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Merkl:The Future of the Operating Room

Erscheinungsdatum: 05/2010, Medium: Taschenbuch, Einband: Kartoniert / Broschiert, Titel: The Future of the Operating Room, Titelzusatz: Surgical Preplanning and Navigation using High Accuracy Ultra-Wideband Positioning and Advanced Bone Measurement, Autor: Merkl, Brandon, Verlag: LAP Lambert Acad. Publ., Sprache: Englisch, Rubrik: Medizin // Allgemeines, Lexika, Seiten: 252, Informationen: Paperback, Gewicht: 392 gr, Verkäufer: averdo

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Price: 66.99 EUR excl. shipping

The Future of the Operating Room

The Future of the Operating Room ab 78.99 € als Taschenbuch: Surgical Preplanning and Navigation using High Accuracy Ultra-Wideband Positioning and Advanced Bone Measurement. Aus dem Bereich: Bücher, Wissenschaft, Medizin,

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Price: 78.99 EUR excl. shipping

Idea to Execution: How to Optimize, Automate, and Outsource Everything in Your Business , Hörbuch, Digital, ungekürzt, 164min

Please download the supplementary PDF for a list of the figures referenced in the audio. When Ari Meisel and Nick Sonnenberg launched their high-end virtual assistant (VA) company, Less Doing™, they changed the culture of start-ups forever, effectively debunking the gospel that every new venture requires months of preplanning and a hefty investment of capital. A business born from scribbled notes on a cocktail napkin during dinner was an up-and-running concern less than 24 hours later, ingeniously brought to life with the help of free, readily available digital tools and apps and no outlay of cash whatsoever. Meisel and Sonnenberg reveal how a scalable start-up is done to perfection in this fascinating and informative chronicle of their first year in business together. An essential listen for any budding entrepreneur, it follows the creative commercial process from inspiration to inception to success, detailing a bold new approach to 21st century business based on a fearless ingenuity and a willingness to rewrite the rules. PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio. ungekürzt. Language: English. Narrator: Drew Birdseye. Audio sample: https://samples.audible.de/bk/podm/000344/bk_podm_000344_sample.mp3. Digital audiobook in aax.

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Price: 9.95 EUR excl. shipping

What You Need to Know Didn't Know or Were Afraid to Ask

What You Need to Know Didn't Know or Were Afraid to Ask ab 17.99 € als Taschenbuch: About Funeral Arrangements Preplanning and the Process That Occurs After a Death. Aus dem Bereich: Bücher, Taschenbücher, Ratgeber,

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Price: 17.99 EUR excl. shipping

Actor Demo Reel Video Editing Guidelines for Actors and Editors: Rules, Tips, Tricks and Advice to Save Money, Manage Your Acting Career, Maximize Reels for Busy Casting Directors , Hörbuch, Digital, ungekürzt, 126min

. For actors, demo reel editors, and video editors who want to learn about producing demo reels. As an actor and demo reel editor, I have a perspective of the actor's needs as well as skills offered by editors, including techniques most actors aren't aware of. But by knowing demo reel guidelines plus technical aspects, actors can manage their demo reels and control their marketing branding images. Actors: Learn how to save money and spend it wisely. Learn how to produce your demo reel from beginning to end and maximize the punch-per-second for busy casting directors. Learn how to work with an editor and what enhanced services an editor can offer. Demo reel editors: Learn how to produce demo reels and what's important to an actor (your customer). Be an asset to the actor's business to expand your business. Gain a perspective many demo reel editors don't have. Instead of being an editor who happens to edit demo reels, offer solid demo reel editing services. Learn tips and tricks not typically considered for demo reels, and apply the techniques to make a good demo reel a great demo reel! Some topics covered include: The purpose of a demo reel The intro section Make your demo reel all about you Demo reel length and scene lengths Partial scenes How many scenes? Ordering scenes The closing section Montages Commercial, industrial, or theater (stage) material Monologues Music options The one-minute speed reel Are you ready to have a demo reel? How to get more material What your demo reel is not about Raw footage: the best source material What not to include Preplanning Technical tips and tricks Your demo reel is not your editor's advertising billboard And more... P ungekürzt. Language: English. Narrator: Jay Prichard. Audio sample: https://samples.audible.de/bk/acx0/048324/bk_acx0_048324_sample.mp3. Digital audiobook in aax.

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Price: 9.95 EUR excl. shipping

Solo Guitar

REVIEWS & TESTIMONIALS... '... he sure can play. 'Jazz On the Classic' gives you Pete Smyser as a one-man band. Like Joe Pass, Pete can produce a completely rendered piece-with melody, harmony and rhythm coming from a single instrument. Stylistically, however, Pete goes his own way. How? First off, he's playing a nylon acoustic, which makes for a particular sound, second his improvisations are his own, quite tasteful and articulate, masterful, idiomatic, and imaginative. Joe Pass was all that too, but Smyser gets a different sound and feel. The recording does not produce all the expected shopworn goodies. Smyser picks some of the less played classics, especially when it comes to the guitar. Take for example Alec Wilder's "It's So Peaceful in the Country." Now that's a great tune and he does a terrific job bringing out the beauties of the melody and harmony. Then there's another unexpected treasure: Duke's "Black & Tan Fantasy." Smyser gives it a striding glide, a very adept translation to the stringed world and a bluesy solo too that is quite nice. Miles Davis' first "Milestones" is another one you don't expect to hear in this medium. It is wonderful to hear it like this, though. It makes you remember just how great a tune it is. And the solo Smyser does have some wonderful lines and hip comping at the same time. I could go on, and mention "Red Door," a Mulligan-Sims gem that lays just right on Smyser's guitar. Well I just did. That's enough to give you the idea. This is a fine recording and a real tribute to Smyser's abilities. Any fan of the acoustic will get great pleasure from it. - Grego Applegate Edwards (Cadence Magazine) "In his solo work, the guitarist seems even more patient than he was in the past, more willing in his 20th year as a professional to let the music breathe. The jazz material on the recording shows Smyser's influences, chiefly the lush, evocative chording of Wes Montgomery and the agility of the reigning master-supremo, axe-man, Jim Hall. Don't be distracted by the fact that it is self-released. It is top drawer stuff that deserve some serious listening." -Tim Blangger/ The Morning Call 'I'd be curious to know what kind of response you get from this solo CD. I think it should appeal to a wide audience. It is certainly 'jazz', but doesn't have long solos that seem to drive non-jazz listeners away. It is relaxing (but not Musak or New Age) so it would be good to play while doing desk work (sorry - background!!). The effortless and 'making it sound easy' feel doesn't make it a technical listen but arrangements are very interesting. The musicians will certainly appreciate the difficulty and accomplishment to make it sound effortless. Making difficult things sound easy is the highest level. I hope people appreciate it.' - Bill "...beautifully played by Smyser. 'A Foggy Day' is especially tasty." -Robert Page (owner of The Classical Guitar Store, Phila., PA) "Pete, I just love this classical guitar jazz collection. Wow!!!! The sound is so soulful and intimate because of the nylon strings." -Roger "I LOVE IT! I like it when you work alone best. You are able to completely express yourself and it comes off GREAT!! I am loving it!!" - Jan "I really have enjoyed (your CDs). Your taste, conciseness, and respect for the tradition are rare commodities these days. Congrats on a great product, keep swingin!" - Tom HOW THE RECORDING CAME ABOUT... In 2007, John Arnold (professor of classical guitar studies at Moravian College in Bethlehem, Pennsylvania) invited me to perform at the annual Bethlehem Guitar Festival which is rooted in classical guitar traditions. There was, however, an interesting twist to the theme of the festival that particular year - "Jazz on the Classic". Performers were encouraged to incorporate jazz elements into a program that would be performed on a classical (nylon stringed) guitar. With this theme in mind, I set out to put together a solo guitar program that would bridge the two distinctly different musical approaches- classical and jazz. Classical guitar performance usually involves a predetermined and clearly defined arrangement. This involves pre-thinking every detail including all note choices for the arrangement, exact fingering to be used for both the left and right hands, as well as where to play each given note. Jazz enthusiasts champion the ability to play musical ideas spontaneously with little or no preplanning. A jazz performer would typically state the melody once through, then improvise over the chord structure of the piece and, finally, close with a re-statement of the melody. The approach that I settled upon represented a departure from that of any other jazz performance that I had ever performed. The "jazz" elements of this program are represented by, 1. The inclusion of the improvisational middle section of the tunes. 2. The choice of musical selections. Some of the selections are well known American Songbook standards while others were originally composed as instrumental jazz pieces. One song, "Time Will Tell", is an original composition. The "classical" side of the program is represented in three areas. 1. The use of composed arrangements for the melody statements. 2. The music is performed on a nylon string classical guitar (as opposed to the steel string guitar that is more typically used for jazz performances). 3. Classical finger style techniques were utilized exclusively (as opposed to plectrum or pick techniques).

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Price: 25.60 EUR excl. shipping