91 Results for : abuzz

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    Sometimes one little kiss can change everything, especially one from a world famous hero of the American Revolution!  Gold Medalist (Middle School/Historical Fiction), 2017 Literary Classics Award 1st Place Winner (Historical Fiction), 2017 Purple Dragonfly Book Awards Bronze Medalist (Juvenile/Young Adult Fiction), 2017 eLit Awards Quarter Finalist, 2016 Booklife Prize (Middle Grade) One of the top 10 MG entries! Seal of Approval Recipient, 2017 Literary Classics Awards Finalist (Young Adult), Book Excellence Awards Named on the Grateful American Kids website as one of the best history books for kids to read   Fourteen-year-old Clara Hargraves lives on a farm in Hopkinton, a small New Hampshire town, during the early 19th century. She has a couple of big problems. First of all, she has a stepmother Priscilla, who used to be her spinster schoolmistress aunt. Clara resents that her late mother's older sister has not only married her father but is about to have a baby. To make matters worse, "Prissy Priscilla" keeps trying to make the rambunctious, clever, and witty Clara act like a proper young lady. Secondly, Clara has red hair, making her a target for teasing by a handsome older boy, Dickon Weeks, and by her pretty 17-year-old "Dread Cousin Hetty". Clara, however, has a secret plan she hopes will change this. During the last week of June, 1825, Clara's town is abuzz because the famous General Lafayette is about to visit their state during his farewell tour of America. In those eventful seven days, Clara learns a lot about her family, Hetty, Dickon, herself, and about Lafayette. She comes to understand the huge and vital role the young French aristocrat played in America's Revolutionary War and to see that her problems might not be quite so terrible after all.  ungekürzt. Language: English. Narrator: Dorothea Jensen. Audio sample: https://samples.audible.de/bk/acx0/115541/bk_acx0_115541_sample.mp3. Digital audiobook in aax.
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    Jack's a retired cop from New York, seeking the simple life in Cherringham. Sarah's a Web designer who's moved back to the village to find herself. But their lives are anything but quiet as the two team up to solve Cherringham's criminal mysteries. This compilation contains episodes 16 - 18:   The Last Puzzle: When amiable old village eccentric Quentin Andrews dies, the good folk of Cherringham are astonished at the crowd that turns up to his funeral. But even more astonished are the beneficiaries of his will: Quentin has left a veritable fortune to whomever is the first who can solve an intricate 'Cherringham crossword'. That puzzle is only the first of many that Jack and Sarah will uncover as they follow the treasure hunt for clues and learn the truth about who Quentin Andrews really was. And the biggest mystery of them all... was he - in fact - murdered?   Final Cut: When a big movie production comes to Cherringham, complete with lords, ladies, and flashing swords, the whole village is abuzz with excitement. But when a series of dangerous accidents threatens the life of the young lead, Zoe Harding, Sarah and Jack get involved. Are these really accidents? Or could they be something more sinister - even deadly? Who is trying to destroy the career of the beautiful young star - and why?   The Vanishing Tourist: When an American tourist goes missing in Cherringham, the local police don't see reason for concern - people often wander away from such tours. But when that tourist's sister shows up from New York, desperately looking for answers, Jack and Sarah become convinced there's more to the disappearance than meets the eye. Soon, they are entangled in a mystery with a secret history of betrayal, sacrifice, dishonour... and death.   Set in the sleepy English village of Cherringham, the detective series brings together an unlikely sleuthing duo: English web designer Language: English. Narrator: Neil Dudgeon. Audio sample: https://samples.audible.de/bk/lueb/002332/bk_lueb_002332_sample.mp3. Digital audiobook in aax.
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    'Hugely enjoyable' Ambrose Parry'Dazzling, original, full of wonderful characters' Katie Fforde'Historical fiction at its best'Frances Quinn'Seductive and sensual'Essie Fox***Could one rare plant hold the key to a thousand riches?It's the summer of 1822 and Edinburgh is abuzz with rumours of King George IV's impending visit. In botanical circles, however, a different kind of excitement has gripped the city. In the newly-installed Botanic Garden, the Agave Americana plant looks set to flower - an event that only occurs once every few decades. When newly widowed Elizabeth arrives in Edinburgh to live with her late husband's aunt Clementina, she's determined to put her unhappy past in London behind her. As she settles into her new home, she becomes fascinated by the beautiful Botanic Garden which borders the grand house and offers her services as an artist to record the rare plant's impending bloom. In this pursuit, she meets Belle Brodie, a vivacious young woman with a passion for botany and the lucrative, dark art of perfume creation. Belle is determined to keep both her real identity and the reason for her interest the Garden secret from her new friend. But as Elizabeth and Belle are about to discover, secrets don't last long in this Enlightenment city . . . And when they are revealed, they can carry the greatest of consequences.'Perfectly paced, romantic and full of intrigue. A truly wonderful story' Vikki Patis'Evocative and sumptuously imagined. Not since Perfume has a book had such a strong sensory impact on me. I was intoxicated! A feast for the senses... Dazzling' Celia Reynolds'Sprinkled with deliciously tantalising scandal and intrigue, and colourful, engaging characters. A sheer joy to read' Sue Lawrence'There's no enlightenment without enlightening women, and Sara Sheridan gives us two great ones to reckon with in Belle and Elizabeth. The Fair Botanists gives us a glimpse into the complex life of Edinburgh in the 1820's with joyous female characters at the heart of the story' Annie Garthwaite
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    A hugely entertaining career autobiography from a true legend of Welsh rugby and a genuine cult figure. In rugby there are the Flash Harrys and the Glory Boys: the fly-halves who run, kick and dazzle; the scrum-halves who nip and dart; the wingers who step and glide. These are the players who get the crowd on their feet, who set stadiums abuzz. But they only get to do these things because other, less glorified figures do all of the donkey work. Adam Jones is one such figure. And for a decade he was one of the world's best. On many occasions when George North or Shane Williams was careering under the posts to score a try, and the crowd was engulfed in rapturous joy, Adam Jones would be hauling himself up from the turf, spitting blood and mud and massaging his aching neck. He hadn't scored the try, but more often than not it was his graft and strength which had made it. This is the story of Bomb: the self-effacing manual labourer from the Swansea Valley who traded laying paving slabs for running out in some of the world's most imposing sporting citadels. He rose to the pinnacle of his sport, winning virtually everything there was to be won: Grand Slams, Six Nations Championships, Lions tours, Pro12 titles. In a nation of rugby heroes, Adam Jones has become a legend. Only six Welshmen can say they've won three Grand Slams. He is one of them: not just as a bit-part player but as the beating heart of the most successful squad in Welsh rugby history. His was one of the first names on the team sheet. He was - literally and metaphorically - the cornerstone of this Welsh side. In his autobiography Jones reveals exactly what goes on in the murky depths of the front row: the tricks, the techniques, the physical and psychological warfare and the mental fortitude it takes to endure in one of the hardest positions in one of the world's toughest contact sports. ungekürzt. Language: English. Narrator: Gareth Armstrong. Audio sample: https://samples.audible.de/bk/head/000428/bk_head_000428_sample.mp3. Digital audiobook in aax.
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    Your cells are talking about you. Right now, both your inner and outer worlds are abuzz with chatter among living cells of every possible kind—from those in your body and brain to those in the environment around you. From electrical alerts to chemical codes, the greatest secret of modern biology, hiding in plain sight, is that all of life's activity boils down to one thing: conversation. While cells are commonly considered the building block of living things, it is actually the communication between cells that brings us to life, controlling our bodies and brains, determining whether we are healthy or sick, and directly influencing how we think, feel, and behave. In The Secret Language of Cells, doctor and neuroscientist Jon Lieff lets us listen in on these conversations, and reveals their significance for everything from mental health to cancer. He explains the surprising science of how very different cells—bacteria and brain cells, blood cells and viruses—all speak the same language. This overarching principle has been long overlooked because scientific journals use impenetrable jargon that makes it hard to be understood across disciplines, much less by the general public. Lieff presents a fascinating and accessible look into cellular communication science—a groundbreaking and comprehensive exploration of this biological phenomenon. In these pages, discover the intriguing lives of cells as they ask questions, get answers, give feedback, gather information, call for each other, and make complex decisions. During infections, immune T-cells tell brain cells that we should "feel sick" and lie down. Cancer cells warn their community about immune and microbe attacks. Gut cells talk with microbes to determine which are friends and which are enemies, and microbes talk with each other and with much more complicated human cells in ways that determine which medicines work and which will fail. With applications for immunity, chronic pain, weight loss, depression, cancer treatment, and virtually every aspect of health and biology, cellular communication is revolutionizing our understanding not just of disease, but of life itself. The Secret Language of Cells is required reading for anyone interested in following the conversation.
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    From LAMBDA Literary Award winner Sina Queyras, Rooms offers a peek into the defining spaces a young queer writer moved through as they found their way from a life of chaos to a life of the mind Thirty years ago, a professor threw a chair at Sina Queyras after they'd turned in an essay on Virginia Woolf. Queyras returns to that contentious first encounter with Virignia Woolf to recover the body and thinking of that time. Using Woolf's A Room of One's Own as a touchstone, this book is both an homage to and provocation of the idea of a room of one's own at the centre of our idea of a literary life. How central is the room? And what happens once we get one? Do we inhabit our rooms? Or do the rooms contain us? Blending memoir, prose, tweets, poetry, and criticism, Rooms offers a peek into the defining spaces a young queer writer moved through as they found their way from a life of chaos to a life of the mind, and from a very private life of the mind to a public life of the page, and from a life of the page into a life in the Academy, the Internet, and on social media. "With Virginia Woolf alongside them, Queyras journeys through rooms literal and figurative, complicating and deepening our understanding of what it means to create space for oneself as a writer. Their hard-won language challenges us to resist any glib associations of Woolf's famous 'room' with an easy freedom. Inspiring and moving, Queyras's memoir testifies to Woolf's continuing generative power."?Mark Hussey, editor of Virginia Woolf's Between the Acts (2011) and author of Clive Bell and the Making of Modernism (2021) "In this beautiful, perceptive book, Sina Queyras moves deftly between the words and wake of Virginia Woolf and their own formation as writer, lover, teacher, friend, and person. Rooms is expert in its depiction of personal and literary histories, and firmly aware of its moment of composition. Reading these pages, I was enticed by Queyras's curiosity and openness, thrilled by the sharp edges of their anger. Tight prose, electric thinking, self-discovery ? it's all here, all abuzz. Rooms is alive." ? Heather Christle, author of The Crying Book "It is impossible not to question the world as we thought we knew it by the end of this book. Sina Queyras painstakingly aims their extraordinary nerve and talent at Virginia Woolf's idea of a room of one's own: 'It's a mistake to consider the room without all of its entanglements.' Taking Woolf's cue, Queyras explores writing that is not world-building but something far more generous and transformative; as Woolf wrote, 'Literature is open to everybody.'" ? CAConrad, author of AMANDA PARADISE: Resurrect Extinct Vibration
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    From LAMBDA Literary Award winner Sina Queyras, Rooms offers a peek into the defining spaces a young queer writer moved through as they found their way from a life of chaos to a life of the mind
Thirty years ago, a professor threw a chair at Sina Queyras after they'd turned in an essay on Virginia Woolf.
Queyras returns to that contentious first encounter with Virignia Woolf to recover the body and thinking of that time. Using Woolf's A Room of One's Own as a touchstone, this book is both an homage to and provocation of the idea of a room of one's own at the centre of our idea of a literary life.
How central is the room? And what happens once we get one? Do we inhabit our rooms? Or do the rooms contain us? Blending memoir, prose, tweets, poetry, and criticism, Rooms offers a peek into the defining spaces a young queer writer moved through as they found their way from a life of chaos to a life of the mind, and from a very private life of the mind to a public life of the page, and from a life of the page into a life in the Academy, the Internet, and on social media. "With Virginia Woolf alongside them, Queyras journeys through rooms literal and figurative, complicating and deepening our understanding of what it means to create space for oneself as a writer. Their hard-won language challenges us to resist any glib associations of Woolf's famous 'room' with an easy freedom. Inspiring and moving, Queyras's memoir testifies to Woolf's continuing generative power."Mark Hussey, editor of Virginia Woolf's Between the Acts (2011) and author of Clive Bell and the Making of Modernism (2021) "In this beautiful, perceptive book, Sina Queyras moves deftly between the words and wake of Virginia Woolf and their own formation as writer, lover, teacher, friend, and person. Rooms is expert in its depiction of personal and literary histories, and firmly aware of its moment of composition. Reading these pages, I was enticed by Queyras's curiosity and openness, thrilled by the sharp edges of their anger. Tight prose, electric thinking, self-discovery it's all here, all abuzz. Rooms is alive." Heather Christle, author of The Crying Book"It is impossible not to question the world as we thought we knew it by the end of this book. Sina Queyras painstakingly aims their extraordinary nerve and talent at Virginia Woolf's idea of a room of one's own: 'It's a mistake to consider the room without all of its entanglements.' Taking Woolf's cue, Queyras explores writing that is not world-building but something far more generous and transformative; as Woolf wrote, 'Literature is open to everybody.'" CAConrad, author of AMANDA PARADISE: Resurrect Extinct Vibration 
 

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    Mikoto Misaka and her friends prepare for the Daihasei Festival, a seven-day athletic competition between esper schools. Academy City opens to the public for the event, but with the whole town abuzz, no one is prepared for what comes next!
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    Beecham House is abuzz. The rumor circling the halls is that the home for retired musicians is soon to play host to a new resident. Word is, it's a star. For Reginald Paget (Tom Courtenay), Wilfred Bond (Billy Connolly) and Cecily Robson (Pauline Collins) this sort of talk is par for the course at the gossipy home. But they're in for a special shock when the new arrival turns out to be none other than their former singing partner, Jean Horton (Maggie Smith). Her subsequent career as a star soloist, and the ego that accompanied it, split up their long friendship and ended her marriage to Reggie, who takes the news of her arrival particularly hard. Can the passage of time heal old wounds? And will the famous quartet be able to patch up their differences in time for Beecham House's gala concert?
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    Who can resist handsome Danny (Robert Montgomery)? Not the girls in an English village abuzz over the discovery of a headless corpse. Not the rich, disagreeable old woman (Best Supporting Actress Oscar nominee Dame May Whitty) he works for. No one, except the old woman's niece (Rosalind Russell), who suspects that Danny's charming facade hides someone cold, calculating... and possibly mad. Based on Emlyn Williams' London and Broadway stage hit, Night Must Fall is a chilling, perfectly calibrated thriller that will have you checking the locks on the door as you ponder the contents of that hatbox Danny carries around. Montgomery, long typecast as the suave star of romantic comedies, earned a 1937 Best Actor Oscar? nomination for his harrowing, career-changing performance.
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