55 Results for : oswego

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    Oswego Township: ab 19.49 €
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    Oswego County and the Civil War: ab 19.49 €
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    • Price: 19.49 EUR excl. shipping
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    No description.
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    • Price: 44.37 EUR excl. shipping
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    CANTIGA has delighted visitors to Renaissance Festivals across North America with their magical music for almost 30 years. The word CANTIGA means 'song' in the language of Alfonso X, the 13th century Spanish king whose royal court was a haven for Christian, Muslim, and Jewish musicians. We are dedicated to the spirit of musical improvisation which has flourished in such cultural crossroads throughout history and continues to be celebrated in today's Global Village. 'I must say you've outdone yourselves with 'Martha's Dragon.' Every CD by Cantiga and the NWRB has simply captivated me! And the delight grows with each listening.' Walt Haake WDVR FM, Sergeantsville, NJ 'Their music is fresh enough to listen to in any setting, yet it gives that warm, old world feeling of times gone by...of loves lost and gained...of celebrations...of the taming of dragons! Martha's Dragon is history and freshness all wrapped into one beautiful musical package! Bravo!-' Overall Rating - 10 out of 10 Jen Lush, Midwestbands.com, 7/31/05 ............... Notes for the tunes on 'Martha's Dragon': 1. CANTIGA 108 This cantiga, a 13th century song from Alfonso X's 'Cantiga's de Santa Maria' tells a bizarre story involving Merlin the Magician, a Jewish wise man and Santa Maria. 2. MARTHA'S DRAGON St. Martha is known for taming, not for slaying her dragon. This tune was written by Bob Bielefeld in the early 1990's. 3. ANDALUZ A medieval Andalusian melody brought to light by Julián Ribera y Tarragó (1858-1934). 4. SKILLYWIDDEN Part of our legacy from Cantiga fiddler Malcolm Smith (1951-1996), this tune began life as a playful response to too many choruses of 'It's a Long, Long Way from Clare to Here', and morphed into our favorite jam tune. 5. VALLE DE LO ALTO We first heard this melody performed by the Andean band Pachacamac and were delighted to discover that it was written by Conrado 'Charry' Garcia, our newest member. Charry wrote this tune in Chile in the 1980's. Valle de lo Alto means 'High Valley'. 6. WHITE PETTICOAT A LA TURK Mark became fixated on odd time signatures after borrowing Bob's book of Bulgarian tunes, and an innocent Irish jig in 6/8 slipped into 7! 7. BOUREES These two bourées were published by German composer Michael Praetorius in his collection of French court and country dance music 'Terpsichore' (1612). 8. SPAGNOLETTA A well-known ancient air also published in 'Terpsichore'. We dedicate this dance to the Court Dancers of Scarborough Faire. 9. BRANLE DE BOURGOGNE This 16th century French dance tune by Adrian Le Roy alternates four and six-measure phrases. Mark discovered it on a recording of Early Music from the '70s. 10. ERES AGUEDA GLORIOSA We learned this Spanish Renaissance melody for Jeff Baldwin of the Texas Renaissance Festival, who chose it for his production 'Masque of the Conquistadors'. This song is a serenade of love to the beautiful Agueda, who appears to her suitor as radiant as an angel in the midst of her nine sisters. 11. FISCHIETTANDO A tarantella, popular with whistling Sicilianos. The fischietto is the Italian version of the penny-whistle. Fischiettando means 'whistling'. 12. ARGEERS This perky little tune is from John Playford's 'The English Dancing Master', in print from 1651 to 1728. ............... The Members of Cantiga are: Martha Gay, Harp Mark Caudill, Violin Bob Bielefeld, Wood Flute, Fife Conrado Garcia, Charango, Percussion (Birimbao, Caxixi, Semilla, Triangle), Toyos (bass pan-pipes) Max Dyer, Cello Also featured on this album, special guest artist Jamal Mohamed, Percussion: Doumbeks (Middle Eastern Goblet drums), Djembe (West African Goblet drum) Riq (Egyptian tambourine), Mazhar (Egyptian Frame drum). ............... Original Cover painting for Martha's Dragon by illustrator Richard Hull. ............... A Review from Ted Young, New York: 'For those not familiar with their work, Cantiga brings together music from all over medieval and renaissance Europe. Cantiga¹s fourth CD continues to preserve their enchanting sound while bringing us new and exciting songs. Conrado Garcia, Cantiga¹s newest member, and guest star, Jamal Mohamed, add a new dimension to the group with their subtle additions of charango, toyos, doumbek, and more. As with their past works, 'Martha¹s Dragon' is full of lively, upbeat music from long ago played with amazing skill. The title track comes to life with a vibrant bass and rhythm. Conrado¹s beautiful Andean composition, Valle de lo Alto, is combined with Cantiga¹s style creating an inspirational fusion. And White Petticoat a là Turk is a traditional Irish jig performed in 7/8 giving it a Turkish flare and providing another example of Cantiga¹s remarkable creativity. I would highly suggest treating yourself to these twelve lovely songs,especially if this is your first Cantiga CD. And if you don¹t own a CD player, it is worth buying it just for the stunning cover art.' Reviewer: Ted Young, who enjoys Cantiga performances each summer at the Sterling Renaissance Faire in Oswego New York.
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    Harry Hindson, DMA Harry Hindson graduated from Ottawa,IL Township High School in 1966, and was a member of the concert band directed by Ray Makeever that appeared at 1964 Midwest, 1965 IMEA, and 1966 Dorian Conventions. He received his BA in Music Education from Luther College in 1970, where he was Dorian Music Society President and band soloist, premiering Luther College music theory professor and composer Maurice Monhardt's 'Concert Piece for Alto Saxophone and Concert Band' at Lincoln Center with the Luther College Concert Band, under the direction of Weston Noble. Seven years of military service followed as saxophonist with the U.S. Navy Concert Band in Washington, D. C., where he founded the Navy Band's first saxophone quartet, and was selected Sailor of the Quarter. Concurrently, he earned a Master of Music degree from the University of Maryland. In 1977 he returned to the midwest to participate in family farm projects and teach at Waubonsee Community College, in Sugar Grove, IL, and begin a commuter woodwind studio serving schools in Ottawa, Oswego, and Naperville. In 1979 he began a long-standing friendship with Ron Keller and the Naperville Municipal Band by guest-soloing on the spring concert, and he has soloed yearly with the group since. He married Jean Pederson--also a Luther College alum--in 1982, and her position in Spanish at UW-LaCrosse brought them north in 1984. At that time Harry began doctoral studies at UW Madison which led to a DMA in 1992. Active as a saxophone soloist and clinician, his teachers have been Jack Williamson, Larry Livingston, Donald Sinta, George Etheridge, and Les Thimmig. Currently a very busy musician in the Coulee Region, he is a bassoonist with the La Crosse Symphony, principal clarinetist with the La Crosse Concert Band, occasional saxophonist with the Great River Big Band, and double reed section leader, conductor and soloist with the 132nd Army National Guard Band in Madison, WI. In addition to his private studio, he is currently adjunct professor of Saxophone at Luther College, and adjunct woodwind instructor at Winona [MN] State University. He has also worked for Central and Logan High Schools in La Crosse, and St. Mary's University, in Winona. With Jean being an able bass clarinetist, and now blessed with two musically inclined daughters, this is a family that attends a lot of concerts! Harry joined the WI ANG Band in 1987, and has helped guide development of clarinet and saxophone ensembles to augment the fine brass ensembles providing valuable musical support to the WI National Guard. His interest in music for larger saxophone ensembles was whetted doing background work for his dissertation, The Saxophone in American Musical Culture 1850-1980, and flowered with the acquisition and restoration of a vintage bass saxophone. He performs frequently on the entire family of saxophones, having appeared extensively in recital, and as soloist/clinician with school and municipal bands, at state and national music conventions, and at the National Music Camp at Interlochen, MI. He has regularly soloed with the LaCrosse Concert Band, and has appeared with the Illinois Valley Symphony Orchestra, and the LaCrosse Symphony Orchestra. The CD This CD is a collaborative effort by members of the LaCrosse Symphony Orchestra to leave a lasting performance legacy through a modest recording project. Since the saxophonist offered to do the groundwork, the music has a focus on the saxophone in the chamber music context. The relative rarity of a saxophone in a chamber music environment enhances the interest of many music lovers.
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