11 Results for : monophonic
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Monophonic Synthesizers
Monophonic Synthesizers ab 38.49 € als Taschenbuch: . Aus dem Bereich: Bücher, English, International, Englische Taschenbücher,- Shop: hugendubel
- Price: 38.49 EUR excl. shipping
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Meinl Byzance Jazz 22" Monophonic Ride B22MOR Ride-Becken
No description.- Shop: Musik Produktiv
- Price: 529.00 EUR excl. shipping
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The guitarist's guide to composing + improvising
A TUNING NOTE|LIGHT ROCK|Fireworks with Bebop Motif|SKEE DAP M BE BAP|FOR JULIETTE|CORONATION (INTRO)|CORONATION (DOUBLE TIME SECTION)|DIRECTION STUDY|G BLUES DIRECTION STUDY|VAMP NO 1|VAMP NO 2|EH TOOD AH IN THIRDS|EH TOOD AH WITH SPICE|D MINOR TUNE|THE MUSICAL RORSCHACH TEST|VAMP NO 3|Etüde C-Dur / Hook James|VARIATIONS ON A SUNNY TUNE|SIMPLE LANGUAGE IMPROV 1|SIMPLE LANGUAGE IMPROV 2|POIPLE|Rondo a la Ralph|BYE BOP|WHAT A PERFECT LOVE|OBLIQUE BLUES|OBLIQUE IDEA USING ONE CHORD FINGERING|CLICHEICITY|Canon Variation 1|Canon Variation 2|Canon Variation 3|SPECIES ONE SAMBA|FOR WILLIAM G|C7 FUNK VAMP WITH SPECIES 2 PATTERNS|JUST FIENDS|COUNTERPOINT FROM CHORD SYMBOLS FORMULARS|All the things you thought you were but wasn't|All the things you thought you were but wasn't|DEAR COUNTERPOINT DIARY|ARGENTINA|44 THROUGH C MAJOR SCALE AND C HARMONIC MINOR SCALE|QUARTAL FAMILY CLOSE POSITION INVERSIONS|CLUSTER FAMILY CLOSE POSITION INVERSIONS|CLOSE POSITION MOVING TO OPEN POSTION|SPREAD POSITION|OPEN AND CLOSE TRADITIONAL TRIAD SEEDS|SUSPENSION APPROACH STUDY|STELLA BY FLASHLIGHT WITH DOUBLE COMBO SPECIAL|GIANT STRIDES|TWO THICKENED MELODY AND PANDIATONICISM EXAMPLES|LITEN VALS|QUARTAL FAMILY NOTATED IN CLOSE AND OPEN POSITION|SUSTAINED 3 NOTE GROUPS|CLUSTER STUDY IN C|RIGHT HAND VARIATIONS WITH THE LICK|HARMONIZED BASS LINE POSSIBILITIES|ARGENTINA USING OCTAVE FAMILY 63 SEEDS|ROSIE|FALLING LEAVES WITH A COMBINATION OF TECHNIQUES|FALLING LEAVES INVERTED|FALLING LEAVES WITH FIREWORKS AND RETROGRADE|FALLING LEAVES MONOPHONIC|II V IS OF LIFE|INTERVAL ROW MONOPHONIC|INTERVAL ROW CONTRAPUNTAL|INTERVAL ROW HOMOPHONIC|INTERVAL ROW QUODLIBET|PANDIATONIC INTERVAL ROW CONTRAPUNTAL|PANDIATONIC ROW EXAMPLE|CHILDREN'S TRIPTYCH|Mardi Gras- Shop: Notenbuch
- Price: 29.50 EUR excl. shipping
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O Carta Amorosa-Lieder
From the apparition of the stile rappresentativo and the monophonic madrigal, to the heyday of bel canto, to its parody, the letter in music is attempted in the golden age of Italian cantata, by numerous composers. La Gioannina reveals a hidden and exemplary face of the Italian cantata, following its echoes to a contemporary creation by Vincent Bouchot on unpublished texts of a great poet of our time, Michel Butor.- Shop: odax
- Price: 18.82 EUR excl. shipping
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Birth Of The Cool
The Original Monophonic Recordings - 180g Virgin Vinyl, DMM Mastering.- Shop: odax
- Price: 22.52 EUR excl. shipping
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Clarinete Solo. Mexico Vol. 1
SOLO CLARINET Mexico Vol. 1 Javier Vinasco Fifty years of music for solo clarinet. Mexico (1957-2007) Composers born in the 20th century To record a CD for solo clarinet with pieces by Mexican composers has been an arduous, difficult, and at the same time rewarding undertaking. On this journey we have investigated a variety of routes and paths that composers had taken and have come to recognize that there is an ample compendium of creators dedicated to writing for the clarinet. These composers have explored languages that range from the acknowledgment of tradition to less conventional experimentations, demonstrating both significant evolution and compositional maturity. Our efforts have resulted in an anthology that shows a glimpse of the variety, quality, and expressivity of the ample spectrum of compositions that, in this case, were selected with an inquisitive spirit from archives, catalogs and private collections. At the same time, this CD presents two new compositions written especially for this project by Alejandro Colavita and Fernando Cataño. Mario Lavista (1943- ) wrote Madrigal (1985), in collaboration with the clarinetist Luis Humberto Ramos, to whom the piece was dedicated. It is a work articulated in two contrasting sections: the first calls to mind the medieval form of the madrigal with the use of a single pedal and two voices, one superior and the other inferior, thus creating an illusion of polyphony within the instrument's monophonic possibilities. The second section, on the other hand, makes use of non-conventional fingerings to achieve different colours of the same note as well as to produce two or more sounds simultaneously. Lavista then re-elaborates this resource, for the piece's conclusion, in an organum, and so, achieves coherence and unity. Elegía (1962) by composer, Manuel de Elías (1939- ), is a piece in a single movement of lyrical nature in which there is a perceived motor impulse from beginning to end. In Imago (1977), the composer liberates the metric and delves deep into the use of technology external to the instrument, in this case the echo chamber, affecting the clarinet's sound. This device provokes in the listener an alternate perception of sounds from the direct source with other moments in which one can detect their reflection. Divertimento (1985) by composer, Gabriela Ortiz (1964- ) and dedicated to Luis Humberto Ramos, is a piece written in a single movement that retains a rhythmic preeminence and that has it's roots in popular music. Although this is one of her earliest compositions, it is possible to recognize -by the construction of phrases and her ample dynamic palette- an efficient combination of technique and intuition. The náhuatl legend of the 'five suns' is the background for the piece titled Macuiltonatiuh (2007), by the composer, Alejandro Colavita (1973- ). This composition was worked closely with the clarinetist, Javier Vinasco, to whom it was dedicated. Macuiltonatiuh is comprised of five continuous movements in a contemporary language that makes use of the extensive gamut of expressive resources in today's clarinet technique. It is possible to discern a search for timbres which, in turn, determine each movement's structure, as well as the overall form of the piece. It is a pursuit that initiates in the depths of the lowest register of the clarinet (shalomuo register) and slides, in continuous ascent, to the instrument's highest limits. Clamoreo (1991) for clarinet and magnetic tape, by the composer Víctor Rasgado (1959- ) is a fragment from his opera Anacleto Morones. Here, the composer carries out a timbrical exploration by combining an acoustic instrument with electronic sounds. It is written in a single movement in which the clarinet presents two motives that persist throughout the entire piece, thus reacting to the changes generated by the tape. Tres Epigramas (1999), for their part, are movements elaborated as independent and self-contained units in which one can appreciate the influences of serialism. The first and third were dedicated to Guido Arbonelli while the second was dedicated to José Luis Nieto Bustamante. Fernando Cataño (1928- ) wrote Llanuras and Ternura in 1957 and 2006, respectively. Both pieces are composed in a single movement in which the inspiration originates from a mystical search undertaken by the composer. Through contemplation, Cataño explores themes related to Mexico's religious syncretism. In these searches, the composer exalts mestizo spirituality within a nationalist frame, and so, demonstrates congruency throughout his pieces with the use of common elements present from his earliest compositions. Up to this point, Llanuras had remained unedited, while Ternura was composed especially for this project. In this recording both pieces make their first public appearance. Cuatro estudios (1975) by composer Jorge Córdoba (1953- ) have a didactic purpose insofar as they develop the musician's technical abilities while exploring different musical elements in each one of them. In the first, articulation works in function of the phrasing, in the second, rhythm is explore by combining measures in simple and compound time, the third fosters perfection of the legato technique, while the fourth contrasts with the previous one, by emphasizing the use of staccato notes. Javier Vinasco is currently one of the most distinguished clarinet players in Latin America. He devotes a significant amount of his work to the interpretation and diffusion of his continent's music, as can be appreciated in his recordings with Música de Cámara Latinoamericana and Cero Records. His warmth and depth of sound, his pure technique and his refined musicality have led diverse composers - among them, Diego Vega, Jesús Lara, Nathan Bounviri and Alejandro Colavita- to write pieces specifically for him. His presentations -including chamber concerts, soloist appearances with orchestral accompaniment, master classes and courses- have been received enthusiastically by critics and public alike in Colombia, Mexico, Argentina, Venezuela, Panama, Italy, the United States, Canada and Japan. Javier holds a Bachelor's degree from Colombia's Universidad del Valle, perfectionism of clarinet studies from the Conservatorio Otorino Respighi in Italy, and his Master's from the UNAM in Mexico City. Throughout his musical career, Javier has studied with Emilio Montoya, Francesco Belli, Roberto Mantilla, and Luis Humberto Ramos.- Shop: odax
- Price: 26.45 EUR excl. shipping
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Eldorado
RECENT PRESS FOR MATTRESS THE STRANGER (Seattle)Portland seems to breed one- or two-person electro cells like cluster bombs breed terrorists. Mattress, aka Rex Marshall, is one such synthesizer- strapped suicide bomber from our sister city to the south. In fact, you better capitalize Suicide, as Marshall's oscillator drones and organ preset beats evoke the Alan Vega-fronted NYC band as much as his more industrial-grade throbbing recalls, well, Throbbing Gristle. Marshall's depressed baritone croon, though, is something more like a lounge take on Nick Cave or Ian Curtis. These are all impossibly high marks to aim for, and it should be noted that Mattress's sound is markedly more lo-fi (and again, loungey) than his sonic forebears. Still, the man is a character, he's aiming high, and his live shows look to be something else. ERIC GRANDY LA RECORD (LosAngeles)Mattress came into my life while on a trip through Portland: I was there for one night and the friend/host had played with him like a month before and insisted we go to some weird expensive bar to see Mattress. Fifteen minutes of waiting happened, and then Mattress went on and we left immediately after before any other set could start. I can't imagine a better way I could have experienced Portland for the first time. Mattress is one man playing dark hyper-minimalist monophonic electronic songs on a tape player over Lynch-lounge-singer vocals. But don't let his set-up alone sell you on why Mattress should be a legend-inside every sine-wave drone and compressed drum blip is a God-given ability to write songs. SONGS. Seeing a Mattress show means a sport-coat wearing John Lurie doppelganger walking up to a mic and a tape deck, pressing play, and putting his vocals through delays and pitch shifters. Then you'll wonder why others rely on chords and harmonies when Rex Marshall can make a full pop song with one note at a time. Also speaking of pitch shifters-don't look for the next Dan Deacon in Mattress or you'll be sorely (possibly deservedly) disappointed. Mattress is a songwriter first and button-presser second. Since I saw him this summer, I haven't heard of him doing a tour until now, so unless you're moving to Portland (original!) you're unlikely to be this blessed again. Mattress gives a good name to one-dude electrobands: he's a speck of gold that makes the sand worth sifting through. (HK)- Shop: odax
- Price: 22.11 EUR excl. shipping
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Somewhere There's Music
Eine entspannte Zeitreise zurück in die Zeit, als noch regelmäßig schickes Vinyl von Labels wie Mo'Wax, A Cup Of Tea, Pussyfoot oder auch Ultimate Dilemma die Regale des local record dealers fülltenPHAZZ-A-DELIC and FORVERT CLOTHING presenting THIRD I VISION Über die gemeinsame Vorliebe für kickende Beats, tragende Flächen, tiefe Basslines und organisch klingende Tasteninstrumente entstand das Projekt Third I Vision . Mit Somewhere There s Music liegt nun das erste gemeinsame Album der beiden DJs vor: der perfekte akustische Wegbegleiter für eine entspannte Zeitreise in die Vergangenheit, zurück in die Zeit, als noch regelmäßig schickes Vinyl von Labels wie Mo Wax, A Cup Of Tea, Pussyfoot oder auch Ultimate Dilemma die Regale des local record dealers füllten. Damals war TripHop noch Downbeat und Downbeat noch Headz (oder anders herum!?) und dass gerade in Japan noch eine grosse Community des Sounds vorhanden ist, belegt dass das Album vor dem Release hier bereits als domestic release auf dem in Tokyo ansässigen Argus Label veröffentlicht wurde. Die Produzenten: Whizcutz ist der Turntablist des Duos. Mit seinen besonderen Skillz gehört er zu den umtriebigsten seiner Art im Rhein-Neckar-Delta und leistete seine Dienste an der Tanzfront zusammen mit Richard Dorfmeister, Scratch Perverts, Cappadonna vom Wu Tang Clan oder den Delinquant Habbits. Monophonic, der ehemalige A&R (2000-2004) von Mole Listening Pearls, produziert seit ein paar Jahren seine eigenen Tracks und neben seinem Album Ish/Ism für das japanische Label Ward Records, hat er Remixarbeiten u.a. für Eminem & Royce 5 9 , Kurtis Blow, Dublex Inc, Thomas Siffling & The Public Sound Office, Bossa Boutique oder Kabanjak veröffentlicht. TRACKS: 1. Somewhere There s Music 2. Crossroad To Planet Deep 3. The Retired Phantom Of The Opera 4. Flashlight District 5. Skit #1 6. Square- Shop: odax
- Price: 19.66 EUR excl. shipping
