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    This volume in Leslie Howard's all-encompassing Liszt series focuses mainly on Liszt's activities as an editor. This work was quite separate from his work as a transcriber. In his editions of Beethoven, Weber and Schubert we find a respect for the original text quite exceptional for the time. This did not, however, prevent Liszt from offering textual alternatives either to modernize the piano writing or to make the work performable as a concert solo.
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