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How to Draw Animals , Hörbuch, Digital, ungekürzt, 95min

If you want to learn how to draw animals, then get How to Draw Animals by Therese Barleta (also the author of How to Draw Faces). In this book, you will learn how to draw all types of animals in a step-by-step manner. Do you love animals and like art activities? If you have always wanted to draw animals from scratch by yourself, and wanted to learn it in a quick and easy way without having to spend lots of money for lessons, then get the How to Draw Animals guide in order to achieve this goal right away. By getting How to Draw Animals you will gain benefits like the following: Be able to impress your friends and loved ones with your skills in drawing animals. Save money in learning how to draw animals the right way without taking expensive classes or enrolling in a university. Learn it right in the comforts of your home or just about anywhere. Increase your skill-sets and therefore your chances of getting jobs with your newly acquired talent of drawing which you can add to your portfolio or CV. You can now draw your favorite animals or pets, or draw your friends' pets. You can now have the satisfaction of being able to draw scenes with animals. If you enjoy learning new skills or are interested in art in general, getting this book will help you achieve just that. Gain a new relaxing hobby of drawing animals when you want and where you want. Be able to learn in a quick and easy way with the easy to follow step-by-step procedure. Review the lessons on how to draw animals anytime and improve faster by doing so. Plus many more tips and tricks from professionals to help you draw realistic animal figures. The book is a step-by-step format, which is easy to follow. Each step tackles how to draw a specific type of animal and parts of the animal. ungekürzt. Language: English. Narrator: Maren McGuire. Audio sample: https://samples.audible.de/bk/acx0/097575/bk_acx0_097575_sample.mp3. Digital audiobook in aax.

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Price: 9.95 EUR excl. shipping

Dog Training: How to Train a Dog and Puppy: A Step-by-Step Guide to Confident Dog and Puppy Training, Puppy House Training, Dog Training Books: 2 Manuscripts , Hörbuch, Digital, ungekürzt, 233min

Could the fear of dogs make you anxious to go for a walk in the park? Do you know what causes you to be afraid of dogs? Then pay attention....What if there was a way you could overcome the fear of dogs and master dog training a few miles down the road? Sure, there's a way! And if you want to stay calm, relaxed, and in control around dogs as quickly as possible or to know precisely what to do when a stray dog attacks you...regardless of the circumstance...then you want to listen to this audiobook.If fear keeps you safe and makes you cautious, that's fine, but if a fear of dogs stops you from going to certain places or doing certain things, then it's time to change the balance.Overcoming the fear of dogs and being in control around dogs isn't as complicated as your subconscious mind or imagination wants you to believe.In Dog Training: How to Train a Dog and Puppy: A Step-by-Step Guide to Confident Dog and Puppy Training, Puppy House Training, Dog Training Books two-in-one bundle, you will discover:The five practical hacks Julia used to overpower her fear of dogs in less than 14 days after enrolling in our cynophobia treatment program. You will find Julia's story in chapter three.How to reprogram your mind to react appropriately to the company of dogs.An all-in-one training system that delivers maximum results for your efforts, helping you teach your kids how they can overcome the fear of dogs at their level since 70 percent of cynophobia cases are traced to childhood encounters with puppies.An easy-to-follow process that will teach you how to defend yourself when attacked by a stray dog.How to master the "inner game of beating cynophobia" and develop the self-discipline and willpower it takes to build the confidence of your dreams (and enjoy the process!).The 21 dos and don'ts around dogs that, when applied, can save you from a dog bite and help avoid gettin ungekürzt. Language: English. Narrator: Greg Taylor. Audio sample: https://samples.audible.de/bk/acx0/142899/bk_acx0_142899_sample.mp3. Digital audiobook in aax.

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Price: 9.95 EUR excl. shipping

Writing Confidently Using Active Voice: How to Dramatically Improve Your Writing & Speaking Skills: The Secret to Getting Your Message Across with Strength, Confidence and Efficiency , Hörbuch, Digital, ungekürzt, 44min

Improve your writing skills and speaking effectiveness rapidly by enrolling in this writing lesson course now! Learn how to write with power....If you want to make your writing clear and easily understood, it is essential to write in the active voice. If you are serious about improving your writing skills, the best place to start is by understanding how to use the active voice when writing. This course will teach you how to get your message across with strength, confidence, and efficiency. This applies to speaking as much as it does to writing. Three great quizzes help support your learning knowledge! By the end of this course, you will: Understand the difference between the active and the passive voice in writing and speaking. Have more more confidence in your writing skills. Know you are communicating effectively and confidently. Understand how to identify the active voice in writing. Know how to write in the active voice to make your writing more powerful and easy to understand.This course is put together with your understanding in mind. There are added examples to help explain concepts. You can easily grasp the nuances of each lecture. There is a series of challenging quizzes that are designed to reinforce the most important concepts from each lecture as you go along. The goal is always to emphasize your understanding of each piece of the broader subject, and there are times when foundational concepts are revisited in order to solidify your learning knowledge. Best of all, you can go at your own pace! This course is designed for you, the writer. This is the course that will show you how to take your writing to a higher level. Whether you are a beginner who is just learning or a more experienced individual who wants to know more about how to write better, this is the course that will help you reach your goal of getting your points across as clearly as possibl ungekürzt. Language: English. Narrator: James E. Britton. Audio sample: https://samples.audible.de/bk/acx0/131066/bk_acx0_131066_sample.mp3. Digital audiobook in aax.

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Price: 9.95 EUR excl. shipping

Sumptuously Soulful Coaching Pie - The Secret Ingredients To Creating An Evergreen And Lemony Fresh High-End Transformational Coaching Practice That I Wish I'd Known Before Enrolling My First Client. (A Coaches Profound And Permanent Change #1)

Sumptuously Soulful Coaching Pie - The Secret Ingredients To Creating An Evergreen And Lemony Fresh High-End Transformational Coaching Practice That I Wish I'd Known Before Enrolling My First Client. (A Coaches Profound And Permanent Change #1): ab 4.49 €

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Price: 4.49 EUR excl. shipping

Medicare Simplified

Medicare Simplified - 4 Steps to enrolling into Medicare and the right Supplement Ins Plan: ab 7.99 €

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Price: 7.99 EUR excl. shipping

La Petite Danseuse de Degas - Deluxe Edition

Paris Opera Ballet Master and choreographer Patrice Bart plunges into the Opera‘s past and brings Degas‘ famous statuette to life. From the rehearsal rooms to the Cabaret du Chat Noir, the ballet conjures up a colourful era and the lively backstage world of a theatre. The creation of La Petite Danseuse de Degas was the fruit of a long process dating back to 1997, when Martine Kahane, Head Curator and Director of the Paris Opera’s cultural department, presented an exhibition on the tutu at the Palais Garnier. Not long after, the Musée d’Orsay contacted her and asked her to work with the Opera costume workshop to restore the tutu adorning Edgar Degas’ famous statue. In the research that followed, she began to wonder about the identity of the model. The investigation revealed that La Petite Danseuse aged fourteen had in fact been a certain Marie Van Goethem, the daughter of Belgian parents who had settled with their three daughters in a poor district of Paris. After the death of the father, the mother survived by enrolling the daughters at the Paris Opera Ballet School and by sending them to pose for artists in their studios. Numerous exhibitions, books and films had already dedicated to Degas and dance, until then, no choreographic work had ever really done so. The project, entrusted to choreographer Patrice Bart and composer Denis Levaillant, took form around a central idea: to translate the intrinsic modernity of a 19th century story into music and the language of the stage. From a mere investigation, the ballet became a quest to recreate the imaginative world of classical dance through the works of Degas. The story was nothing less than the starting point for a wider exploration of the wings of the Paris Opera, a place infused with memories that do so much to evoke the troubling proximity between effort and performance, between the sublime and shameful, to which Degas‘ work remains the perfect testimony.

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Price: 27.03 EUR excl. shipping

Sonidos de Nueva Espaa

Piano music by Mexican composers is not often heard outside Mexico. While the composers of Mexico have not focused on the piano like those of many other countries of Latin America, and throughout the world, there is much Mexican piano music that is well worth listening to and getting to know intimately. The works that appear in this recording were selected based on my personal taste, and include some of my favorite pieces by my favorite Mexican composers for the piano. All of these works were published by the same firm, Ediciones Mexicanas de Música (Edimex), whose co-founder and long time director was Rodolfo Halffter. Halffter (1900-1987) emigrated from Spain to Mexico following the Spanish Civil War, became a Mexican citizen, and lived the rest of his long life in Mexico. He threw himself into the musical life of the country, creating and editing a music journal, teaching at the national conservatory, conducting orchestras, and writing a great deal of excellent music. The two pieces I have included by Halffter show some of his range as a composer. The first, Homenaje a Antonio Machado, written in 1944, could be called neo-classical or neo-Baroque in style. It was written in honor of one of Spain's greatest 20th century poets, with fragments of his poetry attached to each of the movements. A short poem is appended to the work as a whole, one with particular poignancy for a composer, or for any artist. It advises the reader to wait for the tide to come, just as a ship would. But if the tide doesn't arrive, continue to wait, and in the end, well, it doesn't really matter. The second selection by Halffter, Secuencia, is a late work, from 1977, and is quite different in style. It is written based on Halffter's own adaptation of twelve-tone technique. Twelve-tone rows appear in each movement, but his selection of intervals, and his use of repetition of fragments, gives this music a far different sound from the music of Schoenberg, Webern and most of their followers. It is playful, colorful, and quite approachable. The titles reveal Halffter's sense of irony: we have the prelude, which should come before the main piece, we have the interlude, which might come between movements, and we close with the postlude. Where is the actual piece? Both Homenaje and Secuencia exhibit Halffter's characteristic focus on articulation and counterpoint, and his use of decorative figures. Another composer, Federico Ibarra Groth (1946 -), is also represented by two works. Ibarra is one of those rare composers who has developed his own very distinctly individual voice at the piano. He has chosen to focus on writing sonatas for piano, a fairly unusual form for the late 20th and early 21st century. Six have been completed as of this date (the sixth was published in 2002), and they comprise a remarkable body of work. They are tied together by underlying compositional elements, but in a way that has little to do with the scholastic pedantry of many modern composers. Ibarra is, himself, a pianist and writes in a very pianistic way. He has explored many of the sonic possibilities of the instrument, and has created techniques that can be used to coax fresh and compelling sounds, from the delicate and ethereal to the wildly passionate. He weaves a magic spell from patterns that sometimes seem so immediate and obvious, one wonders why nobody else ever came up with them. I have chosen to record Ibarra's second and third sonatas for this CD. The second, written in 1982, is a one movement sectional work. It opens with a flourish that is repeated twice later in the piece as a punctuation between sections, and appears as an echo at the very end. The three sections are quite distinct from one another, ranging in character from the virtuosic and bombastic to the most delicate filigree. His third sonata, from 1988, has a title, "Madre Juana," which refers to an opera by Ibarra of that name. The second and third movements contain material taken from the opera, while the first movement is entirely original and is written to evoke the opera's mood. The three movements are connected thematically in many ways, sometimes obviously, other times more subtly. Chromatic melodies and accompaniment patterns are a prominent feature, and, like the second sonata, the range of expression is dramatic. Blas Galindo Dimas (1910-1993) went to Mexico City from his native Jalisco at the age of twenty, planning to study law. An acquaintance persuaded him to attend a concert in which some music by Revueltas was performed, and he changed his mind, enrolling in the National Conservatory instead, where he studied composition, and later became professor and director. Galindo's Siete Piezas (1952) explores a range of harmonic styles, from the severe diatonicism of Chavez to the piquancy of bitonality and quartal harmonies, always with a transparent clarity of line. Of particular note are the fourth piece, a two part invention on a theme that uses all twelve chromatic tones, and the seventh, a perpetuum mobile in which the two hands are often playing the same precise pattern a fourth or a minor third or some other interval apart. José Pablo Moncayo (1912-1958) worked his way through the conservatory as a jazz pianist, and that experience seems to have influenced his style, with it's shifting accents, constant development and alteration of motives, and general improvisatory feel. He is best known outside Mexico for his Huapango for orchestra, a piece that has entered the standard repertory of orchestras around the world. Muros Verdes (1951), while not well known outside Mexico, is a standard piece of literature for young Mexican pianists. Eduardo Hernández Moncada (1899-1995) was José Pablo Moncayo's piano teacher. He spent much of his working life as a performer, conductor and teacher, and only began composing on a really productive basis fairly late in his career. Costeña (1962) is in many ways similar to Muros Verdes, with it's constant development of themes and rhythmic vitality. Underlying it is a "quarrel" between 3/4 and 6/8 time, against which additional off beat accents provide a complex counterpoint. Fred Sturm is a pianist based in Los Ranchos New Mexico, who specializes in the music of Latin America, with a particular emphasis on the work of Heitor Villa-Lobos. His previous recordings include American Rags, Brazilian Tangos, and Afrocuban Dances, Piano Music of Ginastera and Villa-Lobos, Spanish Dances, and Brazilian Soul. This recording is dedicated to my teachers, Eleanore Vail and Morton Schoenfeld. Recorded and mastered by Manny Rettinger, UBIK Sound LLC. Recorded in Keller Hall, University of New Mexico, January 2007 to August 2008. Photos by Terri Reck. Layout by Paul Akmajian. Program notes by Fred Sturm. All music published by Ediciones Mexicanas de Música, Av. Juárez 18, Desp. 206, 0650 México D. F.

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Price: 18.42 EUR excl. shipping

All the New Mistakes

Imagine Jonathan Richman, early Elvis Costello, Thee Headcoats mixed with Ren and stimpy and you're getting close. Bucky are a 2 piece band with ace tunes and lots and lots of love from the Bath/ Bristol fanzine scene. The drummer Joff has one hand who plays unlike Def Leppards drummer- he does it the hard way with one stick and his stump. Singer and guitarist Simon plays a spasmodic Silvertone guitar which would make Billy Childish proud. The tunes are Richmond-esque with daft lyrics that make you laugh 'I'm a pony, but soon i'll be a horse' with a shambolic yet harmonic live show. If you haven't heard or seen them check out the website please. Let me know what you think? good? bad? have you seen them- I don't think they've ever played in London- can we start a campaign to bring them round the country. Check out the video on the site to see live crazyness and one handed drumming for real... - barbelithunderground.com ------------------------------------------------------------------------------------------------------------ It's Ritalin all round as attention-deficit-disorder duo Bucky begin to start getting around to commencing. Their clowning, distracted asides and high-jink japery draws the crowd closer and they have warmth in spades. They are the unholy love child of Sparks, They Might Be Giants and Momus, with songs about teenage hormonal misery, moody stropping and the vaingloriously misunderstood. Rocket-speed pocket opera jammed into square peg, round hole two-minute miniatures. -Venue ----------------------------------------------------------------------------------------------------------- BUCKY - Adorably manic country-rock two piece with awesome tunes and hilarious lyrics. Probably the only band in Bristol that is loved by everyone in town. -Venue ------------------------------------------------------------- B u c k y The most loved, sharp-witted, danceable, fun, energetic and hilariously demented band in Bristol. Far from being a novelty act, Joff (drumming, yelps) and Simon (guitar, handsome voice) have a knowledge and enthusiasm for music that takes in gospel, country, Motown, doo wop and bubblegum pop, but they come across like if punk rock happened in the fifties, like a hardcore buddy holly... and they are as eclectic in their songwriting, with subjects concerning everything from boy-trouble to libraries to dogs to Mary Wilson. You have to try really hard not to love this band. ^#^they've made devoted fans of everyone from The Seconds, the Rogers Sisters, erase errata and Kula Shaker ! and soon you! -LOCAL KID ------------------------------------------------------------------------------------------------------------ They're a 2-man guitar and drums garage rock revelation. If the only album Jonathan Richman ever owned was by the Sonics, you'd be halfway to defining their sound. Thay boast a set of melody-charged breakneck-speed songs that tackle some very strange subject matter (horses, The Beatles, Mary Wilson's demise after falling out with Diana Ross) and salute the greats of U.S. garage punk and country (Standells, Lovin' Spoonful, Sonics, Creedence). They rock with raw, feedbacking joy and more than a dash of eccentricity. 'Sheer, unadulterated pleasure' -Venue Bucky are fantastic. It's a kind of free-fall no brakes punk-skiffle assault course of ramshackle melodies frankly bursting into your face. There are two of them but that is more than enough... a drumming, guitaring, double voxed splurt of entertainment to be utterly recommended. -ARTROCKER Bucky are great and suck the audience into their one-off world with a kinda sound-tracked love-in. Bucky should be a religion. -ARTROCKER Bucky is a band of no future, no past, of the moment - and what a brilliant moment! The brightest light of the night, they are some kind of punk rock equivalent to Lenny Bruce (if you don't know, look him up, he's the father of every thing). A blitz of 2-minute songs, inspired lunacy, affection and intelligence, commentary without judgement, they are cool beyond cool and you can't not love 'em. We love you Bucky! - MOLES CLUB Bucky have graced the Purr stage 8 times (or was that 9) and somehow this was the first time for me! 2 blokes, a drummer with one hand (the handless arm a drumstick!!) and a singer with two hands and a guitar! Cavorting around like loose cannons, they played fantastic short sharp shots of wide-eyed-pop-piss-takes, Radiohead and Travis bearing the brunt. Where these guys blast the fun into 'serious', they do it such a way that it's less an insult and more a flipside reaction. Bucky are radicals true to a pure punk ethos, reactionary, funny, political and well aware of the media portholes that try to make sense of the ever- changing seas of popular music. Their sense of humour is chemical and utterly shambolic with tales of how they love the library (and librarians!), and in love with the unsung heroines that aren't Diana Ross in the Supremes! Genius! - MOLES CLUB REVIEW ----------------------------------------------------------------------------------------------------------- Another band that should be massive. Silly, funny and charming, but still able to rock out with the best of them. More entertaining than electrocuting a bath full of kittens. Rockin' good fun. -Miles The Munter Two things must be explained about Bucky, of whom there are two, Joff and Simon, old school pals. First, they are not simply a two-piece playing the finest skiffle pop delights in the West Country (if not the World), no, Bucky are also an hilariously endearing comedy double act that would make Reeves & Mortimer consider enrolling on a team-building course. Second, Joff does not use a bass drum. This would normally be strange enough in itself, except Joff only has one hand. You'd think a drummer only able to use one stick would make as much use of his feet as possible, but instead Joff bangs out his bass beat on a floor tom with his stump as his drum kit runs away from him. This shouldn't be funny but it really, really is. These two things are important because it means Bucky are 4 songs into their set before you actually notice- due to being so distracted by Joff's brilliant and original drum skills, their endearing enthusiasm, their heart warming rapport and side splitting ad-libs. By the time you've observed, considered and made aesthetic judgements about their fast-paced, double vocal, stop start style, they've so thoroughly won you over that it is impossible not to love them so much you want to take them home and put them on your mantelpiece. There they could stay, bopping along singing about dogs ('Hi-Fido', 'The Greasy One'), Libraries ('I Love the Library'), 'The Beatles', teenagers, bicycles and best of all ... Ponies. "I'm a pony/soon I will be a horse" rings out their final song, which the whole of Moles sings along with them in glorious, grinning abandon, before they are dragged back out for an encore. - GIGWISE.CO.UK Bucky are the class clowns you'd love to swap for your irritating older brother and proudly introduce to all your friends and family. Self-deprecating and hilarious, they hide masterfully brilliant and wildly imaginative lyrics under a carefree careering set of 2-chord skiffle pop anthems. 'Hi-Fido' is a song with 2 chords (C&F) as Simon handily demonstrates. The barking is inspired. However, we are also treated to the genius that is 'I Am Dark' ("I am serious/always mysterious/can I read you my thesis"). I'm laughing too hard to make notes but luckily I got an advance copy of the forthcoming album so I know all the lyrics off by heart. Which is lucky as you are far too distracted by the interplay and banter between madcap Joff and faux-serious Simon. If you haven't seen Bucky live then there is a big hole in your life. -GIGWISE.CO.UK.

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Price: 14.16 EUR excl. shipping

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