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  The Rest Is Noise Series: Doctor Faust: Schoenberg Debussy and Atonality

  The Rest Is Noise Series: Doctor Faust: Schoenberg Debussy and Atonality ab 11.99 € als epub eBook: ePub edition. Aus dem Bereich: eBooks, Kunst, Musik & Design,

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  • Price: 11.99 EUR excl. shipping
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  Musical Composition

  An instructive book for students at all levels and abilities Musical composition is becoming a key discipline in music courses in both schools and universities, and many teachers consider it as important in the development of young musicians as playing and listening to music. Indeed, it can be argued that the study of composition is essential to all musicians, be they performers, musicologists, teachers, or critics, because through composition musicians achieve the deepest insight into the elements of music and the imagination of a composer. Musical Composition: * First takes the student through the basic elements - melody, harmony, counterpoint, and rhythm - before covering a variety of special subjects such as writing vocal and choral music, accompaniments, and film and TV music. * Devotes many chapters to composing with advanced and recent techniques including free diatonicism, bitonality and polytonality, atonality and twelve-note mic, and serialism and indeterminancy. * Uses over 200 music examples to illustrate points in the text, and includes exercises for each chapter.

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  • Price: 47.99 EUR excl. shipping
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  The History of Jazz, Second Edition , Hörbuch, Digital, ungekürzt, 1319min

  Ted Gioia's History of Jazz has been universally hailed as a classic - acclaimed by jazz critics and fans around the world. Now Gioia brings his magnificent work completely up-to-date, drawing on the latest research and revisiting virtually every aspect of the music, past and present. Gioia tells the story of jazz as it had never been told before, in a book that brilliantly portrays the legendary jazz players, the breakthrough styles, and the world in which it evolved. Here are the giants of jazz and the great moments of jazz history - Jelly Roll Morton, Louis Armstrong, Duke Ellington at the Cotton Club, cool jazz greats such as Gerry Mulligan, Stan Getz, and Lester Young, Charlie Parker and Dizzy Gillespie's advocacy of modern jazz in the 1940s, Miles Davis's 1955 performance at the Newport Jazz Festival, Ornette Coleman's experiments with atonality, Pat Metheny's visionary extension of jazz-rock fusion, the contemporary sounds of Wynton Marsalis, and the post-modernists of the current day. Gioia provides the listener with lively portraits of these and many other great musicians, intertwined with vibrant commentary on the music they created. He also evokes the many worlds of jazz, taking the listener to the swamp lands of the Mississippi Delta, the bawdy houses of New Orleans, the rent parties of Harlem, the speakeasies of Chicago during the Jazz Age, the after-hours spots of corrupt Kansas City, the Cotton Club, the Savoy, and the other locales where the history of jazz was made. And as he traces the spread of this protean form, Gioia provides much insight into the social context in which the music was born. ungekürzt. Language: English. Narrator: Bob Souer. Audio sample: https://samples.audible.de/bk/adbl/018793/bk_adbl_018793_sample.mp3. Digital audiobook in aax.

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  • Price: 9.95 EUR excl. shipping
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  Twentieth-Century Music Theory and Practice (eBook, PDF)

  Twentieth-Century Music Theory and Practice introduces a number of tools for analyzing a wide range of twentieth-century musical styles and genres. It includes discussions of harmony, scales, rhythm, contour, post-tonal music, set theory, the twelve-tone method, and modernism. Recent developments involving atonal voice leading, K-nets, nonlinearity, and neo-Reimannian transformations are also engaged. While many of the theoretical tools for analyzing twentieth century music have been devised to analyze atonal music, they may also provide insight into a much broader array of styles. This text capitalizes on this idea by using the theoretical devices associated with atonality to explore music inclusive of a large number of schools and contains examples by such stylistically diverse composers as Paul Hindemith, George Crumb, Ellen Taffe Zwilich, Steve Reich, Michael Torke, Philip Glass, Alexander Scriabin, Ernest Bloch, Igor Stravinsky, Béla Bartók, Sergei Prokofiev, Arnold Schoenberg, Claude Debussy, György Ligeti, and Leonard Bernstein. This textbook also provides a number of analytical, compositional, and written exercises. The aural skills supplement and online aural skills trainer on the companion website allow students to use theoretical concepts as the foundation for analytical listening.Access additional resources and online material here: http://www.twentiethcenturymusictheoryandpractice.net and https://www.motivichearing.com/.

  • Shop: buecher
  • Price: 58.95 EUR excl. shipping
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  The Rest Is Noise Series: Doctor Faust: Schoenberg Debussy and Atonality

  The Rest Is Noise Series: Doctor Faust: Schoenberg Debussy and Atonality - ePub edition: ab 11.99 €

  • Shop: ebook.de
  • Price: 11.99 EUR excl. shipping
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  Klaviermusik (solo) Vol.41

  Wolf Kahler, Sandor Elès & Yuri Stepanov (Sprecher) // These ballads, recited in their original languages (three German, one each Hungarian and Russian - full texts and translations into English, French and, where applicable, German provided), are accompanied and adorned by Liszt's expressive piano parts, Der traurige Mönch being of particular interest as an early example of the true atonality which Liszt was not to develop upon for many years.

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  • Price: 15.34 EUR excl. shipping
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  Music For String Orchestra

  Scogna, Flavio Emilio - Divertimento Sz 113 (Fuer1. Allegro Non Troppo2. Molto Adagio3. Allegro AssaiOrlando, Daniele - Konzert Fuer Violine Und Streic1. Allegro Moderato E Spiritoso2. Andante Fiorito3. Rondo: Vivace Con Brio4. Molto Adagio5. Quasi PrestoScogna, Flavio Emilio - Concerto Per Archi (Konzer1. Preludio: Allegro Ben Moderato E Cantabile2. Scherzo: Allegretto Comodo3. Aria: Andante Quasi Adagio4. Finale: AllegrissimoFiore, Francesca - Trauermusik (Fuer Viola Und Str1. Langsam2. Ruhig Bewegt3. Lebhaft4. Choral: Vor Deinem Thron Tret Ich Hiermit? This highly attractive new recording presents 4 20th century masterworksfor string orchestra: Bartok's Divertimento, Ghedini's Violin Concerto IlBelprato, Rota's Concerto for Strings and Hindemith's Trauermusik forviola and strings.? Although very different in character and emotional impact the 4 worksshare the Neo-classical style, the principles of baroque and classical formsand grammar, infused with 20-th century elements like polyrhythms,atonality and folkloristic influences.? The Italian elite ensemble I Solisti Aquilani play with great imagination andinstrumental freedom, while maintaining a strong and homogeneousensemble discipline.? Contains extensive notes in Italian and English.

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  • Price: 6.89 EUR excl. shipping
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  Collision

  Daniel Heagney's debut album 'Collision' provides the listener with a wide variety of solo percussion music. It includes the world premiere recordings of Peter Klatzow's 'Etudes for Solo Marimba' and Brett William Dietz's epic multiple percussion solo 'Nocturne'. The Album is rounded out with Rodney Sharman's beautiful vibraphone solo 'Apollo's Touch' and Steven Mackey's famous marimba work 'See Ya Thursday'. Review of Collision from the Percussive Arts Society September issue of Percussive Notes: It is always exciting to hear a young performer who is able to maneuver easily between a variety of styles and instruments with a unique maturity that is appreciated. Containing three works for keyboard percussion and one for multiple percussion, Daniel Heagney has produced a CD that should be recommended listening for those interested in both new repertoire and sensitive interpretation across a variety of percussion instruments. Composed for two, three, and four mallets, Peter Klatzow's "Etudes for Marimba" is a six-movement work that explores contrasting musical ideas and technical concepts on the instrument. These concepts range from the application of broken octaves to advanced polyrhythms. Commissioned by Heagney, each short movement is beautifully composed and performed. I hope this becomes a standard work on graduate student and professional marimba recitals. Rodney Sharman's "Apollo's Touch" is a quiet and intimate work for solo vibraphone. Seventeen minutes in length, it is the longest selection on the CD. Meandering freely between tonality and atonality, it produces a trancelike listening experience. While some of the pedaling of longer melodic lines gets a little blurry, Heagney's attention to detail renders a sensitive and affective performance. Steven Mackey's "See Ya Thursday" serves as a showcase for both the performer's technical and musical skill. Heagney displays this as the somewhat quirky musical lines are presented with clarity and intrigue. Scored for a variety of percussion instruments (bongos, tambourine, bass drum, cowbells, wind chimes, and tubular bells) and voice (percussion-like bursts of yelling), Brett Dietz's "Nocturne" is the most compelling work on the CD. The dialogue between various timbres almost gives the impression of a percussion ensemble piece. The introduction, disappearance, and subsequent reappearance of sonic material throughout clearly delineate the form and keeps the listener engaged. Heagney's strength as an interpreter is his sensitivity and patience in shaping each line, melodic or rhythmic, in a way that keeps the listener from being either bored or overwhelmed. -Jason Baker.

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  • Price: 19.90 EUR excl. shipping
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  In Not-Even-Anything Land

  In Not-Even-Anything Land is my solo debut--it's the culmination of five years of reading, listening and watching projected through my own personal songwriting lens. I've made every effort to pack this album with interesting musical ideas, variety in both mood and genre, and a sense of deliberate purpose. Musically the album draws from the traditions of rock, folk, jazz, country, progressive music, contemporary classical and free improvisation--it's meant to be at once familiar and challenging, with enough complexity, raw emotion and atonality to surprise the ear but not abandon the realm of aesthetic enjoyability. Lyrically the songs are poetically dense but evocative, dealing with subjects like freedom, reality, love gone wrong, life and death, mysticism, the absurdity of modern life, individualism and the ultimate arbitrariness of morality. I've tried to infuse this album with a sense of gravity but also of dark humor and the mystical mood prevalent in many of the songs ties the album together thematically without necessarily treading into 'concept album' territory. In a musical era typified by sameness and recycled ideas, I hope (at best) that my idiosyncratic take on singer/songwriter music can find a niche with people who are tired of the status quo.

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  • Price: 25.46 EUR excl. shipping
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  Violin & Winds

  "A new CD released in September 2008." A prominent violinist Pavel Eret with highly esteemed the Prague Castle Guard and Czech Police Band and it's conductor Václav Blahunek made for you this CD recording of worldwide unique program for violin solo and wind orchestra. Four composers of three nationalities (German, French/Italien and Czech) invite you to enter four different worlds. Kurt Weill, who is known first of all for his Threepenny Opera and Beggar's Opera, composed the Concerto for Violin and Wind Orchestra in atonality with slight inclination to F major key. His melodies are those typical of Jewish music - wistful and touching. Eleuterio Lovreglio's Preludio e Andante is a kind of very personal neobaroque-romanticism with French flavour. This piece also reflects multicultural personal experiences of it's author, who spent also some time in China and was born in Nice - French/Italien city. Czech composer Evžen Zámecník celebrates the jazz music in his Concertino for Violin Solo and Wind Orchestra. Zámecník also studied and played violin and later specialized in wind band music as a composer and conductor. Finally, Adam Skoumal's Variations on a Gypsy Melody is a very passionate composition in a gypsy folklorelike style. The piece was originally written for joined performance of Pavel Eret with the composer's piano accompaniment and later, it was arranged for violin and wind orchestra by the composer himself. The CD recording was taken in the best acustic studio in the Czech Republic - the Dvorák Hall in Rudolfinum in Prague by well-known music director Václav Zamazal. The multilingual booklet includes texts in English, Czech, French, German and Japanese language.

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  • Price: 27.77 EUR excl. shipping

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