25 Results for : echolocation

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    An in-depth look at the science that explains the hidden powers of the five senses and how to harness their potential. In this revealing romp through the mysteries of human perception, University of California psychologist and researcher Lawrence Rosenblum explores the astonishing abilities of the five senses - skills of which most of us are remarkably unaware. Drawing on groundbreaking insights into the brain's plasticity and integrative powers, including findings from his own research, Rosenblum examines how our brains use the subtlest information to perceive the world. A blind person, for example, can "see" through batlike echolocation; a Master Sommelier can actually taste the grape variety, region, and vintage of an obscure wine; and pheromones can subliminally signal a lover's compatibility. To illustrate these implicit perceptual skills, Rosenblum takes us from the "beep" baseball fields where blind players swing at beeping balls, to a pitch-black restaurant where diners experience taste without the aid of sight. We accompany him on a visit to an Oscar-winning animator who explains how the public's expertise in perceiving faces has made his job so difficult; and a visit with a supermodel to discuss why beautiful faces are irresistible. New studies have shed light on the surpising power and reach of our senses. It turns out that our brains use entire forms of perceptual information of which we are largely unaware. We can hear things that don't make sounds, feel things without touching them, see things with no form, and smell things that have no discernable odor. Throughout the book, Rosenblum not only illuminates the fascinating science behind our hidden perceptual powers, but demonstrates how increased awareness of these abilities can actually lead us to enhance how we use them. ungekürzt. Language: English. Narrator: Lawrence D. Rosenblum. Audio sample: https://samples.audible.de/bk/adbl/002435/bk_adbl_002435_sample.mp3. Digital audiobook in aax.
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    An exploration of echo not as simple repetition but as an agent of creative possibilities. In this volume in the MIT Press Essential Knowledge series, Amit Pinchevski proposes that echo is not simple repetition and the reproduction of sameness but an agent of change and a source of creation and creativity. Pinchevski views echo as a medium, connecting and mediating across and between disparate domains. He reminds us that the mythological Echo, sentenced by Juno to repeat the last words of others, found a way to make repetition expressive. So too does echo introduce variation into sameness, mediating between self and other, inside and outside, known and unknown, near and far. Echo has the potential to bring back something unexpected, either more or less than what was sent. Pinchevski distinguishes echo from the closely related but sometimes conflated reflection, reverberation, and resonance; considers echolalia as an active, reactive, and creative vocalic force, the launching pad of speech; and explores echo as a rhetorical device, steering between appropriation and response while always maintaining relation. He examines the trope of echo chamber and both destructive and constructive echoing; describes various echo techniques and how echo can serve practical purposes from echolocation in bats and submarines to architecture and sound recording; explores echo as a link to the past, both literally and metaphorically; and considers echo as medium using Marshall McLuhan's tetrad.
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    An exploration of echo not as simple repetition but as an agent of creative possibilities. In this volume in the MIT Press Essential Knowledge series, Amit Pinchevski proposes that echo is not simple repetition and the reproduction of sameness but an agent of change and a source of creation and creativity. Pinchevski views echo as a medium, connecting and mediating across and between disparate domains. He reminds us that the mythological Echo, sentenced by Juno to repeat the last words of others, found a way to make repetition expressive. So too does echo introduce variation into sameness, mediating between self and other, inside and outside, known and unknown, near and far. Echo has the potential to bring back something unexpected, either more or less than what was sent. Pinchevski distinguishes echo from the closely related but sometimes conflated reflection, reverberation, and resonance; considers echolalia as an active, reactive, and creative vocalic force, the launching pad of speech; and explores echo as a rhetorical device, steering between appropriation and response while always maintaining relation. He examines the trope of echo chamber and both destructive and constructive echoing; describes various echo techniques and how echo can serve practical purposes from echolocation in bats and submarines to architecture and sound recording; explores echo as a link to the past, both literally and metaphorically; and considers echo as medium using Marshall McLuhan's tetrad.
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    In Click and Other Stories, Alexis Radcliff spins four creepy tales of the unseen, unexplained, and gruesome things that happen on the secret edges of everyday life. Where the light brushes the darkness, the ordinary turns creepy, and reality gets a little accidental bump into the terrifying realm of the possible.... I. "Click" (Unknown, Monster, Darkness, Alone in the Wilderness) Casey Stevens is a forest ranger living in Montana - ordinary except for the fact that he's totally blind. He uses echolocation to get around, clicking with his tongue to "see" his environment and fearlessly exploring forest trails at night by himself. But when he gets a distress call and goes to investigate a strange cave in the middle of a rainstorm, he discovers why any human ought to fear the darkness, no matter who they are. II. "The Spider Wrangler" (Adventure, Arachnids, Criminals, Guns, Occult) When Doctor Albert Farraday is forced to enter an ancient, trap-filled ruin in Central America to retrieve the only thing that can save his daughter from a madman, he finds that more than just dusty spikes await him in the chittering shadows. III. "When You Least Expect It" (Supernatural, Parallel Reality, Powerless, Nameless Horror) Lucy is having an ordinary day in her empty house, but when an unexpected and terrifying guest comes sliding across the ceiling and seems to bend all laws of physics, she discovers that she's well outside the realm of the ordinary, and there's only one way to escape. IV. "Crumbs" (Vengeance, Domestic Abuse, Cannibal) Christine is forever disappointing her demanding husband in ways both large and small, and if she can't bring herself to live up to his standards, he might just leave her for good. How far will she go to keep the man she loves close at hand? ungekürzt. Language: English. Narrator: Ron Welch. Audio sample: https://samples.audible.de/bk/acx0/049881/bk_acx0_049881_sample.mp3. Digital audiobook in aax.
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    Bats are fascinating mammals about which we still have much to learn. As well as using ultrasonic echolocation calls for orientation and while foraging, they also have a complex array of vocalisations for communication. These are known as social calls and are an essential component of their colonial lifestyle.This book brings together the current state of knowledge of social calls relating to the bat species occurring within Britain and Ireland, with some additional examples from species represented elsewhere in Europe. It includes access to a downloadable library of calls to be used in conjunction with the book.Downloadable call library Social calls are complex and intriguing to listen to; they are after all produced with listeners in mind (other bats). To enjoy and fully appreciate social calls the reader must also have the opportunity to become a listener: each of the presented sonograms in the book is cross-referenced to downloadable 'time expanded' .wav sound files which are contained within a much wider library of calls for you to explore.Included in Social Calls of the Bats of Britain and Ireland The authors start with an overview of the species of bats in Britain and Ireland (Chapter 1), and then introduce us to communication within the social world of bats (Chapter 2). Referencing the latest research, the authors explore how these calls can be classified according to their structure, and in many cases the context in which the calls are thought to be emitted (Chapter 3). Chapter 4 addresses aspects of survey methodology to be considered by those studying social calls. This leads on to the analysis of calls (Chapter 5), detailing the specific methods used and parameters commonly measured by researchers.The final, and main chapter (Chapter 6) introduces the 23 species covered in the book giving each a detailed profile including: habitat preferences, typical roosting locations, roost emergence times, mating strategies and maternity behaviour. Each species profile includes what is known about the social calls for that species and this text is supported by colour sonograms (created using Pettersson BatSound V4.1) of most of the calls discussed. Each sonogram is linked to a .wav sound file (Time Expansion x10) within the downloadable library. The sound files allow the reader to hear, as well as see, the calls produced using any bat sound analysis software that supports the .wav format.The authors conclude with a bibliography and an extensive list of references directly cross-referenced throughout the book.
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