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1964/65 wurde die international renommierte Künstlergruppe ZEBRA gegründet (bestehend aus Dieter Asmus, Peter Nagel und Dietmar Ullrich), deren Ziel es ist, einen für unsere Zeit verbindlichen »Neuen Realismus« zu schaffen, die Moderne in Richtung sichtbare Welt weiterzuentwickeln und so Kunst und Leben erneut zu verbinden.Geschult an der Abstraktion, aufgewachsen mit der Fotografie, gelingt den Künstlern die exemplarische Verewigung heutiger Anblicke zu suggestiven Inbildern unserer Gegenwart. Beeinflusst wurden die Künstler dabei von Pablo Picasso, Francis Bacon und Jean Dubuffet, gemeinsame Ausstellungen fanden unter anderem in Aachen, Belgrad, Darmstadt, Hamburg, London und Rom statt.Die Bände der drei Künstler sind einzeln sowie als Schuber (»Die Maler der Gruppe ZEBRA«) erhältlich.Der Einzelband ist auch gemeinsam mit den zwei anderen Titeln zur Gruppe Zebra im Schuber erhältlich.

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Price: 29.90 EUR excl. shipping

Der fliegende Pfeil steht

1964/65 wurde die international renommierte Künstlergruppe ZEBRA gegründet (bestehend aus Dieter Asmus, Peter Nagel und Dietmar Ullrich), deren Ziel es ist, einen für unsere Zeit verbindlichen »Neuen Realismus« zu schaffen, die Moderne in Richtung sichtbare Welt weiterzuentwickeln und so Kunst und Leben erneut zu verbinden.Geschult an der Abstraktion, aufgewachsen mit der Fotografie, gelingt den Künstlern die exemplarische Verewigung heutiger Anblicke zu suggestiven Inbildern unserer Gegenwart. Beeinflusst wurden die Künstler dabei von Pablo Picasso, Francis Bacon und Jean Dubuffet, gemeinsame Ausstellungen fanden unter anderem in Aachen, Belgrad, Darmstadt, Hamburg, London und Rom statt.Die Bände der drei Künstler sind einzeln sowie als Schuber (»Die Maler der Gruppe ZEBRA«) erhältlich.Der Einzelband ist auch gemeinsam mit den zwei anderen Titeln zur Gruppe Zebra im Schuber erhältlich.

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Price: 29.90 EUR excl. shipping

Mirror Mirror: Frieze Masters London: CV/Visual Arts Research, Book 237 , Hörbuch, Digital, ungekürzt, 20min

Frieze Masters, London October 6, 2019Into the broad arena of the covered awnings of this enormous tented gathering of leading art dealers and the first gallery space is Aquavella, with a variety of exhibits; and come face-to-face with an absolutely spiteful acid green and fluorescent pink abstract by Keith Haring (1958-1990). It’s on canvas dated 1982 and signed lower left. The green is painted in a random ventilated grid over the hyper-intense pink with a bold line of a green stripe on the top edge of the work, which is encased in a glass vitrine. Next to this, Wayne Thiebaud, pop painter of the primary movement in the 1960s. Always a strongly composed small-scale panel shows an aerial view of a highway and sports arena. Its neighbor, a classic signature Thiebaud of an array of cakes and pastries, described in mouthwatering swirls of oil paint.Jean Dubuffet figures frequently in the art fair; here is a piece dated 1963. Abstract expressionist slash marks of brown revealed through patches of pink, cream, and white in vigorous calligraphic swirls. A powerful and early Francis Bacon "Study for a Figure", 1950. An intensely felt statement, carrying the conviction of the post-war period before his vision became dandified, repetitive, and formulaic. The ground is charcoal grey in thinly washed vertical strokes. The male body emerges convulsively, a bulging tangle of pecs and biceps and hunched powerful shoulders. The figure is imprisoned in the familiar white outline cage, and there is a counterpoint thin red line identifying the lower edge of the canvas. ungekürzt. Language: English. Narrator: Christopher Selbie. Audio sample: https://samples.audible.de/bk/acx0/171055/bk_acx0_171055_sample.mp3. Digital audiobook in aax.

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Provenance: How a Con Man and a Forger Rewrote the History of Modern Art , Hörbuch, Digital, ungekürzt, 539min

Here is a tautly paced investigation of one the 20th century's most audacious art frauds, which generated hundreds of forgeries - many of them still hanging in prominent museums and private collections today. Provenance is the extraordinary narrative of one of the most far-reaching and elaborate deceptions in art history. Investigative reporters Laney Salisbury and Aly Sujo brilliantly recount the tale of a great con man and unforgettable villain, John Drewe, and his sometimes unwitting accomplices. Chief among those was the struggling artist John Myatt, a vulnerable single father who was manipulated by Drewe into becoming a prolific art forger. Once Myatt had painted the pieces, the real fraud began. Drewe managed to infiltrate the archives of the upper echelons of the British art world in order to fake the provenance of Myatt's forged pieces, hoping to irrevocably legitimize the fakes while effectively rewriting art history. The story stretches from London to Paris to New York, from tony Manhattan art galleries to the esteemed Giacometti and Dubuffet associations, to the archives at the Tate Gallery. This enormous swindle resulted in the introduction of at least 200 forged paintings, some of them breathtakingly good and most of them selling for hundreds of thousands of dollars. Many of these fakes are still out in the world, considered genuine and hung prominently in private houses, large galleries, and prestigious museums. And the sacred archives, undermined by John Drewe, remain tainted to this day. Provenance reads like a well-plotted thriller, filled with unforgettable characters and told at a breakneck pace. But this is most certainly not fiction; Provenance is the meticulously researched and captivating account of one of the greatest cons in the history of art forgery. ungekürzt. Language: English. Narrator: Marty Peterson. Audio sample: https://samples.audible.de/bk/adbl/001789/bk_adbl_001789_sample.mp3. Digital audiobook in aax.

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Transfixed by Prehistory (eBook, PDF)

An examination of how modern art was impacted by the concept of prehistory and the prehistoricPrehistory is an invention of the late nineteenth century. In that moment of technological progress and acceleration of production and circulation, three major Western narratives about time took shape. One after another, these new fields of inquiry delved into the obscure immensity of the past: first, to surmise the age of the Earth; second, to find the point of emergence of human beings; and third, to ponder the age of art. Maria Stavrinaki considers the inseparability of these accounts of temporality from the disruptive forces of modernity. She asks what a history of modernity and its art would look like if considered through these three interwoven inventions of the longue durée. Transfixed by Prehistory attempts to articulate such a history, which turns out to be more complex than an inevitable march of progress leading up to the Anthropocene. Rather, it is a history of stupor, defamiliarization, regressive acceleration, and incessant invention, since the "new" was also found in the deep sediments of the Earth. Composed of as much speed as slowness, as much change as deep time, as much confidence as skepticism and doubt, modernity is a complex phenomenon that needs to be rethought. Stavrinaki focuses on this intrinsic tension through major artistic practices (Cézanne, Matisse, De Chirico, Ernst, Picasso, Dubuffet, Smithson, Morris, and contemporary artists such as Pierre Huyghe and Thomas Hirschhorn), philosophical discourses (Bataille, Blumenberg, and Jünger), and the human sciences. This groundbreaking book will attract readers interested in the intersections of art history, anthropology, psychoanalysis, mythology, geology, and archaeology.

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Price: 23.95 EUR excl. shipping