16 Results for : filarmonica

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    Since giving his Carnegie Hall concerto debut, American violinist ANTON MILLER has appeared throughout the United States and abroad as a soloist, chamber musician, recitalist, and pedagogue. He is currently Associate Professor of Violin at The Hartt School and on the violin and chamber music faculty at New York University. He previously has been on the faculty of the Oberlin Conservatory, Lawrence University, and Swarthmore College. Mr. Miller is a founder and&nbsp,the Artistic Director of the Three Bridges International Chamber Music Festival&nbsp,in Minnesota, and was the co-Artistic Director of the Silver Bay&nbsp,Festival.&nbsp,Past and current festival faculty positions also include The Intensive String Quartet&nbsp,Workshop at New York University, Aria International Academy, The Hawaii Performing Arts Festival, The Festival Eterna Primavera in Cuernavaca Mexico, the Summer Festival of Thessaloniki, Musicorda, Hsing Tien Kon (Taiwan), Bearstown&nbsp,(Korea), Killington, Hot Springs, and New Arts Festival. As a chamber musician he can be heard in concert in collaborations with the Trio Respiro, Trio Nuovo, Con Brio Ensemble, and the Phenix Ensemble. A winner of the Artists International Competition in New York, Anton Miller&nbsp, studied with renown violin pedagogues Dorothy DeLay and Franco Gulli, and chamber music with Felix Galimir and&nbsp,members of the Juilliard Quartet.&nbsp, .Mr. Miller's dedication to expanding the violin repertoire can be seen in his frequent commissions and premieres of the music of living composers. His world premiere performance of Xiogang Ye's "Last Paradise" for violin and&nbsp,orchestra in Beijing, China was recorded for broadcast throughout Asia and released on CD.&nbsp, His complete discography can be found on the Dorian, Jericho, Full House, Hugo, Naxos and Klavier labels. &nbsp, Always trying to bridge the gap between popular culture and classical music, violist RIta Porfiris has been the subject of articles and interviews in media across the globe including the New York Times, Chamber Music America, International Symphony Musician, the NBC Nightly News, NPR, PBS, and the BBC. She has performed in major concert halls and music festivals worldwide and as a soloist has appeared with numerous orchestras including the Orquesta Filarmonica de la Ciudad de Mexico and the New World Symphony.&nbsp,Currently the Associate Professor of Viola at The Hartt School, she is also on the faculty of the Texas Music Festival and ARIA Arts Academy and has been on the faculties of the New York University, University of Houston Moores' School of Music, Florida International University, and the Harlem School for the Arts in New York. She has given master classes and clinics across the U.S., Japan, Great Britain, Argentina and Brazil.&nbsp, &nbsp,Ms. Porfiris is a member of the Phenix Ensemble and was a founding member of the Plymouth Quartet, in-residence at the Ojai Festival, Mainly Mozart, Point Counterpoint, and the Internationale Quartettakademie Prag-Wien-Budapest. She is the recipient of Austria's prestigious Prix Mercure, a prizewinner in the Fischoff Chamber Music Competition and the Primrose International Viola Competition, and a laureate of the Paolo Borciani International Quartet Competition.&nbsp, In her former 20 year-long career as an orchestral musician (of which 15 years were spent with the Houston Symphony), she worked under some of the most recognized conductors of the 20-21st centuries including Leonard Bernstein, Sergiu Celibidache, Kurt Masur, Michael Tilson Thomas, and Christoph Eschenbach.&nbsp,Ms. Porfiris received both her BM and MM in Viola Performance from The Juilliard School, studying with William Lincer. Other teachers and mentors have been Paul Doktor, Norbert Brainin, Maurice Gendron, and Harvey Shapiro. She has published an article in the Journal of the American Viola Society detailing the importance of physical fitness in preparing for virtuosic modern works, her top push-up score is 134 in two minutes.
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    Probably one of the most brilliant musicians to emerge from Malta, Brian SCHEMBRI started his music studies under the guidance of his father Carmelo SCHEMBRI, very early establishing himself as a highly talented concert pianist. His frequent recital performances on television, radio and in most of Malta's public concert halls rapidly gained him a remarkably popular reputation. He then travelled to the ex-USSR where he studied piano with Alexander SNEGIRIOV and Sergei DORENSKY and conducting with Roman KOFMAN and Gennady ROZHDESTVENSKY at the Kiev and Moscow 'Tchaikowsky' State Conservatories. Since then Schembri has worked as conductor with the Theatre du Capitole and with the Orchestra National du Capitole in Toulouse, l'Orchestre National de Lyon, Permanent Conductor with the OPF in Paris, Principal Conductor with the Orquestra Metropolitana Lisboa as well as lecturer in music at the University of Malta. He has conducted orchestras such as the State Philharmonic Orchestra of Ukraine, l'Orchestra Sinfonica di San Remo, l'Orchestre Symphonique et Lyrique de Nancy, the Malta National Orchestra, l'Orchestre de Bretagne, l'Orchestra Ciutat de Barcelona, the Philharmonic Orchestra of Odessa, the Moscow Soloists, Orquestra Academica Metropolitana, l' Orchestra Filarmonica Marchigiana, the Chamber Orchestra of Geneva, Sofia National Opera Orchestra and the London Philharmonic Orchestra. Apart from giving piano recitals in Malta, Italy, France, Ukraine, Switzerland, Russia and Great Britain, he has performed at the 'Festival Massenet', 'Kiev Symphonic Evenings', 'Octobre en Normandie', 'Les Rencontres Musicales d'Evian', "Festa da Musica", "Lisboa em Festa", "Festival MusicAtlantico", "Festival de Piano Vendôme", "Henley Festival". He has also conducted opera productions at the Rennes and Nancy Opera Theatres and the internationally televised G7 Summit Concert in Lyon. Brian Schembri has composed music for theatre productions at the Manoel Theatre and Teatru Strada Stretta in Malta and the Comédie Française in Paris and has recently recorded Charles Camilleri's new Symphony nr 1 and Kosmos with the the Royal Scottish National Symphony Orchestra. Press comments : These sparkling performances from Brian Schembri and the excellent Bournemouth Symphony Orchestra could not be more stylish or persuasively spontaneous, and the vividly atmospheric recording is first rate. (Gramophone Magazine) A pianist of high calibre. (The Times, UK) ...without the least fault in taste, there was passion and lyrical emotion. (Est Republicain, France) ...very well equipped, both technically and emotionally... (The Daily Telegraph, UK) ...he tackles the work with character and breadth...giving it delicacy and sensibility. (Ouest France) ...a pianist in the grand manner...daringly unfamiliar interpretative forays kept always within the limits of good taste.... (The Times, Malta) ...aristocratic, vibrant, elegant gestures, clearly designing the music, without dryness or heaviness... (Lyon Figaro, France) As soon as the curtain rises we are sure of success with Brian Schembri's clear and secure conducting. (Opera International) ...conducting...a strong, generous and broad vision, as lyrical as one could imagine, without excess...a completely convincing and magnificent sound. (Paris Normandie, France) Everything sounds as if it has been meticulously prepared, but the control is never paralysing and the final impression is of focused vitality....he infused the interpretation with unbelievable warmth. (The Sunday Times, Malta) Brian Schembri with his nervous baton, his guiding gestures full of complicity and warmth, deserves a general bravo all for himself..." (La Tribune Le Progres, France) The reading was intelligent, musical and it did justice to this masterpiece (Shostakovich Symphony nr 14)...it was a great interpretation...a great symphonic concert...clearly the best concert of the season and the best event of all the Portuguese lyrical season. (Crítica de Música - Álvaro Sílvio Teixeira)
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    Camerata Filarmonica Bohemia - Johannes Moesus (Dir) -- World Premiere Recording
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    • Price: 17.95 EUR excl. shipping
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    Mit seinem neuen Album Cherubini Discoveries setzt Riccardo Chailly seine "Discoveries"-Erfolgsserie fort.Eingespielt mit der Filarmonica della Scala, deren letzte Veröffentlichung THE FELLINI ALBUM von der Fachpresse hochgelobt wurde (a fascinating album - Classic FM), widmet sich der Dirigent dem italienischen Komponisten Luigi Cherubini. Dabei präsentiert er neben bekannten Werken, wie dem Marche funèbre auch 9 Weltersteinspielungen.Luigi Cherubini, der im Juli 1786 nach Paris zog und für einige Zeit das Pariser Conservatoire leitete, komponierte neben Opern, Messen, Motetten und 2 Requien auch zahlreiche Werke für offizielle und private Anlässe. Dabei handelt es sich um Märsche, von denen Chailly 9 für dieses Album wiederentdeckt hat. Darunter finden sich Werke wie der Marche religieuse pour le jour du sacre de Charles X oder auch der Marche pour le pompe funèbre du Général Hoche.Das Album schließt mit dem bekannten Marche funèbre, welcher vermutlich beim Begräbnis des Duc de Berry am 14. März 1820 uraufgeführt wurde.
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    Orchestra Filarmonica Nazionale Ucraina di Donetsk, Coro Montiverdi di Tirano, Tamara della Vedova (Dir), Coro la Reit di Bormio, Alessandro Ruggeri (Dir), u.a.
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    • Price: 15.53 EUR excl. shipping
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    Nach nunmehr fast 40 Jahren bei Decca Redcords, startet Chailly im Januar sein neues Projekt, zusammen mit einem renommierten Orchester, der Filarmonica Della Scala aus Mailand.Dieses Album ist eine spektakuläre Aufnahme, welche drei Jahrhunderte des legendären Opernhauses feiert, Mit Ouvertüren, Präludien und Intermezzi von Verdi, Rossini, Puccini und vielen anderen gelingt es Riccardo Chailly sein einzigartiges Gesamtwerk zu erweitern.
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    • Price: 14.15 EUR excl. shipping


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