66 Results for : wheeler's
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Wheeler's Dental Anatomy Physiology and Occlusion - E-Book
Wheeler's Dental Anatomy Physiology and Occlusion - E-Book: ab 75.99 €- Shop: ebook.de
- Price: 75.99 EUR excl. shipping
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The Four-Wheeler's Bible
The Four-Wheeler's Bible - The Complete Guide to Off-Road and Overland Adventure Driving Revised & Updated: ab 33.49 €- Shop: ebook.de
- Price: 33.49 EUR excl. shipping
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Marcus Deloach: American Song
American baritone Marcus DeLoach has been hailed by Anthony Tommasini of The New York Times as 'a fine baritone who puts words across with clarity and naturalness.' One of the leading performers of contemporary music today, he has established himself in the areas of opera, concert, and cross-over. Most recently he returned to the New York Philharmonic Orchestra for performances of Sciarrone TOSCA with Lorin Maazel in Avery Fisher Hall, made his debut as The French Ambassador OF THEE I SING for the Bard Summerscape Festival production, and sang Nilakantha LAKMÉ for Tulsa Opera. In 2009/2010 seasons he will make his debut at Teatro Comunale di Bolzano (Italy) as Jean in Philippe Boesmans' JULIE, Ebn-Hakia IOLANTA at Kentucky Opera, Schaunard LA BOHÈME Hawaii Opera and the Bard Summerscape Festival as Maurevert LES HUGUENOTS. Mr. DeLoach made his debut at Seattle Opera as Schaunard LA BOHÈME in 2007 and received critical acclaim that same year for his Opera Ireland (Dublin) debut as a "powerfully convincing" Joseph De Rocher in Jake Heggie's DEAD MAN WALKING. Mr. DeLoach was a principal artist of New York City Opera from 2000-2006 where he sang the roles of Count Almaviva LE NOZZE DI FIGARO, Satyr and Citheron PLATÉE, Slim OF MICE AND MEN, Don Alvaro IL VIAGGIO A REIMS, Schaunard LA BOHÈME, and many others. He has performed with Central City Opera, Des Moines Metro Opera, Nashville Opera, Opera Santa Barbara, Boston Lyric Opera, Opera Theatre of St. Louis, Tulsa Opera, American Opera Projects, The Hollywood Bowl Orchestra, and others. With a deep commitment to the creation and promotion of contemporary vocal music Mr. DeLoach has created principal roles in the world premiers of Wiesman's/Hoiby's DARKLING Beeferman's THE RAT LAND, Drattell's LILITH and MARINA: A CAPTIVE SPIRIT and Paul Schoenfield's THE MERCHANT AND THE PAUPER. In 2006, he authored his first libretto for Jeff Grace's opera THE TRAIN RIDE presented by the American Opera Projects and as a composer he has written MOOCH THE MESSY an opera for children based on the book by Marjorie Weinman Sharmat. He has recorded several CDs of modern operatic works for Naxos including Scott Wheeler's THE CONSTRUCTION OF BOSTON and SCENES FROM JEWISH OPERAS 2 with Gerard Schwartz and the Seattle Symphony. In concert he has appeared with THE NEW YORK PHILHARMONIC ORCHESTRA under the baton of Maestros Riccardo Muti and Lorin Maazel as well as numerous appearances with the Chamber Music Society of Lincoln Center and the Marilyn Horne Foundation. In1997 Mr. DeLoach was unanimously voted the first place winner of London's inaugural WIGMORE HALL INTERNATIONAL SONG COMPETITION and went on to give a critically acclaimed recital debut there in 1999. Of his singing, Hilary Finch of The London Times has written, 'A well-groomed voice, a flair for programme shaping, a fervent desire to communicate, and, above all, that elusive fusion of instinct and understanding which sparks a quality of imagination transcending mere accomplishment.' Adding to the credits of his cross-over career, in 2004 he joined the acclaimed rock group TRANS-SIBERIAN ORCHESTRA for their rock opera 'Christmas Eve and Other Stories' in a tour which included Madison Square Garden and the Fleet Center performing for an estimated audience of one quarter million. Mr. DeLoach holds both Bachelor and Master of Music degrees from The Juilliard School. He has also attended The Britten-Pears School, New England Conservatory, and The Music Academy of the West. The Opera Index, Albanese-Puccini, Rosa Ponselle, Liederkranz and George London foundations, the Young Concert Artists International, The National Foundation for Advancement in the Arts, Metropolitan Opera National Council and The Gaddes Fund have all honored him for his outstanding achievements and artistry. Current for 02/09.- Shop: odax
- Price: 22.76 EUR excl. shipping
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What Thing Is Love English Lute Songs
CD REVIEW: What Thing Is Love, Peregrine Records ....'I enjoyed it immensely. Amy's is a lovely natural voice, suitably sexy for the sentiments...fine lute playing.... it is a fascinating program...you can purchase single tracks on the internet but I'd rather get the whole CD: it's too good just to select a few tracks.... highly recommended...' - Clifford Bartlett, Editor, Early Music Review, UK '... One of my absolute favourite recordings that I use for High End speaker demonstrations is "What Thing Is Love". It is an excellent recording using varied acoustics and technical combinations with a superb performance from artists of the highest quality in this genre. I strongly recommend it...." -Percy Davidsson, Canseda AB, Scandinavian rep for Onkyo, Sonance, Canton Amy Elizabeth Wheeler REVIEW: Rural Renaissance Festival '...[Wheeler's] voice was a joy to hear...something in her seems to resonate easily with the period, making the music not only exquisite but somehow authentic...' -The Recorder, Greenfield, MA USA BIOS: Amy Elizabeth Wheeler, Soprano: Raised in New York City, Amy Elizabeth Wheeler graduated from the Fiorello LaGuardia High School of Music & Art and from the Manhattan School of Music. Her career, which began with club dates in New York as a singer/songwriter, followed by the film Fame and a European tour of the Broadway musical Hair, has since led her to the Warsaw Chamber Opera in Poland where her debut as Fauno in Mozart's Ascanio in Alba was greeted with a standing ovation. More Mozart roles followed - even the coveted mezzo-soprano role of Cherubino in 'The marriage of Figaro'. She quickly became a popular guest artist in Poland appearing on television and radio and performing with Polish orchestras at international music festivals such as Madrid Mozart Festival, Le Festival d'Europe Nord in Paris, and the 49th International Chopin Festival. As a developing concert artist and ensemble leader in her own right, she organized the Peregrine Consort with musicians from the Gothenburg Symphony Orchestra, Warsaw Philharmonic, Concerto Copenhagen and the Drottningholm Court Theater. They performed in the International Wratislavia Cantans Festival, Bach Celebration 2000 (Royal Castle Warsaw) and the prestigious 100th Anniversary season of Poland's National Philharmonic. Highlights from concerts include Baldessare Galuppi's motet 'Confitebor tibi Domine', staged versions of Alessandro Scarlatti's serenata 'A battaglia pensieri', and Handel's 'Amarilli Vezzosa' as well as English renaissance songs and duets for soprano and bass. Amy Elizabeth's voice, while classically trained, is rooted in the folk/jazz tradition making her vocal style intimate and accessible to listeners with different musical tastes. Her style and expression were clearly evident in her performances as Cupid in the WCO's production of John Blow's 'Venus and Adonis' which attracted the attention of Poland's leading renaissance lutenist, Jaroslaw Lipski. They have since recorded a CD of English lute songs titled 'What Thing Is Love' and have performed sold-out concerts at every major early music festival Poland as well as receiving a standing ovation for their performance at Poland's National Philharmonic. Archguitartist Peter Blanchette found Amy Elizabeth's synthesis of styles perfect for two of his CD's: 800 Years (Archguitar Records 2001), which featured versions of Mark Knopfler's 'Ironhand' and Irving Berlin's 'Reaching for the moon', and Una Limosa (Archguitar Records 2001) on which she sang Schubert's 'Der Jungling an der Quell'. Amy and Peter received critical acclaim for their concert presented by The Rural Renaissance Festival where they performed music by John Dowland and Nino Rota together with Peter's ensemble the Virtual Consort. While still in high school, Amy worked with producer John Robie (who wrote the club classic 'Planet Rock'),and recorded vocals on "Yashar" (Cabaret Voltaire, Factory Records, 1982) and "City of Wonder" (Island Records, 1989). In 2007, Wheeler & Robie released a club version of the Christmas carol "God rest ye merry gentlemen" and plan to continue their collaboration on future club versions of PD Christmas carols. Amy Elizabeth collaborates regularly with Swedish contemporary composer Jan Alm, who invited her to perform the Swedish premier of his songs scored for voice, harp, piano and string quartet and set to the poems of Nobel laureate Harry Martinson. Joining her were members of the Gothenburg Symphony Orchestra, and the concert presented by the Gothenburg Konserthus. A repeat performance of the songs was made in a program arranged by Amy Elizabeth titled 'Scandinaviana' which featured vocal and chamber music by Grieg, Sibelius, Stenhammar and Nielsen, presented by Poland's National Philharmonic to inaugurate their newly renovated chamber hall, Sala Kamerlana. In 2000, Amy Elizabeth was a recipient of The Fund, a Rockefellar/Kennedy Foundation award for her work as a U.S. artist performing in international festivals, and, in 2004 she received a Delmas Foundation Award, supporting her research on the 18th century Venetian composer Baldessare Galuppi. Jaroslaw Lipski, Renaissance Lute and Theorbo: Jarolsaw Lipski graduated from the Academy of Music in Warsaw, Poland, with a degree in classical guitar, and received a diploma from the Guildhall School of Music and Drama in London, where he won the 'Principle's Prize.' He studied classical guitar with Gerald Lee and Robert Brightmore, and the lute with Nigel North at Guildhall and at the Summer Academy for Early Music at Innsbruck, Austria. Mr. Lipski has regularly appeared in concerts as solo guitarist in Poland and Great Britain and frequently participates in early music festivals in Poland as a lutenist. He has collaborated since 1996 with The Warsaw Chamber Opera, performing operas by Monteverdi (Vespro della Beata Vergine), St. Landi (Il St. Alessio), and Purcell (Dido and Aeneas). He has also worked with early music groups such as Ars Nova, Lege Artis, Collegio Antico, and The Peregrine Consort. His repertoire focuses primarily on music of 16th -century Poland, 16th & 17th-century England, however in 2002, he organized Concerto Vago, a group devoted to performing Spanish music from the time of Columbus featuring works by Alonso Mudarra, Diego Ortiz, Juan del Encina, and Juan de Anchieta. Mr. Lipski has regularly conducted master classes at the Zywiez Early Music Festival in Poland, and he is the author of The Classical Guitar (Warsaw, Poland: Polskie Wydawnicwo Muzycznie, 2002). His recordings include: 16th Century European Songs and Dances and Music of the Polish Renaissance ( DUX Records) The Music of King Sigmund (Arche Records) Psalms of M. Gomloka (Polish Radio).- Shop: odax
- Price: 26.65 EUR excl. shipping
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WW III
Country, not save for work. Der Kollege mit einem sehr fachmännischen Humor verkauft in den US and A 120.000 Einheiten. Wheeler Walker Jr. ist das Alter Ego des Komiker Ben Hoffman. Als Country-Songwriter veröffentlichte er sein Debütalbum "Redneck Shit" 2016 und verkaufte 120.000 Einheiten Wheeler Walker Jr. embarks on his third album, appropriately named, WW III. Wheeler's first album, Redneck Shit, released in 2016 has sold 120K units and garnered fandom of Joe Rogan among others, including Brothers Osborne and Reba McEntire. Off of the raging success of his first album, Wheeler released, Ol' Wheeler, just a year after, which has sold 43K Units. Wheeler Walker Jr. has recently gotten married to Mrs. Wheeler. Please expect to see her as a part of this album as she is incredibly important to Wheeler's wife, as well as their son, WW III.- Shop: odax
- Price: 13.87 EUR excl. shipping
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