Pasquini - Shopping2000.com

Das spiele ich morgen 1-5 Sammelband

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Price: 35.00 EUR excl. shipping

Sonatas For Two Organs

Bernando Pasquini was a musician of considerable reputation in 17th-century Rome. Having held various organist posts throughout the city, he struck gold in 1666 when he was made organist and director of music to Prince Gianbattista Borghese. In 1706 he, along with his contemporaries and fellow musicians, Arcangelo Corelli and Alessandro Scarlatti, was made a member of the Arcadia, a movement bgun by Queen Christine of Sweden.Keyboard music in Italy in the 1600s was to undergo a radical change, with an introduction to Rationalism and simplicity, Pasquini himself is known to have been particularly enamoured with the works of Palestrina and Frescobaldi. Aside from his skills as a performer and composer, Pasquini was also an immensely gifted teacher. Each of the sonatas for two basso continuo instruments bears the hallmarks of the partimento teaching technique, which involves a kind of dialogue between teacher and student. The sonatas include the fashionable styles of keyboard music of the time, such as the Allegro da concerto, Adagio, Fugue, Corrente and Gavotte.The recording boasts two multi-award-winning organists. The first, Luca Scandali, was educated at the Conservatory 'G. Rossini' of Pesaro in his native Italy and has performed in festivals all over Europe. He is currently Professor of Organ and Composition for Organ at the Conservatory 'F. Morlacchi' of Perugia. The second, Swiss organist, Hadrien Jourdan, studied at the Conservatory of Geneva and regularly participates in festivals and recordings throughout Europe.

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Price: 12.55 EUR excl. shipping

Roma '600

Enrico Onofri (Violine) - Emöke Baráth (Sopran) // Eine Reise durch das Rom des 17. Jahrhunderts, die raue und prächtige Stadt, in der Caravaggio und Stradella lebten. Strenger Kontrapunkt und gelehrte Polyphonie in den Lauten- und Tastenwerken von Kapsberger, Pasquini und Frescobaldi vermischen sich mit leichten Tänzen und populären Gitarrenliedern. Improvisation ist das verbindende Element beider Klangwelten.

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Price: 19.35 EUR excl. shipping

Pasquini: Passion Kantaten

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Price: 9.50 EUR excl. shipping

Orgelwerke

Der Toskaner Pasquini gelangte früh nach Rom, wo er an verschiedenen Kirchen Organist wurde und für verschiedene Adelsfamilien Opern, Kantaten und Oratorien schrieb. Mit Arcangelo Corelli, ebenso wie zeitweise mit Alessandro Scarlatti, verband ihn die musikalische Zusammenarbeit. Die hier vorgestellten Orgelwerke wurden auf einer zuvor kaum bekannten italienischen Barockorgel eingespielt.

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Price: 20.40 EUR excl. shipping

Italian Duets

Gillian Fisher (Sopran) - The King's Consort - Robert King (Dir) // For Handel the Italian years were decisive, for Italy was the home of opera, oratorio, the chamber cantata, the concerto and the sonata. He met all the leading composers: Lotti, Vivaldi and Albinoni in Venice, Perti in Florence, and Alessandro and Domenico Scarlatti, Caldara, Corelli and Pasquini in Rome.

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Price: 14.22 EUR excl. shipping

Teatro del Suono: Bernardo Pasquini - Sonate per due cembali con il basso cifrato

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Price: 30.59 EUR excl. shipping

Velena

The French guitarist Roland Dyens is a uniquely gifted composer and improviser, who was born in Tunisia and strongly influenced by the music of Brazil. Since the Portuguese word saudade translates as a 'longing for one's homeland,' these three works may serve as homages to Dyens's three greatest terrestial influences. The first Saudade is filled with elements of early twentieth-century French music: richly voiced major-ninth chords, punctuated bass lines, and it maintains a graceful balance between twentieth-century tonalities and more traditional phrasing and expressive gestures. The second Saudade is unabashedly Brazilian, and is expertly constructed on the framework of a standard Brazilian choro, or chorinho. The final Saudade is intriguingly dark and fiery, with a flavor that evokes the music of North Africa, and instruments such as the ud and the rebab. It's introduction, labeled 'Rituel,' is an abstract expression of the sonorities that are to emerge and meld into the charming dance rhythm that serves as the primary motif of the piece. The energy builds and intensifies in the section titled 'Fête et Final,' before returning to a beautiful resetting of the main theme at a slower, reflective pace. :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: A highly skilled guitarist, singer, and luthier, Luigi legnani who wrote many works for guitar. His Opus 1 is a theme and variations, with a slow introduction, and ends with a pensive larghetto, a capricious moderato, and a climactic finale. Although this work has not been frequently performed or recorded, it features all of the character and cohesion of Legnani's later works. :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: Felix Mendelssohn composed no music for the guitar, but his Songs Without Words fit the personality of the instrument extremely well, matching the expressive tones of the guitar. The third movement of Mendelssohn's String Quartet Number 1, Opus 12, titled 'Canzonetta,' provides material for a challenging arrangement that captures the excitement and clean lines of Mendelssohn's style. It was originally arranged by Francisco Tárrega, then altered by Andrés Segovia, and the arrangement recorded here borrows from both, while also reflecting the sleek character of the scalar violin passages. ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: Leo Brouwer is a prolific composer and guitarist, and his works are frequently performed and recorded. In his Sonata for solo guitar, Brouwer presents a masterfully constructed dialog featuring musical elements that shaped and influenced his own musical style. The first movement, 'Fandangos y Boleros,' provides the setting for this complex discussion, and utilizes a variety of input-from rhythmic dance motives to an interaction between Antonio Soler and Ludwig van Beethoven. It is in this first movement that Brouwer most fully illuminates these elements that influenced his compositional style, and it is his unique style that allows these elements to meld into a sum that is strengthened and transformed by it's parts. The second movement is a straightforward homage to Alexander Scriabin, and the final movement, 'La Toccata de Pasquini,' is where Brouwer allows his voice to speak above all others, unleashing a flurry of arpeggios in a climactic completion of the Sonata. ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: Agustin Castillavila is an accomplished composer and guitarist from the Jerez region of Spain, and his compositions encompass a wide variety of characteristics and settings. His Suite Veleña is dedicated to Jeff Copeland, and this is the world premiere recording of the suite. The first movement begins under the tempo descriptor "Misterioso," and introduces focused vibrations of simple opposites: the deep growl of the guitar's lowest string along with the crystalline chime of high-pitched harmonics. Thicker textures emerge, as well as short breaths of scalar passages, dancing on a variety of rhythms. The second movement compresses this energy as taught thirds and speedy triplets fly forward, almost out of control, towards an aggressive flurry of rasgueados that briefly interrupt their path. Once their wits are about them, the third movement takes over, and immediately wrestles to take them away once more. A humorous scherzo, this section of the suite continues to juxtapose thick textures against thin lines, and contains a beautiful interlude, reminiscent of a gondolier's barcarolla, resting in the middle of the chaos. As the suite continually expands and condenses thematic material, the final result is the 'Danza,' where all of the suite's elements are free to celebrate the harmony and order of their union. The motion is swift and relentless, free of hesitation and untethered by restraints. Motives morph, and tensions are released as the entire suite swells to it's final and unwavering climax.

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Price: 23.13 EUR excl. shipping