86 Results for : interrogates

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    "Soul-stretching, breathtaking…A game-changing gift to readers." Booklist (starred review) From Chloé Cooper JonesPulitzer Prize finalist, philosophy professor, Whiting Creative Nonfiction Grant recipienta groundbreaking memoir about disability, motherhood, and a journey to far-flung places in search of a new way of seeing and being seen. "I am in a bar in Brooklyn, listening to two men, my friends, discuss whether my life is worth living." So begins Chloé Cooper Jones's bold, revealing account of moving through the world in a body that looks different than most. Jones learned early on to factor "pain calculations" into every plan, every situation. Born with a rare congenital condition called sacral agenesis which affects both her stature and gait, her pain is physical. But there is also the pain of being judged and pitied for her appearance, of being dismissed as "less than." The way she has been seenor not seenhas informed her lens on the world her entire life. She resisted this reality by excelling academically and retreating to "the neutral room in her mind" until it passed. But after unexpectedly becoming a mother (in violation of unspoken social taboos about the disabled body), something in her shifts, and Jones sets off on a journey across the globe, reclaiming the spaces she'd been denied, and denied herself. From the bars and domestic spaces of her life in Brooklyn to sculpture gardens in Rome; from film festivals in Utah to a Beyoncé concert in Milan; from a tennis tournament in California to the Killing Fields of Phnom Penh, Jones weaves memory, observation, experience, and aesthetic philosophy to probe the myths underlying our standards of beauty and desirability, and interrogates her own complicity in upholding those myths. With its emotional depth, its prodigious, spiky intelligence, its passion and humor, Easy Beauty is the rare memoir that has the power to make you see the world, and your place in it, with new eyes.
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    «In this insightful book, Stephanie Homer interrogates how different genre conventions (memoir, autobiographical fiction and novels) influence the representation of the Kindertransport. Her theoretical approach is sophisticated, her selection of texts judicious and representative. Homer's contribution to the study of the reception history of the Kindertransport is important and timely.» (Bill Niven, Professor of Contemporary German History, Nottingham Trent University)«An immensely valuable intervention into studies of Kindertransport representations, this book invites readers into the ambiguities of memory. With clarity and confidence, the book explores the liberating creative potential of autobiographical fiction and polyphonic fictional voices which have reimagined the places and perspectives on Kindertransport as a migratory experience and literary compulsion. The book makes an important contribution to our understanding of Kindertransport literature as a genuinely transnational genre of witnessing and re-witnessing.» (Dr Simone Gigliotti, Senior Lecturer in Holocaust Studies, Royal Holloway, University of London)With the dwindling number of Kindertransportees alive today, the living memory of this rescue operation is being transformed into cultural memory, a trend noticeable in the publication of popular Kindertransport fiction since the beginning of the twenty-first century. This change in memory invites the following questions: how is the child refugee's experience remembered, represented and reimagined in literature? And, consequently, what understanding of the Kindertransport is being transmitted to the following generations?Drawing on understandings of genre, narratology and empathy, this book examines works in English, German and Dutch from three literary genres: memoirs and autobiographical fiction by Kindertransportees and recent fiction by authors with no first-hand experience of the Kindertransport. This study exposes the various conventions, tensions and reader expectations attached to each genre and how these influence the author's construction of the text and, in turn, the nature of the representation. This topical research engages in debates at the heart of current discussions on Holocaust and Kindertransport memory, such as the limits of representability, the «unspeakability» of trauma, and issues of ethics and aesthetics in a post-survivor era.
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    NATIONAL BESTSELLER Celebrate the legacy of The Empire Strikes Back with this exciting reimagining of the timeless film featuring new perspectives from forty acclaimed authors. On May 21, 1980, Star Wars became a true saga with the release of The Empire Strikes Back. In honor of the fortieth anniversary, forty storytellers re-create an iconic scene from The Empire Strikes Back through the eyes of a supporting character, from heroes and villains, to droids and creatures. From a Certain Point of View features contributions by bestselling authors and trendsetting artists: Austin Walker explores the unlikely partnership of bounty hunters Dengar and IG-88 as they pursue Han Solo. Hank Green chronicles the life of a naturalist caring for tauntauns on the frozen world of Hoth. Tracy Deonn delves into the dark heart of the Dagobah cave where Luke confronts a terrifying vision. Martha Wells reveals the world of the Ugnaught clans who dwell in the depths of Cloud City. Mark Oshiro recounts the wampa's tragic tale of loss and survival. Seth Dickinson interrogates the cost of serving a ruthless empire aboard the bridge of a doomed Imperial starship.Plus more hilarious, heartbreaking, and astonishing tales from:Tom Angleberger, Sarwat Chadda, S. A. Chakraborty, Mike Chen, Adam Christopher, Katie Cook, Zoraida Córdova, Delilah S. Dawson, Alexander Freed, Jason Fry, Christie Golden, Rob Hart, Lydia Kang, Michael Kogge, R. F. Kuang, C. B. Lee, Mackenzi Lee, John Jackson Miller, Michael Moreci, Daniel José Older, Amy Ratcliffe, Beth Revis, Lilliam Rivera, Cavan Scott, Emily Skrutskie, Karen Strong, Anne Toole, Catherynne M. Valente, Django Wexler, Kiersten White, Gary Whitta, Brittany N. Williams, Charles Yu, Jim ZubAll participating authors have generously forgone any compensation for their stories. Instead, their proceeds will be donated to First Book a leading nonprofit that provides new books, learning materials, and other essentials to educators and organizations serving children in need. To further celebrate the launch of this book and both companies longstanding relationships with First Book, Penguin Random House will donate $100,000 to First Book and Disney/Lucasfilm will donate 100,000 children s books valued at $1,000,000 to support First Book and their mission of providing equal access to quality education.
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    An Indigenous resistance historiography, poetry that interrogates the colonial violence of the archive







 Whitemud Walking is about the land Matthew Weigel was born on and the institutions that occupy that land. It is about the interrelatedness of his own story with that of the colonial history of Canada, which considers the numbered treaties of the North-West to be historical and completed events. But they are eternal agreements that entail complex reciprocity and obligations. The state and archival institutions work together to sequester documents and knowledge in ways that resonate violently in people's lives, including the dispossession and extinguishment of Indigenous title to land.







Using photos, documents, and recordings that are about or involve his ancestors, but are kept in archives, Weigel examines the consequences of this erasure and sequestration. Memories cling to documents and sometimes this palimpsest can be read, other times the margins must be centered to gain a fuller picture. Whitemud Walking is a genre-bending work of visual and lyric poetry, non-fiction prose, photography, and digital art and design. "Whitemud Walking is so smart and so ceaselessly innovative. It represents for me a fully assured instantiation of the Indigenous literary project: a confrontation of history's terrors head on and an articulation in the present of our beauty and indomitability. Weigel refuses the archive's efforts to flatten Indigenous subjectivity and, in so doing, opens up a kind of boundless space to remember and grieve but also to hope and imagine otherwise. A deeply felt accomplishment." -Billy-Ray Belcourt, author of A History of My Brief Body"Whitemud Walking is a testament to the power of grief and outrage that so much theft has been allowed to bulldoze Indigenous land rights. Matthew James Weigel's passion for research both honours and mourns what has been trampled and lied about. This is a devastating read but one to learn from. Mahsi cho, Matthew. Your grief is our call to action to learn our own histories and build upon our own Indigenous testimonies of what really happened and when and who was there to witness it. Mahsi cho." -Richard Van Camp, Tlicho Dene author of The Lesser Blessed and Moccasin Square Gardens"Whitemud Walking is a textual ecology, that through archival troubling, sampling, and reframing, allows the material, human, truly cellular historicity of treaty to enter as a living presence in our contemporary moment. Weigel writes, 'Here treaty means reciprocity and obligation. Here, treaty lasts forever'. This book is not the document you may hold in your hands but the shift in consciousness it foments within you. It is a gift." -Liz Howard, author of Infinite Citizen of the Shaking Tent"Echoing the caw and grackle of magpies, Matthew James Weigel's Whitemud Walking lives the sound of Treaty 6. Voices whisper sanctuary in creekbeds, papers rustle precedence in archives; there's a buzz in your ear, a catch in your throat - listen." -Derek Beaulieu, Banff Poet Laureate
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    An Indigenous resistance historiography, poetry that interrogates the colonial violence of the archive







 Whitemud Walking is about the land Matthew Weigel was born on and the institutions that occupy that land. It is about the interrelatedness of his own story with that of the colonial history of Canada, which considers the numbered treaties of the North-West to be historical and completed events. But they are eternal agreements that entail complex reciprocity and obligations. The state and archival institutions work together to sequester documents and knowledge in ways that resonate violently in people's lives, including the dispossession and extinguishment of Indigenous title to land.







Using photos, documents, and recordings that are about or involve his ancestors, but are kept in archives, Weigel examines the consequences of this erasure and sequestration. Memories cling to documents and sometimes this palimpsest can be read, other times the margins must be centered to gain a fuller picture. Whitemud Walking is a genre-bending work of visual and lyric poetry, non-fiction prose, photography, and digital art and design. "Whitemud Walking is so smart and so ceaselessly innovative. It represents for me a fully assured instantiation of the Indigenous literary project: a confrontation of history's terrors head on and an articulation in the present of our beauty and indomitability. Weigel refuses the archive's efforts to flatten Indigenous subjectivity and, in so doing, opens up a kind of boundless space to remember and grieve but also to hope and imagine otherwise. A deeply felt accomplishment." -Billy-Ray Belcourt, author of A History of My Brief Body"Whitemud Walking is a testament to the power of grief and outrage that so much theft has been allowed to bulldoze Indigenous land rights. Matthew James Weigel's passion for research both honours and mourns what has been trampled and lied about. This is a devastating read but one to learn from. Mahsi cho, Matthew. Your grief is our call to action to learn our own histories and build upon our own Indigenous testimonies of what really happened and when and who was there to witness it. Mahsi cho." -Richard Van Camp, Tlicho Dene author of The Lesser Blessed and Moccasin Square Gardens"Whitemud Walking is a textual ecology, that through archival troubling, sampling, and reframing, allows the material, human, truly cellular historicity of treaty to enter as a living presence in our contemporary moment. Weigel writes, 'Here treaty means reciprocity and obligation. Here, treaty lasts forever'. This book is not the document you may hold in your hands but the shift in consciousness it foments within you. It is a gift." -Liz Howard, author of Infinite Citizen of the Shaking Tent"Echoing the caw and grackle of magpies, Matthew James Weigel's Whitemud Walking lives the sound of Treaty 6. Voices whisper sanctuary in creekbeds, papers rustle precedence in archives; there's a buzz in your ear, a catch in your throat - listen." -Derek Beaulieu, Banff Poet Laureate
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    • Price: 7.99 EUR excl. shipping
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    In 1956, a band of international refugees flee Budapest, escaping the bloodshed of the Hungarian uprising. Among them are Lady Diana Ashmore (Deborah Kerr) and her lover, Hungarian Paul Kedes (Jason Robards, Jr..), who is forced to hide both his nationality and the wound he suffered in a street battle. The frightened refugees are halted at the Austrian border by Soviet Major Surov (Yul Brynner). Surov finds himself drawn to Diana as he interrogates the refugees in a hunt for suspicious persons. If Paul is discovered, everyone's life may be in danger. The Journey reunites Kerr and Brynner three years after they won acclaim in the King and I. Filmed on the Austro-Hungarian border by Anatole Litvak, this blend of Cold War thriller and human drama is 'exciting... an absorbing romantic adventure - a taut and tearing account of a plausible border incident.' (Bosley Crowther, the New York Times).
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