57 Results for : synchronize

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    Are you stressed in everyday life? You can fall asleep badly, or find not a moment of rest? Are you in pain? Lack of concentration? Or You just want to enjoy nature for 10 minutes?With "Healing in Nature" we give you 7 short meditation sessions that take you on a unique relaxing journey into the healing nature. Draw new energy from the sun. "Inhale" the scent of the forest. Synchronize with the vibrations of the sea. Lie down on a meadow, look into the sky and let your thoughts free.Each meditation begins with a relaxation session to prepare you for the journey. Torsten Abrolat has lovingly and with great care composed sounds and music to create an appropriate mood. After about 6 minutes our nature journey is followed by a deep relaxation phase with beautiful sounds, in which you continue the journey yourself and relax deeply and restfully. There are no limits to your positive fantasies - and far away from your everyday life you will feel free from stress and hectic for a while.At the end we gently bring you back from the meditation and the music becomes more lively. Slowly you open your eyes again and after a few minutes you are back in the here and now. You will feel awake and refreshed. Now you can start the day with new energy, continue or come to rest in the evening.Each meditation is about 10 minutes long. So you can plan your short meditation well for daily use. Allow about 15-20 minutes including preparation and follow-up. You are also welcome to take several relaxation trips in a row.The SyncSouls short meditations can be used in everyday life to reduce stress, before falling asleep, for wellness offers or accompanying therapeutic procedures and certainly in many other areas. Remember a wonderful walk and feel the healing power of Mother Earth."Healing in nature" is a meditative journey through nature with relaxing and consciousness-expanding texts, accompanied by beautiful natural sounds and soft sound Language: English. Narrator: Colin Griffiths-Brown. Audio sample: https://samples.audible.de/bk/sync/000529/bk_sync_000529_sample.mp3. Digital audiobook in aax.
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    • Price: 9.95 EUR excl. shipping
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    If you want to enhance your sexual life, keep reading.Do you want to last all night while enjoying the pleasure of sex?   Do you want to fulfill all your partner's sexual desires?  Are you looking to take your sex life to the next level?  Are you curious about lasting longer in bed with your partner? Because it can be tough to find one who fulfills all your desires, and nothing can replace this loss. Keep reading this passage if you want to deepen your level of intimacy and learn how to cope with barriers such as premature ejaculation and the lack of satisfaction in bed.   You may think you have all the right answers for lasting longer in bed. Foreplay, breathing, kissing, sex, and emotion are all important parts but what is key is that it must all be done with a steady pace, not in a hurry.   If you don't believe in asking your partner about your rush habit, you may be in for a surprise. Sometimes rushing sex can give your partner the impression that you solely care about fulfilling your own needs rather than valuing their pleasures.   Each and every moment of sex has its worth and must be enjoyed by you and your partner. Let things open up at the right time, and you will surely be rewarded with a great experience, which is an essential and necessary part of the intimate relation.   As you discover more pleasures, you will want the feeling to last longer. Connect your body through breathing that will guide your rhythm. By focusing on your breathing, you will feel your mind be calm while presenting the dialogues that will surely increase your enjoyment of sex. So try to synchronize your slow deep breathing with your partner and enjoy pleasurable sexual intercourse. This book covers the following topics:  What is Kama Sutra?   The only technique you'll need to learn to improve your sexual compatibility  The single most impor ungekürzt. Language: English. Narrator: Deb Autry. Audio sample: https://samples.audible.de/bk/acx0/200629/bk_acx0_200629_sample.mp3. Digital audiobook in aax.
    • Shop: Audible
    • Price: 9.95 EUR excl. shipping
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    How to synchronize the next generation of IPTV: Explantion of the ETSI standardized version: ab 19.99 €
    • Shop: ebook.de
    • Price: 19.99 EUR excl. shipping
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    No description.
    • Shop: odax
    • Price: 12.14 EUR excl. shipping
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    The Blue Line, a group of four guys from the D.C. area, knows no boundaries when it comes to making rock music. They grab influences from every popular rock generation and genre and throw it into their songs, creating their own new, catchy, electric rock style. The lyrics tell stories and are often poetic, the solos are intricate and can be played at 'love song' or metal speed, and the rhythm always carries a pure rock beat. 'When Washingtonians hear the words 'the blue line,' they should no longer think of the Metrorail. Instead, they should picture Ross Jacobson, Ben Payes, Nick Scialli and Dave Chaletzky - the four members of The Blue Line, an up-and-coming local band that's been charming fans with their rocking rhythms, catchy lyrics and charismatic style.' - The American University Eagle 'The Blue Line is a DC phenom, four rockers who met out of college and took their passion for music out of the garage and into the nightlife in Adams Morgan and U Street combining musical talents, rocking out with their own tunes to a driving, insistent beat that is at once passionate and musically adroit. The sleek tones and satiny vocals of lead singer and rhythm guitar Ben Payes synchronize with lead guitarist Ross Jacobson's intensely saturated riffs sending out a strong emotional energy. Nick Scialli on bass and Dave Chaletzky's percussion demonstrate strong command of their respective instruments to stand out in harmonic and sometimes dissonant counterpoint to create the band's unique sound. Aranoyas, Fantasy Girl and Underwater Dreams are first out of the box on the new CD. The band - sounding a high octane blend with mellow notes - creates a magical energy all it's own.' - Washington Off-Beats Arts Blog.
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    • Price: 17.29 EUR excl. shipping
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    Mind.In.A.Box setzen in ihrem fünften Album wieder die Science-fiction Story rund um Black, Night und der Agency fort! Album des Monats März 2015 in Orkus! Versuch Nummer zweihundertacht , hört White die Stimme des Mechanikers. Die Kameras nehmen auf. Die Anlage surrt. Die Maschine führt die Schläuche automatisch in die Arterien des Mannes ein. Die Nadeln durchstoßen seine Haut, gleiten tief in sein Fleisch. Seine Augen verdrehen sich. Im nächsten Augenblick durchspült die eiskalte blaue Flüssigkeit seinen Körper wie ein arktischer Schock. Kalter Hauch wabert aus seinem Mund. Seine Pupillen verändern sich. Dieser entsetzliche Blick! White wird sich nie daran gewöhnen. Der Mechaniker regelt den Fluss mit dem Synchronizer. White hätte sich das alles viel einfacher vorgestellt. An jenem Abend, als Black entkommen war, hatten die Mitarbeiter der Agency die Frequenz mit dem Detektor aufgefangen. Sie hatten die Sequenz tagelang analysiert, doch sie war nutzlos. Was brachte eine Frequenz, die das Tor zum Dreamweb öffnete, wenn man nicht wusste, wie man sich damit synchronisierte? Die Geschichte wird fortgesetzt... TRACKS: 1. Travel Guide 2. I Knew 3. Unforgiving World 4. No Hope 5. Synchronize 6. Bad Dreams 7. Silent Pain 8. Timelessness 9. Face It 10. Up There 11. Pedro 12. Shake-Up 13. 5nchr0ni7e
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    • Price: 17.72 EUR excl. shipping
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    The movement is older than it's name - the term "minimal music" evolved in the early 1970's. Michael Campillo used it with reference to "Minimal Art", others who named this genre were the composers Michael Nyman and Tom Johnson. When predominantly serial music was taught in the 1950's and 1960's, several young composers based in the USA were looking for a simple musical language analyzable by the ear. Influences from Asia and Africa played an important role: Around 1970, La Monte Young and Terry Riley became students of the Indian raga singer Pandit Pran Nath, while Philip Glass worked with Ravi Shankar, among others, and Steve Reich studied Balinese gamelan, African drumming and Jewish cantillation. In the process, two approaches emerged. La Monte Young felt an early attraction to static sounds (trio for strings 1958). A similar approach had Charlemagne Palestine or Phill Niblock, whereas Terry Riley and Steve Reich experimented with infinite tape loops in the 1960's, thus creating music with repetitive structures with which we are dealing on this CD. Steve Reich made the break-through 1965 with the tape piece "It's gonna rain". The piece uses the recording of a sermon about the end of the world, given by a black street-preacher. Two identical tape loops were started at the same time, but as the two recorders didn't synchronize, you could soon hear an offset in time. This inspired Reich to use the phase shifting technique on instrumental compositions, for the first time ever in "Piano Phase" for two pianos (1967). Both parts have identical lines of music, the second part overtaking the first occasionally by a note. This performance of shifting tone patterns creates new patterns, called "resulting patterns", a kind of musical moiré effect. "Vermont Counterpoint" for solo flute and tape (11 prerecorded flute parts) doesn't use the phase shifting technique any longer. The canon voices are constantly shifted by three sixteenth notes, and by five sixteenth notes in the third of the four sections. The solo flute (also alto flute and piccolo) has two jobs: On one hand, it introduces new canon voices, first interspersed with rests, then becoming more and more complete until they merge into the ensemble, on the other, it emphasizes the resulting patterns, which partly form in turn a canon voice of their own in the following section. The piece, written in 1982, kicked off a series of counterpoints in which an instrumentalist is playing with one's taped self. At the age of 8, Philip Glass became flute student at the Peabody Conservatory in Baltimore. The "Arabesque in Memoriam" for solo flute (1988) was written in remembrance of his former teacher Britton Johnson, principal flutist of the Baltimore Symphony Orchestra. When the French composer Eric Satie heard that his music was regarded shapeless, he wrote in answer to this accusation his "Trois Morceaux en Forme de Poire" for four-handed piano. The title of the "Piece in the Shape of a Square" (1967) for two flutes by Philip Glass is based on Satie. Stylistically, it's still far from Glass' later opera and movie music, it starts with a motive full of holes and rests, which is filled more and more with notes with the entry of the second voice, passing eventually into ascending scales. It was first performed at Jonas Mekas's Film-Makers Cinemathèque in New York on May 19, 1968 - a concert contributing considerably to the composer's fame. Glass and Jon Gibson arranged the scores in a square and moved in different directions through the piece until meeting again at the end. "In C" by Terry Riley, written in 1964, is a freely configurable concept. On a sheet of paper, 53 short phrases are noted, which are repeated by several performers and played in canon. Steve Reich played a part in the first performance, and it was his idea to play a repeated eighth notes pulse of high Cs on the piano in order to keep the piece together. On this CD, Hans Balmer has recorded 36 tracks with piccolo, alto and bass flute by using the technique of overdubbing.
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    • Price: 17.92 EUR excl. shipping


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