31 Results for : capacious

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    Fred Rogers was an international celebrity. He was a pioneer in children's television, an advocate for families, and a multimedia artist and performer. He wrote the television scripts and music, performed puppetry, sang, hosted, and directed Mister Rogers' Neighborhood for more than thirty years. In his almost nine hundred episodes, Rogers pursued dramatic topics: divorce, death, war, sibling rivalry, disabilities, racism. Rogers' direct, slow, gentle, and empathic approach is supported by his superior emotional strength, his intellectual and creative courage, and his joyful spiritual confidence. The Green Mister Rogers: Environmentalism in "Mister Rogers' Neighborhood" centers on the show's environmentalism, primarily expressed through his themed week "Caring for the Environment," produced in 1990 in coordination with the twentieth anniversary of Earth Day. Unfolding against a trash catastrophe in the Neighborhood of Make-Believe, Rogers advances an environmentalism for children that secures children in their family homes while extending their perspective to faraway places, from the local recycling center to Florida's coral reef. Rogers depicts animal wisdom and uses puppets to voice anxiety and hope and shows an interconnected world where each part of creation is valued, and love is circulated in networks of care. Ultimately, Rogers cultivates a practical wisdom that provides a way for children to confront the environmental crisis through action and hope and, in doing so, develop into adults who possess greater care for the environment and a capacious imagination for solving the ecological problems we face.
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    She has been hailed by Michael Chabon as "the most darkly playful voice in American fiction" and by Neil Gaiman as "a national treasure." Now Kelly Link's eagerly awaited new collection - her first for adult listeners in a decade - proves indelibly that this bewitchingly original writer is among the finest we have. Link has won an ardent following for her ability, with each new short story, to take listeners deeply into an unforgettable, brilliantly constructed fictional universe. The nine exquisite examples in this collection show her in full command of her formidable powers. In "The Summer People," a young girl in rural North Carolina serves as uneasy caretaker to the mysterious, never-quite-glimpsed visitors who inhabit the cottage behind her house. In "I Can See Right Through You," a middle-aged movie star makes a disturbing trip to the Florida swamp where his former on- and off-screen love interest is shooting a ghost-hunting reality show. In "The New Boyfriend," a suburban slumber party takes an unusual turn, and a teenage friendship is tested, when the spoiled birthday girl opens her big present: a life-size animated doll. Hurricanes, astronauts, evil twins, bootleggers, Ouija boards, iguanas, The Wizard of Oz, superheroes, the Pyramids... These are just some of the talismans of an imagination as capacious and as full of wonder as that of any writer today. But as fantastical as these stories can be, they are always grounded by sly humor and an innate generosity of feeling for the frailty - and the hidden strengths - of human beings. In Get in Trouble, this one-of-a-kind talent expands the boundaries of what short fiction can do. Read by a Full Cast: "The Summer People"... read by Grace Blewer "I Can See Right Through You"... read by Kirby Heyborne "Secret Identity"... read by Tara Sands "Valley of the Girls"... read by Robbie Daymond "Or ungekürzt. Language: English. Narrator: Grace Blewer, Kirby Heyborne, Tara Sands, full cast. Audio sample: https://samples.audible.de/bk/rand/004083/bk_rand_004083_sample.mp3. Digital audiobook in aax.
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    From the New York Times best-selling author of Bittersweet comes a novel of suspense and passion about a terrible mistake made 60 years ago that threatens to change a modern family forever. Twenty-five-year-old Cassie Danvers is holed up in her family's crumbling mansion in rural St. Jude, Ohio, mourning the loss of the woman who raised her - her grandmother, June. But a knock on the door forces her out of isolation. Cassie has been named the sole heir to legendary matinee idol Jack Montgomery's vast fortune. How did Jack Montgomery know her name? Could he have crossed paths with her grandmother all those years ago? What other shocking secrets could June's once-stately mansion hold? Soon Jack's famous daughters come knocking, determined to wrestle Cassie away from the inheritance they feel is their due. Together, they all come to discover the true reasons for June's silence about that long-ago summer when Hollywood came to town and June's and Jack's lives were forever altered by murder, blackmail, and betrayal. As this pause resister shifts deftly between the past and present, Cassie and her guests will be forced to reexamine their legacies, their definition of family, and what it truly means to love someone steadfastly across the ages. Praise for June“Intrigue? Yes, please. Scandals and surprise inheritances? All the yesses!... Savor every page of this twisty novel.” (Cosmopolitan)“Cinematic.” (Vanity Fair)"An enthralling story of Hollywood glamour, first love and shifting loyalties.... June invites readers to sink into its narrative the way Cassie sinks into the embrace of Two Oaks: with a thirst for a good story and a tall glass of lemonade.” (Shelf Awareness)“[It's] the perfect kind of literary love story, a thrilling Hollywood plot of murder and blackmail commingled with the steady, capacious Midwest. Best read with a glass of cold lemonad ungekürzt. Language: English. Narrator: Sofia Willingham. Audio sample: https://samples.audible.de/bk/rand/004593/bk_rand_004593_sample.mp3. Digital audiobook in aax.
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    In this landmark work, four of the world's leading scholar-activists issue an urgent call for a truly intersectional, internationalist, abolitionist feminism. As a politics and as a practice, abolitionism has increasingly shaped our political moment, amplified through the worldwide protests following the 2020 murder of George Floyd by a uniformed police officer. It is at the heart of the Black Lives Matter movement, in its demands for police defunding and demilitarisation, and a halt to prison construction. And it is there in the outrage which greeted the brutal treatment of women by police at the 2021 Clapham Common vigil for Sarah Everard. As this book shows, abolitionism and feminism stand shoulder-to-shoulder in fighting a common cause: the end of the carceral state, with its key role in perpetuating violence, both public and private, in prisons, in police forces, and in people's homes. Abolitionist theories and practices are at their most compelling when they are feminist; and a feminism that is also abolitionist is the most inclusive and persuasive version of feminism for these times. Abolition. Feminism. Now! 'This extraordinary book makes the most compelling case I've ever seen for the indivisibility of feminism and abolition' Robin D. G. Kelley, author of Freedom Dreams: The Black Radical Imagination 'Attentive to histories of organising that are too quickly erased, and alive to new possibilities for working collectively in the present time, this book is as capacious and demanding as the abolitionist feminism it calls for' Sara Ahmed, author of Willful Subjects
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    “A more uncouth, clumsy machine can scarcely be imagined. In the front is a cabriolet, fixed to the body of the coach, for the accommodation of three passengers, who are protected from the rain above by the projecting roof of the coach and in the front by two heavy curtains of leather, well-oiled and smelling somewhat offensively, fastened to the roof. The inside, which is capacious and lofty, will hold six people in great comfort. It is lined with padded leather and surrounded with little pockets in which travelers deposit their bread, snuff, night caps, and pocket handkerchiefs, which generally enjoy each others' company in the same delicate depository. From the roof is suspended a large net for storing hats, swords, and bandboxes. Upon the roof, on the outside, is the imperial, which is generally occupied by six or seven persons. It is also loaded with a heap of luggage that also occupies the basket and generally presents a pile, half as high as the coach, secured by ropes and chains and tightened by a large iron windlass, constituting another appendage of this moving mass. The body of the carriage rests upon large thongs of leather fastened to heavy blocks of wood instead of springs, and the whole is drawn by seven horses.” (Based on a European tourist’s description of a stagecoach in the early 19th century).By the time the United States came into existence, wagons were a tried-and-true method of transportation. Driven by oxen, horses, or mules, wagons and stagecoaches allowed people to traverse long distances much faster than walking. Although this form of travel remained relatively slow and perilous, the journey was often considered worth the risk. Some saw the potential profits in moving to the frontier, and as the nation expanded, enterprising individuals sought to form companies dedicated to stagecoach travel.In fact, trails would be forged across the country to help spread settlers, and the westward movement of Americans in the 19th centur ungekürzt. Language: English. Narrator: Scott Clem. Audio sample: https://samples.audible.de/bk/acx0/156942/bk_acx0_156942_sample.mp3. Digital audiobook in aax.
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    [Terrence Holt] is Melville + Poe + Borges but with a heart far more capacious. (Junot Díaz) Out of the crucible of medical training, award-winning writer Terrence Holt shapes this stunning account of residency, the years-long ordeal in which doctors are made. "Amid all the mess and squalor of the hospital, with its blind random unraveling of lives", Internal Medicine finds the compassion from which doctors discover the strength to care. Holt's debut collection of short stories, In the Valley of the Kings, was praised by the New York Times Book Review as one of "those works of genius" that "will endure for as long as our hurt kind remains to require their truth". Now he returns with Internal Medicine - a work based on his own experiences as a physician, offering an insider's access to the long night of the hospital, where the intricacies of medical technology confront the mysteries of the human spirit. "A Sign of Weakness" takes us through a grueling nightlong vigil at the bedside of a dying woman. In her "small whimpering noises, rhythmic, paced almost to the beating of my heart", a doctor confronts his own helplessness, clinging "like a child to the thought of morning". In the unforgettable "Giving Bad News," we struggle with a man who maddeningly, terrifyingly refuses to remember his terminal diagnosis, forcing us to tell him, again and again, what we never should have wanted to tell him at all. At the bedside of a hospice patient dying in a house full of cursing parrots in "The Surgical Mask", we reach the limits of what we are able to face in human suffering, in our own horror at what happens to our bodies as they die. In the psychiatric hospital of "Iron Maiden", a routine chest X-ray opens a window onto a nightmare vision of medieval torture and a recognition of how our mortality drives all of us to madness. In these four stories and five others, Internal Medici ungekürzt. Language: English. Narrator: Gregory DeCandia. Audio sample: https://samples.audible.de/bk/adbl/020693/bk_adbl_020693_sample.mp3. Digital audiobook in aax.
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    The untold story of Dr. Oliver Sacks, his own most singular patient. The author Lawrence Weschler began spending time with Oliver Sacks in the early 1980s, when he set out to profile the neurologist for his own new employer, The New Yorker. Almost a decade earlier, Dr. Sacks had published his masterpiece Awakenings--the account of his long-dormant patients miraculous but troubling return to life in a Bronx hospital ward. But the book had hardly been an immediate success, and the rumpled clinician was still largely unknown. Over the ensuing four years, the two men worked closely together until, for wracking personal reasons, Sacks asked Weschler to abandon the profile, a request to which Weschler acceded. The two remained close friends, however, across the next thirty years and then, just as Sacks was dying, he urged Weschler to take up the project once again. This book is the result of that entreaty. Weschler sets Sackss brilliant table talk and extravagant personality in vivid relief, casting himself as a beanpole Sancho to Sackss capacious Quixote. We see Sacks rowing and ranting and caring deeply; composing the essays that would form The Man Who Mistook His Wife for a Hat; recalling his turbulent drug-fueled younger days; helping his patients and exhausting his friends; and waging intellectual war against a medical and scientific establishment that failed to address his greatest concern: the spontaneous specificity of the individual human soul. And all the while he is pouring out a stream of glorious, ribald, hilarious, and often profound conversation that establishes him as one of the great talkers of the age. Here is the definitive portrait of Sacks as our preeminent romantic scientist, a self-described clinical ontologist whose entire practice revolved around the single fundamental question he effectively asked each of his patients: How are you? Which is to say, How do you be? A question which Weschler, with this book, turns back on the good doctor himself.
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    'Like nothing else you will read' Hilary Mantel'Pure nectar for the imagination' Irish ExaminerEvery day a beloved father dies. Every day a lover departs. Every day a woman turns forty.All three happening together brings a moment of reckoning.Medieval historian Elizabeth Boyle made sense of these events the best way she knew how - by immersing herself in the literature that has been her first love and life's work for over two decades.Fierce Appetites is the exhilarating and deeply humane result. Not only does Elizabeth Boyle write dazzling accounts of ancient stories, familiar and obscure, from Ireland and further afield, but she uses her historical learning to grapple with the raw and urgent questions she faces, questions that have bedevilled people in every age. She writes on grief, addiction, family breakdown, the complexities of motherhood, love and sex, memory, class, education, travel (and staying put) with unflinching honesty, deep compassion and occasional dark humour. Fierce Appetites is captivating and original - as an insight into the mind and heart of a groundbreaking scholar, and as a wise and reassuring account of what it is to be human._____________________'Unusual, arresting and genuinely enriching' Irish Times'I loved this luminous, radical book about bodies in time. It is a deeply personal history, that simultaneously brings medieval myth and poetry to breathing, bleeding life. An education for the mind and the heart' Clare Pollard'Highly original . . . engagingly candid [and] thought-proviking' Irish Independent'An eloquent plea for the value of curiosity and the life of the mind, standing up the robustness of scholarship against the frailty of individuals, the resilience of myth against brittle daily preoccupations. It's an agile story, irreverent, capacious and constantly surprising: like nothing else you will read' Hilary Mantel'Bracingly honest, fiery, funny, scholarly, Fierce Appetites really is a wildly good book' Hilary Fannin'Extremely intriguing . . . I found myself completely absorbed' Ryan Tubridy'I absolutely loved this utterly original book. Immersing myself in Elizabeth Boyle's considerable brain was a true privilege, and the way she uses medieval narratives to unpick her own present was endlessly surprising and beautiful. I read it in two sittings, devouring her perspective on life, love, loss' Clover Stroud'Fiercely smart, strange, surprising, unsettling, unflinching' Jennifer O'Connell, Irish Times'An outstanding achievement. Fierce Appetites defies easy categorization, is brilliantly written and simply deserves to be read' Darach Ó Séaghdha'Everything is illuminated, magnified, revisioned: sexual desire, motherhood, family. Her writing is unorthodox, unnerving, and very exciting' Tanya Shadrick
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    Revealing the central yet intentionally obliterated role of Africa in the creation of modernity, Born in Blackness vitally reframes our understanding of world history. Traditional accounts of the making of the modern world afford a place of primacy to European history. Some credit the fifteenth-century Age of Discovery and the maritime connection it established between West and East; others the accidental unearthing of the "New World.” Still others point to the development of the scientific method, or the spread of Judeo-Christian beliefs; and so on, ad infinitum. The history of Africa, by contrast, has long been relegated to the remote outskirts of our global story. What if, instead, we put Africa and Africans at the very center of our thinking about the origins of modernity? In a sweeping narrative spanning more than six centuries, Howard W. French does just that, for Born in Blackness vitally reframes the story of medieval and emerging Africa, demonstrating how the economic ascendancy of Europe, the anchoring of democracy in the West, and the fulfillment of so-called Enlightenment ideals all grew out of Europe's dehumanizing engagement with the "dark” continent. In fact, French reveals, the first impetus for the Age of Discovery was not—as we are so often told, even today—Europe's yearning for ties with Asia, but rather its centuries-old desire to forge a trade in gold with legendarily rich Black societies sequestered away in the heart of West Africa. Creating a historical narrative that begins with the commencement of commercial relations between Portugal and Africa in the fifteenth century and ends with the onset of World War II, Born in Blackness interweaves precise historical detail with poignant, personal reportage. In so doing, it dramatically retrieves the lives of major African historical figures, from the unimaginably rich medieval emperors who traded with the Near East and beyond, to the Kongo sovereigns who heroically battled seventeenth-century European powers, to the ex-slaves who liberated Haitians from bondage and profoundly altered the course of American history. While French cogently demonstrates the centrality of Africa to the rise of the modern world, Born in Blackness becomes, at the same time, a far more significant narrative, one that reveals a long-concealed history of trivialization and, more often, elision in depictions of African history throughout the last five hundred years. As French shows, the achievements of sovereign African nations and their now-far-flung peoples have time and again been etiolated and deliberately erased from modern history. As the West ascended, their stories—siloed and piecemeal—were swept into secluded corners, thus setting the stage for the hagiographic "rise of the West” theories that have endured to this day. "Capacious and compelling” (Laurent Dubois), Born in Blackness is epic history on the grand scale. In the lofty tradition of bold, revisionist narratives, it reframes the story of gold and tobacco, sugar and cotton—and of the greatest "commodity” of them all, the twelve million people who were brought in chains from Africa to the "New World,” whose reclaimed lives shed a harsh light on our present world.
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    "In their different ways APR and Naxos have been covering something of the same territory in Cortot studies - not that they are alone, as EMI has recently issued capacious boxes devoted to the pianist and Toshiaba and Shinseido amongst Japanese companies have also been busy. But APR has been working structurally through the recorded legacy and now reaches volume 4 of his 'late recordings'." (Music Web International)
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