9 Results for : fermina

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    Der Augenblick im Jahre 1879, in dem sich der bettelarme Telegrammbote Florentino in die schöne Fermina, Tochter aus reichem Haus, verliebt, soll sein ganzes Leben bestimmen. Täglich schreiben sich die beiden Liebesbriefe, aber Fermina lehnt unter dem Druck ihres Vaters seinen Heiratsantrag ab und gibt stattdessen einem weltgewandten Arzt das Jawort. Florentinos Liebe bleibt, auch wenn er unzählige Affären eingeht. Nebenbei macht er Karriere und steigt auf zum Direktor der Karibischen Flussgesellschaft. 51 Jahre, neun Monate und vier Tage vergehen seit dem Tag, als sich Florentino unsterblich in Fermina verliebte. Erst als ihr Ehemann stirbt, ist für Florentino endlich der Tag gekommen, an dem er seiner Angebeteten noch einmal seine tiefen Gefühle gestehen kann...Darsteller:Benjamin Bratt, Giovanna Mezzogiorno, Javier Bardem, Alicia Borrachero, Ana Claudia Talancón, Hector Elizondo, John Leguizamo, Laura Harring, Liev Schreiber
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    Gestepptes, wasserabweisendes Polyester-Micro-Popelin. Thermo-Schutz-Isolierung. Polyester-Taft-Innenmaterial. Innere Tasche für Wertsachen. Fixe Kapuze mit abnehmbarem Kunstfell-Besatz.
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    • Price: 80.92 EUR excl. shipping
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    Gestepptes, wasserabweisendes Polyester-Micro-Popelin. Thermo-Schutz-Isolierung. Polyester-Taft-Innenmaterial. Innere Tasche für Wertsachen. Fixe Kapuze mit abnehmbarem Kunstfell-Besatz.
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    • Price: 54.28 EUR excl. shipping
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    Audie Award Finalist, Classic, 2014 From the Nobel Prize-winning author of One Hundred Years of Solitude comes a masterly evocation of an unrequited passion so strong that it binds two people's lives together for more than half a century. In their youth, Florentino Ariza and Fermina Daza fall passionately in love. When Fermina eventually chooses to marry a wealthy, well-born doctor, Florentino is devastated, but he is a romantic. As he rises in his business career, he whiles away the years in 622 affairs - yet he reserves his heart for Fermina. Her husband dies at last, and Florentino purposefully attends the funeral. Fifty years, nine months, and four days after he first declared his love for Fermina, he does so again. With humorous sagacity and consummate craft, Gabriel García Márquez traces an exceptional half-century of unrequited love. Though it seems never to be conveniently contained, love flows through the novel in many wonderful guises - joyful, melancholy, enriching, and ever surprising. ungekürzt. Language: English. Narrator: Armando Durán. Audio sample: https://samples.audible.de/bk/blak/005852/bk_blak_005852_sample.mp3. Digital audiobook in aax.
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    Nichts auf dieser Welt ist schwieriger als die LiebeDas erleben und erleiden Fermina Daza und Doktor Juvenal Urbino tagtäglich in ihrer mehr als fünfzigjährigen Ehe. Und keiner erfährt das schmerzlicher als Florentino Ariza, Fermina Dazas Verehrer, der 51 Jahre, 9 Monate und 4 Tage auf sie wartet. Schwärmerisch hat der Telegrammbote Florentino Ariza in poetischen Briefen um sie geworben, hat in aller Keuschheit ihr Herz gewonnen und wieder verloren, aber niemals aufgehört, sie zu lieben.An der Seite ihres Mannes, eines hochgeachteten Arztes, führt Fermina Daza nun ein großbürgerliches Leben. Florentino Ariza, der aus ärmlichen Verhältnissen stammt, wird ein gesellschaftlich anerkannter Mann und ein erfolgreicher, nimmermüder Schürzenjäger. Im Herzen jedoch ist er Fermina Daza immer treu geblieben, und noch am Abend der Beerdigung ihres Mannes erklärt er ihr erneut seine Liebe.Die Liebe in den Zeiten der Cholera ist ein Roman voller Lebenskraft und Poesie.»Ohne die reichen Bücher von García Márquez wäre unsere Welt entschieden ärmer.« Jochen Hieber, Frankfurter Allgemeine Zeitung
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    51 Jahre, 9 Monate und 4 Tage wartet Florentino Ariza auf Fermina Daza. Schon als Achtzehnjähriger hat er sich unsterblich in sie verliebt, in ihren stolzen Gang und den schweren Zopf auf ihrem Rücken. In poetischen Briefen hat er um sie geworben, für kurze Zeit ihre Aufmerksamkeit gewonnen, und sie dann doch an Doktor Juvenal Urbino verloren. Aber nie hat er aufgehört, sie zu lieben.
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    • Price: 12.99 EUR excl. shipping
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    Die schönste Liebesgeschichte der Welt und einer der bedeutendsten Romane des kolumbianischen Literaturnobelpreisträgers Gabriel García Márquez.51 Jahre, 9 Monate und 4 Tage wartet Florentino Ariza auf Fermina Daza. Schon als Achtzehnjähriger hat er sich unsterblich in sie verliebt, in ihren stolzen Gang und den schweren Zopf auf ihrem Rücken. In poetischen Briefen hat er um sie geworben, für kurze Zeit ihre Aufmerksamkeit gewonnen, und sie dann doch an Doktor Juvenal Urbino verloren. Aber nie hat er aufgehört, sie zu lieben.
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    • Price: 14.40 EUR excl. shipping
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    Die schönste Liebesgeschichte der Welt und einer der bedeutendsten Romane des kolumbianischen Literaturnobelpreisträgers Gabriel García Márquez.51 Jahre, 9 Monate und 4 Tage wartet Florentino Ariza auf Fermina Daza. Schon als Achtzehnjähriger hat er sich unsterblich in sie verliebt, in ihren stolzen Gang und den schweren Zopf auf ihrem Rücken. In poetischen Briefen hat er um sie geworben, für kurze Zeit ihre Aufmerksamkeit gewonnen, und sie dann doch an Doktor Juvenal Urbino verloren. Aber nie hat er aufgehört, sie zu lieben.
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    • Price: 13.40 EUR excl. shipping
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    CORDATUM - JAVIER BRAVO (GUITAR) ARGENTINE MUSIC COLLECTION VOL. II THE CONTEMPORARY GUITAR &nbsp,&nbsp,&nbsp,This disc is part of a research project about avant-garde guitar music in Argentina and it includes works composed between 1974 and 2011. Many of these guitar works are recorded for the first time on CD and some of them remain unpublished .They are pieces of great artistic value and despite the great the development of classical guitar world, are not yet known or broadcast. We hope that this album contribute to the diffusion and promotion of contemporary Argentine art, it's excellent works and creators. The twentieth century was the scene of great changes in all spheres, many new movements have arisen in politics, science and art. Notably, the second half of the century is a turning point in the emergence of new concepts in music: the appearance of indeterminacy in various musical parameters, the development of serialism and other highly refined organizational systems, the enrichment of timbre through new instrumental techniques and electronics and, finally the coexistence of the styles of all times and all countries. &nbsp,&nbsp,&nbsp,In Argentina we can find a turning point in the creation of the Instituto Di Tella and it's Latin American Center for Advanced Musical Studies. Despite it's relatively brief period of activity (1962-1971) it exerted a decisive influence on Latin American music and other arts of the time, stimulating the creation, communication and exchange between composers of our continent and the rest of the world.&nbsp, &nbsp,&nbsp,The guitar, instrument of long tradition and popularity in Argentina in all musical genres, had it's repertoire enriched with many creations that incorporate new expressive possibilities through timbral innovation, an unprecedented evolution of musical notation, and experiments with new ways of structuring musical material. &nbsp,&nbsp,&nbsp,This creative impulse remains over time and reaches the XXI century, where all these trends converge, develop and manifest according to the personality of each composer, resulting in a wide range of artistic expressions. JORGE TSILICAS (Buenos Aires 1930 - Buenos Aires 1995) Monologues (1974) Jorge Tsilicas studied composition with Jacobo Ficher, Francisco Kröpfl and Enrique Belloc in Argentina. Later he studied with Boris Porena and Franco Donatoni in Italy. He devoted much of their production to the guitar, including works for solo guitar, duets and quartets. His works are written in an atonal style, exploring the timbral possibilities of the guitar and experimenting with different degrees of formal indeterminacy (Spiral, Perikiklosis). Dedicated to argentine guitarist Irma Costanzo, Monologues is a piece organised in three movements: The first have a fragmentary and energetic character. This movement is structured in series of short gestures consisting of chords, note sets and percussive effects. A sense of agitation is achieved through continuous dynamic contrast and permutation of elements, evolving over a harmonic texture based mainly in minor second and augmented fourth intervals. The second movement, Moderato, based on the same harmonic elements, conveys a more contemplative, lyrical mood, with a greater sense of continuity of the elements. It's third movement, Presto, shares sound gestures with other movements but it is characterized by the use of fast passages in a toccata or cadenza style in most of the movement. JAVIER BRAVO (Buenos Aires * 1972) Distance (2006)-Toccata (2004) Javier Bravo studied composition with Rodolfo Daluisio and wrote works for various instrumental ensembles ranging from solo instruments to symphonic and electroacoustic music. His musical language is inspired by popular Argentine music and jazz, together with sound resources and procedures of contemporary music. Distance explores the harmonic and resonance possibilities of guitar through a twelve-tone based structure. Written on a lyrical and contemplative style, this piece refers to rhythmic gestures of zamba, a very traditional Argentine folk dance. In contrast to Distance, Toccata expresses a climate of agitation: it begins with short chord sequences in fortissimo, which alternate with extensive passages based on the idea of continuous motion. The work, of great virtuosity, grows in tension through numerous meter changes, polymetric passages, multiple string tremolos and strumming chords. Based on a twelve-tone structure, this work is built over concepts of free atonality. FERNANDO ROVETTA (* 1968) 'Two Pieces for Guitar' (1994) Graduated from IUNA with a Musical Arts degree, Fernando Rovetta studied composition with Juan Carlos Figueras, Pablo Cetta and Fernando Maglia. Awarded as composer on several ocassions, he gives seminars on contemporary music and participates as jury of guitar competitions. On "Two pieces for guitar ' the author says: 'The 'Two Pieces for Guitar '(1994) are rooted on tango music, exploring it's gestures, procedures and sound within a musical language lying between extended tonality and free atonalism. The first one, 'Transition', is developed through the interaction of a harmonic component (with the chord as support) and another melodic (a chromatic gesture linked to bandoneonist Anibal Troilo style). In the second piece, 'Recycling', motivic elements contrast themselves and cohere in the rhythmic aspect (supported in various stylistic resources). This work includes the phrasing and dynamic fluctuations of the tempo, typical of the genre.J avier Bravo's performing deeply understood the implications that have these formal aspects, resulting in an intense version, very rich in detail. ' SALVADOR RANIERI (Arena, Italy 1930 - Buenos Aires 2012) Cordatum (2005) Salvador Ranieri, was a prolific composer, with a catalog of more than 180 works, including symphonic and chamber music . He studied composition with Juan Francisco Giacobbe in Argentina and later with Goffredo Petrassi in Italy. He studied electronic music at the Institute di Tella through a scholarship, and then he continued working in that field at the Academy of Santa Cecilia (Rome). His style was defined several times as deeply expressive, driven by an intense inner dramatism. Cordatum is written in the manner of a fantasy, in a style full of passion and metric vitality. Chromatism, rhythmic insistence and percussive effects are characteristic of the author's style. The work, composed in 2005, was premiered by Javier Bravo in 2011. CECILIA FIORENTINO (Buenos Aires * 1962) Petite Suite (2011). I. Prelude II. Dance III. Aria IV. Final Cecilia Fiorentino graduated as Profesora Superior de Piano (1982) and Composition (1986) at the National Music Conservatory 'Carlos López Buchardo'. Noteworthy among her teachers are Fermina Casanova, Virtu Maragno, Alicia Terzián, Delia Castro, Isabel von Basenheim, Amalia Cascarini and Perla Brúgola. She is the author of some fifty works, most of them for chamber ensambles. As a composer, she has been awarded several times and she actively participates in composers' associations from Argentina. She teaches counterpoint and composition at several Buenos Aires' Conservatoires and has participated as jury in various composition competitions . On Petite Suite, the author tells us: 'Written in a free tonal style, this work- as almost every movement- express on it's titles, formal models that inspired it's composition: the single motive based structure in the first movement -resembling the style of many Baroque preludes-, the rhythmic and formal symmetry in the second movement -Dance-, and the characteristic accompanied melody texture in third movement titled Aria. The final movement consists of two parts: a free introduction in a fantasia style, and a 'fugatto' section to conclude. While it is not the first time I have included the guitar in one of my works, it is certainly the first time that I write a solo guitar piece. This has been for me, a unique challenge, that I hope to have withstood thanks to the valuable contr
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    • Price: 26.65 EUR excl. shipping


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