lips, a giggle escaping her lips. She was a bit shorter than her, her breasts were smaller but a nice handful, her nipples were quite perky. She had a lot of freckles on her skin but her skin was quite smooth, she took care of herself and looked just as amazing as Tara. Her hair was shorter, about medium length and quite wavy. She was naked and groping Tara, both started to giggle and kiss each other getting comfortable. Deciding I needed to intervene, I grabbed my cell-phone and started to snap a few pictures of their naughty playtime. "How are you doing, sisters?" I asked them as I walked through the door. I flashed them a smile and saw them cover up as quickly as possible, Tara grabbed her shirt and looked horrified that I had seen them. "We weren't doing anything!" Exclaimed Felicia, she looked ready to run back into her room. I then showed her the cell-phone and let her see the photo evidence of what I had caught. "I guess I should send this to mom, and dad too, better make sure to email and text them to make sure they get it." I said.

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  Johannes Brahms: Piano Concertos

  My enthusiasm for Brahms goes back to my youth, and the piano concertos are largely responsible for it,? writes Sir András Schiff in a liner note for this remarkable new recording. It finds the great pianist reassessing interpretive approaches to Brahms in the inspired company of the Orchestra of the Age of Enlightenment. To fully bring out the characteristics of Brahms's music Schiff's choice of instrument is a Blüthner piano built in Leipzig around 1859, the year in which the D minor concerto was premiered. The historically informed Orchestra of the Age of Enlightenment plays with the flexibility, attitude, and responsiveness of a chamber music ensemble, as they work without a conductor, listening attentively to each other. András Schiff's collaboration with the orchestra in a series of concerts was widely acclaimed: 'Brahms's First Piano Concerto was reborn thanks to the OAE's incisive playing and András Schiff's characterful phrasing?, The Guardian exclaimed. The musicians' mutual wish to recapture the experience led to the present double album, recorded in London in December 2019. An extensive CD booklet includes liner notes by András Schiff and Peter Gülke in English and German.

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  • Price: 26.00 EUR excl. shipping
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  Red Right Returning

  When Onceover began to write their fourth full length album in seven years, the cards were stacked against them. The band would fight through unbelievable loss and heartbreak most bands would not be able to endure. The strength and determination of all the members were truly put to the test. Their original singer left the band to pursue different avenues in life, and the four remaining members weren't sure about the direction of the band. After months of unsuccessful searching for a singer, the band was at a loss of what to do next. 'I remember being concerned about the band's future. We all knew we didn't want to stop, but we had just wasted a half a year looking for a singer and didn't know what to do next,' said bassist Nick Archer. 'That's where Steve came in,' guitarist Paul Dwyer added. Steve Dwyer, the bands original drummer, had been an integral part of the bands songwriting and singing. Therefore, it seemed to be the most comfortable and natural step that he would take over as lead singer for Onceover. 'I had sung on my own records before and recorded vocals for songs plenty of times, but nothing could have prepared me for filling the shoes that Dave (original vocalist) had left....I was really nervous but I didn't really have a choice,' he said. With 4/5's of the bands lineup now solidified, Onceover forged ahead in writing their fourth album, which would eventually be called 'Red Right Returning'. Without having a replacement drummer, the band decided to finish up writing the album with Steve on drums and vocals. 'It was definitely amusing watching Steve try to write drum parts and think of vocals at the same time, but I also think the album wouldn't have been half as cool any other way', guitarist Colin De Saint Victor exclaimed. In late December '07, Onceover went into the studio to start tracking, with Steve engineering and co-producing the album. 'I was pretty stressed,' said Steve Dwyer. 'Not only did I have to record drums, engineer, and produce the new album, I had the added stress of having to sing on it too, which I had never done for a band of this caliber,' he added. But with their friends and management's support they pressed on. Then in February, halfway through the recording process, the band's best friend and manager, Shawn Jeffords passed away, from health complications. 'I remember the day we found out he went into a coma, Nick came in to the practice spot in the middle of a song with this look on his face and we knew it wasn't good,' said De Saint Victor. 'We sat there for about 30 minutes in complete silence not knowing what to do,' added Steve Dwyer. The band once again found itself trying to figure out the next step. 'We were really confused about the whole situation after Shawn died, but before he passed he made it clear that he wanted us to press on no matter what it took, so that's what we did,' said Archer. With all whole new set of priorities, the band decided to push forward with everything they had, in honor of their best friend. The new album quickly became a battle cry, as well as deeply therapeutic for the members. 'I basically, rewrote the entire album's lyrics based on my experience with losing my best friend, I had to get some of my sadness and frustrations off my chest,' said Steve. 'We really banded together more than we ever had, and we knew this was going to be our best album to date, it was just really hard.... but we got through it,' Paul Dwyer exclaimed. After the album was tracked, Onceover had a lot of work cut out for them looking for a drummer. 'Steve is a great drummer, so it wasn't easy finding someone to replace him,' said De Saint Victor. 'We got lucky when Bruce fell into our laps,' Paul Dwyer added. The band tapped Bruce Stelter to fill in on an upcoming video shoot for the release. 'We were about two weeks away from the shoot when the production team asked us who was going to play drums in the shoot, we all looked around like 'How the hell did we forget that?',' said Steve. After practicing with the band for a couple weeks, it quickly became apparent that Stelter would be a good fit. 'He just really clicked with our personalities, and was willing to put up with our demands, he has really exceeded our expectations,' said Archer. 'I was excited to play in Onceover because I really liked the direction they were going and once I got to know everyone, we got along really well, which is definitely a good thing to have in a band,' said drummer Bruce Stelter. Now with the band's lineup finalized, and the new album 'Red Right Returning' set to release in November 2008 the bands future has never looked brighter. Through all the hardships and battles, the boys of Onceover can truly hold their heads up high knowing that they not only did themselves justice, but did their fans and their late manager justice as well. They say, 'From destruction comes beauty', 'Out of heartache comes comfort,' and 'What doesn't kill you makes you stronger.' Onceover is definitely stronger than ever.

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  • Price: 21.15 EUR excl. shipping
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  Grace Found Me

  Joseph recognized his vocal talent and heart for ministry at a young age, and he has spent the last fifteen years honing those God-given abilities. His educational background includes a earned Bachelor of Science in Religion from Liberty University [2003], as well as a Master of Divinity [2010]. The professional journey began during the summer of 2005, as he joined the popular southern gospel Journeymen Quartet of Shepherdsville, Kentucky, and from January of 2006 until January of 2008, he traveled and sang with the world-famous Stamps Quartet. This was an exciting time, as the group traveled across the entire United States, as well as the entire globe, including Australia, New Zealand, Thailand, and Canada. The past three years have been spent in local church ministry, as well as writing and recording original songs aimed at encouraging hurting people. The album was released on January 1, 2011, and the response has been tremendous. The title cut tells the true story of Joseph's uncle who had often claimed that God could not save him, and eventually Uncle Buster was diagnosed with cirrhosis of the liver. Laying in a hospital bed devastated by a coma, the family prayed for him to receive God's grace. Buster awoke from the coma and motioned for his brother and father to come near to the bed. When they had, he exclaimed, 'The devil came to get me but the Lord wouldn't let him have me.' What a powerful statement to the family that Buster had encountered God during his coma. Joseph tells this story and adds that he sees himself in the same hopeless situation, and much like the prodigal son, he came to his senses and came home to the Lord. There is a story behind each song, and further information can be found on his website and on youtube.

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  • Price: 26.23 EUR excl. shipping

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