22 Results for : eschews
-
Cyro
Honest Jon's Records present a reissue of Derek Bailey and Cyro Baptista's Cyro, originally released on Incus in 1988. When Cyro Baptista moved to New York in 1980 from his home city of São Paulo, he brought with him an arsenal of percussion instruments, including the cuica (friction drum), surdo (the booming bass drum associated with samba), berimbau (single-string bow with resonating gourd), and cabasas galore, in the next few years deploying them most notably in numerous ensembles curated by John Zorn, who helped set up this studio session in 1982. As you might expect from someone whose infectious grooves have graced the work of Herbie Hancock, Astrud Gilberto, and Cassandra Wilson, Baptista expertly fires off cunning polyrhythms, even traces of thumping samba, with restless fluency. Bailey, the wily old fox, skirts and eschews the bait, which is quickly conjured away and newly fashioned. The guitarist homes in on the delicious squeaks of the cuica and the twanging drones of the berimbau with truly awesome tonal precision. You could sing along if you wanted, after a caipirinha or two. And he gets almost as many different sounds from his instrument as Baptista can from his kit - check out the stratospheric plings and string-length fret-sweeps of "Tonto", which sound more like a prepared piano than an acoustic guitar. Wonders abound, from the berimbau/bent-string exchanges that open "Quanto Tempo" to the delightful collision of howling cuica and spiky bebop on "Polvo", and the spare, preposterous Webernian samba of "Improvisation 3". These days, "improvisation" often appears without it's customary qualifier "free". If there were ever a case to be made for it's reinstatement, this album is the best supporting evidence. Freedom means you're free to get into the groove, free not to, free to play with each other, free to play against each other. Sometimes frustrating, even scary, but more often than not in the hands of these two great masters it's hilarious, exhilarating and utterly irresistible.- Shop: odax
- Price: 38.18 EUR excl. shipping
-
Llobet: Sämtliche Gitarrenmusik
This new recording presents the complete guitar works of Llobet, who himself was a virtuoso on his instrument, as shown in the complex and innovative writing. Barcelona-born Miguel Llobet once played for the Spanish royal family in the early 20th century. Credited with beginning the notion of a touring classical guitarist, Llobet travelled throughout Europe and beyond, briefly settling in both Paris and Buenos Aires. He later returned to Barcelona, unable to distance himself from his birthplace despite the grip of the civil war in which the city found itself.This collection brings together Llobet's complete works for guitar, beginning with Leonesa and his popular arrangements of 13 Catalan folk songs. These arrangements, each of a varying character, wring a different emotion from the guitar, from the sprightly L'Hereu Riera and lilting El Noi de la Mare to the flourishes of Canço de Lladre and the mournful El Testament d'Amelia. The Variations on a Theme of Sor, based on Fernando Sor's B minor study, contrast a haunting melody with complex articulation. Also featured on the disc are Llobet's 5 Preludes, the Argentinian Folk Songs, Etudes, the witty and bright Scherzo-Waltz, and the composer's debut composition Romance, among others.Italian guitarist Giulio Tampalini studied at the Luca Marenzio Conservatory in Brescia and the G.F. Ghedini Conservatory in Cuneo, and has attended masterclasses all over the world with performers such as Tilman Hoppstock, Eliot Fisk and Dusan Bogdanovic. He has won awards at many international competitions and has performed with orchestras across Europe, America and Asia, including the Andalusian Symphony Orchestra, the European Soloists of Luxembourg, and Pittsburgh's Point Chamber Orchestra.Other information:- New recording, recorded on 3--6 May 2012, Bartok Recording Studio, Bernareggio, Milan.- Tampalini plays on a Philip Woodfield 2010 guitar (strings: Aquila Perla).- The works of Spanish composer Miguel Llobet (1878-1838) have to be seen in the light of his own tragic life, which after glorious periods in the highest artistic circles of Paris at the beginning of the 20th century, ended in depression and gloom in Barcelona in the dismal circumstances caused by the Spanish Civil War. His music eschews the artificial quasi-Spanish-folklore elements, but is firmly rooted in the Spanish culture, albeit of a deeper and darker character, and injected with 20th century modernist elements.- Excellent performances by Giulio Tampalini, one of Italy's leading guitarists.- Contains superb liner notes by Angelo Gilardino and a biography of the artist.- Shop: odax
- Price: 10.74 EUR excl. shipping