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The Philosophy of Curatorial Practice

The Philosophy of Curatorial Practice - Between Work and World: ab 90.99 €

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CrossSections

CrossSections - Processing Artistic and Curatorial Research: ab 39.99 €

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Curatorial Intervention

Curatorial Intervention - History and Current Practices: ab 66.99 €

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The Curatorial

The Curatorial - A Philosophy of Curating: ab 28.49 €

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Curatorial Practices for Botanical Gardens

Curatorial Practices for Botanical Gardens: ab 82.49 €

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Expanding its mapping of landmark exhibitions and curatorial history from the 1960s to today, the "Archives" series dedicates its fifth DVD to Sonsbeek, an art manifestation held in 1971 and 1986 in and around Arnhem (Netherlands). Mainly showcasing large installations and sculptures in natural surroundings, these two events are crucial to the history of outdoor exhibitions, shifting the boundaries of traditional sculpture. Held six years before the first Sculpture Projects Münster (1977), "Sonsbeek 1971," curated by Wim Beeren, questioned the traditional concept of sculpture and exhibition, introducing film and video, and environmental art—notably through the now canonical examples of Robert Smithson, Panamarenko, and Claes Oldenburg. Fifteen years later, "Sonsbeek 1986," curated by Saskia Bos, proposed another rethinking of the exhibition by offering the visitor a "scaterred experience." The artworks were exhibited in specially designed glass pavilions throughout Sonsbeek park. Presenting the actuality of "new sculpture," the show brought together works by Katharina Fritsch, Michael Asher, Luciano Fabro, Ettore Spalletti, Thomas Schütte, Jan Vercruysse, Reinhard Mucha, Mario Merz, Hidetoshi, and James Casebere.Filmed by Jef Cornelis with his habitually acute sense of dramaturgy and his provocative mise-en-scène of theoterical conflicts, "Sonsbeek Buiten de Perken" (1971) and "Spaziergaenger mit Hund–Sonsbeek" (1986) constitute a unique moving image documentation of those pioneering art events that renewed the exhibition format. Jef Cornelis mainly worked for VRT, the Flemish Belgian national television. He realized more than 200 films, especially on architecture, literature, and the arts. Yves Aupetitallot is an art historian, curator, and art critic, and director of Le Magasin–Centre National d’Art Contemporain, Grenoble. His illustrated essay in the booklet offers essential reference points that elucidate the context and debates of these pivotal outdoor exhibitions.Published with Argos–Center for Art and Media, Brussels. DVD Multizone, PAL/SECAM, 76 minutes. English/German/Dutch, English subtitles.

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Jef Cornelis. Summer of 1966

“Summer of 1966: 33a Biennale di Venezia & 2e Salon des galeries-pilotes de Lausanne” by Jef Cornelis is the third title in the “Archives” collection dedicated to landmark exhibitions and curatorial practices, providing sources and moving images to a growing field of research—that of curatorial studies and exhibition history. The first two DVDs constitute a unique yet subjective testimony on the famous documenta 4 (1968) and documenta 5 (1972). * * The 1966 Venice Biennale was one of the first exhibitions that Cornelis filmed. It was in this film that he laid the foundations of his methodology: to depict the exhibition as the closed space of a community preoccupied with the issues and conflicts that concerned its members, rather than to make films about art itself. He filmed some of the major players of the time, whether they belonged to the American or the European scene, within which French artists and critics manifested a powerful presence. On his way back to Belgium, Cornelis stopped at the second "Salon international des galeries-pilotes" (Lausanne), an experimental manifestation that influenced the Basel Art Fair, which was created in 1970. To fully illustrate what was at stake in the 1966 Venice Biennale, the DVD also includes a short film by François Morellet about the Groupe de Recherche d’Art Visuel (GRAV), whose member Julio Le Parc won the Golden Lion that year, raising the questions about collective and singular authorship. * * Jef Cornelis mainly worked for VRT, the Flemish Belgian national television. He realized more than 200 films, especially on architecture, literature, and the arts. * * Yves Aupetitallot is an art historian, curator ,and art critic, director of Le Magasin–Centre National d’Art Contemporain, Grenoble. * * Published with Le Magasin, Centre National d'Art Contemporain, Grenoble, and Argos – Center for Art and Media, Brussels. * * DVD Multizone, PAL/SECAM, 48 minutes.

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Jef Cornelis: Curating in the 1980s

Castello di Rivoli and Skulptur Projekte Münster: Curating in the 1980sThe sixth volume of the “Archives” series, which is dedicated to landmark exhibitions and curatorial practices, brings together two films by Belgian filmmaker Jef Cornelis on the opening of the Castello di Rivoli in 1985, whose inaugural exhibition was conceived by curator Rudi Fuchs, and the 1987 edition of Skulptur Projekte Münster, organized by Kasper König and Klaus Bussmann. Both reflect on the curatorial approaches of the 1980s and constitute a unique documentation of the artistic debates of the time while focusing, on the one hand, on the development of contemporary Italian art and, on the other hand, on how the 1987 Munster event put the ideas of 1960s Conceptualism into reality, To many it was a milestone event, marking the coming-of-age of a certain generation of German artists, as well as finally indicating the proper place of conceptual art: outside the museum. Overall, the Munster project carries out the Futurist tenet that "the museum is the graveyard of art" and the need to move out of the stasis of the museum context into real public space.Filmed by Jef Cornelis with his habitually acute sense of dramaturgy and his provocative mise-en-scène of theoretical conflicts, they constitute a unique moving image documentation of those pioneering art events that renewed the exhibition format in the 1980s. The films show works by Gerhard Richter, Joseph Beuys, Sol Lewitt, Bruce Nauman, Giuseppe Penone, Luciano Fabro, Carl André, Keith Haring, Jenny Holzer, Jeff Koons, Giovanni Anselmo, Luciano Fabro, and Mario Merz, among others. They include interviews with and contributions by Chris Dercon, Kasper Konig, Klaus Bussman, Rudi Fuchs, Christian-Philipp Muller, and dancer Brygida Ochaim.Jef Cornelis (*1941) has mainly worked for VRT, the Flemish Belgian national television. He has realized more than 200 films, in particular on architecture, literature, and the arts. An essay by the art historian Yves Aupetitallot offers essential reference points that elucidate the context and controversies of these pivotal manifestations, and examines Cornelis’ acute sense of dramaturgy, and his mise-en-scene of the theoretical conflicts.Published with Argos–Centre for Art and Media, Brussels. DVD Multizone, PAL/SECAM, 70 minutes. English/German/Dutch, English subtitles.

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Jef Cornelis: 13th Biennale de Paris 1985

“13th Biennale de Paris 1985” by Jef Cornelis is the fourth title in the “Archives” series, which is dedicated to landmark exhibitions and curatorial practices, and provides sources and moving images to the growing field of research of curatorial studies and exhibition history. Held at the Grande Halle de la Villette, the Biennale de Paris of 1985—the 13th edition since its creation in 1959—is among the most important exhibitions of the 1980s. Organized by an international team of curators and art critics including Georges Boudaille and Gérald Gassiot-Talabot (French), Kasper König (German), Alanna Heiss (American), and Achille Bonito Oliva (Italian), the Biennale was a platform for both established and up-and-coming artists active in the mid-1980s. Those featured here include Georg Baselitz, Daniel Buren, Richard Deacon, Keith Haring, David Hockney, Anish Kapoor, Anselm Kiefer, Bertrand Lavier, and Lawrence Weiner—most of them filmed installing their work. Mainly realized during the mounting of the exhibition and its opening, the film documents the conversations held during the preparatory phases of the event about the revival of figurative art, the role of museums and television, the individual nature of artistic experience, and reveals the stakes and debates involved in this artistic community. This inextricable combination of contextual strategies and an in-progress history of art make this DVD an invaluable document about the art world in the 1980s.Jef Cornelis mainly worked for the VRT, the Belgian national television in Flemish. He realized more than 200 films, especially on architecture, literature, and the arts. Yves Aupetitallot is an art historian, curator, and art critic, and director of Le Magasin–Centre National d’Art Contemporain, Grenoble. His illustrated essay in the booklet offers essential reference points that elucidate the context and debates of this pivotal exhibition.Published with Le Magasin, Centre National d'Art Contemporain, Grenoble, and Argos – Center for Art and Media, Brussels.DVD Multizone, PAL/SECAM, 67 minutes.

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Jef Cornelis - Documenta 5

Documenta 5 by Jef Cornelis is the second title of the new "Archives" collection, which is dedicated to landmark exhibitions and curatorial practices, and which provides reference material and moving images to a growing field of research, that of curatorial studies and exhibition history. * * Held in Kassel between June and October 1972, "Documenta 5" was curated by "master–curator" Harald Szeemann and remains one of the most important international exhibitions of the past few decades. Entitled "Interrogation of Reality—Picture Worlds Today," it brought together works by Marcel Broodthaers, Christian Boltanski, Arnulf Rainer, Claes Oldenburg, Gerhard Richter, and Ed Ruscha, and could be called the first exhibition as a spectacle. * * Introducing the different sections ("Artist's Museum," "Individual Mythologies," etc.) and protagonists, the film is both a report on trends and pacesetters of the time, as well as an approach to the phenomenon of Documenta, questioning the definitions of exhibition maker, artist, exhibition, contemporary art. * * Jef Cornelis has mainly worked for VRT, Belgian national television in Flemish. He has realized more than 200 films, especially on architecture, literature, and the arts. * * Yves Aupetitallot is an art historian, curator, art critic, and director of Le Magasin–Centre National d'Art Contemporain, Grenoble. His essay offers essential reference points that elucidate the context and debates of this pivotal exhibition. * * Published with Le Magasin, Centre National d'Art Contemporain, Grenoble, and Argos–Center for Art and Media, Brussels. * * DVD Multizone, PAL/SECAM, 54 minutes. *

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Price: 59.90 EUR excl. shipping