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    Would you like to learn to write and speak better English and gain an advantage in your professional and personal life? Do you want to better communicate with an international audience and forge stronger relationships? If you answered yes to any of these questions, keep listening....The world is increasingly being globalized, countries are opening up their borders, and online communication technologies are becoming mainstream. At the center of almost every communication activity is the English language. Most non-native speakers think English is a difficult language to learn. However, this is not the case.The Dictionopolis English language guides have made the language accessible to all non-native speakers who desire to learn it quickly. It is the ideal reference tool for students, teachers, business professionals, or adults continuing their language education, whether as part of a formal course or as personal study. This audiobook was developed to prepare you the basics of irregular verbs in a short amount of time so you can begin to communicate in English quickly. In this audiobook, you will discover:Variety: Includes over 200 of the most popular irregular verbs for you to masterLexicon: Symbols added to differentiate between American and British EnglishColloquial: Textual key with each word on how the words are pronouncedAudible: The loudspeaker sign denotes you can listen to the pronunciationBonus: Includes free reference flashcards to accelerate your learningAnd much more!Now you don't have to enroll in expensive courses to learn English. The Dictionopolis guide is an excellent resource that will help you in mastering over 200 irregular verbs in no time.So, if you want to lay a solid foundation and learn the English language the right way, then you should listen to this audiobook now!PLEASE NOTE: When you purchase this title, the ac ungekürzt. Language: English. Narrator: James Lake, Lara Caldas, Jacqueline Ray. Audio sample: https://samples.audible.de/bk/acx0/218583/bk_acx0_218583_sample.mp3. Digital audiobook in aax.
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    Do you know what a chakra is? Do you want to know how to awaken your chakra?The word chakra literally means "spinning wheel" or "disk". When referring to a chakra on the body of a human, the reference means a wheel or a spinning disk of energy that is located along the spinal column. The spine contains seven chakras that are directly connected to the emotional well-being of a person along with the overall health of their mind and their body. The chakra is a focal point inside the human body that can be imagined as a structure of energy that looks like a disk. They are located at a point in the body where many meridians or channels come together. The system of chakras began in ancient India even before modern times. Details of the system were passed down verbally throughout the ages as a tradition in Eastern philosophy. When used in the spiritual and ritual traditions of the Hindu religion the chakra denotes any circumstance that has a circular or cyclical aspect or motion to itself. There is the wheel of creation, the wheel of life, and the wheel of time. These are all naturally cyclical. In the religious aspect, the highest god is depicted as a wheel since he is the source of regularity and order of the rhythm of things. The new age practice of the chakras as defined by the habits of the late-20th-century followers looking for a purer and traditional way of living associates each chakra with a classical element, an aspect of consciousness, various physical functions, and numerous other characteristics that are used to distinguish one chakra from another. The chakras are believed to be the power that provides vitality to the human body and provides influence for the mental movements, emotional movements, and physical movements of the body and the mind. The chakra is the main position of the life energy that flows through each one on specific pathways. The chakra’s main function is to spin on its own axis and use its power t ungekürzt. Language: English. Narrator: Melanie Strickland. Audio sample: https://samples.audible.de/bk/acx0/188122/bk_acx0_188122_sample.mp3. Digital audiobook in aax.
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    Der New Yorker ist seit 15 Jahren eine Bank als Radio DJ, in seiner Show spielten schon LCD Soundsystem, John Talabot, Four Tet, Lindstrom, Tensnake, Prins Thomas ..Der New Yorker Tim Sweeney ist seit 15 Jahren eine Bank als Radio DJ, in seiner Show Beats In Space spielten schon DJ Harvey, LCD Soundsystem, John Talabot, Four Tet, Lindstrom, Tensnake, Prins Thomas u.v.a.! Emanating from the mists of NYC's over-populated airwaves since 1999, Tim Sweeney's Beats In Space show has long been a beacon of quality, originality and cutting edge music on a weekly basis for electronic music fans world-wide. Guests has always been extremely high and international DJ's and artists such as DJ Harvey, Four Tet, Ben UFO, Move D, Jamie XX, Prosumer, James Murphy, Carl Craig, Gerd Janson, Todd Terje many more. TRACKS: Disc 1: New and Exclusive (denotes Exclusive): 1. Edwin Starr - Get Up Whirpool (Eric Duncan Edit) - Peppermint Music 2. Reuma Abas - Wa'ana Fda Leumi (Apfelberg et Matushka Edit) 3. David Hasert - Deep Horst 4. Azari & III - Party Night 5. Dukes Of Chutney - Jan's Bellski (Pedrodollar Remix) - Beats In Space 6. Masks - Folds I - Studio Alexis 7. Barnt - Chappell - Hinge Finger 8. Galcher Lustwerk - Kaint 9. Secret Circuit - Higher Heights (Hidden Fees Remix/Tim Sweeney Edit) - Beats In Space 10. Marvin Horsch - Deen 11. Pedrodollar - Free4Love - Studio Barnhus 12. Samuel - A Million Things 13. Gino Bomino - Save The World Now 14. Junior Fairplay - Sugar Puss - Crimes Of The Future 15. E-Versions - Shoe 16. El Coco - Coco Kane (Frasier Edit) Disc 2: Beats In Space Classics: 1. Baby Oliver - Shot Caller - Environ 2. John Talabot - When The Past Was Present (Pachanga Boys Purple Remix) - Permanent Vacation 3. Tensnake - In The End I Want You To Cry - Running Back 4. Justin Vandervolgen - Clapping Song - Golf Channel 5. Quesh - Candy Girl (Crue-L Luger Dub) - Music Mine Inc. 6. Plaid - Scoobs In Columbia - Warp 7. Matias Aguayo - I Don't Smoke - Kompakt 8. Butler Kendig - Oh Baby (Snuff Krew Remix 1) - Mr. INTL 9. FIT - Tonite (OG Mix) - FIT 10. Ralph Falcon - Every Now And Then - Miami Soul 11. Naum Gabo - Pictur (The Loving Hand Remix - Naum Gabo Edit 1) - This Is Not An Exit 12. Delia & Gavin - Relevee (Carl Craig Remix) - DFA 13. Rocha - Feel The Love (Welcome Stranger Remix) - International Feel 14. Murat Tepeli - Forever (Prosumer's Hold Me Touch Me Remix) 15. Balil - 3/4 Heart - Warp 16. Tim Blake - Last Ride Of The Boogie Child - Egg 16. Tim Blake - Last Ride Of The Boogie Child - Egg
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    /*[*Mantle of Peace*]* is: Reuben Correa's Christmas / Winter recording containing his arrangements of traditional carols, Classical pieces, and two of his original compositions. The title is reflective of this time of the year as the pure white snow falls silently and muffles sounds into a quiet peaceful murmur. To Reuben it becomes a peaceful, sparkling Mantle covering everything. Reuben ventured out into the frozen tundra of Minnesota after an ice storm, with his camera and hung a golden harp on the icy branches of several trees and bushes before choosing the right picture for this recording. 1. Fanfare and Christmas Medley (O Come all Ye Faithful & Joy to the World) Reuben introduces each Carol with a Fanfare opening using the full range of the harp in a creative mesmerizing blend of styles from stately to lighthearted. 2. Silent Night: Franz Gruber's melody done in a few different variations, utilizing rolled chords, ornamented descant, sparkling descending chords, and the melody hidden amongst smooth glissandos. 3. Good King Wenceslas: Mr. Correa uses single and double xylophonic plucking to introduce this piece, gradually blending in unusual harmonies and finishing this arrangement with syncopated rhythms. Lastly he uses a string slide to end the piece with what sounds like a string break! Not!!! 4. Jesu Joy of Man's Desiring: This piece is an arrangement of J.S. Bach's top ten piece of all times. 5. International Party Mix (a Medley of 7 carols from around the world) 6. Ode to Joy, 7. The Little Drummer Boy, 8. O Holy Night, 9. Canon in D, *10. Mantle of Peace, 11. Prelude in C, 12. *Snow Flake Lullaby. *denotes original compositions.
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    In the summer of '63, at the age of 11, Buck formed his first band, The Centuries . An April Fools 2012 epiphany urged Buck to pick up where he left off 38 years ago. That same year on August 16th, Buck purchased the Quantum Leap East-West Silver Orchestra On-A-Disc. In April 2013 he enrolled in school to continue his edification in composition, arranging and orchestration. The following collection was produced during the period of May 2012 to July 2013. The Breakfast in Bed Ballet (4:45) This piece is an adaptation of a ballad I had written called I Can Live with That. The lyrics open with awaking to the dawn with your loved one beside you. The bouncy melody in the chorus suggested a dance, ergo ballet. I was compelled to add additional cadences and an interlude before the final chorus. The chorus ends on a comically sour note denoting it's time get out of bed and face reality. Soundtrack for your Nightmares (1:34) Based on Thirteen Flutes a-Floating (read about it's conception below). In this version the X-axis denotes the musical pitch while the Y-axis represents time. I like listening to this before I go to bed. String Section One (4:13) This started out as an exercise in modulation and articulation for a string quartet, but it got of control. I did what I could to pull the reins in, but it needed that Contrabass. And it started out as a sweet melody with thoughtful chord changes but rock chord changes are a part of my psyche, so I couldn't resist using them in the "chorus." I consider them, "Neapolitans." Due to the forceful articulation, it is recommended that string players use their worst instrument. Temple Bells (3:04) An upbeat festive theme based on the Mongolian/Chinese pentatonic scale. It has a seasonal taste suitable for the Christmas holidays. The violas get the pluck pizzicato-ed out of them. A Hole-in-One (3:47) Based upon a song I had written using golf as a metaphor for hope and eventual triumph. Picture a fairway with a green flag in the distance, on it the number 1 flapping in the breeze. Experience the excitement, the exhilaration, that rush of adrenaline accompanying the heraldic victory of spotting your ball wedged between the side of the cup and the flag pole. I suck at golf, but I'm not bad at "putt-putt" (miniature golf). Even there, watching your ball bounce off the shallow brick wall bordering the green, ricocheting off a rock positioned in the middle of the path, and down across the lie from hell into the cup is pretty cool. Washboards are used to introduce the basic rhythm sequence at the beginning. Washboards were employed because they suggested a hand scrub cleaning and I understand that golfers scrub their balls before teeing off. Thirteen Flutes a-Floating (1:29) It's your freshman year in Music College and it's 1970 and you're eighteen and you got no gig and it's Saturday night and you're staring at a lava lamp on the dining table in a friend's apartment on the Northwest side of Chicago and there's a steno pad with a marking pen on the table and it's within reach and you decide to draw the globular activity in the lava lamp in phases and look at the lines on the paper and see a music staff and imagine a grid where the horizontal lines (X-axis)denote time moving from top to bottom and the vertical lines (Y-axis) and the space to the right of each line denote the pitch moving from right to left and wherever an image appears a musical note of predetermined pitch and duration is played by one or more of thirteen flutes you chose because you're Major is in Woodwind Performance and your friend has a flute. Please note: This composition was performed a year later at Triton College. There weren't enough flutists so clarinets were substituted. The title is derived from the Twelve Days of Christmas and the sound of water droplets echoing in a cave. I don't what prompted me to add the sound effect. But I like it. March of the Mouth Puppets (3:56) A 12-tone melody was derived from the roll of twelve musician's dice. (Twelve 12-sided die, each side notated with a note from our chromatic scale.) Artistic liberty intervened and two notes were switched. Four underlying chords were determined by the dice as well by rolling four sets consisting of three dice. Artistic liberty was again applied to determine the triads. In the beginning the 12-note theme is stretched over 16 bars and later presented in 1/4, 1/8 and 1/16 note patterns in a fugue-like form. Outside the serialism is the Tuba playing a melodic bass line based on the aforementioned triads and 12-tone theme. The Tuba is a sealed 55-gallon barrel holding back a chromatic beast wanting to free itself of the barrel's melodic restraints. Toward the end of the "fugue" I thought the piece was going to explode. The orchestration is designed to sound like a marching band, locked in step to the beat of an ominous bass drum, the instruments saying the same fearful thing, over and over, drumming it in, only with a different annoying tone of voice, especially that bitchy piccolo. Of course the marching band is a metaphor for the pundits that permeate our meta-media with their propaganda. Chance Constellation Observation 1930 (2:19) This a representation of "Constellation According to the Laws of Chance -1930" artist: Jean (Hans) Arp. A grid where both the X and Y- axis determine the pitch and the Z-axis representing note time/duration is a series of concentric rings. The scales used are whole tones starting on C and C#. At the center of the rings are C4 and C#4. C4 is plotted along the vertical axis going up to the C7s and going down to the C1s. C#4 is plotted along the horizontal axis going right to the C#7s and going left to the C#1s. Time begins in the center and moves outward through each ring in clockwise fashion. The rings are divided into quarters with each quarter segment being one beat in 4/4 time. Wherever the black and white images appear there is a note. On occasion artistic license was applied. From Inside the Zodiac Ride at the Cosmic Carnival (7:51) Imagine you're on a carnival ride on which the Astrocab you're in glides along rails in 7/8 time. From the rail on the left emanates the sound of intermittent twinkling stars provided by a harp playing a B7sus4 pad. And on the right, that rail carries an intermittent electrical hum produced from a low-end string section consisting of violas, cellos, and basses playing with the same B7sus4 pad. Entering the ride and following the Zodiac the composition opens with Aquarius (January) and ends with Capricorn (December). Two schools of thought start the zodiac with the key of C Major (Aquarius) stepping through a cycle of fifths and ending in F Major (Capricorn), or starting in Bb Major moving chromatically and ending on A Major. For this piece both keys were juxtaposed in poly-chordal fashion (IE: C Major over Bb Major, G Major over B Major, etc.). This limited the scales of each double-key to six notes, sometimes five. Artistic license was applied on a few occasions. Each sign of the Zodiac receives approximately 30 seconds of treatment. Aquarius the Water Carrier (Air) January Pisces the Fish (Water) February Aries the Ram (Fire) March Taurus the Bull (Earth) April Gemini the Twins (Air) May Cancer the Crab (Water) June Leo the Lion (Fire) July Virgo the Virgin (Earth) August Libra the Scales (Air) September Scorpio the Scorpion (Water) October Sagittarius the Centaur (Fire) November Capricorn the Goat (Earth) December Follow the Boson Ball (2:30) This is an adaptation of the Higgs Boson (ATLAS Preliminary data) sonification by Domenico Vicinanza. On July 4, 2012, the Higgs boson, an elementary particle, was possibly discovered at CERN. Domenico Vicinanza, a professional composer and particle physicist, took the preliminary Higgs data points from the CERN data and assigned notes to each of the numbers. At 60 beats per minute, the musical piece consists of fifty-eight 16th notes and centers on the key of C Major. This adaptat
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    Buffy Sainte-Marie: kanadische Musikerin, Komponistin und Sozialaktivistin indianischer Abstammung .The Pathfinder: burried treasures von 2010.The CD is basically a collection of songs that people ask for at concerts Up Where We Belong, Universal Soldier, Until Its Time For You To Go to rarely heard tracks. The Pathfinder: Buried Treasures offers with the benefit of hindsight a glimpse into this prolific artist at a time when she was defining the protest music genre that underscores the 1960 s. Buffy struggled to get airplay at the time, not knowing until 2006 when she discovered that both the CIA and FBI had kept her under surveillance during the Johnson and Nixon administrations, who actively sought to gag many artists in the media who were critical of the government as well as the Vietnam war. This collection of 33 songs is a vibrant travelogue through the mind of an icon. It offers a distinct and refined listening experience that is a must have for any folk, country or blues aficionado fascinated with the music that denotes the complex of inter-related cultural and political trends of The Sixties which continued to develop throughout the 20th century and beyond. TRACKS: 1. Generation 2. Sweet Little Vera 3. Hong Kong Star Boy 4. Look At The Facts 5. Sweet, Fast Hooker Blues 6. Nobody Will Ever Know It's Real But You 7. Eagle Man / Changing Woman 8. You Take Me Away 9. Starwalker: For the American Indian Movement 10. All Around The World 11. I've Really Fallen For You 12. Love's Got to Breathe and Fly 13. A Man 14. I Can't Take It No More 15. Sweet January 16. Can't You See The Way I Love You 17. Qu'Appelle Valley, Saskatchewan 18. Mongrel Pup 19. I Been Down 20. The Beauty Way 21. Where Poets Go 22. That's The Way You Fall In Love 23. HEY! Baby Howdja Do Me This Way? 24. Don't Need No City Life 25. Wynken, Blynken & Nod 26. Can't Believe The Feeling When You're Gone 27. Free The Lady 28. Sweet America 29. Honey Can You Hang Around 30. Waves 31. America My Home 32. Ain't No Time For Worryin' Blues 33. Til I See You Again (Jusqu Au Je Te Revois)
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    This new project is one that I'm so grateful for. I've got my husband Leonard doing spoken word, Chris Jr. my recording/mixing/drum programming engineer and Chris Sr. my bass player personified! I'm also thanking and giving kudos to my nephew Nick Jones who provided 2 songs on this album, the music and it's instrumentation. Thank you Nick! Thanks to my family/friend singers, my brother Glen for spoken word, and my nephew Ross for his mellow singing voice. My niece Briannon and Cousin Antwanequa provided some soulful singing on Passing on Jesus to the next Gen. I'll describe a few songs on this album but pray you listen to ALL of them. Be Blessed! SOng one is a song of love sung to the Lord as He is SO wonderful. The word 'SO' denotes 'intense feeing toward' where in this song I want the world to know how 'Awesome' God is to me. The album moves to 'Living in the light' and it's message is to encourage Believers to stay on the Lord's side and do our best to walk in His way. Then I reflect on times past and current in 'My Life Reflection' the title song . I endeavor to be what the Lord requires me to be in my everyday walk. Jesus Gives Me Joy is a song my nephew Nick Jones composed the music. He is a genius with beats and now he's added more keyboard skills. Chris Jr. added some extra production touches that blow you away along with soulful singing by nephew Ross Jordan. Wake up with a praise on your lips as 'Morning Jesus'thanks the Lord for one more day. With the commitment we've made to the Lord, 'Jesus I love you I do' just seals it and has you patting your feet and clapping your hands as you exclaim your love for HIM. The spunky 'Thank You' gets you on your feet! Getting married, proclaim your love for your soul mate with 'I love you'. My parents taught me about Jesus a long time ago so this song 'Passing on Jesus to the next Generation' extends my beliefs and life style to my nieces, nephews, Godchildren, etc. Last but not least, 'Run to HIm' is an instrumental we play at altar call at Greater Memorial B.C. featuring the bass sounds of Chris Johnson Sr. The message of this album is when all else fails Jesus never does!
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