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Crepuscule74 Results for : crépuscule
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Le voile du crépuscule
Le voile du crépuscule: ab 7.49 €- Shop: ebook.de
- Price: 7.49 EUR excl. shipping
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La tombée du crépuscule
La tombée du crépuscule - Roman: ab 7.99 €- Shop: ebook.de
- Price: 7.99 EUR excl. shipping
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Le crépuscule du récit révolutionnaire
Le crépuscule du récit révolutionnaire - Regard sur les tourments du débat politique français de la crise des gilets jaune à celle du coronavirus: ab 13.99 €- Shop: ebook.de
- Price: 13.99 EUR excl. shipping
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Le crépuscule des éléphants
Le crépuscule des éléphants - Thriller: ab 9.99 €- Shop: ebook.de
- Price: 9.99 EUR excl. shipping
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Les crimes du marquis de Sade - Tome 3
Les crimes du marquis de Sade - Tome 3 - Le crépuscule d'un libertin: ab 9.99 €- Shop: ebook.de
- Price: 9.99 EUR excl. shipping
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Il était une fois... Marrakech la juive ou la splendeur nacrée des jours d'automne - Tome II
Il était une fois... Marrakech la juive ou la splendeur nacrée des jours d'automne - Tome II - Crépuscule glorieux sur une Marrakech juive: ab 7.99 €- Shop: ebook.de
- Price: 7.99 EUR excl. shipping
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Point Final
Formed during 1979, this Brussels band revolved around the duo Stéphane Willocq and Jean-Pierre Everaerts, recording for Les Disques du Crépuscule before line-up changes eventually caused the group's dissolution. This album is a remastered archival compilation that features all tracks from both Crépuscule singles (their debut, 'Lamina Christus' and its follow-up from a year later, 'Absent Heart') as well as the cassette album Point De Départ. This seems like an especially timely reissue given th- Shop: odax
- Price: 15.62 EUR excl. shipping
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I'd Rather be Naked
I'd Rather be Naked is the debut album by Penelope Queen, a young French singer-songwriter, produced by cult pop polymath Isabelle Antena. Written and recorded between 2010 and 2013, the album features 13 original songs by Penelope, together with a cover of Silly Things, the heartbreaking balled originally recorded by Antena on Camino Del Sol, their debut for Crépuscule back in 1983. Also written in the south of France, Penelope's own new album captures many of the same moods, sometimes insoucia- Shop: odax
- Price: 5.60 EUR excl. shipping
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Ushuaïa Nature [FR Import]
Regroupe trois thèmes d'émission : "Les Trésors de l'Océan" , "Prélude au crépuscule d'une faune", "Le troisième pôle".- Shop: odax
- Price: 26.60 EUR excl. shipping
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La Chanson D'eve
Gabriel Fauré, La Chanson d'Eve, op. 95 Katherine Bergeron, voice, Dana Gooley, piano. Recorded in Grant Recital Hall, Brown University, June 2009. 1. Paradis 2. Prima Verba 3. Roses ardentes 4. Comme Dieu rayonne 5. L'Aube blanche 6. L'Eau vivante 7. Veilles-tu, ma senteur de soleil 8. Dans un parfum de roses blanches 9. Crépuscule 10. O Mort, poussière d'étoiles Fauré began composing La Chanson d'Eve in 1906, marking what some critics considered a "new manner," and his first real turn to modernism. He started from a book of poems by the same name published two years earlier by the Belgian symbolist Charles Van Lerberghe. The ten poems he set to music together retell the story of Creation, though with a crucial twist. This time there is no Adam, no forbidden fruit, no other sin but speech. In the beginning God created only woman: Eve awakens in a dream of Paradise and, before she knows it, she is singing. Or, as she puts it, she feels a dream resounding through her. "How it sings in my voice," she announces near the beginning, "this long murmuring soul of forest and spring!" Here, in effect, was a representation of the original rustle of language and her exclamation is both announcement and question. For Eve does not know how it happens. She "sings like a child," as one commentator put it, "sings without thinking." She utters her feeling and feels her utterance, wondering at all the new sensations-the sounds in her head, the breath on her lips. And in this unintentionally resonant moment, the word (and the world) felt very good indeed. This was, of course, a marvelous premise for a song cycle but, as Fauré tells it, the good feeling does not last long. You can imagine how it goes: Eve soon begins to think, to question, to bend her words according to her will. But none of this will satisfy. She ends up asking more and more. By the sixth song her thought goes feverish, by the eighth, benumbed. Predictably, as she sees her dream recede, the tale is nearly over. In the dark night of the ninth song, Eve is alone, desperate now for the lost murmur of Paradise ("I listen until it hurts," she cries). And, in the tenth, she finds what she is looking for, although essentially at her peril. For death alone will enable it's return: she gets her wish, and reclaims her Paradise, only by giving up her voice. The ten songs are connected not only through this poetic narrative but also through two musical motifs in the piano line. Both make an appearance in the opening song, "Paradis," which functions like a vast theatrical tableau for the whole set. A rising, naked arpeggio in the first measures announces the stillness of Paradise and the dawning of the "first morning of the world." Later that line warms and blossoms into a fecund chromatic figure pointing to the "blue garden" of Paradise. These two figures recur throughout the cycle, with a dream's surreal logic, both to comment on the developing narrative and to remind Eve exactly where she is. -Katherine Bergeron.- Shop: odax
- Price: 19.23 EUR excl. shipping
