62 Results for : spliced

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    This is either the funniest dirty book or the dirtiest funny book ever written! (Isaac Asimov)Somewhere around 1969, I began to grow dissatisfied with the underlying principle of most novels - that a disembodied voice in the first or third person was telling us a story. I liked the idea of novels passing themselves off as documents and drew inspiration from Mark Harris's Wake Up, Stupid and Sue Kaufman's Diary of a Mad Housewife, the first, ostensibly a collection of letters, the second, duh, a diary. (One could, of course, go back further, to the very beginnings of the English novel in the works of Daniel Defoe and Samuel Richardson.) I also found myself interested in writing with greater candor about sexual topics. I had knocked out dozens of soft-core paperbacks, and wanted to try anew with greater freedom and more realism.I wrote three paperback original novels for Berkley under the pen name Jill Emerson, two of them in diary form, the third a presumed collaborative novel written in concert by the three viewpoint characters. These were fun to do and worked out well, and they led to Ronald Rabbit Is a Dirty Old Man. I riffed on the experience of my friend George Dickerson, who, like the novel's protagonist, had the magazine he was editing folded out from under him. George went on reporting to his empty office for several months, until they found him out when they noticed he'd stopped using his expense account. A man of many talents, George went on to serve as a reporter for Time Magazine for several years, then segued into a career as an actor; he had a principal role in Blue Velvet.) I spliced in an experience of my own, when I drank for hours at the Kettle of Fish on Macdougal Street, emerging only to be picked up by a carful of rich Catholic schoolgirls from the Academy of the Sacred Heart in Noroton, Connecticut, who essentially kidnapped me and drove me back to school with them./p ungekürzt. Language: English. Narrator: Theo Holland. Audio sample: https://samples.audible.de/bk/acx0/179611/bk_acx0_179611_sample.mp3. Digital audiobook in aax.
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    Flash cartoons ab 47.49 € als Taschenbuch: Homestar Runner All your base are belong to us Hero: 108 Phineas and Ferb Charlie and Lola Total Drama Island Newgrounds Weebl and Bob On the Moon Johnny Test Weebl's cartoons Sit Down Shut Up Broken Saints Spliced. Aus dem Bereich: Bücher, English, International, Englische Taschenbücher,
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    "Jefferson's candor, and the courage and rigor of her critic's mind, recall a number of America's greatest thinkers." -Tracy K. Smith, The New York Times Book Review The award-winning critic and memoirist Margo Jefferson has lived in the thrall of a cast of others-her parents and maternal grandmother, jazz luminaries, writers, artists, athletes, and stars. These are the figures who thrill and trouble her, and who have made up her sense of self as a person and as a writer. In her much-anticipated follow-up to Negroland, Jefferson brings these figures to life in a memoir of stunning originality, a performance of the elements that comprise and occupy the mind of one of our foremost critics. In Constructing a Nervous System, Jefferson shatters her self into pieces and recombines them into a new and vital apparatus on the page, fusing the criticism that she is known for, fragments of the family members she grieves for, and signal moments from her life, as well as the words of those who have peopled her past and accompanied her in her solitude, dramatized here like never before. Bing Crosby and Ike Turner are among the author's alter egos. The sounds of a jazz LP emerge as the intimate and instructive sounds of a parent's voice. W. E. B. Du Bois and George Eliot meet illicitly. The muscles and movements of a ballerina are spliced with those of an Olympic runner, becoming a template for what a black female body can be. The result is a wildly innovative work of depth and stirring beauty. It is defined by fractures and dissonance, longing and ecstasy, and a persistent searching. Jefferson interrogates her own self as well as the act of writing memoir, and probes the fissures at the center of American cultural life.
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    "Jefferson's candor, and the courage and rigor of her critic's mind, recall a number of America's greatest thinkers." -Tracy K. Smith, The New York Times Book Review The award-winning critic and memoirist Margo Jefferson has lived in the thrall of a cast of others-her parents and maternal grandmother, jazz luminaries, writers, artists, athletes, and stars. These are the figures who thrill and trouble her, and who have made up her sense of self as a person and as a writer. In her much-anticipated follow-up to Negroland, Jefferson brings these figures to life in a memoir of stunning originality, a performance of the elements that comprise and occupy the mind of one of our foremost critics. In Constructing a Nervous System, Jefferson shatters her self into pieces and recombines them into a new and vital apparatus on the page, fusing the criticism that she is known for, fragments of the family members she grieves for, and signal moments from her life, as well as the words of those who have peopled her past and accompanied her in her solitude, dramatized here like never before. Bing Crosby and Ike Turner are among the author's alter egos. The sounds of a jazz LP emerge as the intimate and instructive sounds of a parent's voice. W. E. B. Du Bois and George Eliot meet illicitly. The muscles and movements of a ballerina are spliced with those of an Olympic runner, becoming a template for what a black female body can be. The result is a wildly innovative work of depth and stirring beauty. It is defined by fractures and dissonance, longing and ecstasy, and a persistent searching. Jefferson interrogates her own self as well as the act of writing memoir, and probes the fissures at the center of American cultural life.
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    • Price: 22.99 EUR excl. shipping
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    How did it all begin? That depends on where you were and who you ask. In some places it started with the weather-which quickly became unstable and began behaving in impossible ways. In still others it started with the lights in the sky, which shifted and pulsed and could not be explained. Elsewhere it started with the disappearances: one here, a few there, but increasing in occurrence until fully three quarters of the population had vanished. Either way, there is one thing on which everyone agrees-it didn't take long for the prehistoric flora and fauna to start showing up (often appearing right where someone was standing, in which case the two were fused, spliced, amalgamated). It didn't take long for the great Time-displacement called the Flashback-which was brief but had aftershocks, like an earthquake-to change the face of the earth. From In the Season of Killing Bolts: "Looks like a mushroom cloud-only, like, horizontal." I confess I jumped, and that my hand dropped to my weapon-had I carried one. "Donovan. Now how many times have I told you not to cut through the cemetery?" "Ah, Chief, but then I've got to go all the way around. And there's a mean dog on Oberlin; you know that. Besides," He stepped up next to me and gazed at the cloud. "You don't really mean to tell me you care about that when there's, well, that. Am I right?" I peered at the cloud: at its curtains of rain and lightning-like the tendrils of a jellyfish-at its billowing cumulonimbus, which flickered and flashed. "What is that?" I mumbled. "Is that, is that lightning up there, or something?" I guess he must have followed my gaze. "Up there? Near the top? No-no, I don't think so. More like-more like balloon beacons, or aircraft. Their wing lights, maybe-glowing in the gloom. Those colors, though. They don't-they don't look right. Almost like-" "That's because you've never seen them," I said, and toggled my radio. "No one has. K-94, this is the Chief. Do you copy?" But there was nothing-only static. Only white noise. I listened for the truck's radio: nothing. Just dead air. Just silence as thunder rumbled and the rain fell and the wind gusted-powerfully. Alarmingly. "K-94, this is the Chief-do you copy?" More static, more noise. I looked at the fast-approaching cloud. "Donovan," I said. "Yeah, Chief?" "Don't cut through the cemetery." And then I hustled for the truck and quickly climbed in-jammed it into gear, activated the light bar. Then I was driving out of the cemetery at a dizzying clip; reaching for my cellphone even as it started ringing and ringing; glancing at the shotgun as it lay-bleakly, funereally, like a coffin-between the seats.
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    Debut-Album mit einem frischen Hybriden aus Jungle, Grime und Techno.Debut-Album mit einem frischen Hybriden aus Jungle, Grime und Techno. 'Better Strangers' is the debut album by Manchester based producer Acre, set for release by Tectonic Recordings on 6th November 2015. The album follows EPs on both Tectonic and sister label Cold Recordings and Visionist's PAN collaboration label Codes. As influenced by rave & jungle, grime and techno as electronica, ambient and drone, his EP releases have been rhythm driven snapshots of other-worldliness spliced with dancefloor sensibilities. Acre has sought to explore a wider variety of textures on 'Better Strangers', to re-contextualise elements from UK bass music, bring them away from the dancefloor and open up new possibilities. TRACKS: 1) Love, 2) Jouska, 3) Always Crashing, 4) Dek U, 5) Spiral, 6) Automatic Fire, 7) Don't Talk, 8) Holding Hands, 9) Ophelia, 10) Tarantula, 11) Ruby Tiers, 12) Better Strangers
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    Latin Rascals was the alias of remixer/producer Tony Moran and his friend Albert Cabrera who teamed to develop a new process of making records creating re-edited versions of hit songs spliced together to produce instant dance hits. This concept helped to usher in the freestyle era of music, buoyed by great lyrics, awesome melodies and bangin' beats, Moran's tracks represent some of the finest music the freestyle world has ever produced. Presented here is the classic freestyle hit "Arabian Knights," originally released in 1987, including a bonus Freestyle Tribute Version Mix. Newly re-mastered.
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    • Price: 21.08 EUR excl. shipping
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    • Price: 14.63 EUR excl. shipping
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    Debut-Album mit einem frischen Hybriden aus Jungle, Grime und Techno.Debut-Album mit einem frischen Hybriden aus Jungle, Grime und Techno. 'Better Strangers' is the debut album by Manchester based producer Acre, set for release by Tectonic Recordings on 6th November 2015. The album follows EPs on both Tectonic and sister label Cold Recordings and Visionist's PAN collaboration label Codes. As influenced by rave & jungle, grime and techno as electronica, ambient and drone, his EP releases have been rhythm driven snapshots of other-worldliness spliced with dancefloor sensibilities. Acre has sought to explore a wider variety of textures on 'Better Strangers', to re-contextualise elements from UK bass music, bring them away from the dancefloor and open up new possibilities. TRACKS: a1) Love, a2) Jouska, a3) Always Crashing, b1) Dek U, b2) Spiral, b3) Automatic Fire, c1) Don't Talk, c2) Holding Hands, c3) Ophelia, d1) Tarantula, d2) Ruby Tiers, d3) Better Strangers
    • Shop: odax
    • Price: 20.88 EUR excl. shipping
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    • Shop: odax
    • Price: 20.93 EUR excl. shipping


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