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Effluent9 Results for : effulgent
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Effulgent Dreams
Effulgent Dreams ab 9.49 € als epub eBook: . Aus dem Bereich: eBooks, Belletristik, Dramen & Lyrik,- Shop: hugendubel
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Effulgent Dreams
Effulgent Dreams ab 17.49 € als Taschenbuch: . Aus dem Bereich: Bücher, English, International, Englische Taschenbücher,- Shop: hugendubel
- Price: 17.49 EUR excl. shipping
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The Devil and Tom Walker: And Hurst of Hurstcote, by E. Nesbit , Hörbuch, Digital, ungekürzt, 63min
Washington Irving paints an effulgent portrait of the New England countryside as Tom Walker walks with the Devil. Would you dare to bargain with the Devil for your soul? This audiobook also includes "Hurst of Hurstcote", by E. Nesbit. Here, a young man is so stricken by the passing of his wife that his sanity begins to stray. And, as madness spreads its paralyzing influence over him, he unearths a shocking conclusion. ungekürzt. Language: English. Narrator: B.J. Harrison. Audio sample: https://samples.audible.de/bk/harr/000014/bk_harr_000014_sample.mp3. Digital audiobook in aax.- Shop: Audible
- Price: 9.95 EUR excl. shipping
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Paris in the Present Tense , Hörbuch, Digital, ungekürzt, 875min
The New York Times best-selling author of Winter's Tale and A Soldier of the Great War, Mark Helprin reveals a powerful, rapturous novel set in a present-day Paris caught between violent unrest and its well-known, inescapable glories. Seventy-four-year-old Jules Lacour - a maître at Paris-Sorbonne, cellist, widower, veteran of the war in Algeria, and child of the Holocaust - must find a balance between his strong obligations to the past and the attractions and beauties of life and love in the present. In the midst of what should be an effulgent time of life, with its days bright with music, family, and rowing on the Seine, Jules is confronted headlong and all at once by a series of challenges to his principles, livelihood, and home, forcing him to grapple with his complex past and find a way forward. He risks fraud to save his terminally ill infant grandson, matches wits with a renegade insurance investigator, is drawn into an act of savage violence, and falls deeply, excitingly in love with a young cellist who is a third his age. Against the backdrop of an exquisite and knowing vision of Paris and the way it can uniquely shape a life, he forges a denouement that is staggering in its humanity, elegance, and truth. In the intoxicating beauty of its prose and emotional amplitude of its storytelling, Mark Helprin's Paris in the Present Tense is a soaring achievement, a deep, dizzying look at a life through the purifying lenses of art and memory. ungekürzt. Language: English. Narrator: Bronson Pinchot. Audio sample: https://samples.audible.de/bk/blak/010157/bk_blak_010157_sample.mp3. Digital audiobook in aax.- Shop: Audible
- Price: 9.95 EUR excl. shipping
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Pungent Effulgent (2020 Ed Wynne Remaster Blue Lp)
No description.- Shop: odax
- Price: 29.78 EUR excl. shipping
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River of Romance
Music Biography of Paul Ramana das Silbey Romantic classical concert pianist Spontaneous compositions 'streaming' through his heart and soul Mr. Silbey has been a pianist since childhood, when, in New York City, he studied for ten years with Nina Grosavitch Zavadsky, star pupil of the legendary Rimsky Korsakoff. Mr. Silbey's closely supervised training mirrored that of the piano student in the movie 'Madame Souzatska', which was taken directly from Ms. Grosavitch's life and teaching methods. As Mr. Silbey matured, he became the accompanist for the Columbia University Glee Club, and Director of the Barnard College Glee Club in the late 1950's. After performing in New York's Town Hall, Steinway Hall and Carnegie Hall as a young man, he married and turned to a career in management, marketing and sales for a major corporation. In 1970, he decided to explore more fully the inner and outer worlds of experience, which led to a renewal of musical study and performance. After several years of learning the complexity and variety of world music, jazz and shamanic drumming, he formed a succession of experimental world beat dance bands, first in New York City in 1973 (the Collective Star), and later in Northern California in 1980 (Angelsong) With the advent of the new music technology, he drew on his classical background of theory, harmony and composition, while incorporating a wealth of contemporary percussive rhythms, melodies and arrangements. This marriage of classical and contemporary traditions led to several pioneering and creative dance/jazz/world beat albums: Music of the Mantric Wave (1974), Garuda (1975), American Mantra (1978), Angelsong (1982), Sound Power (1985), Millennium Dance (1990), Ecstatic Sound (1992), Ecstatica 1 (1994), and Ecstatic Emergence (1998). He returned to the live solo piano in 2000, and with intuition coupled with effulgent heart and soul, started composing/performing in a spontaneous flow he calls 'streaming'...almost immediately receiving an overwhelmingly enthusiastic response. Three romantic piano compositions and three videos are now completed. He invites you, the listener, to enjoy, dream, envision, voyage and experience the musical CD's: River of Romance (U 112), Love's Healing touch (U 114), and Worlds of Love (U 113). Also to enjoy are his two beautifully videotaped concerts, one performed for Thanksgiving 2000, the other for Valentine's Day 2001, recorded live at the Falkirk Cultural Center Mansion in San Rafael, Ca. The Thanksgiving concert is available in two parts, plus a CD (U 115) that combines the sound tracks of both of them (Live at Falkirk 2000). The Valentine's Day concert was shot for PBS airing and distribution. He performs at concerts, benefits, places of worship, social parties and intimate gatherings. In a new burst of inspired creativity, he has released in 2006 a new CD that is a live piano/harmonium concert, recorded at Fantasy Studios in Berekely Califronia... called 'Romantic Sanctuary'. It is also available through CD Baby. For further information, booking and ordering product, call 415-499-1769, or fax 415-499-9163, e-mail: yaluie@pacbell.net, or write P.O. Box 613, Fairfax, Ca. 94978.- Shop: odax
- Price: 30.58 EUR excl. shipping
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De la Noche
ERNESTO GARCIA DE LEON (1952- ) Ernesto Garcia De Leon can be considered as one of the most innovative, creative and imaginative composers alive today. His influences which range from The Beatles to Mahler, nature sounds to Mexican folk songs have shaped his harmonic language to bring to live a language as unique and distinct as those of Debussy and Scriabin. He has unique ability to bring to live music that can be described as otherworldly and totally inspired (not formulaic ), this music on repeated listening easily becomes intoxicating. The Preludes and nocturnes recorded on this CD represent some of Ernesto's most exquisite and inspired writing for the Solo guitar. These pieces draw the listener and the performer into the private secrete and sacred sound world of the composer. Here all is sound, the Gods of music speak the secretes of life and creation to us in gentle sound that seem to ascend and descend in varying degrees of tone colors, until we become a part of that sound itself....sometimes this brings to mind the Scientific discovery of the theory of everything .... "The String Theory" where everything in the universe is sound waves. To enjoy these pieces it is best to suspend all preconceptions of sound and Music and allow the music to speak to you in it's sublime and effulgent language of beauty, joy and timelessness. To enjoy these pieces it is best to suspend all preconceptions of sound and Music and allow the music to speak to you in it's sublime and effulgent language of beauty, joy and timelessness. De La Noche (Nocturnal) -Fantasy No.2, Opus 20 is an extended concert work in four seasons depicting a tropical night. It is an evocation of warm and sonorous nocturnal noises and sensations, luminous nostalgic moonlight, and a brilliant, improvised costal dance. Dos Piezas (Two Pieces), Opus 24 are a prelude and son in a happy and nostalgic mood. It was written in 1987 for the composer's recital in the "Fifteenth International Cervantino Festival" in Guanajuanto, Mexico, where he premiered it. Preludio y Toccata, Opus 25 features two movements- the first poetic and lyrical, the second dramatic and rhythmic. It was commissioned by it's dedicatee, the superb Mexican guitarist Roberto Limon, who had it published in the English magazine "Guitar International." Veinticuatro Preludios (Twenty-four Preludes), Opus 37: Por una Calle de Camaguey (19). In a dream, I was walking down an unknown and unidentified street with someone. I saw it was my Cuban friend Martin Pedreira-composer and guitarist. Therefore, I deduced I was in Cuba, in the city of Camaguey. That day, when I awoke, I composed this piece. Martin is one of my favorite composers. I believe he and I have many things in common. The characteristic features of this piece have a lot to do with the music of Cuba and the Caribbean in general and Martin's music in particular. Observando Sombras (2.Watching Shadows) was composed when I was thinking about an old practice of the ancient Mexican shamans or sorcerers that has lasted until our times- the practice of observing the shadows all around things. This results in an altered state of perception that allows one to see reality in a different way. It is dedicated to my dear friend Alexander Mendez, a fine and open-minded guitarist. Son para Desarmar (8. Dance to Take Apart) has elements and passages of the "Son" in the Prelude and Son No.2, Opus 30 for two guitars that I composed for Roberto Limon and Jaime Marquez, and which is a "son" which can be played as is or by interchanging it's sections as if you were taking it apart. It has a free part in which improvisation is invited. Grupos de Maranones (21. Groups of Cashew Trees) contains themes from the Tropical Suite, Opus 17, especially from the second movement "Maranon." In the jungle, trees growing in groups of the same family unify and beautify their surroundings. This piece is dedicated to the Veracruz guitarist Enrique Salmeron. Observando Distancias (16. Watching Distances) is another development of "2. Watching Clouds." This piece is dedicated to my friend Elben Macari, one of my favorite composers. His music does something special to me. It seems to have a unique freshness and spontaneity. Perhaps it could be catalogued as "New Age" or "Techno-Etno." Un Regalo de Poder (7. A Gift of Power) is dedicated to the Polish guitarist Miroslaw Franczak. This prelude is not about power, not that of western civilization, but instead that of the ancient aboriginal people of our lands, which they conceived of as an entity in the environment capable of manifesting in our favor, giving gifts. Miroslaw lived in Mexico for two years and experienced many good things. I told him he had been given a "gift of power." Preludio para Adriana, Opus 26 This sweet page of music written in 1988 was inspired by and written for Adrianna del Angel who performed a piece by Garcia de Leon in a recital of the students of Alfredo Rovelo. The day after the recital, the composer presented the Prelude to it's dedicatee and later that year he premiered Opus 26 as an encore to a recital he played in the Manuel Maria Ponce Hall in the Palace of Fine Arts in Mexico City. MANUEL MARIA PONCE (1882 -1948) Manuel Ponce is one of the major influences in the world of 20th century guitar music. His collaboration with the great Spanish guitar virtuoso Andres Segovia who helped extend the guitar repertoire a great deal, his output included works for solo guitar, duos with harpsichord and even a guitar concerto. We owe much of these works to the prompting by Andres Segovia who himself revolutionalized the Art of playing guitar by moving away from the dry metronomic repetition of written notes into a world of limitless possibilities where technical prowess surrenders to the imagination to create poetry, intimacy and freshness. Sonata III must have been completed about mid 1927, the Segovia edition on which this recording is based was first published by B. Schott in 1928. The first movement has a rather neo-romantic character that is reminiscent of Chopin's op35 sonata for piano. The second movement is a song, very simple and modal, similar to the theme of the Sonata for Harpsichord and Guitar by Ponce. The third movement is caste in the style of the French Harpsichordist where the main theme is repeated after every episode, though French in form the theme used is Spanish in character. In a letter to Ponce Segovia wrote about this Sonata .... ".....All the Sonata is quite beautiful and it is an important work for the Guitar, the Artist and the Musician. I thank you wholeheartedly..." ---Andres Segovia TORU TAKEMITSU (1930- 1996) Maestro Takemitsu, a Tokyo Born self taught musician had this to say about music. " Music is either Sound or Silence. As long as I live I shall choose sound As something to confront a silence. That sound should be a single Strong sound" --Toru Takemitsu (1962) This concept of music is obvious in his compositional output. Very careful and imaginative treatment of sound, silence, color and space. In his music you can almost always perceive a certain spaciousness that flows gently like water. Takemitsu's innate understanding of the guitar is evidence from his many compositions for the instrument and his association and friendship with Leo Brouwer(a living legend of the Guitar). Takemitsu is also known for his ability to properly blend Eastern and Western harmonies to create a new exciting composition. The music on this CD is one such example where Takemitsu transcribed various popular western songs (12 of them)for the Classical guitar. The result is mesmerizing. Secrete Love was original composed by Sammy Fain. This transcription employed the use of harmonics pitted against natural notes on the guitar and special fingering positions for exact timbral effects to create a wonderful sense of nostalgia, simply beautiful. CARLO PEZZIMENTI: Since beginning his study of classical guitar in Florence, Italy at the age of- Shop: odax
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