47 Results for : attested

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    An exploration of the practice of inventing languages, from speaking in tongues to utopian schemes of universality to the discoveries of modern linguistics. In Imaginary Languages, Marina Yaguello explores the history and practice of inventing languages, from religious speaking in tongues to politically utopian schemes of universality to the discoveries of modern linguistics. She looks for imagined languages that are autonomous systems, complete unto themselves and meant for communal use; imaginary, and therefore unlike both natural languages and historically attested languages; and products of an individual effort to lay hold of language. Inventors of languages, Yaguello writes, are madly in love: they love an object that belongs to them only to the extent that they also share it with a community. Yaguello investigates the sources of imaginary languages, in myths, dreams, and utopias. She takes readers on a tour of languages invented in literature from the sixteenth to the twentieth century, including that in More's Utopia, Leibniz's "algebra of thought," and Bulwer-Lytton's linguistic fiction. She examines the linguistic fantasies (or madness) of Georgian linguist Nikolai Marr and Swiss medium Hélène Smith; and considers the quest for the true philosophical language. Yaguello finds two abiding (and somewhat contradictory) forces: the diversity of linguistic experience, which stands opposed to unifying endeavors, and, on the other hand, features shared by all languages (natural or not) and their users, which justifies the universalist hypothesis. Recent years have seen something of a boom in invented languages, whether artificial languages meant to facilitate international communication or imagined languages constructed as part of science fiction worlds. In Imaginary Languages (an updated and expanded version of the earlier Les Fous du langage, published in English as Lunatic Lovers of Language), Yaguello shows that the invention of language is above all a passionate, dizzying labor of love.
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    The work presents a study of the linguistic and pragmatic response to the taboo of death in Egypt. The analysis leads the author to the conclusion that the experience of death in Egyptian society is mediated by religion. The reaction to death announcements includes a number of strategies to protect both the author of the utterance and its recipient against the effects of the taboo related to this topic. The most important feature of the studied communication is formulaicity, which is at the same time the central idea and the methodological frame of the work presented here.The discourse analyzed here fits within the Arab-Muslim rhetorical framework. In the daily utterances of the Egyptians, divine agency is believed to be constantly present, which is attested in numerous ritual practices. As part of the quantitative study and the structural analysis of the material, a pattern was distinguished in which individual types of formulas occur in their fixed places and a specific order. Qualitatively, many of the statements in the material are strongly emotional. To enhance the pragmatic effect, phrases are combined with each other, repetitions, prayers, poetic attempts and quotes from the Quran/ Hadith appear. Most of the phrases used in response to the taboo of death are prefabricated items recalled from memory almost automatically. Further analysis proposes to look at the formulae in the context of taboo and strong emotions related to it. Using formulaic sequence instead of generating novel language enables. the author of the utterance to convey emotional support to the suffering person and, at the same time, eliminates ambiguity. The methodology proposed here offers a new insight into the language of everyday communication, through the lens of its pragmatic usefulness and linguistic etiquette, taking into account the cultural framework in which the analyzed utterances are performed.
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    Elegant and sophisticated biography of Princess Margaret, the controversial sister of Queen Elizabeth II, the Princess Diana of her day'A fascinating insight into the life of the party girl who became an icon in postwar Britain' DAILY EXPRESS'She was a witty, intelligent, stimulating companion - happily Tim Heald captures all these qualities in his admirably well-balanced biography' LITERARY REVIEWThe almost universal conception is that the life of Princess Margaret (1930-2002) was a tragic failure, a history of unfulfilment.Tim Heald's vivid and elegant biography portrays a woman who was beautiful and sexually alluring - even more so than Princess Diana, years later - and whose reputation for naughtiness co-existed with the glamour. The mythology is that Margaret's life was 'ruined' by her not being allowed to marry the one true love of her life - Group Captain Peter Townsend - and that therefore her marriage to Lord Snowdon and her well-attested relationships with Roddy Llewellyn and others were mere consolation prizes. Margaret's often exotic personal life in places like Mustique is a key part of her story. The author has had extraordinary help from those closest to Princess Margaret, including her family (Lord Snowdon and her son, Lord Linley), as well as three of her private secretaries and many of her ladies in waiting. These individuals have not talked to any previous biographer. He has also had the Queen's permission to use the royal archives.Heald asks why one of the most famous and loved little girls in the world, who became a juvenile wartime sweetheart, ended her life a sad wheelchair-bound figure, publicly reviled and ignored. This is a story of a life in which the private and the public seemed permanently in conflict. The biography is packed with good stories. Princess Margaret was never ignored; what she said and did has been remembered and recounted to Tim Heald.
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    Adjectives as nouns mainly as attested in Boethius translations from Old to Modern English and in Modern German: ab 31.99 €
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    Man Attested by God: ab 75.99 €
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    Man Attested by God: ab 75.99 €
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    • Price: 75.99 EUR excl. shipping
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    This collection combines the poetry of Dave Rubin, which harkens back to the beat poets of the 50's, a la Allen Ginsberg, with the musical eclecticism of A Thousand Tiny Fingers, a New York City group of improvisational musicians, Bob Dee, Mike Cullens and Brook Thaler. The collaboration proved electric, as can be attested to by this collection. Listen and judge for yourself. It may take you somewhere you never dreamed of!
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    • Price: 24.46 EUR excl. shipping


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