27 Results for : intermingled

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    Uncharted: The Journey through Uncertainty to Infinite Possibility , Hörbuch, Digital, ungekürzt, 454min
    Where are we going? How will we get there? In a world of uncertainty, most of us don't really know. Our challenge is to sail into uncharted waters - away from the familiar ways that don't work anymore - to discover ourselves and the infinite potential for our lives. It's in these as-yet-undiscovered places within us that we come to recognize what we can be and what we can co-create with Spirit. If we try to create guided only by the old, familiar map of our lives, what we create won't be authentic to who we are becoming; we'll just be doing the same thing over and over. As intuitive counselor and "spiritual cartographer" Colette Baron-Reid explains, we need a different kind of map - not one that tells us where we've been, but one we fill in as each new experience changes us into who we need to be to live our destiny. This new map is a map of the soul. In Uncharted, you'll learn to draw your own map of the soul as Colette guides you on an inward journey through five interconnected realms. First you'll get oriented in the Realm of Spirit, your "home" that connects the other four. Then you will do the work of self-evolution and co-creation in the Realms of Mind, Light, Energy, and Form. In the Realm of Mind, you experience your consciousness intermingled with that of all consciousness. In the Realm of Light, you illuminate the darkness and experience transformation as you reclaim lost parts of yourself. In the Realm of Energy, you consciously direct the forces influencing you. In the Realm of Form, you see the results of your self-evolution manifested in the material world. At every step, you learn to harness your personal power and turn fear into possibility as you venture into the undiscovered places where magic happens. ungekürzt. Language: English. Narrator: Colette Baron-Reid. Audio sample: https://samples.audible.de/bk/hayh/000355/bk_hayh_000355_sample.mp3. Digital audiobook in aax.
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    The Story of Ahikar , Hörbuch, Digital, ungekürzt, 132min
    Rendered in plain and understandable language, this little book is a wellspring of wisdom intermingled in a story even children will find entertaining. Its wisdom rivals that of Proverbs. It is a wonderful way to teach "life lessons."The Story of Ahikar is one of the oldest sources of wisdom literature. Its influence can be traced through the Koran, as well as the Old and New Testaments. The oldest version, which we can only assume to be the original Papyrus, appears to have been produced circa 500 BC. It is written in Aramaic and was discovered among the ruins of Elephantine.The earliest mention of Ahikar is in the Book of Tobit in the form of the name "Achiacharus". According to the book of Tobit, Ahikar was a relative and friend to Tobit. He was the chief counselor of the Assyrian ruler, Sennacherib. The book of Tobit mentions Nadab, Ahiker’s nephew, whom Ahikar adopted, and who sought to repay the kindness by attempting to kill his uncle. In the first chapter (verses 21, 22) you read that he was a great officer at the court of king Esarhaddon; and at the end of the book (xiv. 10) you may learn something about his story; for Tobit says to his son Tobias, "Remember, my son, how Aman handled Achiacharus that brought him up, how out of light he brought him into darkness, and how he rewarded him again; yet Achiacharus was saved, but the other had his reward, for he went down into darkness."Tobit, xiv. 10, 11, according to the Codex Sinaiticus reads slightly different: "but God made good his dishonor in His sight and Ahikar returned to the light, but Nadab went into darkness everlasting". In the Old Testament we see Ahikar was the chancellor of the Assyrian king Sennacherib, son of Esar-haddon (II Kings, xix. 37). The basic story of Ahikar contains four divisions: (1) The Narrative; (2) The Teaching; (3) The Journey to Egypt; (4) The Similitudes or Parables. Parts of the story are found in various forms in Greek, Rumanian ungekürzt. Language: English. Narrator: Dennis Logan. Audio sample: https://samples.audible.de/bk/acx0/126232/bk_acx0_126232_sample.mp3. Digital audiobook in aax.
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    Blood Intermingled (The Laurent Blood Legacy #3)
    Blood Intermingled (The Laurent Blood Legacy #3): ab 3.99 €
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    Schubert-Ellington
    Louis Rodde (Cello) - Guillaume de Chassy (Piano) // This autumn, intermingled melodies could be heard under the round arches of Noirlac Abbey, amongst which the strains of both Schubert's "Trout" and Ellington's famous "Take the 'A' Train" were recognisable. The artists enjoyed navigating between the waters of the Lied and the Jazz Standard to produce this outstanding project connecting two geniuses of melody with intelligent arrangements and improvisational extravagance.
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    Sunrise Vol. 1
    Pt. VIJAY RAGHAV RAO : SUNRISE (vol 1) This album presents three selections typifying the quintessentially symbiotic relationship between the genius of Pt. Vijay Raghav Rao and his art form. All three performances are rooted in the natural metaphor of a rising sun. 1. Miyan Ki Todi In the canon of the classical music of India there is no Raaga more traditional than Miyan Ki Todi, the creation of which is originally attributed to the doyen of Indian composers Miyan Tansen (1506-1585). In this performance Panditji meticulously preserves Tansen's prescribed tonal structure while delineating four original, modern compositions intermingled seamlessly in a single movement of varying rhythmic meters. True to Panditji's reputation, ancient tradition finds new voice for a future worthy of it's roots. Alaap, Chota Khayal (Jhap Taal, 10 beats/cycle), Saadra (Jhap Taal, 10 beats/cycle), Drut (Teen Taal,16 beats/cycle) Tabla Accompanist: Pt. Giridhar Prasad Jaipurwalle Swarmandal: Pt. Anant Bhonsle 2. Bairagi Bhairav In this performance, Panditji presents a deeply introspective interpretation of a rare melodic scale. Pensive and sonorous, the original composition mines the intricacies of the lower octaves to delineate a mood of spiritual enlightenment. Upon contemplation the attuned ear can fathom oneness of sound, beauty and spirit. Bada Khayal (Vilambit, Ek Taal, 12 beats/cycle) Tabla Accompanist: Pt. Mahadev Indorkar 3. Bhoopkali This selection is a live encore performance of one of Panditji's own contributions to the canon of Indian classical music. Literally meaning 'flower born of light / sunflower', the composition is a fine example of Panditji's impressionistic muse. The music sparkles with innocent vivacity and elegant wisdom. Intellectual music, the composition seems to say, can entertain. Drut (Ek Taal, 12 beats/cycle) Flute Accompanist: Dr. Vijay Vardhan Elchuri Tabla: Sanjay Kumar 'No substitute for his flute...the complete master' - The Hindustan Times "A volcano of creative expression' - The Indian Express "His flute is an unending fountain of myriad melodies, always fresh, always original." - The Patriot 'Creator of beautiful, wide and ethereal canvasses.' - The Deccan Herald '20th Century Renaissance Genius.' - The Cleveland Plain Dealer 'Intensely romantic...lyrical...extremely serene.' - Rave Magazine "Innovator in the world of music.. a versatile genius." -The JS Magazine "Seeker of truth through music. One of the greatest flautists of this world" - The Times of India "Reflective music, refreshing and genuinely haunting" - The New York Times "Awe inspiring. Freshness and finesse in every note. Marked by gay abandon, innovativeness and imaginative vitality." - The Statesman "Suave tonicity, lyricism, rich melodic beauty" - The Listening Post Pt. VIJAY RAGHAV RAO : SUNRISE (vol 1) Originally recorded live in Bombay, India and Springfield, VA, USA Digitally re-mastered at The Red & Green Company, VA, USA Special thanks to Smt. Lakshmi V. Rao CD version of SUNRISE (vol. 1) manufactured by Disc Makers, Philadelphia, PA, USA Sound Executive Dr. Vijay Vardhan Elchuri Executive Producer Sanjay Kumar © (p) 2013 by Pt. Vijay Raghav Rao & family "Rays from sunrise drew forth buds and stretched them into long stalks, lifted up sap in noiseless streams, opened petals, and sucked out scents in invisible jets and breathings." - Thomas Hardy From The Red & Green Company.
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    The Coronation of King George II
    Handel, the celebrated opera composer, was commissioned by the new king to compose the music for this grand ceremony which was due to be held at Westminster Abbey. His antiphons stood by ceremonial works by other composers such as Purcell, Blow, Tallis, Farmer, Gibbons and Child, intermingled with superb fanfares and processions of drums. The result is one of the most beautiful ceremonial works ever written for a coronation in England.
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    Music for Empty Places
    As a composer and Theremin player I wanted to use and display the textural and micro-tonal possibilities of this special instrument. The Theremin is often squeezed in the role of violin/Cello or sound effect. I composed 'Music for Empty Places' out of a need to recognize the Theremin as an instrument in it's own right. Intrigued by Leon Theremin who conducted Theremin orchestras and fascinated by the tantalizing old film clip recordings that were performed by Clara Rockmore, I decided to write a new song for the instrument. As I composed many layers for the Theremin ensemble I found that the ability to make the sharps really sharp and the flats really flat, freed my composition from the chains of the tempered scale. I began to 'feel' rather than hear the harmonies within the suite. In 'The City that was once loved' I tried to evoke the feel of my back garden on the edge of the city, the sounds of the cars & machines of human life intermingled with the bird song & sounds of my 'little piece of wilderness'. If you listen carefully you can make out the song bird trying to break through the city sounds. The Theremin can truly evoke 'Landscapes' I was beginning to find with tracks as 'On a lost Path', Along the Old Canal' (which was intended as a 'Parisian Air' but became a tune I whistled when walking back from Town late at night to stop thinking that someone was following me). 'A road we once knew', are memories of walking through the post industrial world of South Yorkshire, mainly Sheffield, which was being transformed very slowly from an industrial waste into a modern city. 'When the Roses were so Beautiful' is a small 'paean' to my Grandmother's front garden in the mining village where we lived. It was the biggest and the best rose garden in the whole village! But of course I'd say that. Looking back to look at the future! That is how I feel about the Theremin. I can create my own 'Movie Themes' of where I was and of where I dream to be. It's the same with 'Look into the Waters'. The video by HWP really evoked what I intended: a time at the seaside, the first time perhaps? With the family coming together on this frontier of worlds. The young family looking at a point of departure. We were here! Where shall we go? 'I Wait in this Room', How many of us feel that we are waiting for a specific moment? That crucial moment that will change our lives, only to find out that if you wait for it, it never comes! You have to stop waiting and wanting to find it! 'The Girl with the Glass Hand'. Sometimes a title comes without any meaning besides what is in the title itself. Her hand is transparent, maybe her actions and heart are too? Is she sad as she is marked 'apart' because of this glass hand. She is a comic book character in some ways, but I think it may be she does beautiful things because of the hand of glass. Lastly 'Empty Places'. I wanted to show how romantic the Theremin can be. I want to give voice to all the places we don't notice or just pass through in the city and in our minds, in fact all the places that once were and will be, as the pace of change increases in the human world. I truly hope you will enjoy listening to 'Empty Places' - Suite for Theremin Ensemble. Jamie O'Callaghan.
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