105 Results for : marlboro
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Von Marlboro-Dächern und Krokodilen - Der Schutzbereich zusammengesetzter Marken
Von Marlboro-Dächern und Krokodilen - Der Schutzbereich zusammengesetzter Marken: ab 12.99 €- Shop: ebook.de
- Price: 12.99 EUR excl. shipping
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Mythen in der Markenwelt. Eine Analyse der Marke Marlboro
Mythen in der Markenwelt. Eine Analyse der Marke Marlboro - Entwicklung eines semiotischen Analysemodells für Markenmythen am Beispiel des Marlboro-Cowboys. 1. Auflage: ab 29.99 €- Shop: ebook.de
- Price: 29.99 EUR excl. shipping
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Live from the Marlboro Music Festival: Debussy, Ravel Quartets
No description.- Shop: odax
- Price: 14.31 EUR excl. shipping
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Sascha Gutzeit (limitierte Auflage mit Bootleg-DVD)
Entspannt zurückgelehnt, im plüschigen Sessel versunken. Das Licht im Saal geht langsam aus, der Eisverkäufer hat sich endlich verpisst und auch der Marlboro-Mann ist aus dem Vorprogramm geritten. Der Vorhang öffnet sich. Die Leinwand reflektiert das Licht des Projektors in Cinemascope. Blick in das Leben eines "Lonely Guys". Mit "Sascha Gutzeit" ist dem Wuppertaler ein Chanson-Album geglückt, das gleichermaßen mit dem Rock 'n' Roll und der Comedy flirtet. Irgendwo zwischen böse, sehnsüchtig, schroff und urkomisch pendelt die Kompassnadel auf dem Weg durch Gutzeits Songwelt. Und auch wenn es zum Glück kein Konzeptalbum im klassischen Sinn ist, so ergeben die Songs in ihrer Gesamtheit doch das große Ganze. Jeder Song ein Fragment des Films namens "Leben", dieses Biopics, das da läuft. im Daumenkinopalast.- Shop: odax
- Price: 22.39 EUR excl. shipping
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Platinum Spirals
Recently described in Gramophone Magazine as an 'alluring soloist [with] heightened expressive and violinistic gifts,' violinist Michi Wiancko has performed concertos with orchestras including the New York Philharmonic and Los Angeles Philarmonic, and in recital and chamber appearances across the nation. An artist with a unique vision and deemed 'Pure Gold' by the Des Moines Register, Michi was winner of the 2002 Concert Artists Guild International Competition, and made her recital debut on Carnegie Hall's recital stage, Weill Hall. She has performed in venues such as the Library of Congress, Sydney Opera House, Carnegie Hall, Merkin Hall, Town Hall, National Gallery, Severance Hall, Orange County Performing Arts Center, Banff Centre, Metropolitan Museum of Art, Frick Center in Pittsburgh, Isabella Stewart Gardner Museum, BargeMusic, and Philadelphia's Kimmel Center. Michi was featured as an 'Artist to Watch' on the cover of the January 2007 issue of SYMPHONY Magazine. Her current season highlights include a performance of the Brahms Concerto with the Columbus Symphony in Georgia as well as the Omaha Symphony, and Sarasate's Zigeunerweisen and Carmen Fantasy with the Victoria Symphony in Texas. Michi will also be performing with Yo Yo Ma's Silk Road Ensemble as well as the International Contemporary Ensemble. In the 2006-2007 season she embarked on a multi-city recital tour of the US in conjunction with Live on Stage and appears on Concert Artist Guild's lauded New Music/New Places initiative as part of the Barbes Classical Series. In 2007, Michi gave the world premiere of composer Margaret Brouwer's Concerto for Violin and Chamber Orchestra with CityMusic Cleveland and conductor James Gaffigan. The concerto was written for her and incorporates contemporary classical, gypsy, folk, jazz and pop influences. Michi is a member of the renowned Los Angeles Piano Quartet (now east-coast based) with whom she has toured the country for the past 5 years. She is also a founding member of ECCO (East Coast Chamber Orchestra), a young conductorless string ensemble that tours twice yearly in venues such as The Kennedy Center, Philadelphia Convention Center, New York's Town Hall, Barge Music, among others. Last season, Michi arranged a version of Corelli/Geminiani's La Follia for ECCO, a live performance of which was broadcast on NPR's Performance Today. Michi has attended the Marlboro Music Festival and toured several times with Musicians from Marlboro. She was a participant in Isaac Stern's Chamber Music Workshop at Carnegie Hall, as well the Aspen Festival Center for Advanced Quartet Studies and Music Academy of the West. She has been a guest artist at the Lincoln Center Outdoor Series, Olympic Music Festival in Seattle, Pablo Casals Festival in Puerto Rico, and the Tucson Chamber Music Festival, and has performed and toured regularly with the Mark Morris Dance Group. A native of Southern California, Michi began playing the violin at the age of 3, and her early teachers include Haroutune Bedelian, Sharon Holland, and Mehli Mehta. She graduated from the Cleveland Institute of Music, where she studied with Donald Weilerstein, and earned her master of music degree at The Juilliard School, working with Robert Mann. As a world traveler, many influences inspire Michi to push the boundaries of classical repertoire and explore new genres. She has performed in numerous alternative venues (including The Blue Note, Knitting Factory, and the Village Underground) as a member of different bands, but currently she is a singer/songwriter composing, producing, and recording for her own alternative pop project, Kono Michi, comprised of string quartet, drums and bass. She will be releasing her first Kono Michi E.P., titled "The Livingroom Disappearance," with the UK-based independent label, Shark Batter Records. Kono Michi has performed in Brooklyn's Barbes, NYC's Pianos, BAM Café, and the World Café Live in Philadelphia.- Shop: odax
- Price: 26.65 EUR excl. shipping
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Live from the Marlboro Music Festival: Respighi, Cuckson, Shostakovich
No description.- Shop: odax
- Price: 13.16 EUR excl. shipping
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20th Century Duos
About '20th Century Duos'... 'Bart Feller's inventively programmed CD, '20th-Century Duos,' is an homage to musical friendship. His bright tone, polished technique, and impeccable musicianship are well matched by seven superb colleagues in performances of warmth, wit and virtuosity.' Michael Parloff Principal Flute, Metropolitan Opera Orchestra Faculty, Manhattan School of Music 'This is a wonderful disc! Anyone who hears Bart Feller's liquid, organic playing will realize immediately that he is a complete master of the flute. It is inspiring to hear him play.' Ransom Wilson Flute professor, Yale University Artist-member, Chamber Music Society of Lincoln Center 'Even before the entire set was finished I knew that I was listening to two outstanding professionals. It's great to hear such vibrant and expressive flute playing and Rena Feller's clarinet work is equally impressive. I can't imagine my Duos played better!' Robert Muczynski, composer Bart Feller is Principal Flute of the New York City Opera and the New Jersey Symphony Orchestra. He has also appeared with the New York Philharmonic, Orpheus Chamber Orchestra, Bargemusic and the Chamber Music Society of Lincoln Center. Mr. Feller has appeared as concerto soloist with the Philadelphia Orchestra, St. Paul Chamber Orchestra, and the Jupiter Symphony. He is a graduate of the Curtis Institute of Music, where his teachers included Julius Baker and John Krell, he has also worked extensively with Keith Underwood. Among the summer festivals he has participated in are the Marlboro Music Festival, OK Mozart International Festival, Colorado College Chamber Music Festival, Napa Valley Chamber Music Festival, and the Grand Teton Music Festival. Mr. Feller is Professor of Flute at Rutgers University/Mason Gross School of the Arts, and teaches in the Pre-College Division of The Juilliard School. Artist Biographies ~ '20th Century Duos' Harpist Victoria Drake has been a concerto soloist with numerous orchestras and appears often as a solo recitalist and chamber musician. She performs with many orchestras in the New York area, including the American Symphony Orchestra, New York City Ballet, Orchestra of St. Luke's, Orpheus Chamber Orchestra and Philharmonia Virtuosi. She has participated at the Aspen, Bard, Cabrillo, Fontainebleau and Vermont Mozart festivals and L'Association des Rencontres Culturelles d'Orbec in France. She performed and recorded Die Meistersinger von Nurnberg with the Chicago Symphony Orchestra under Sir Georg Solti and Mozart's Concerto for Flute and Harp on period instruments with the Old Fairfield Academy. Ms. Drake has three solo recordings on the Well-Tempered Productions label: Harping on Bach, Scarlatti's Harp and Spanish Gold. Clarinetist Rena Feller is second clarinet with the Memphis Symphony Orchestra. She has taught at Rhodes College, Memphis and maintains an active private teaching studio. From 1991 to 1999 she was principal clarinetist with the Berkshire Opera. As a solo recitalist and chamber musician, Ms. Feller has premiered and recorded numerous contemporary compositions, including works by Don Freund and Stanley Friedman. A graduate of Oberlin College Conservatory of Music, Ms. Feller holds a master's degree from The Juilliard School. Mezzo-Soprano Theodora Hanslowe performs regularly in leading roles at the Metropolitan Opera, where she most recently appeared in the new production of Handel's Rodelinda. She is best known for her Rossini interpretations, which she has performed for San Francisco Opera, Teatro Colon in Buenos Aires, Washington Opera, Los Angeles Music Center, Opera de Monte Carlo, Staatsoper Dresden and the Met, among others. She has been a soloist with the symphony orchestras of Boston, San Francisco, Philadelphia, Cincinnati, Dallas and St. Louis, and appears frequently in chamber music festivals here and abroad. The New York Times recently acclaimed her "gorgeous singing with superb control" and the Stuttgarter Zeitung called her voice "a sound from another, more beautiful world." Bassoonist Kim Laskowski is associate principal bassoon with the New York Philharmonic. Before joining the Philharmonic, Ms. Laskowski was second bassoon with the New York City Ballet Orchestra and principal bassoon with the Mostly Mozart Festival Orchestra. She has performed with many New York City ensembles, including the Orchestra of St. Luke's, American Symphony Orchestra and Eos Orchestra. She received a master's degree from The Juilliard School, studied at the Conservatoire National Superieure de Paris on a Fulbright grant, and participated in the Tanglewood and Spoleto festivals. She can be heard on numerous television, radio and film scores, and holds two platinum records for CDs recorded with the rock group 10,000 Maniacs. She has performed and recorded several CDs with the noted chamber music ensemble Music Amici. Pianist Linda Mark is a staff accompanist at The Juilliard School. An active soloist, chamber musician and music coach throughout the United States and Europe, she has concertized with such leading flutists as Jeanne Baxtresser and her mentor Julius Baker, and has appeared at the Casals Festival, the Chateau de Fountainbleu and Weill Recital Hall at Carnegie Hall. Ms. Mark teaches collaborative performing classes for prominent music conferences, including the National Flute Association Convention. She won first prize in the Baldwin Piano Competition and has received two grand prizes in the International Recording Competition. Recently, she was invited by the Richard Tucker Foundation to perform for Luciano Pavarotti. She recorded solo piano works for the soundtrack of the film, Letter Without Words, and is the staff accompanist at The Julliard School. Flutist Kathleen Nester is second flute and piccolo with the New Jersey Symphony Orchestra. She also serves as acting assistant principal of the NJSO and is a member of the Stamford Symphony Orchestra, and plays with the Orchestra of St. Luke's and other New York area ensembles. Ms. Nester has been a featured concerto soloist with the New Jersey Symphony, Solisti New York and Bargemusic. She has had a long association with the new music ensemble Musicians' Accord. Ms. Nester attended the Manhattan School of Music and is on the faculty of New York University. She has recorded with a variety of artists, including Kathleen Battle, Claire Bloom, Brian Stokes Mitchell and Aaron Jay Kernis. Percussionist She-e Wu is assistant professor of music at Rutgers University. Ms. Wu has appeared as a solo artist at percussion festivals and conventions around the world. She has performed recitals and offered master classes at universities, colleges and conservatories, including the Curtis Institute of Music and the Manhattan School of Music. Ms. Wu's compositions K-PAX and Blue Identity were commissioned by the percussion ensemble of the Paris Conservatory-CNR and the Taipei International Percussion Convention, and have been performed in Japan, France, Taiwan and the United States. Her recording of the Eric Ewazen marimba concerto has been released on Resonator Records. Her solo marimba CD was released in the fall of 2005.- Shop: odax
- Price: 25.19 EUR excl. shipping
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Anemone
Gianna Abondolo, cellist, leads a dynamic career performing regularly as soloist, chamber musician, improviser, and composer. A former member of the L.A. Philharmonic Orchestra and graduate of the Juilliard School she has performed extensively in festivals such as Other Minds, Marlboro, and Tanglewood, among others and as soloist with the San Francisco and Contra Costa Chamber Orchestras, Old First Concerts Series, Hertz Hall Concert Series at UC Berkeley, and Mills College Contemporary Music Series. Her recording of Karen Tanaka's musical score for the dance video "Of Time and the Spirit", directed by Tonia Shimin, won critical acclaim in Santa Barbara's 2008 International Film Festival and will be shown this fall at The Reel Dance Film Festival in Victoria, BC, and Gray's Reef Film Festival in Savannah, Georgia. Her own compositions have been commissioned and performed at the Oakland Dance Festival, New York's Cunningham Space, Jacob's Pillow, Santa Barbara Dance Theater, and for the San Francisco Old First Concerts series, UC Santa Clara New Music Festival, and "Strings" Showcase Concert Series in Berkeley, CA. Currently she resides in Richmond, CA, where she is on the faculty at Mills College. Anemone came to life through the artistic collaboration of cellist/composer Gianna Abondolo and choreographer Christopher Pilafian. Named for the delicate windflower, the piece follows the transformation of a woman who finds the strength to liberate herself from the limiting ties of social norms. Anemone was commissioned by renowned dancer Nancy Colahan and premiered by Ms. Colahan and Gianna Abondolo in 1998 at the Luckman Fine Arts Complex at CSULA.- Shop: odax
- Price: 13.81 EUR excl. shipping
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Chopin Piano Music
Frederic Chopin was born near Warsaw in 1810. He was a child prodigy who published his first piece a Polonaise at seven. He received an excellent general education in Poland but left at twenty to further his career and never returned. He spent almost all his adult life in Paris where he died of TB in 1849, but his love for Poland stayed with him, as his many Polish dances - Mazurkas and Polonaises - so clearly demonstrate. Chopin has been called the 'Poet of the Piano', having never written anything which did not involve this instrument. Mazurkas Chopin wrote more than 55 Mazurkas, his final compositions were two Mazurkas. The Mazurka is a dance in 3/4 time similar to a waltz, but characterized by a strong accent on either the second or third beat or a dotted first beat. Chopin's Mazurkas evoke the Polish spirit without using actual folk melodies. The Mazurka in B-flat, Opus 7, no. 1, is one of the most popular with it's scherzando theme. Opus 63, no. 2 in F minor, published in 1847, has a lingering sadness and elegiac sound caused by sharp dissonances, chromatic passing tones, and suspensions. Opus 63, no. 3 in C-sharp minor, is eloquently lyrical and concludes with a display of Chopin's contrapuntal skill: a perfect canon at the octave. Opus 67, no. 3 in C major of 1835 is a dancing tune, although Chopin stated that the Mazurkas, like the Waltzes, were not intended for dancing. Opus 68, no. 2 in A minor, written in 1827, is the earliest of the group despite it's highest opus number. Scherzo in E Major, Opus 54 This Scherzo, the last of the four Chopin wrote, was published in 1843. It is more truly a Scherzo (literally, a joke) than the others, which are stormy and in minor key. It is playful, with a lightness rare in Chopin's larger works. The middle section has a poignant melody, and the Coda with scales running the length of the keyboard, brings the work to a brilliant conclusion. Nocturnes Nocturne is a French word indicating 'night piece'. Chopin did not invent the Nocturne, though his are best known. They range from the delicate to dramatic, and are generally in three - part form: ABA. Opus 15, No. 2 in F-sharp major. 1830-31, is among the most popular. The opening section contains one of Chopin's loveliest melodies, while the middle section, 'Doppio Movimento', is turbulent and passionate. Opus 27, no. 1 in C-sharp minor of 1840, is one of Chopin's greatest works in this form. This opus is tragic and menacing, opening with a chromatic melody. The middle section, marked 'Piu mosso', is restless and agitated. Ballade in F minor, Opus 52 Like the Scherzos, there are four Ballades. The F minor is the last. The Ballades were published between 1836 and 1843. Opus 52 is a narrative on a heroic scale. Chopin is at his most intimate and also most tragic. The opening melody has the charm of a slow, mournful waltz, but the piece is also exalted, intense and sublimely powerful, ending with a stormy, bravura coda. Lorraine Falberg Fuchs, a native New Yorker, appears regularly with chamber music groups and in solo performances. She started piano studies at the age of three, giving her first solo recital in Steinway Hall at age six. Ms. Fuchs was a semi-finalist in the first Van Cliburn Amateur Competition and was a finalist in competitions in Paris, New York and New Jersey. She has been an active participant in the Marlboro Vermont Music Festival. Ms. Fuchs is an alumna of the University of Michigan. Her studies in New York were with Willard McGregor, Leonard Shure, Claude Frank and Richard Goode.- Shop: odax
- Price: 25.46 EUR excl. shipping
